Ò Family GatheringÓ(1)


Island-to-Island: The Emergence of Communities Built Around Immigrants,

by Sarina Corpuz  

The historical and cultural views of immigration have had a subjective view of the migration of people through countries of various origins. The insider's perspective can be the most informative. Because of the experiences that shape the ideals of a society the first person narrative can be the most exceptional. Through the study of history one can uncover the experience of people, which have helped build a nation through their communities defining what it takes to maintain an identity and incorporate Filipino beliefs and traditions into the community. Although the colonialism of American influence in the Philippines sparked the immigration of my grandfather and thousands of Filipinos, the identity born was new for America and discusses what it means to be a Filipino American. As Carlos Bulosan's book states, ÒAmerica is in the Heart,Ó and the exploration of the self. To have a strong identity means to have a sense of who you are and where you came from. The voices of immigrants in history contain the basis for strengthening the fabric of American culture that we weave. The Corpuz family has strong stories of pursuing the American dream but what is integrated into the identity of the generations of Filipino Americans is the identity of overcoming adversities, maintaining the family, and building a strong community.

The communities created out of the exclusionary practices of legislation, spark the events that were a part of my grandfather' experience. The obstacles and triumphs of my grandfathers past illustrate the atmosphere during the 1920's and the 1930's. My grandfather's perspective is shadowed by the influences of his community. He identified himself with the ties he had to his work, children, and passion for cooking. He left the Philippines for California and became a cook in a Filipino restaurant. When he came to Washington the Filipino community was as strong as chicken adobo, the dish of many fine restaurants in the International District of Seattle. Tasting the ginger and basil flavor of Adobo brings out the Filipino in everyone. The recipe says add ¼ table soy sauce bringing out the history of the island, 1 bay leaf to add flavor of the culture, and 1 slice of pork liver to portray the honesty of the Filipino people and their taste for goodness inside of all of us. Simmer until tender and serve with hot steamed rice, the staple of all Filipino meals, and puts a twist on the old adage to take everything with a grain of rice.

 

              ÒGrandpa Pete Roasting a GoatÓ (2)

Pete Corpuz, my grandfather, established a home in the community of Bainbridge Island. Luzon, the island from which he came from was recreated in his home and provided a sense of community in a new land. The hope I have is to bring his story into the hearts and minds of others who search for their own sense of identity. His story can be related from across the Pacific Ocean to the Puget Sound. Immigration unites us all and can inspire people to form their own views on history and a form of history in themselves. From the Province of La Union He and 200 other Filipinos had crossed the Pacific Ocean to set roots in Bainbridge Island. There are only two living members of that group, Ross Berganio and Tony Olligari.

 ÒPhotograph in 1930Ó (3)

The work; of Carlos Bolusan and Peter Bacho, have significant roles in portraying the Filipino experience. As immigrants to America, Filipinos created a persona of hard work and dedication. The book, ÒAmerica is in The Heart,Ó portrays the Filipino American experience as Carlos Buloson eloquently asked, ÒWould it be possible for an immigrant like me to be a part of the American dream?Ó(1) Making the dream a reality was uncovered in the books by Peter Bacho. His stories of his father in the 1930Õs provides a Northwest perspective. Peter Bacho is teacher from Tacoma, Washington he wrote about the experiences of the Filipinos in America and their struggles of finding work, keeping a family, and maintaining their sense of pride. The Pinoy, a name for Filipinos in America, have developed their history by defying the circumstances created while living in America.

It is evident in the observation of American society that the communities that are resilient to the characteristics of colonialism, maintain their communities. The PhilippineÕs culture, the traditions of community gathering, farming and harvesting, as well as language are lost in America for many Filipinos, but through immigration Filipinos have developed a sense of America that is expressed as a Filipino American experience. The communities formed on Bainbridge Island reflect the need to integrate the differences between people who adapt to American life and those who maintain their cultural roots. In America assimilation is thought to be the only way to adapt, but the essence of American history is in preserving the identities of its citizens and the people though maintain their identities despite the American influences.

Carlos Bulosan wrote, "The laws created and the American image is created out of a need for exclusion." (2) Immigration was different for people subjected to racism because of the policies created in the 1920Õs and 1930Õs to regulate the system and assimilate people from all different backgrounds to the American (European) way. The 1924 Immigration act cut the flow of immigration from Asian countries. When my Grandfather arrived in 1927 he was considered a "National" in the United States because of America's colonial control over the Philippines. This was different than the status of a citizen, which would have excluded Filipinos because of the Legislation at the time. Citizenship was not offered to people with Mongolian or Asian descent as a result of the 1924 Immigration Act. The racist legislation of the time provided many difficulties for people do different ethnic backgrounds that were not European. The Philippines was a colony of the United States from the 1898 Treaty of Paris, and through this colonial tie Filipinos took advantage of their status as Nationals and came to the United States. The US had taken control over the Philippines, Guam, Puerto Rico, and other countries after the Spanish- American Civil War that ended in 1898. From 1898 to 1948 the Philippines was a colony of the United States. This was an advantage and disadvantage for the colonization of the Philippines and the people who had no choice but to be subjected to the lifestyle of Americans.

