Indonesia Performing Arts Bibliography
Abidin, Andi Zainal
1974 "The I La Galigo Epic Cycle of South Celebes and Its Diffusion
[trans. C. C. Macknight]," in Indonesia 17:161- 169.
Adams, Marie Jeanne (Monni)
1981 "Instruments and Songs of Sumba, Indonesia: a Preliminary Survey,"
in Asian Music 13:73-83.
1965 Mythology and the Tolerance of the Javanese. Ithaca: Cornell University.
Monograph Series, Modern Indonesia Project.
1993 "The Training of Female Court Dancers in Yogyakarta:a Comparative
Study of Two Eras," in UCLA Journal of Dance Ethnology 17:52-57.
Aragon, Lorraine V.
1996 "Suppressed and Revised Performances: Raego' Songs of Central
Sulawesi," in Ethnomusicology 40/3:413-439.
Arjo, Irawati Durban
1989 "Women's Dance Among the Sundanese of West Java, Indonesia,"
in Asian Theatre Journal 6(2):168-178.
1992 Tembang in Two Traditions: Performance and Interpretation of Javanese
Literature. London: School of Oriental and African Studies.
1993 Performance in Java and Bali: Studies of Narrative, Theatre, Music,
and Dance. London: School of Oriental and African Studies.
Baier, Randal E.
1985 "The Angklung Ensemble of West Java: Continuity of an Agricultural
Tradition," in Balungan 2:8-16.
1986 "Si Duriat Keueung: The Sundanese Angklung Ensemble of West Java,
Indonesia." M.A. thesis. Wesleyan University.
Bandem, I Made
1980 "Bali: Music." The New Grove, ed. Stanley Sadie. London:
Bandem, I Made, and Fredrik Eugene deBoer
1981 Kaja and Kelod: Balinese Dance in Transition. Selangor: Oxford University
Belo, Jane, ed.
1970 Traditional Balinese Culture. New York: Columbia University Press.
1990 "A Turtle Turned on the Sand in the Kei Islands; Society's Shares
and Values." Bijdragen tot de Taal-, Land- en Volkenkunde 1:146:35-55.
1996 "The Troubled Grass and the Bamboo's Cry: The Significance of
the Rotinese Sasandu." In The Asian Arts Society of Australia Review
Becker, A. L.
1979 "Text Building, Epistemology, and Aesthetics in Javanese Shadow
Theater." In Becker and Yengoyan 1979:211-243.
Becker, A.L., and Judith Becker
1983  "A Grammar of the Musical Genre Srepegan." Asian Music
1981 "A Musical Icon: Power and Meaning in Javanese Gamelan Music."
In The Sign in Music and Literature, ed. Wendy Steiner (Austin: University
of Texas Press), 203-215.
Becker, A.L., and Aram Yengoyan, eds.
1979 The Imagination of Reality: Essays in Southeast Asian Coherence Systems.
Norwood, New Jersey: Ablex
1975 "Kroncong, Indonesian Popular Music," in Asian Music 7(1):14-19.
1979a "Time and Tune in Java." In Becker and Yengoyan 1979:197-210.
1979b "People Who Sing; People Who Dance." In What is Modern Indonesian
Culture? ed. Gloria Davis (Athens, Ohio: Ohio University Center for International
1980 Traditional Music in Modern Java: Gamelan in a Changing Society. Honolulu:
University of Hawai@'i Press.
1988 "Earth, Fire, Sakti, and the Javanese Gamelan," in Ethnomusicology
1991 "The Javanese Court Bedhaya Dance as a Tantric Analogy."
In Metaphor: A Musical Dimension, ed. Jamie C. Kassler (Sydney: Currency
1993 Gamelan Stories: Tantrism, Islam, and Aesthetics in Central Java. Monographs
in Southeast Asian Studies. Tempe: Arizona State University.
Becker, Judith, and Alan Feinstein, eds.
1984, 1987, 1988 Karawitan: Source Readings in Javanese Gamelan and Vocal
Music. 3 vols. Ann Arbor, Michigan: Center for South and Southeast Asian
Studies, University of Michigan.
1992 The Bedhaya Court Dances of Central Java. Leiden: E. J. Brill.
Brandon, James R.
