2010-11 Undergraduate Index A-Z
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| Title | Offering | Standing | Credits | Credits | When | F | W | S | Su | Description | Preparatory | Faculty | Days of Week | Multiple Standings | Start Quarters |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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Afro-Brazilian Dance (A)
Janelle Campoverde |
Course | FR - SRFreshmen - Senior | 2 | 02 | Weekend | FFall | Accompanied by live drumming, we will learn dances originating in Africa and migrating to Brazil during slavery. We will dance to the driving, rapturous beat from Brazil known as samba. For the people of the villages surrounding Rio de Janeiro, samba is considered their most intense, unambivalent joy. In addition, we will dance and sing to contemporary cross-cultural beat from Bahia: Samba-Reggae and the Candomble religious dances of the Orixas. We will also learn dances from other regions of Brazil, such as Baiao, Frevo and Maracatu. | Janelle Campoverde | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Afro-Brazilian Dance (A)
Janelle Campoverde |
Course | FR - SRFreshmen - Senior | 2 | 02 | Weekend | SSpring | Accompanied by live drumming, we will learn dances originating in Africa and migrating to Brazil during slavery. We will dance to the driving, rapturous beat from Brazil known as samba. For the people of the villages surrounding Rio de Janeiro, samba is considered their most intense, unambivalent joy. In addition, we will dance and sing to contemporary cross-cultural beat from Bahia: Samba-Reggae and the Candomble religious dances of the Orixas. We will also learn dances from other regions of Brazil, such as Baiao, Frevo and Maracatu. | Janelle Campoverde | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | ||||
|
Afro-Brazilian Dance (A)
Janelle Campoverde |
Course | FR - SRFreshmen - Senior | 2 | 02 | Weekend | WWinter | Accompanied by live drumming, we will learn dances originating in Africa and migrating to Brazil during slavery. We will dance to the driving, rapturous beat from Brazil known as samba. For the people of the villages surrounding Rio de Janeiro, samba is considered their most intense, unambivalent joy. In addition, we will dance and sing to contemporary cross-cultural beat from Bahia: Samba-Reggae and the Candomble religious dances of the Orixas. We will also learn dances from other regions of Brazil, such as Baiao, Frevo and Maracatu. | Janelle Campoverde | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | ||||
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Afro-Brazilian Dance (B)
Janelle Campoverde |
Course | FR - SRFreshmen - Senior | 2 | 02 | Weekend | SSpring | Accompanied by live drumming, we will learn dances originating in Africa and migrating to Brazil during slavery. We will dance to the driving, rapturous beat from Brazil known as samba. For the people of the villages surrounding Rio de Janeiro, samba is considered their most intense, unambivalent joy. In addition, we will dance and sing to contemporary cross-cultural beat from Bahia: Samba-Reggae and the Candomble religious dances of the Orixas. We will also learn dances from other regions of Brazil, such as Baiao, Frevo and Maracatu. | Janelle Campoverde | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | ||||
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Afro-Brazilian Dance (B)
Janelle Campoverde |
Course | FR - SRFreshmen - Senior | 2 | 02 | Weekend | WWinter | Accompanied by live drumming, we will learn dances originating in Africa and migrating to Brazil during slavery. We will dance to the driving, rapturous beat from Brazil known as samba. For the people of the villages surrounding Rio de Janeiro, samba is considered their most intense, unambivalent joy. In addition, we will dance and sing to contemporary cross-cultural beat from Bahia: Samba-Reggae and the Candomble religious dances of the Orixas. We will also learn dances from other regions of Brazil, such as Baiao, Frevo and Maracatu. | Janelle Campoverde | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | ||||
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Afro-Brazilian Dance (B)
Janelle Campoverde |
Course | FR - SRFreshmen - Senior | 2 | 02 | Weekend | FFall | Accompanied by live drumming, we will learn dances originating in Africa and migrating to Brazil during slavery. We will dance to the driving, rapturous beat from Brazil known as samba. For the people of the villages surrounding Rio de Janeiro, samba is considered their most intense, unambivalent joy. In addition, we will dance and sing to contemporary cross-cultural beat from Bahia: Samba-Reggae and the Candomble religious dances of the Orixas. We will also learn dances from other regions of Brazil, such as Baiao, Frevo and Maracatu. | Janelle Campoverde | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Arts in New York
Ariel Goldberger architecture art history dance music theater visual arts Signature Required: Spring |
Program | FR - SRFreshmen - Senior | 16 | 16 | Day | SSpring | The program will immerse students in studying the intense and lively cultural life of New York City, the most active arts production center in the United States, and perhaps the world. Classes will meet weekly in different cultural institutions to participate in art events as active audience members, to develop an educated and critical appreciation of the richness, complexity and current trends of artistic production in New York. The class will spend two weeks on campus doing preparatory research in areas of the student's interest in order to create the structure for an individual project or practicum. Students may choose to create a project by engaging in artistic work, research, or both. Students will be responsible for making all necessary arrangements for room and board, as well as budgeting for individual event tickets. All students will be expected to present a final report of their experience and project by week ten in Olympia, unless specifically negotiated