| Intro to Music Technology | syllabus | calendar | projects | resources | discussion | events |
   

 

 

Fall:
week 1 - 10/5

Introductions, studio orientation

Lab assignment
pass lab proficiency
record short selection through mixer to cassette
Readings
Pellman - Chapters 1 & 2

week 2 - 10/10

Tape theory and techniques (splicing, looping)
Lab assignment
create 4 tape loops
Readings
Pellman - Chapter 3
optional:(Electronic Musician Magazine)
The Electronic Century:
Part I: The Beginning
Part II: Tales of Tape

week 3 - 10/17

Digital Audio I: theory and techniques (Peak)
Lab assignment
Create 4 digital audio loops using Peak
Readings
Pellman - Chapter 4
Peak Manual - review chapters 3 & 5

week 4 - 10/24

Multi-tracking: mixing, eq, effects and aux sends
Lab assignment
With the 8-track Otari, create a 3 minute piece using both analog and digital loops and any additional source material. Mix down to DAT, cassette or Tascam reel-to-reel. Provide a rough "score" of your piece and be prepared to discuss the techniques used and the ideas you were exploring.
Readings
 
Listening Come Out - Steve Reich, 1966

week 5 - 10/31

Projects: listening and critique of student works
preparing audio files for the web
Lab assignment
1) Capture project I into the computer and convert to an MP3.
2) Post to the class web site and provide a link and description on the class discussion board (see handouts: saving as mp3 and saving to web share).
Readings

Pellman - Chapter 8 (Analog Sound Synthesis)

further reading:(Electronic Musician Magazine)
The Electronic Century:
Part III: Computers and Analog Synthesizers

week 6 - 11/7

Analog Synthesis: theory and techniques (Arp2600)
Lab assignment
create at least 4 Arp patches using AM and FM techniques with each of the 4 wave types. Block diagram each instrument and record into Peak.
Readings

Arp2600 manual chapter 1-5

further reading:

Sound on Sound Magazine

Electronic Musician Magazine

week 7 - 11/14

Analog synthesis II: Arp2600 cont., Weasel, comparison with Nord Modular (analog modeling)
Lab assignment
short multi-tracked composition utilizing the Arp 2600
Readings
Pellman - Chapter 5 (MIDI)

week 8 - 11/21

MIDI sequencing: theory and techniques using Digital Performer 3
Lab assignment
create a short midi sequence using DP3
Readings
 
- BREAK -

week 9 - 12/5

Review: preparations for final project
Lab assignment
Record a multi-tracked composition using techniques explored throughout the quarter. Provide a rough "score" of your project and be prepared to discuss the musical ideas and techniques used.
 
week 10 -
12/12
Presentation of Final Projects

Eval Week

1) sign-up for mtg. time in last class
2) complete and bring self-eval draft to mtg.:
why, what, so what
3) complete and bring faculty eval to mtg. (or you can drop off at program secretary Cindy Fry)