1967 Theatre in Southeast Asia. Cambridge, MA: Harvard University Press.
1970 On Thrones of Gold: Three Javanese Shadow Plays. Cambridge, Mass.:
Harvard University Press.
Brinner, Benjamin E.
1989-90 "At the Border of Sound and Silence: The Use and Function of
Pathetan in Javanese Gamelan." Asian Music 21(1):1-34.
1992 "Performer Interaction in a New Form of Javanese Wayang."
In Essays on Southeast Asian Performing Arts: Local Manifestations and Cross-Cultural
Implications, ed. Kathy Foley (Berkeley: Centers for South and Southeast
Asia Studies, University of California), 96-114.
1993a "Freedom and Fomulaity in the Suling Playing of Bapak Tarnopangrawit."
Asian Music 24(2):1-37.
1993b "A Musical Time Capsule from Java." Journal of the American
Musicological Society 46(2):221-260.
1995a "Cultural Matrices and the Shaping of Innovation in Central Javanese
Performing Arts." Ethnomusicology 39(3):433-456.
1995b Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical
Competence and Interaction. Chicago: University of Chicago Press.
1993 "Nano S.'s Warna: A Life in Music," in Balungan 5/2:24-29.
1992 "The Music of Indonesia," in Excursions in World Music, ed.
by Bruno Nettl et al.
1995 "Contemporary Manifestations of Yemeni-Derived Song and Dance
in Indonesia," in Yearbook for Traditional Music 27:76-89.
1984 "Texts Through Time: The Golèk Dance of Java." In
Aesthetic Tradition and Cultural Transition in Java and Bali, ed. Stephanie
Morgan and Laurie Jo Sears (Madison: Center for Southeast Asian Studies,
University of Wisconsin), 51-81.
Clara van Groenendael, Victoria
1985 The Dalang behind the Wayang: The Role of the Surakarta and the Yogyakarta
Dalang in Indonesian-Javanese Society. Dordrecht, Holland, and Providence,
Rhode Island: Foris Publications. Verhandelingen van de Koninklijk Instituut
voor Taal-, Land- en Volkenkunde, 114.
1987 Wayang Theatre in Indonesia. Koninklijk Instituut voor Taal-, Land-
en Volkenkunde, Bibliographical Series 16. Dordrecht, Holland; Providence,
RI: Foris Publications.
1990 "Po-te-hi: The Chinese glove-puppet theatre in East Java."
Paper presented at the International Symposium on Indonesian Performing
Arts, School of Oriental and African Studies, University of London, July
1956 The Island of Bali. New York: Knopf.
1980 "Indonesia: East Java." The New Grove, ed. Stanley Sadie.
Crystal, Eric, and Catherine Crystal
1973 Music of Sulawesi. Notes to LP disk. Ethnic Folkways FE 4351.
DeVale, Sue Carole
1989 "Gong Forging in Bogor, West Java: The Process Through its Soundscape,"
in Pacific Review of Ethnomusicology 5:89-123.
DeVale, Sue Carole, and I Wayan Dibia
1991 "Sekar Anjar: An Exploration of Meaning in Balinese Gamelan."
The World of Music 33(1):5-51.
deBoer, Fredrik E.
1989 "Balinese Sendratari: a Modern Dramatic Dance Genre." Asian
Theatre Journal 6(2):179-193.
deBruin, Hanne M. and Clara Brakel-Papenyzen
1992 "The Death of Karna: Two Sides of a Story," in Asian Theatre
de Zoete, Beryl, and Walter Spies
1973  Dance and Drama in Bali. Selangor, Malaysia: Oxford University
Press. Dewantara, Ki Hadjar. 1964. Serat Sari Swara [Essence of Sound /
Voice], 2nd ed. Jakarta: P. N. Pradnjaparamita.
Ellis, Alexander J.
1884 "Tonometrical Observations on Some Existing Nonharmonic Musical
Scales." Proceedings of the Royal Society 37:368-385.
1988 "Flores: Cosmology, Art and Ritual." In Islands and Ancestors:
Indigenous Styles of Southeast Asia, ed. Jean-Paul Barbier and Douglas Newton
(Prestel: Munich),106- 119.
Falk, Catherine A.
