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Mathematical
principles can provide the basis for creative writing, from the chance
operations that generated the quote above to plot structures, themes,
content, and even style.
Author Italo Calvino views writing as a combinatorial
game, an all but random process of associations, layers of implications
that can lead to great works of literature as surely as nonsense.
Calvino and others reveal that writing guided by abstract principles,
particularly mathematical concepts and constraints, can lead to some
of the most wondrous, original, and provocative work. Jorge Luis Borgess
work provides numerous examples. In "The Aleph," the narrator
attempts to describe a location from which all places can be seen simultaneously:
"Mystics, faced with the same problem, fall back on symbols: to
signify the godhead, one Persian speaks of a bird that somehow is all
birds; Alanus De Insulis, of a sphere whose center is everywhere and
circumference is nowhere; Ezekiel, of a four-faced angel, who at one
and the same time moves east and west, north and south." Works
like "The Aleph" not only reflect mathematical
concepts in form, but also through themes and motifs that render those
abstractions poetic and tangible.
Informed by the work of writers such as Borges and Calvino,
we will construct fictional narratives that reflect or are governed
by mathematical concepts. Workshops
will introduce students to a wide range of mathematical principles and
practices, guide students through creative and critical writing processes,
and play with words and ideas to generate layered
narratives, as rigorous in literary style and form as in mathematical
precision and depth. Students will develop proficiency with computer-based
graphic design applications in order to create visually complex and
compelling finished works. Readings will
introduce students to relevant historical and philosophical ideas, numerous
examples of writing that fuse math and literature, and provocative mathematical
concepts. Coursework will emphasize foundations and skill development
in mathematics, creative writing, critical reading,
argumentative writing, visual design, and literary theory.
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+EXPECTATIONS
+ REQUIREMENTS
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Calculated fiction
syllabus
...the regular work of the program
and the requirements for receipt of credit
Seminar Papers
These are generally short pieces of writing in direct response to a
program text in preparation for seminar.
These short critical reflections will be due at each seminar, on Tuesday
in draft form, and on Thursday in a more polished and coherent form.
Writing for seminar should not be summative of the text, nor should
it quote abundantlydont write a book report! Instead, it
should respond analytically to the text and pose questions for discussion.
These writings will be central to the success of our seminar and should
provide ample evidence of your individual engagement in the readings.
Synthesis Essays
On Friday of week four and week eight, you will submit a 3-5 page, thesis-driven
essay that synthesizes major program themes.
Projects
Much of your work this quarter will be driven toward the production
of a final manuscript, described in detail elsewhere.
Assignments
All assignments are due on time. If you expect to be absent, your work
is still due via e-mail (to be followed by hard copy). Late work will
not be accepted. All assignments must be typed in 12 point, 1.5 space
between lines (its easier for us and your peers to write comments
that way.) Please back up all computer work. A crash or
a lost file is tragic, but not an excuse for late work.
Collaboration
Collaborating with group members is a critical part of Evergreen life.
Everyones learning is directly related to the preparation, engagement,
and contributions of other participants. Well be doing some specific
work to build group communication, collaboration, and conflict resolution
skills.
Workshops
Graphic design workshops will cover basic principles of design
through practice with Adobe InDesign and Photoshop. Workshops will be
scheduled through week five, after which you will be expected to work
independently to design and produce your final project according to
specifications.
Math workshops will expose students to a wide variety of mathematical
concepts and techniques. Workshops will focus on building a conceptual
rather than computational grasp of the material. Take-home work will
challenge students to apply concepts in a series of weekly projects.
Writing workshops will be built on the careful study of one of
our texts, Italo Calvinos If on a winters night a traveler.
In-class discussions and activities will cover specific concepts in
fiction writing. Weekly assignments will give students diverse strategies
for fiction writing and literary study. We will also discuss and practice
basic essay writing skills.
Seminar
The goal of seminar is to share, enhance, and extend our independent
learning, primarily that learning done through the assigned readings.
Students are expected to participate actively in the structuring and
facilitation of discussions.
Project Seminar
Your project seminar will be a group of 5-6 students that meets weekly.
You will provide each other with critical feedback on writing, work
on mathematical concepts, discuss project work, course themes, and texts.
Attendance & Participation
The importance of attendance cannot be overemphasized. Besides missing
out on valuable information and ideas, poor attendance can alienate
you from the learning community, make it difficult for faculty to assess
your engagement in the work of the program, and ultimately jeopardize
your credit.
Seminar attendance and preparedness (beyond mere reading) are
essential for success in the program. One absence from seminar, if unexplained,
may be grounds for a loss of credit. Similarly, a pattern of lateness
or unpreparedness are also grounds for credit reduction. Most unavoidable
or otherwise planned absences can be compensated for by arrangement
with your seminar faculty.
No class session is merely what is on the schedule. Last minute
changes, announcements, conversations, and much else happens without
planning. To maintain a connection to the program community, to be aware
of expectations, and to demonstrate your engagement in the course, you
must attend every class session.
Attendance should be thought of as more than showing up.
When you step into the classroom, you should be prepared mentally and
materially (with texts, tools, etc.), ready to engage your peers, wrestle
with ideas, and participate with enthusiasm.
Anytime you miss class or know in advance that an absence is unavoidable,
discuss it with a faculty member.
Accommodations
If personal circumstances affect your academic work, you should meet
with Teresa (x5625), our core connector, and/or Linda Pickering inAccess
Services (x6364).
Final Portfolio
At the end of the quarter, you will submit a final portfolio that contains
everything for which you desire credit. Your portfolio, along with your
self evaluation and an evaluation conference should provide faculty
with a complete picture of your academic achievements in the program.
Portfolios should be neatly organized and reflect the care that you
have taken in all your work.
Credit
Credit is awarded when you have met the basic course requirements, including
attendance and completing all assigned work by the due dates. Your actual
level of performance (something like a grade) is assessed in the evaluation
process.
Loss of Credit
Your faculty will do their best to give you some warning if you are
at risk of losing credit, including an official warning during week
five if they perceive some risk. If ever you are uncertain about your
performance or standing in relation to course expectations, make it
your responsibility to check in with a faculty member.
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BASIC SCHEDULE
Monday
10-12, Lecture, Sem2, D1105
1-3, Design Workshop, Lib 4300 (comp Center)
Tuesday
10-12, Seminar, Sem2, C2107 & -09
1-4, Math Workshop, Sem2, C1105
Wednesday
12:00/15/30/45, Project Seminars check in
with faculty, faculty offices, C3
Thursday
10-1, Writing Workshop + Teresa, Sem2, C1105
2-4, Seminar, Sem2, A3107 & -09
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READINGS
The
Language of Mathematics,
Devlin
If
On A Winter's Night A Traveler, Calvino
Imaginary
Numbers, Frucht, ed.
Einstein's
Dreams, Lightman
Oulipo
Packet, various
Turbulent
Mirror, Briggs & Peat
Ficciones,
Borges
Mathematics
Packet, various
Flatland,
Abbott
Geometric
Regional Novel, Jonke
Arcadia,
Stoppard
Student
Writing
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