The legislation did not define the culture of the Filipino Americans because they were not considered citizens, but their status became that of aliens while in the United States in 1934. Discriminatory systems and laws created the 1934 Tydings McDuffie Act. This was an exclusionary law that cut off immigration from the Philippines because of the independence of the Philippines. However, it was not until 1946 that the Philippines became an independent nation. The inclusion of the Philippines as a colony did not grant them acceptance in the US. In fact the opposite was true many exclusionist wanted to, Òsend them home to the JungleÓ (3) The discrimination was based on xenophobia and affected the US push to granting independence to the Philippines. America used thes policies as a way to exclude people base on race and ethnicity. It was not until 1986 when the Amendment for Immigration policies opened immigration to 200,000 instead of 100.

The culture shock and newness was described by Carlos Bulosan, "How can one re articulate the colonial convergence and contestation to bear upon the battles on the Asian American and cultural front?" (4)  In the book American Tropics, Allan Punzalan Isaac asks, "When colonized subjects enter the terrestrial space of the US nation state, how do the same tropes and fantasies inform their negotiation with Americaness?" (5) .  Imposing the restrictions of Asian immigration was equitable to the process of Americanization that we perform in other countries. As a young boy in the Philippines my grandfather was required to recite the Pledge of Allegiance in school because of the mandatory US influence. Those who experienced American ways noticed the visible nature of the United States the American ways became valued. The imperialism in the Philippines was far reaching in terms of American influence. Thus the laws that classify people and restrict immigration are in place to impose a balance between Americanism and otherness.

Experiencing immigration first hand is a story of historical perspective of the restrictions and limitations imposed by American society. As in my Grandfather's immigration to America, many immigrants formed their own communities to maintain a sense of family and familiarity. My Grandfather would use his saxophone, flute, violin, guitar and other instruments to reach communities in the Philippines. Pete A. Corpuz Jr. recalled his father's stories of, "traveling form township to township playing music" (5) When asked what he expected in coming to America he responded, "I don't know if he thought that he would be doing that in America, but he was full of hope." (6) My Grandpa Pete did not fit into one idea of what an immigrant should be. He was a man of many talents. His greatest pride was his U.S citizenship but he never changed his identity and instead created a culture in the Bainbridge Island community that enhanced the history and created deep roots in the society. Accepting the inner strength of a community is an important value that can be discovered today if the world is able to see the recreated diversity in their communities.                ÒMusicians on Bainbridge IslandÓ

What many immigrants did was form their own communities in which they could maintain their own values and be protected from the racism and discrimination. A community member of Bainbridge Island, Felix Narte, left the Philippines in 1924 believing in the prosperity of American jobs. His response to his friends who returned from the US was, "When they come home it looks like a million dollars so we thought we could go there too and make the same like that, the way they look when they come home. (7) This is true for other countries that have suffered the wrath of US imperialism.

In 1925 the Toyota vs. United States case before the Supreme Court ruled that Filipinos could not become US citizens unless they had been members of the Navy for three years.4 My Grandfather joined the navy in 1940 and served for four years. After WWII he returned to Bainbridge Island where he established himself on the Bainbridge Island as a US citizen. He bought land and raised strawberries as well as a family on Bainbridge Island. Along with other Filipinos, many from the same region of Luzon, he often went to the canneries every season to earn money for the family.

In the discussion of race in America is important to address the colonialism and the cause and effect that play out as a result of its far-reaching influence. "Because of racism and colonialism Filipinos were among the most disenfranchised of these workers, although essential to the growth of the western agricultural economy during this period." (8) It was not until 1941 when the Washington State Supreme court found the Alien Land Law to be unconstitutional and initiated the right for Filipinos to own land. The president of the Filipino community, Pio de Cano cited the Treaty of Paris, which declared, Òall territories once held by Spain shall be deemed and held to be citizens of the Philippine Islands and such entitled to the protections of the United States.Ó (9)

Community was fostered by the Labor Unions, which banned together to create fair employment in the Canneries, fields and services of Filipino workers. "Creating a Labor Association was a big step. The new immigrants has to overcome not only the animosity of organized labor towards non-whites but also had to learn the basic functions and membership responsibilities of a labor union." (10) Filipino workers were at the forefront of efforts to organize the cannery union that is known today as Region 37 of the ILWU.  Today, "South East Asian and Filipino immigrant workers continue to organize for better wages and working conditions in the health care and hotel industries. Asian Americans and Pacific Islanders know firsthand the fallacy of the model minority myth because they continue to suffer higher levels of poverty than any other race or ethic group." (11) Frank Cordoba reflected on the minority status in his poem,