1982 "The Tarawangsa Tradition in West Java." Ph.D. dissertation.
Foley, M. Kathleen
1979 "The Sundanese 'Wayang Golek': The Rod Puppet Theatre of West
Java." Ph.D. dissertation. University of Hawai'i.
1984. "Of Dalang and Dukun-Spirit and Men: Curing and Performance in
the Wayang of West Java." Asian Theatre Journal 1(1):52-75.
1985. "The Dancer and the Danced: Trance Dance and Theatrical Performance
in West Java." Asian Theatre Journal 2(1):28-49.
1986. "At the Graves of the Ancestors: Chronicle Plays in the Wayang
Cepak Puppet Theatre of Cirebon, Indonesia." In Historical Drama, ed.
James Redmond (Cambridge: Cambridge University Press [Themes in Drama, 8]),
1990. "My Bodies: the Performer in West Java." The Drama Review
1993 "Linking Past and Future: Asep Sunandar Sunarya, Irawati Durban
Arjo and Endo Suanda," in Balungan 5/2:19-23.
Forrest, Wayne Jeffrey
1980 "Concepts of Melodic Pattern in Contemporary Solonese Gamelan
Music," in Asian Music 11(2):53-127.
Fox, James J.
1974 "Our Ancestors Spoke in Pairs: Rotinese Views of Language, Dialect
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1977 Harvest of the Palm: Ecological Change in Eastern Indonesia. Cambridge,
London: Harvard University Press.
1979a "The Ceremonial System of Savu." In The Imagination of Reality:
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Yengoyan (Norwood: Ablex Publishing).
1979b "Standing in Time and Place: the Structure of Rotinese Historical
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A. Reid and D. Marr (Kuala Lumpur: Heinemann),10-25.
1988 To Speak in Pairs: Essays on the Ritual Languages of Eastern Indonesia,
ed. James J. Fox (Cambridge: Cambridge University Press), 1-28.
Frederick, William H.
1982 "Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian
Popular Culture." Indonesia 34:103-130.
1960 The Religion of Java. New York: Free Press.
Geirnaert, Danielle C.
1989 "The Pogo Nauta Ritual in Laboya (West Sumba): Of Tubers and Mamuli."
Bijdragen tot de Taal-, Land- en Volkenkunde 145 (4):445-463.
1992 "Musical Expression in the Gender Wayang Repertoire: A Bridge
Between Narrative and Ritual." In Schaareman 1992:245-275.
1979 "Melayu Music of North Sumatra." Ph.D. dissertation. Monash
1978 "Honey-Collecting Ceremonies on the East Coast of North Sumatra,"
in Studies in Indonesian Music, M. J. Kartomi (Clayton: Centre of Southeast
Asian Studies, Monash University), 1-44.
1986 "The Dancing Fish Trap (lukah menari): A Spirit Invocation Song
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Harnish, David D.
1985 "Musical Traditions of the Lombok Balinese: Antecedents from Bali
and Lombok." M.A. thesis. University of Hawaii.
1986 "Sasak Music in Lombok," in Balungan 2(3):17-22.
1988 "Religion and Music: Syncretism, Orthodox Islam, and Musical Change
in Lombok," in Selected Reports in Ethnomusicology 7:123-138.
1990 "The Preret of the Lombok Balinese: Transformation and Continuity
within a Sacred Tradition," in Selected Reports in Ethnomusicology
1991 "Music at the Lingsar Temple Festival: The Encapsulation of Meaning
in the Balinese / Sasak Interface in Lombok, Indonesia." Ph.D. dissertation.
University of California, Los Angeles.
1992 "The Performance, Context, and Meaning of Balinese Music in Lombok."
In Balinese Music in Context: A Sixty-Fifth Birthday Tribute to Hans Oesch,
ed. Danker Schaareman (Winterthur: Amadeus), 29-58.
1993-94 "The Future Meets the Past in the Present: Music and Buddhism
in Lombok," in Asian Music 25(1-2):29-50.
Harrell, Max Leigh
1974 "The Music of the Gamelan Degung of West Java." Ph.D. dissertation.
University of California, Los Angeles.
1975 "Some Aspects of Sundanese Music." Selected Reports in Ethnomusicology
1985 "The Concept of Pathet in Javanese Gamelan Music." Ph.D.
dissertation. University of Durham, England.
