Fall:
week 1 - 10/5
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Introductions, studio orientation
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Lab assignment
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pass lab proficiency
record short selection through mixer to cassette |
Readings
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Pellman - Chapters 1 & 2 |
week 2 - 10/10
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Tape theory and techniques (splicing, looping) |
Lab assignment
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create 4 tape loops |
Readings
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Pellman - Chapter 3
optional:(Electronic Musician Magazine)
The Electronic Century:
Part I: The
Beginning
Part II: Tales
of Tape |
week 3 - 10/17
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Digital Audio I: theory and techniques (Peak) |
Lab assignment
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Create 4 digital audio loops using Peak |
Readings
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Pellman - Chapter 4
Peak Manual - review chapters
3 & 5 |
week 4 - 10/24
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Multi-tracking: mixing, eq, effects and aux sends |
Lab assignment
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With the 8-track Otari, create a 3 minute
piece using both analog and digital loops and any additional source
material. Mix down to DAT, cassette or Tascam reel-to-reel. Provide
a rough "score" of your piece and be prepared to discuss
the techniques used and the ideas you were exploring. |
Readings
|
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Listening |
Come Out - Steve
Reich, 1966 |
week 5 - 10/31
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Projects: listening and critique of student
works
preparing audio files for the web |
Lab assignment
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1) Capture project I into the computer and convert to
an MP3.
2) Post to the class web site and provide a link and description on
the class discussion board (see handouts: saving
as mp3 and saving to
web share). |
Readings
|
Pellman - Chapter 8 (Analog Sound Synthesis)
further reading:(Electronic Musician Magazine)
The Electronic Century:
Part III: Computers
and Analog Synthesizers
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week 6 - 11/7
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Analog Synthesis: theory and techniques (Arp2600) |
Lab assignment
|
create at least 4 Arp patches using AM and FM techniques
with each of the 4 wave types. Block diagram each instrument and record
into Peak. |
Readings
|
Arp2600 manual chapter 1-5
further reading:
Sound on Sound Magazine
Electronic Musician Magazine
|
week 7 - 11/14
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Analog synthesis II: Arp2600 cont., Weasel, comparison
with Nord Modular (analog modeling) |
Lab assignment
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short multi-tracked composition utilizing the Arp 2600 |
Readings
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Pellman - Chapter 5 (MIDI) |
week 8 - 11/21
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MIDI sequencing: theory and techniques using Digital
Performer 3 |
Lab assignment
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create a short midi sequence using DP3 |
Readings
|
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- BREAK -
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week 9 - 12/5
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Review: preparations for final project |
Lab assignment
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Record a multi-tracked composition using techniques
explored throughout the quarter. Provide a rough "score"
of your project and be prepared to discuss the musical ideas and techniques
used. |
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week 10 -
12/12 |
Presentation of Final Projects |
Eval Week
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1) sign-up for mtg. time in last class
2) complete and bring self-eval draft to mtg.:
why, what, so what
3) complete and bring faculty eval to mtg. (or you can drop off
at program secretary Cindy Fry)
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