This
section will give an overview of the weekly work expected of you and a
very brief overview of the major projects of Fall and Winter.
Though
this page will be updated periodically, do not rely on it for details
and requirements unless a faculty has referred you to do so.
I n t e l l e c t u a l J
o u r n a l
DESCRIPTION:
Your intellectual
journal is a record of classroom activities and is primarily a place for
notes andcritical reflections on seminars, lecture, films, trips, and
readings.
I recommend
keeping a composition book with you at all times as your journal.
Your entries
should alternate consistently from notes, scribbles, and doodles to questions,
quotations from readings and research to sustained critical writing that
pursues ideas in depth. Your journal will likely be the source material
for many of your seminar essays and other projects.
Your intellectual
journal is not a place to record personal information.
PURPOSE:
First, writing
is a mode of learning. Writing is not simply a way to communicate what
you know; it's a way of finding out what you know, challenging your assumptions,
and pushing your ideas further. Your seminar journal should reflect this
kind of engagement in writing as a process of thinking through ideas,
not merely observing or passively commenting on likes and dislikes.
Second, this
kind of writing is something that you will be expected to do throughout
your college career and hopefully will continue to do throughout your
life.
Third, your
journal will provide striking and detailed evidence to your faculty of
your engagement with course activities, texts, and concepts, even if you
don't talk much in class.
EXPECTATIONS:
Plan to keep
notes in your journal during every class session. Date your entries.
Plan to write
reflections on course concepts several times a week.
You will submit
your journal to your faculty for first review in week four. The purpose
of this review is to let the faculty in on your thinking, confirm that
you are meeting expectations, and to begin a dialogue with faculty about
ideas, critical thinking, and writing.
No specific
expectations regarding length will be given. It is up to you to commit
yourself to serious intellectual work through writing on a consistent
basis. Your journal should provide evidence of this.
S
e m i n a r
DESCRIPTION:
Seminar at
Evergreen is traditionally regarded as a "student directed"
activity. As your faculty for your first year at Evergreen, we feel responsible
for providing you with experiences and models that will help you to have
effective seminars in your future studies, while at the same time being
attentive to the quality of our discussions and respectful of your abilities
as students to make decisions about how the seminar should run.
Much of the
work in seminar in fall quarter will be directed by faculty. Student input,
reflection on the process, and ideas about the development of our learning
community in seminar will be solicited on a regular basis and always welcome.
The spirit of seminar will be experimental. We will relish our mistakes,
look hard at ourselves when we are passive, bored, quiet, shy, anxious,
and rowdy. When we are successful, we will figure out why and be sure
to repeat it in the future.
In the winter,
students will be grouped and assigned a seminar to facilitate. More information
on this process will be available soon.
In a nutshell,
seminar is a bunch of people who have all read the same book or seen the
same movie sitting down together to pursue ideas in a serious and committed
way. Seminar is sometimes guided by objectives, structures, conversation
formats; sometimes it is completely open. Sometimes a faculty member leads
seminar, or a student leads seminar. Sometimes the faculty member is completely
silent.
PURPOSE:
Seminar is
not a time to impress people with what you know (it is a time to share
what you know). More, it is a time to impress people by what you don't
know, what you're really curious about, the number of unanswered questions
you can pose.
Sometimes seminar
is simply about trying to understand a difficult text. Other times, a
text is clear to the group and the challenge is to see how it fits in
with other readings, with program themes, with individual projects, and
with life.
Seminar is
one of the primary sites for the building of our learning community. Your
seminar group and your seminar leader will be the ones with whom you share
the most about yourself, with whom you learn closely, and with whom you
evaluate your progress and achievements.
Keep in mind
that the goal of seminar is to establish a sense of collective knowing,
a shared language, and a history of conversations.
EXPECTATIONS:
You should
come prepared to seminar by having read the text, made notes and written
reflections in your journal, and completed any assignments relevant to
seminar. Also pen and paper and the text book.
If you are
not fully prepared, come anyway, and check in with your faculty member
about your work (see below).
If you are
not prepared at all, don''t come to seminar. Instead, schedule a meeting
with your seminar faculty to discuss your work; your seminar faculty can
help you to develop better work habits, develop an individualized plan
to support your work, or help you manage any other issues that might be
hampering your progress.
Don't plan
to be quiet. Seminar is not easy, nor does it come naturally to many people.
Everyone who speaks in seminar is taking a risk, there is no doubt about
it. But seminar should be an incredibly safe and supprtive place to take
such risks. If you find that you are quiet for a few seminars, do not
be content to just "be a listener" or to let discomfort or dissatisfaction
rule you. Speaking in groups is a valuable life skill. You are expected
to work hard to develop it.
S
e m i n a r E s s a y
DESCRIPTION:
Your seminar
essay for fall quarter is an evolving and growing inquiry based on one
or a few core concepts or questions of the program. Each week, you will
submit a new draft of work that revises all that you've written before
and adds to what you've written based on what you've read and learned
from the current text. Given this format, your essay will not necessarily
have the traditional shape or structure of an essay, but it should be
consistently driven by the same questions and concepts.
In the process
of developing your seminar essay, you will meet with writing tutors and
with a peer review group (groups will be assembled based on common interests).
Learning to work with readers, critics, and collaborators to improve your
thinking and writing is an essential component of this assignment.
PURPOSE:
To develop
ccritical thinking and writing skills.
To associate
reading with critical reflection and argumentation in writing.
To learn to
give and receive feedback on witing.
To develop
a unique perspective on course concepts and themes.
To develop
a writing process with revision at the center of productivity, as opposed
to drafting.
To make connectoins between texts.
EXPECTATIONS:
Writing must
be turned in on time. Late work will not be accepted.
You must work
with a writing tutor consistently through out the quarter.
You must work
with a peer review group consistently throughout the quarter.
You must revise
old material by rewriting (not just tinkering, correcting surface errors)
and write new material each week.
All writing
must be typed and conform to other expectations of student writing as
described ...elsewhere.
P
r i n t m a k i n g
DESCRIPTION:
In the print
studio, yuoy will learn four different methods of creating prints: linoleum
carving, handset type, monoprinting, & drypoint. Instructional time
will be balanced by work time. Students will need to use open studio hours
to complete assigned projects.
PURPOSE:
Your work in
the print studio is based on the goal of expressing ideas in visual form.
Besides being a therapeutic break from the other work of the program,
your work in the print studio is a kind of intellectual cross-training
and stems from the belief that creative work is essential to academic
growth.
EXPECTATIONS:
Completion
of assigned projects in the spirit of experimentation and play.
Use of open
studio time.
Connection
of creative work to course themes.
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