1976 "The Song is Ended: Changes in the Use of Macapat in Central Java,"
in Asian Music 7(2):59-71.
1979 "Towards a More Open Approach to the History of Javanese Music,"
in Indonesia 27:129-154.
1980 "Lagu, Laras, Layang: Rethinking Melody in Javanese Music."
Ph.D. dissertation. Cornell University.
1985 "Popular Music in Indonesia." In Popular Music Perspectives,
vol. 2, ed. D. Horn (Goteborg: The International Association for the Study
of Popular Music), 210-227.
1989 "Popular Music in Indonesia." In World Music, Politics and
Social Change: Papers from the International Association for the Study of
Popular Music, ed. Simon Frith (Manchester: Manchester University), 47-67.
1971 "Wayang and Ludruk: Polarities in Java," in The Drama Review
1980 Ketoprak Theatre and the Wayang Tradition. Melbourne: Monash University
Hefner, Robert W.
1985 Hindu Javanese: Tengger Tradition and Islam. Princeton: Princeton University
1987 "The Politics of Popular Art: Tayuban Dance and Culture Change
in East Java," in Indonesia 43:75-94.
Heins, Ernst L.
1967 "Music of the Serimpi 'Anglir Mendung'," in Indonesia 3:135-151.
1969 "Tempo (Irama) in de M.-Javaanse gamelanmuziek," in Kultuurpatronen
1970 "Cueing the Gamelan in Javanese Wayang Performance," in Indonesia
1975 "Kroncong and Tanjidor: Two Cases of Urban Folk Music in Jakarta,"
in Asian Music 7(1):20-32.
1977 "Goong Renteng: Aspects of Orchestral Music in a Sundanese Village."
Ph.D. dissertation. University of Amsterdam.
1994 "Perceptions of Popular Culture in Contemporary Indonesia: Five
Articles from Tempo, 1980-90." Review of Indonesian and Malaysian Affairs
1988 "Art and Religion on Timor." In Islands and Ancestors: Indigenous
Styles of Southeast Asia, ed. Jean-Paul Barbier and Douglas Newton (Munich:
1987 Dancing Shadows of Bali: Theatre and Myth. London, New York: KPI.
Hoffman, Stanley B.
1978 "Epistemology and Music: A Javanese Example." Ethnomusicology
1939 Dance Quest in Celebes. Paris: Les Archives Internationales de la Danse.
1967 Art in Indonesia: Continuities and Change. Ithaca: Cornell University.
1971a "Dances of Sumatra and Nias: Notes." Indonesia 11:1-20.
1971b "Batak Dances: Notes." Indonesia 12:65-84.
1972 "Dances of Minangkabau: Notes." Indonesia 14:73-96.
1954 The Nuclear Theme as a Determinant of Patet in Javanese Music. Groningen:
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1963 "The Enduring Tradition: Music and Theatre in Java and Bali."
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1966 "Sléndro and Pélog Redefined." Selected Reports
in Ethnomusicology (UCLA) 1(1):28-48.
1970 "The Effect of Medieval Technology on Musical Styles in the Orient."
Selected Reports in Ethnomusicology (UCLA) 1(3):148-170.
1971 "Aspects of Group Improvisation in the Javanese Gamelan."
In Musics of Asia. Manila: National Music Council.
1972 "Music of Indonesia." In Music, ed. Mantle Hood and José
Maceda (Leiden and Cologne: E. J. Brill), 1-27.
1975 "Improvisation in the Stratified Ensembles of Southeast Asia."
Selected Reports in Ethnomusicology 2(2):25-34.
1980 The Evolution of Javanese Gamelan, Book I: Music of the Roaring Sea.
Wilhelmshaven: Edition Heinrichshofen.
1984 The Evolution of Javanese Gamelan, Book II: Legacy of the Roaring Sea.
Wilhelmshaven: Edition Heinrichshofen.
1988 The Evolution of Javanese Gamelan, Book III: Paragon of the Roaring
Sea. Wilhelmshaven: Edition Heinrichshofen.
