International Pop Underground convention
In the summer of 1990, it was the BBQ—a chow-down and get-down event, held at Candice Pedersen’s parent’s home. The home was on Steamboat Island (just outside of Olympia.) The gathering was a hit. (Nelson, Pg. 2)
“ The Steamboat Island barbecue turned into an all-night dance fest, and the light bulb went on. Maybe K could throw something like this to gather together all the folks they never saw.” (Nelson, Pg. 2)
This is when the International Pop Underground convention was first conceived. The I.P.U. was a chance for the vibrant indie/punk communities across the country to unite for a six-day convention filled with free music and activities.
“ The non-music events typified K records’ uniquely gentle take on punk culture. A combination bake-off, cakewalk, and round of musical chairs . . .” (Nelson, Pg. 5)
The first International Pop Underground convention, August of 1991, was a unique step to change social perception of music for several reasons. The I.P.U. convention was free. No one paid to get in; it was just a bunch of bands using musical expression to work towards decentralizing the pop culture. All bands that were invited to play, graciously took the invitation, with the exclusion of one band that completely blew Calvin off. The convention had no time limits, no soundman, no ticket takers, and no security. K’s approach to the live music scene was revolutionary. I.P.U. was about breaking down the barriers between the artist and fans.
Prominent artists such as Bikini Kill and Tiger Trap played at the I.P.U. as enthusiastic, but inexperienced artists, the audience feedback was positive and everyone seemed to be getting excited about the new sounds.
Such bands as Mecca Normal used the stage for eccentric lyrics linked with a fearless performance by singer and guitarist Jean Smith. While she sang and played her guitar by stomping and strumming with her boots, David Lester accompanied her with his skilled guitar. Mecca Normal is an example of the networking done by K records, considering Jean and David’s Mecca Normal is a Canadian band. (Dominic, The Shield Around the K)
There were a total of 50 bands and they all gathered together to appreciate music under the banner that stated, “No lackeys to the corporate Ogre allowed.” (Schmidt, Pg.4)
