"If the white wall cannot be summarily dismissed, it can be understood. This knowledge changes the white wall, since its content is composed of mental projections based on unexposed assumptions. The wall is our assumptions."(page 80) If the atist makes his/her art with this type of knowledge, does the artist limit themselves, does this knowledge hinder the possibilities one can express through their art? Maybe this knowledge imposes itself so much on the art that it loses something in the process. Should an artist approach his/her work first without considering any limits such as the "white wall"?

-Dana Gillespie