THE LENS BASED IMAGE; theory, criticism, practice
 
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MONDAY

TUESDAY

WEDNESDAYS

9:00 to 10:00

 

 

 

10:00 to 11:00

seminar

SEM II C2109

presentation

discussion

visualizing exercises

formal critiques

Lib 2708

presentation

discussion

visualizing exercises

formal critiques

Lib 2708

11:00 to 12:00

12:00 to 1:00

     

1:00 to 2:00

film forum

Sem II C1105

Lib 1326

presentation

discussion

visualizing exercises

formal critiques

office hours

by appointment

contingent on

governance duties

 

 

2:00 to 3:00

3:00 to 4:00

 

drop in office hours

GUEST
LECTURES
LH-1

 

* STUDIO SPACE: For those who need it, we will have studio space in SEM II C4107

Week 1

Monday 30

Tuesday 31

Wednesday 1

10:00 to 12:00

intro to the program

intro to studio space. and a bit about camera obscuras

brief artist's presentations by students enrolled in the program

12:00 to 1:00

     

1:00 to 4:00

film forum:

art city: simple city

photography... two perspectives, Duane Michals and Wayne Wang

 

NOTES for week one:

The NEW Evergreen Gallery
presents the first exhibition in its new space:

Reading Rivers: Basia Irland's Books, Manuscripts, and Scrolls

Opening reception: Thursday April 2, 5:30-7:30 p.m.; opening remarks at 6:30
Opening remarks by President Purce, followed by music about the Nisqually River composed and performed by Shooting Stars Performance Ensemble.
Exhibition continues through April 29, 2009

Thursday the 2nd is Seattle's "First Thursday"... art openings galore (info here)... It would be neato if somebody organized a carpool to Seattle for the evening's events.

 

Week 2, April

Monday 6

Tuesday 7

Wednesday 8

10:00 to 12:00

reading seminar: Burning With Desire: Preface (2), Chapter 1, Identity (22), chapter 2, Conception (22)

workshop: exploring the poetic notion of fixing an image from thin air.

remaining student intros and...

objectification: sally mann & jock sturges.

 

12:00 to 1:00

 

continued... brief artist's presentations by students enrolled in the program

Mecca Normal presentation @ Evergreen - How Art And Music Saved The World SEM II Critique room

1:00 to 4:00

film forum:

eggleston

NOTES for week two:

guest lecture: Sarah Jane Lapp         
Tuesday, April 7, 4:00, Lecture Hall I

     Sarah Jane Lapp is is a 36-year-old Seattle-based Renaissance woman, visual artist and filmmaker ("Chronicles of an Asthmatic Stripper"), who typically takes on abstract and cerebral subjects in her finely rendered hand-drawn "experimental animations."  Her new 24-minute short, "Chronicles of a Professional Eulogist," narrated by a eulogist in training, is about a dying professional eulogist's search for a protégé to inherit the glorious burden of his profession. The semi-fictional film, which Lapp describes as a "documation," uses the imagined figure of the professional eulogist to explore the function of memory, place, and social nostalgia in our religious imaginations.

 

Week 3, April

Monday 13

Tuesday 14

Wednesday 15

10:00 to 12:00

reading seminar: Burning With Desire: Chapter 3, Desire ((50)

sally mann and jock sturges continued.

work in progress critiques.

 

12:00 to 1:00

 

 

 

1:00 to 4:00

film forum:

The Picture Man: Shelby Lee-Adams

exercise: color photograms... bring translucent, transparent, and opaque objects .

 

NOTES for week three:

guest lecture: Elizabeth Conner
Tuesday, April 14, 4:00, Lecture Hall I

     Versatile artist Elizabeth Conner has worked on public projects for twenty years, with architects, engineers, landscape architects, urban and transportation planners, artists and craftspeople.  Her collaborative projects throughout the United States include a variety of open space projects, a police precinct, a regional transit system, a stormwater treatment facility, a branch library, and a sculpture garden. Conner is fascinated by the natural and working histories of public places; she makes art that reveals what she learns about a place through stories, conversations, and explorations.