ÒWe celebrate; we sacrifice; we progress we regress, we cope to live, and live to die. Dammit to hell who are we? What are we? We are everyone to whom this world has to give, for whom Americas has in store. We are minority racially, ethically, culturally, politically, socially, economically, educationally, and not necessarily in that order. We are Malay; we are Asian; we are people of color, of the third world; we are disadvantaged we are disenfranchised, dispossessed disowned, disemboweled of our roots, of our history of our languages, of our dialects, of our identification, of legacy of our equalities, of our share of ourselves; we are that minority about whom we has said to you some time ago; make up a minority within a minority within a minorityÓ (10)

In the 1920s and '30s, Filipino American immigrants played a major role in the Seattle labor movement. Filipino, and immigrant history has generated diversity in the Pacific Northwest. To retrace the history of the Immigration Policies and the immigrants themselves is to create a community which an move forward in accepting differences among us The immigration standards today reflect the status of immigrants to serve a specific need in the community. When we can stop discrimination in immigration policies we can have an American community for all.

The Filipino American community is tied to many aspects of historical events that have created a movement of Filipino culture to bloom in even the most prejudiced areas of the Northwest. The quotas and citizenship laws determined the waves of immigration but for the Filipinos riding the waves of immigration the adverse conditions became a triumph as they succeeded in forming families and communities, extending the Filipino experience from one Island in the Pacific to an Island in the Puget Sound, the traditions and family customs remain the same, but the culture created has changed the lives of people; affecting the generations after them and providing the recipe for a unique flavor of people in a land of immigrants. The policies reflect the FilipinoÕs hardships but also their strength in overcoming adversity and creating a new perspective of an American experience. The integration of history needs all perspectives in order to provide an accurate portrayal of lived experiences. In the family history of the Corpuz family, telling the story of Peter Corpuz is a perspective that is treasured by the community. As I retrace my grandfatherÕs history there is a revival of his story through the eyes of an observer, a desendent of a legacy from a far and distant time. Although these experiences my not relate to third generation Filipinos, it has histrical significance in the communities which continue to recognize the greatness of our past. As Takaki spoke about Ò The narrator himself, and by implication Bulosan, becomes figurativley translated so that he, in return, can function as a translator, a cultural mediator and a spokesperson for those rendered speechless by historyÓ (13) The insight gained from the biographical history of political and personal interactions with America grant the reader with the weight of their citizenship and how it is taken for granted. The exclusionar past sets us up for an exclusionary future unless we can redress the past with historical significance that is seen in the communities in which we live. The value of history can be felt through the culture and reclaming the past.


1)Bulosan, Carlos. America is in the Heart. Seattle, University of WashingtonPress:1946.

2) Fujita-Roni, Dorothy. You Got to Move Like Hell. UMI. Seattle: 1996.

3)Bulosan, Carlos. America is in the Heart. Seattle, University of WashingtonPress:1946.

4)Corpuz, Peter. Interview by Sarina Corpuz, 1 February 2007.

5) Punzalan, Isaac. Allan. American Tropics: Articulating Filipino America. University             of Minnesota Press. Minneapolis:2006.Corpuz, Peter. Interview by Sarina

6)Corpuz, 1 February 2007.

7)Narte, Felix. Interview by Bob Antolin, 11 May 1996.

8) Fujita-Roni, Dorothy. You Got to Move Like Hell. UMI. Seattle: 1996.

9) Corsilles, DV. Rizal Park: Symbol of Filipino Identity. Magiting Corp. Seattle:1983.    

10) Fujita-Roni, Dorothy. You Got to Move Like Hell. UMI. Seattle: 1996.

11)Karnow, Stanley. In Our Image: America's Empire In The Philippines. Random  House. New York: 1989 pp. 75-195.

12)Cordova, Fred. Filipinos: Forgotten Asian Americans. Demonstration Project for Asian Americans. Kendal Hunt Publishing. Seattle:1983. Pg. 230.

13) Takaki, Ronald. In the Heart of Filipino America: Immigrants from the Pacific Isles.              Chelsey House Publishers. New York: 1995.

 

Images:

 

1)"Family Gathering." Bainbridge Island, WA. Personal photograph taken by Worley,

Siri. 5 March 1990.

 

2)ÒGrandpa Pete Roasting a GoatÓ Bainbridge Island, WA. Personal Photograph by

Worley, Siri. 10 May 1982.

 

3)ÒPhotograph in 1930Ó They Cast A Long ShadowÓ Minority History Committee of 

Bainbridge Island School District no. 303:1975 Pages: 118 .

 

4)ÒMuscians on Bainbridge IslandÓ They Cast a Long Shadow Minority History

Committee of Bainbridge Island School District no. 303:1975 Pages: 118 .