1988a "Arts and Cultures of Sumba." Islands and Ancestors: Indigenous
Styles of Southeast Asia, ed. Jean Paul Barbier and Donald Newton (Munich:
1988b "The Drum is the Shaman, the Spear Guides His Voice." Social
Sciences Medicine 27(8):819-828.
1993 The Play of Time: Kodi Perspectives on Calendars, History and Exchange.
Berkeley: University of California Press.
1988 "Deep Structure and Surface Structure in Javanese Music: A Grammar
of Gendhing Lampah." Ethnomusicology 32(1):23-74.
1990 "Tayuban: Culture on the Edge." Indonesia Circle 52:36-44.
1993 "Golèk Ménak and Tayuban: Patronage and Professionalism
in Spheres of Central Javanese Culture." In Performance in Java and
Bali: Studies of Narrative, Theatre, Music, and Dance, ed. Ben Arps (London:
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Jacobson, Edward, and J. H. van Hasselt
1975  "The Manufacture of Gongs in Semarang," trans. Andrew
Toth. Indonesia 19:127-152, plates.
Jansen, Arlin D.
1980 "Gonrang Music: Its Structure and Functions in Simalungun Batak
Society in Sumatra." Ph.D. dissertation. University of Washington,
Jessup, Helen Ibbitson
1990 Court Arts of Indonesia. New York: The Asia Society Galleries, in association
with Harry N. Abrams, Inc.
Jones, Arthur M.
1971 Africa and Indonesia: The Evidence of the Xylophone and Other Musical
and Cultural Factors. Leiden: E. J. Brill.
Jordaan, Roy E.
1984 "The Mystery of Nyai Lara Kidul, Goddess of the Southern Ocean,"
in Archipel 28:99-116.
1991 "Text, Temple and Tirtha." In The Art and Culture of South-East
Asia, ed. Lokesh Chandra (New Delhi: International Academy of Indian Culture
and Aditya Prakashan), 165-180.
Kartomi, Karen S.
1986 "Mendu Theatre on the Island of Bunguran, Sumatra." Honors
thesis, Monash University.
Kartomi, Margaret J.
1972 "Tiger Capturing Music in Minangkabau, West Sumatra." Sumatra
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1973a Matjapat Songs in Central and West Java. Canberra: Australia National
1973b "Music and Trance in Java." Ethnomusicology 17(2):163- 208.
1976 "Performance, Music and Meaning in Réyog Ponorogo."
1979 "Minangkabau Musical Culture: The Contemporary Scene and Recent
Attempts at its Modernization." In What Is Modern Indonesian Culture?
ed. G. Davis (Athens, Ohio: Ohio University Press), 19- 36.
1980 "Musical Strata in Sumatra, Java, and Bali." In Musics of
Many Cultures, ed. Elizabeth May (Berkeley, Los Angeles, London: University
of California Press), 111-133.
1981a "Dualism in Unity: The Ceremonial Music of the Mandailing Raja
Tradition." Asian Music 12(2):74-108.
1981b "Lovely When Heard From Afar; Mandailing Ideas of Musical Beauty."
In Five Essays on the Indonesian Arts, ed. Margaret J. Kartomi (Clayton:
Centre of Southeast Asian Studies, Monash University), 1-16.
1981c "Randai Theatre in West Sumatra: Components, Music, Origins,
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1981d "His Skyward Path the Rainbow Is: Funeral Music of the Sa'dan
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1983a The Angkola People of Sumatra: An Anthology of Southeast Asian Music.
LP disk. Bärenreiter Musicaphon BM30 SL2568.
1983b The Mandailing People of Sumatra: An Anthology of Southeast Asian
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1986a "Kapri: A Synthesis of Malay and Portuguese Music on the West
Coast of North Sumatra." In Cultures and Societies of North Sumatra,
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1986b "Muslim Music in West Sumatran Culture." World of Music
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1988 "Ritual Music and Dance: Contact and Change in the Lowlands of
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1990a On Concepts and Classifications of Musical Instruments. Chicago: University
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1990b "Parallels between Social Structure and Ensemble Classification
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1990c "Taxonomical Models of the Instrumentarium and Regional Ensembles
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1991a "Experience-Near and Experience-Distant Perceptions of the Daboih
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1992 "Appropriation of Music and Dance in Contemporary Ternate and
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