in advance with the faculty. After the initial two weeks research and preparation, participants in the program will fly to New York City for six or seven weeks, where they will engage in group and individual activities, depending on each student practicum or project. Students will attend a mix of both all-program events and events related to each student's project. The class will attend events in a wide range of sites, from established world renowned institutions to emergent art spaces. Depending on the season, performance events may include events in places such as PS 122, La MAMA, The Kitchen, HERE Art Center, off-off-Broadway small theaters, the Brooklyn Academy of Music, Broadway productions, and Lincoln Center. Regular dance events may include modern dance performances, experimental works, festivals at the Joyce Theater, and more traditional ballet events in venues such as the New York City Ballet. Specific visual arts events may consist of trips to the gallery "scene" in Chelsea, PS1, MOMA, DIA Arts Center, The Met, under the radar spaces, and other sites. We may attend poetry readings at places such as The Bowery Poetry Club, the Nuyorican Poets Cafe, The St. Marks Poetry Project, The Academy of American Poets, The New York Public Library, other spaces. The class will also endeavor to attend other culturally relevant institutions such as the Japan Society, the Asia Society, The Jewish Museum, The Schomburg Center, The Dwyer Cultural Center and El Museo del Barrio to experience a wide range of cultural diversity. Most weekly group activities will be followed by a discussion or seminar. The final week of the quarter will be spent back on campus in Olympia, completing final report presentations for the whole class. | humanities, cultural studies, arts, social sciences, and the leisure and tourism industry. | Ariel Goldberger | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | ||||
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Ballet (A)
Jehrin Alexandria |
Course | FR - SRFreshmen - Senior | 2 | 02 | Day | FFall | In this course, students will learn fundamentals of ballet and gain greater physical flexibility and coordination. In addition, we will practice developmental movement therapy, Pilates and visualization exercises, and learn to apply them to achieve heightened awareness of self through movement both in and outside class. | Jehrin Alexandria | Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Ballet (A)
Jehrin Alexandria |
Course | FR - SRFreshmen - Senior | 2 | 02 | Day | WWinter | In this course, students will learn fundamentals of ballet and gain greater physical flexibility and coordination. In addition, we will practice developmental movement therapy, Pilates and visualization exercises, and learn to apply them to achieve heightened awareness of self through movement both in and outside class. Advanced or continuing students are encouraged to register for Section B. | Jehrin Alexandria | Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | ||||
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Ballet (A)
Jehrin Alexandria |
Course | FR - SRFreshmen - Senior | 2 | 02 | Evening | SSpring | In this course, students will learn fundamentals of ballet and gain greater physical flexibility and coordination. In addition, we will practice developmental movement therapy, Pilates and visualization exercises, and learn to apply them to achieve heightened awareness of self through movement both in and outside class. | Jehrin Alexandria | Mon | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | ||||
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Ballet (B)
Jehrin Alexandria |
Course | FR - SRFreshmen - Senior | 2 | 02 | Day | WWinter | In this course, students will learn fundamentals of ballet and gain greater physical flexibility and coordination. In addition, we will practice developmental movement therapy, Pilates and visualization exercises, and learn to apply them to achieve heightened awareness of self through movement both in and outside class. Section B is designed for advanced or continuing students. | Jehrin Alexandria | Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | ||||
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Ballet (B)
Jehrin Alexandria |
Course | FR - SRFreshmen - Senior | 2 | 02 | Day | FFall | In this course, students will learn fundamentals of ballet and gain greater physical flexibility and coordination. In addition, we will practice developmental movement therapy, Pilates and visualization exercises, and learn to apply them to achieve heightened awareness of self through movement both in and outside class. | Jehrin Alexandria | Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Ballet (B)
Jehrin Alexandria |
Course | FR - SRFreshmen - Senior | 2 | 02 | Day | SSpring | In this course, students will learn fundamentals of ballet and gain greater physical flexibility and coordination. In addition, we will practice developmental movement therapy, Pilates and visualization exercises, and learn to apply them to achieve heightened awareness of self through movement both in and outside class. | Jehrin Alexandria | Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | ||||
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Creating Dance
Jehrin Alexandria and Kabby Mitchell |
Course | FR - SRFreshmen - Senior | 2, 4 | 02 04 | Evening | SuSummer | This class is designed to allow students to explore the roots of dance and its progression into structure. We will look at what dance was originally used for and how we utilize it in our present culture. There is a componant of classical ballet and contemporary dance within the program that may be taken separately for 2 credits. | performance production, directing, dance, choreography, teaching | Jehrin Alexandria Kabby Mitchell | Tue Wed Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | |||
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Dance of Consciousness
