Sound
on Sound Magazine: Synth Secrets Series Part
1: What's in a Sound Part
2: The Physics Of Percussion Part
3: Modifiers & Controllers Part
4: Of Filters & Phase Relationships Part
5: Further With Filters Part
6: Of Responses And Resonance Part
7: Envelopes, Gates & Triggers Part
8: More About Envelopes Part
9: An Introduction To VCAs Part
10: Modulation Part
11: Amplitude Modulation Part
12: An Introduction To Frequency Modulation Part
13: More On Frequency Modulation Part
14: An Introduction To Additive Synthesis Part
15: An Introduction To ESPS And Vocoders Part
16: From Sample And Hold To Sample-rate Converters (part 1) Part
17: From Sample And Hold To Sample-rate Converters (part 2) Part
18: Priorities And Triggers Part
19: Duophony Part
20: Introducing Polyphony Part
21:From Polyphony To Digital Synths Part
22: From Springs, Plates & Buckets to Physical Modelling Part
23: Formant Synthesis Part
24: Synthesizing Wind Instruments Part
25: Synthesizing Brass Instruments Part
26: Brass Synthesis On A Minimoog Part
27: Roland SH101/ARP Axxe Brass Synthesis Part
28: Synthesizing Plucked Strings Part
29: The Theoretical Acoustic Guitar Patch