India Performing Arts Bibliography
Arnold, Alison E.
1992 "Aspects of Production and Consumption in the Popular Hindi Film
Industry," in Asian Music 24/1:122-136.
1991 "Tonight Amar Singh Rathore: Marwari Khyal in Transition,"
Theatre Journal 8/2:142-167.
Balasubramanyan, V.K., S. Naranan, and Saroja Balasubramanyan
1994 "Karnatic Music Viewed from an Information Theory
Perspective," in Journal of the Indian Musicological Society 25:14-26.
Banerjee, Utpal K.
1994 Indian Performing Arts. 2nd rev. ed. New Delhi:
Vikas Publishing House.
1991 Music and Bharatanatyam. Delhi: Sundeep Prakashan.
1994 "Can Computers Play a Role in Karnatic Music?" in Journal
of the Indian
Musicological Society 25:31-39.
1990 "The Concept of Creative Compositions (Bandish) with
Reference to Kathak," in Journal of the Indian Musicological Society
Bhave, S.S. et al
1994 "Computers and Hindustani Music: A Perspective," in
Journal of the Indian Musicological Society 25:1-13.
Bhayani, H.C. and Hasu Yagnik
1991 "Krsna in the Gujarati Folk-song Tradition," in
Devotion Divine, ed. by D.L. Eck and F. Mallison.
Booth, Gregory D.
1991 "Disco Laggi: Modern Repertoire and Traditional Performance Practice
North Indian Popular Music," in Asian Music 23/1:61-83.
1993 "Traditional Practice and Mass Mediated Music in India,"
in International Review of the Aesthetics and Sociology of
Chakraborty, Mriganka Sekhar
1992 Indian Musicology: Melodic Structure. Calcutta: Firm KLM.
Chaudhuri, Debu, ed.
1993 Indian Music and Ustad Mushtaq Ali Khan. New Delhi: Har-Anand
1992 "Aspects of Documentation and Mass Media: A Viewpoint from India,"
in World Music, Musics of the World, ed. by Max Peter Baumann.
1989 The Sitar Book: A Practical Guide to Playing the Sitar.
London: Asian Educational Resources Centre.
1994 Fundamentals of Tabla. Houston: Sur Sangeet Services.
1993 Musicians of India: Past and Present Gharanas of Hindustani Music and
Genealogies. Calcutta: Naya Prokash.
Daugherty, Diane, and Marlene Pitkow
1991 "Who Wears the Skirts in Kathakali," in The Drama Review
1990 "Characteristics of the Bandish, 'The Tillana' of Karnatak
Music," in Journal of the Indian Musicological Society 21/1-2:67-71.
1990 "Bandish in Khyal: Basic Concept and its Application," in
Journal of the Indian Musicological Society 21/1-2:41-43.
Hanna, Judith Lynne
1991 "Advantages of Bharat Natyam," in Dance Theatre Journal
1993 "Classical Indian Dance and Women's Status." In Dance, Gender
and Culture, ed. by Helen Thomas, pp.119-135. London: Macmillan.
1992 Grounds for Play: The Nautanki Theatre of North India.
Berkeley: University of California Press.
1994 "Scroll Painters (patuya) and Storytelling in Bengal: Patterns
of Payment and Performance," in Jahrbuch für musikalische Volks-
und Völkerkunde 15:75-123.
1993 "A Fresh Look at Nrtta," in Dance Research 11/2:3-15.
1992 "Features of the Kriti: A Song Form Developed by
Tyagaraja," in Asian Music 24/1:19-66.
1989 "Ahobala Pandita's Contribution to Indian Music," in
Journal of the Indian Musicological Society 20/1-2:47-51.
1993 The Ragas of North India. Reprint edition. Sittingbourne: Asia Publishing.
1989 "Changes in the Social Status of Tabla Players," in
Journal of the Indian Musicological Society 20/1-2:37-46.
1992 "Tabla Drumming and the Human-Computer Interaction," in The
World of Music 34/3:72-98.
Kliger, George, ed.
1993 Bharata Natyam in Cultural Perspective. New Delhi:
Manohar Publishers, American Institute of Indian Studies.
1993 Cassette Culture: Popular Music and Technology in North
India. Chicago: University of Chicago Press.
1992 "Recycling Indian Film-Songs: Popular Music as a Source
of Melodies for North Indian Folk Musicians," in Asian Music 24/1:101-110.
1994 "Parody-Generated Texts: The Process of Composition in
Biraha, a North Indian Folk Music Genre," in Asian Music 26/1:95-147.
1993 "Why Hindustani Musicians are Good Cooks: Analogies Between Music
and Food in North India," in Asian Music 25/1-2:69-80.
1992 Sitar and Sarod in the 18th and 19th Centuries. Intercultural Music
Studies, 5. Wilhelmshaven: Florian Noetzel.