Sarah Williams, Donald Middendorf and Ratna Roy anthropology consciousness studies cultural studies dance gender and women's studies religious studies somatic studies |
Program | FR - SRFreshmen - Senior | 16 | 16 | Day | FFall | WWinter | SSpring | –Isa Upanishad The “it” that defies definition in this 2nd century BCE sacred text has become an equally perplexing focus of study—a “question that towers above all others” according to —in the contemporary life sciences. What is consciousness? Our inquiry will hold open this question within an intentional learning community for nine months as we explore dance as metaphor and practice for how mystics, as well as scholars, artists and scientists, experience the movement of consciousness. If you want answers, especially answers that someone else can provide, this program isn’t for you. "If you want to think about consciousness, perplexity is necessary—mind-boggling, brain-hurting, I can't bear to think about this stupid problem any more perplexity...” advises Susan Blackmore. Furthermore, she says, “if you do not wish your brain to hurt (though of course strictly speaking brains cannot hurt because they do not have any pain receptors—and, come to think of it, if your toe, which does have pain receptors, hurts, is it really your toe that is hurting?), stop reading now or choose a more tractable problem to study." This program is an invitation to explore the movement of consciousness in relationship to Indian and Greek wisdom traditions. We’ll practice Orissi dance, study our dreams as science and science as dream, and read postcolonial Indian English literature as manifestations of the dance of consciousness. Our work will include lectures, book seminars, films, workshops (dance and yoga), introspective journaling (dreams), and what an Evergreen faculty elder named “autobiomythography” in order to explore the multidimensional movements of consciousness. We'll consider anew mythic texts that bridge beliefs about East and West, mysticism and science, such as Gary Zukav’s and Fritjof Capra’s , that have formed consciousness studies from such fields of inquiry as transpersonal psychology, ecofeminism, somatics, ecopsychology, neurobiology and quantum physics. Students should expect to work 40 hours per week and will benefit most from a full-year commitment. During spring quarter students will have the opportunity to focus more intensely on specific program themes and practices by developing research projects, workshops, in-program internships, and individual studies. All students should expect to use intensely experiential methods to explore the dance of consciousness in a collaborative manner that creates and sustains a yearlong intentional learning community. | anthropology, feminist studies, consciousness studies and dance, mythology, psychology, yoga, and postcolonial literature. | Sarah Williams Donald Middendorf Ratna Roy | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||
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Dance Ritual: Ancient and Contemporary
Joanna Cashman |
Course | FR - SRFreshmen - Senior | 4 | 04 | Evening | SuSummer | What can we learn about ourselves from the multi-cultural history and practice of dance ritual? How can we reclaim the ancient wisdom of ancestors who honored the powerful need for expressive body movement, community cohesion, and transcendence. American dance icon Anna Halprin, author of Moving Towards Life: Five Decades of Transformational Dance, reminds us that “We are in need of exorcising the societal and personal blocks that interfere with the celebration and spirituality of the life force.” We will explore the ancient dance ritual practices of our ancestors as a foundation for understanding how dance rituals meet fundamental human needs. This foundation will carry us into the work of contemporary dance choreographers and inspire the creation of our own personally meaningful dance/movement rituals. No prior dance experience required. | dance therapy, psychology, choreography, expressive arts therapy | Joanna Cashman | Mon Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | |||
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Experiments in Theatre and Dance
Walter Grodzik and Robert Esposito aesthetics art history consciousness studies cultural studies dance linguistics literature somatic studies theater Signature Required: Spring |
Program | FR - SRFreshmen - Senior | 16 | 16 | Day | WWinter | SSpring | How do literal and non-representational gestures combine to create a unique poetics of action? How are emotions and ideas rendered in movement? How does the abstract design of space, time and motion support or subvert the spoken word? This two-quarter program will engage students in an active exploration of theater, movement and modern dance. Winter quarter will be devoted to building competency in separate modern dance and theater workshops, with two collaborative performance projects aimed at developing a final concert project in spring quarter. Students will continue building performance and collaborative skills through theater, movement and dance workshops, improvisation and composition in spring quarter. We will explore how verbal and non-verbal performance works contextualize and enhance each other by reading and analyzing various texts on theatre and dance. We will explore theories of dance theatre through structured solo and group improvisation, by creating original compositions, and in seminar discussions. Spring quarter will culminate in a public, collaborative concert. : Theater emphasis-20083 (Freshmen), 20084 (Sophomores-Seniors) Dance emphasis-20366 (Freshmen), 20367 (Sophomores-Seniors) | theatre, dance, and the performing arts. | Walter Grodzik Robert Esposito | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | |||
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Making Dances: Creative Process in Motion
Robert Esposito aesthetics art history consciousness studies dance linguistics physiology somatic studies theater |
Program | FR - SRFreshmen - Senior | 16 | 16 | Day | FFall | This focused one-quarter program centers on progressive study in Laban-based modern dance composition/choreography. Activities include technique, theory/improvisation/seminar, and composition classes. Technique is based in basic anatomy and principles of dance kinesiology, not style, period or ethnicity. Students learn how to make dances from their own sensory, emotional, cognitive, and behavioral experience by developing skills in modern dance technique, theory/improvisation, composition, performance, and critical analysis. This multidimensional approach to creative dance develops a kinesthetic vocabulary drawing on linguistics, poetics, architecture, visual arts, art history, anatomy, and choreography. The course includes units on diet, injury prevention, and somatic therapy. Strength, range, poise, and depth are developed though Pilates-based floor barre and Hanna/Feldenkrais-based Somatics. Seminar will focus on building verbal and non-verbal skills aimed at critical analysis of the history of art, choreography, and their socio-cultural contexts. Writing will focus on the development of a journal using action language, visual art, and poetics. The program culminates with a Week Ten concert of student and faculty and/or guest choreography. | criticism, dance, expressive arts, movement therapy, and somatic studies. | Robert Esposito | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Music and Movement in Nature and Culture
Andrew Buchman, Kabby Mitchell and Sean Williams |
Program | SO - SRSophomore - Senior | 16 | 16 | Day | FFall | WWinter | SSpring | This performing arts program explores societal concepts, artistic behaviors, and reactions to music and dance in cultural and physical contexts. Themes include the exploration of music and dance in relation to the natural world, and the intersections of music and dance with gender, spirituality, urbanization and social change. After establishing a firm base of concepts, skills and approaches together in the fall, we will emphasize thematic and/or regional work and individual or small group projects during the winter term. Spring quarter offers the opportunity for students to engage in individual fieldwork studies with performing artists off campus. With some serious preparatory reading and listening, students may join the group in winter on a space-available basis, but not in spring. A deep interest in music and/or dance is expected, and prior study, formal or informal, will help. Students will be expected to do significant reading, writing and study of musical texts and choreography—especially field recordings, videos and ethnographies. Knowing how to read music will help you; if you do not, we will teach you. We will engage in critical listening and viewing (analyses of what we hear and watch), and transcription—simple, quick ways to write music and dance movements down so that you can look at them in different ways. Those with previous training will do work at their level, but such training is not expected. If you're a serious student, you will do well in this program. Other activities are likely to include choreography, composition, field trips, instrument building, research projects, papers and presentations. If funds are available, we will have workshops by visiting artists. We will have periodic performances and critiques of work by students in the program. Expect to work hard on developing your performance skills in a musical instrument or dance genre, practice regularly and perform. The goal of this study is not necessarily a performing career, but rather the development of insights into the performing arts that only hands-on, experiential work can provide. We cannot subsidize private lessons, but we will provide a steady, challenging and safe forum for performance, critique, and creative and intellectual growth. | anthropology, cultural studies, dance, ethnomusicology, and music. | Andrew Buchman Kabby Mitchell Sean Williams | Sophomore SO Junior JR Senior SR | Fall | ||
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Odissi Intensive
Jamie Colley |
Course | FR - SRFreshmen - Senior | 4, 8 | 04 08 | Evening and Weekend | SuSummer | Odissi dance is a lyrical mix of percusive rhythms and graceful, statuesque postures. It originated in the temples of India and is widely consisdered the oldest classical dance still practiced today. Students will increase strength, stamina and flexability, while exploring the rich literature and philosophy of the culture. This class will focus on the form and technique of Odissi, as well as the historical, philosophical and spiritual study of India. | dance, dance ethnography, South Asian studies, comparitive religion | Jamie Colley | Tue Thu Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | |||
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Orissi Dance
Jamie Colley |
Course | FR - SRFreshmen - Senior | 4 | 04 | Evening | FFall | Orissi, one of the major classical dance styles of India, combines both rhythmic movement and expressive mime. This class will be devoted to the principles of Orissi dance: the synthesis of foot, wrist, hand and face movement in a lyrical flow to express the philosophy of yoga. Throughout the quarter we will study tala (rhythm). Students will keep a journal of class notes, discuss the readings and have cross-cultural dialogues. | Jamie Colley | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | ||||
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Orissi Dance
Jamie Colley |
Course | FR - SRFreshmen - Senior | 4 | 04 | Evening | SSpring | Orissi, one of the major classical dance styles of India, combines both rhythmic movement and expressive mime. This class will be devoted to the principles of Orissi dance: the synthesis of foot, wrist, hand, and face movement in a lyrical flow to express the philosophy of yoga. Throughout the quarter we will study tala (rhythm). Students will keep a journal of class notes, discuss the readings, and have cross-cultural dialogues. | Jamie Colley | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Spring |