Mistry, Aban E.
1990 "Divergence and Intricacies in the Compositional Techniques of
the Different Baaj/Charane in Tabala Vadan," in Journal of the Indian
Musicological Society 21/1-2:72-96.
1990 "The Place of 'Compositions' or 'Bandish' in Raga Music,"
in Journal of the Indian Musicological Society 21/1-2:12-22.
1994 "Old and New Systems of Teaching Tabla," in Journal of
the Indian Musicological Society 25:40-50.
1994 Bhimsen Joshi: a Biography. 2nd edition. New Delhi: Indus.
1990 "Reflections and Recollection on the Compositions of Ustad Fayaaz
Khan," in Journal of the Indian Musicological Society 21/1-2:12-22.
1990 "Text and Texture in Compositions of Hindustani and Carnatic Music:
A Comparative Note," in Journal of the Indian Musicological Society
Narayan, G. Raj
1994 "Electronic Synthesis of Indian Musical Instruments," in
Journal of the Indian Musicological Society 25:27-30.
1990 "Concept of Bandish in Different Musical Traditions," in
Journal of the Indian Musicological Society 21/1-2:33-37.
Neuman, Daniel M.
1990 The Life of Music in North India: The Organization of
an Artistic Tradition. Reprint edition. Chicago: University of Chicago Press.
1994 "Is Music a 'Social Text'? A Comparative Survey of Sound, Context
and Concept in Indian Ghazal Singing," in Canadian Folk Music Bulletin
1990 "Bandish on Instruments," in Journal of the Indian Musicological
1990 "Compositional Diversities: Patterns in Karnatak Music,"
in Journal of the Indian Musicological Society 21/1-2:55-58.
1994 The Origin and Development of Dhrupad and its Bearing on Instrumental
Music. Calcutta: K.P. Bagchi.
1991 "Songs of the Sikh Resistance Movement," in Asian Music
1994 "Indian Music in the Indian School in South Africa: the
Use of Cultural Forms as a Political Tool," in Ethnomusicology 38/2:281-302.
1994 "The Emergence of Modern Concert Platform in Bombay," in
Journal of the Indian Musicological Society 25:51-55.
1991 The Varnam: A Special Form in Karnatak Music. New
Delhi: Harman Publishing House.
Ranade, Ashok Da
1990 Keywords and Concepts: Hindustani Classical Music. New Delhi: Promilla.
1992 Indology and Ethnomusicology: Contours of the
Indo-British Relationship. New Delhi: Promilla.
1993 "Forgotten Patterns: Mirkhand and Amir Khan," in
Asian Music 24/2:89-109.
1991 Introduction to the Classical Music of North India, vol.I.
St. Louis, MO: East Bay Books.
1990 "New Creations in Karnatak Music," in Journal of the Indian
Musicological Society 21/1-2:59-66.
Sengupta, Pradip Kumar
1991 Foundations of Indian Musicology: Perspectives in the
Philosophy of Art and Culture. New Delhi: Abhivav.
Sharma, Prem Lata
1990 "The Treatment of Musical Composition in the Indian
Textual Tradition," in Journal of the Indian Musicological Society
1992 "Aspects of Cosmological Symbolism in Hindusthani Musical Forms,"
in Asian Music 24/1:67-89.
1989 "A Note on Samavedic Music," in Journal of the Indian
Musicological Society 20/1-2:17-18.
1994 "Marathi Lavani in Tamilnadu," in Journal of the Indian Musicological
1990 "A Note on Giti, Gana and Prabandh Compositional Styles of Ancient
Music," in Journal of the Indian Musicological Society 21/1-2:7-11.
Thompson, Gordon R.
1991 "The Carans of Gujarat: Caste Identity, Music, and Cultural Change,"
in Ethnomusicology 35/3:381-391.
1992 "The Barots of Gujarati-Speaking Western India:
Musicianship and Caste Identity," in Asian Music 24/1:1-17.
1995 "What's in a Dhal? Evidence of Raga-like Approaches in a Gujarati
Musical Tradition," in Ethnomusicology 39/3:417-432.
1993 "The Geography of Raga in Ancient India," in The World
of Music 35/3:35-50.
1994 "Involving the Performers in Transcription and Analysis: A Collaborative
Approach to Dhrupad," in Ethnomusicology 38/1:59-79.
1995 The Ragas of Early Indian Music: Modes, Melodies and Musical Notations
from the Gupta Period to c.1250. Oxford Monographs on Music. Oxford: Clarendon
Wolf, Richard Kent
1991 "Style and Tradition in Karaikkudi Vina Playing," in
Asian Theatre Journal 8/2:119-141.
1994 "An Ocean of Possibilities: From Lokadharmi to Natyadharmi in
a Kathakali Santanagopalam," in Comparative Drama 28/1:67-89.