 

 

Week 4, April

Monday 20

Tuesday 21

Wednesday 22

10:00 to 12:00

reading seminar: Burning With Desire: Chapter 4, Pictures (70)

slide lecture: photographers and concepts... possibly a look at diane arbus as well.

individual meetings: (to be scheduled in class)

12:00 to 1:00

   

 

1:00 to 4:00

film forum:

war photographer

studio lighting demo

NOTES for week four:

guest lecture: Marie Sivak             
Tuesday, April 21, 4:00, Lecture Hall I

Marie Sivak is an artist based in Portland, Oregon. Her interdisciplinary work combines stone carving, mixed media installation, fibers, video, drawing, and performance. Through a rigorous investigation of the grammar of materials, Ms. Sivak's work explores the sensory triggers that bring a fleeting memory toward a kind of physical consciousness. Her work examines the relationship of lived experience to dissected and remembered experience. While searching for the lattice of connections between the intellect and the emotions, Ms. Sivak’s works give structure to the ephemeral.

Abelardo Morell.
Pictures in Pictures Lecture
Portland Art Museum
Portland, OR
Friday, April 24, 2009
7-8pm
Event in conjunction with Photolucida 2009

 

 

Week 5, April

Monday 27

Tuesday 28

Wednesday 29

10:00 to 12:00

reading seminar: Burning With Desire: Chapter 5, Method (30), Epitaph (14), Photography; A Critical Introduction: Chapter 7 Electronic Imaging: pp 295 – 336 (41)

9:00 AM
woodshop: building frames (12 students).

meet in the woodshop if your last name starts with letters:
A through L

all others have "open studio"

 

finished work crits

 

 

12:00 to 1:00

   

 

1:00 to 4:00

film forum:

chuck close

finished work crits

NOTES for week five:

Stephanie Maxwell
Tuesday, April 28, 4:00, Lecture Hall 1
Stephanie Maxwell is a California-born filmmaker who practices a unique form of animation. Her techniques include direct on film painting and etching, object animation, motion painting, copier techniques, and much more. Her works blend the hands-on approach to animation with digital processes in very creative ways. Most of her works are collaborations with composers, from idea through realization. Stephanie’s works have been presented in festival and screening programs worldwide. In addition, she has presented lectures on a wide variety of animation- and film-related topics, including collaboration across art disciplines. She is a professor of film and animation at the Rochester Institute of Technology and co-founder and co-director of the ImageMovementSound festivals, an annual festival or original productions by interdisciplinary artists, now in its 12th year. Stephanie has been artist-in-residence and guest artist at many international establishments, and she has presented retrospectives of her works in venues, such as: LA Filmforum, Ottawa International Animation Film Festival, ASIFA San Francisco, Govett-Brewster Gallery in New Zealand, ignifuge in Australia, LUX in London, and Scratch Cinema in Paris. For more information about Stephanie Maxwell, including clips from her works, see http://people.rit.edu/sampph.

 

Week 6, May

Monday 4

Tuesday 5

Wednesday 6

10:00 to 12:00

reading seminar:

Photography; A Critical Introduction:
Chapter 4, Subject as Object: pp 161- 192 (31)

9:00 AM
woodshop: building frames (12 students).

meet in the woodshop if your last name starts with letters:
M through Z

all others have "open studio"

Thursday of this week is tentatively scheduled as our fieldtrip outing. we will exchange wednesday's class for an all day outing on thursday the 7th

FIELD TRIP:

meet at 10:00 in parking-lot C

 

12:00 to 1:00

   

 

1:00 to 4:00

film forum:

naked states, the work of spencer tunic

 

eval writing workshop

NOTES for week six:

Thursday of this week is tentatively scheduled as our field trip outing. we will exchange wednesday's class for an all day outing on thursday the 7th

guest lecture: Philippe Mazaud      
Tuesday, May 5, 4:00, Lecture Hall I

French/American photographer Philippe Mazaud is an artist currently based in  the Seattle area.  Concentrating on large-format B&W photography for well over a decade, his work has more recently also involved painting, as well as the use of light boxes  or panels.  He is the recipient of several awards and grants, in particular a grant from the Ministère de la Culture (France, 2004), an Artist Fellowship from the Nevada Arts Council (2005), and a Fellowship from the Artist Trust, Seattle WA (2008).  His work and photographic prints are included in the permanent collections of the Cleveland Museum of Art, the Nevada Museum of Art, and in many private collections in the United States and Europe.  He is represented by Foley Gallery in New York and Galerie Hautefeuille in Paris.

 

 

 

Week 7, May

Monday 11

Tuesday 12

Wednesday 13

10:00 to 12:00

reading seminar:

Photography; A Critical Introduction:
Chapter 6, On and Beyond the White Walls: pp 245 – 294 (50)

CANCELED!!!photo finishing demo: you may excuse yourself from this demo only if you are abundantly familiar with the techniques and facilities available at TESC's photoland.
CANCELED!!!

6 oral research presentations

james o., john n., liam, jasper, andrew

 

12:00 to 1:00

 

 

 

1:00 to 4:00

film forum:

Avedon

 

6 oral research presentations

scott, sondra, josh w., rose, jill, galen

NOTES for week seven:

guest lecture: Shaw Osha              
Tuesday, May 12, 4:00, Lecture Hall I

Painter Shaw Osha grew up in NYC and currently lives in Olympia. She looks to painting as a response to the ubiquitous glossy imagery in time-based technologies, but also seeks to inform a 'static' practice with those same technologies.  Her work references methods of movement such as cinema and photography, and also suggests performative aspects of installation and relational aesthetics.   She recently received her MFA from Vermont College of Fine Art.

 

 

 

Week 8, May

Monday 18

Tuesday 19

Wednesday 20

10:00 to 12:00

reading seminar:

Chapter 5, Spectacles and Illusions: pp 195 – 235 (40)

 

6 oral research presentations

john l., ann, nate, will, denise, taylor

finished work crits

sondra, sharon, nate, steven, josh c., stella, evie,

12:00 to 1:00

 

 

 

1:00 to 4:00

film forum:

Annie Leibovitz

oral research presentations

evie, josh chin, sharon, james b., stella, steven

 

NOTES for week eight:

guest lecture: Erica Lord                
Tuesday, May 19, 4:00, Lecture Hall I

Native inter-disciplinary artist, Erica Lord works with themes of race, ethnicity, and gender roles, as well as concepts regarding memory and the idea of home. Erica explores these universal aspects in relationship to her constantly changing identity; a shifting self whose qualities seem to surface and diminish, depending on her context or present environment.  Erica has had her creative writing published in Red Ink magazine and has exhibited at the Montana Museum of Art and Culture, the Carl Gorman Museum, Aurora University, the Schopf Gallery on Lake in Chicago, and the Two Rivers Gallery in Minneapolis.

GO SEE THIS FILM: Everlasting Moments-starts May 23 at the OFS Capitol Theatre

Dir. Jan Troell / 2009 / Denmark/Finland/Norway/Sweden/Germany / 131 minutes

In early 20th century Sweden, Maria Larsson’s prized possession is a camera. When hard times force her to consider selling it, Mr. Pedersen, the local photography studio owner, convinces her to keep it and become a photographer. Her husband, Sigge, is not supportive, but her natural talent with the camera opens up a whole new world of possibilities for Maria. “Full of character and incident.”—A.O. Scott, The New York Times

 

 

Week 9, May

Monday 25

Tuesday 26

Wednesday 27

10:00 to 12:00

NO SCHOOL

MEMORIAL DAY

finished work crits

jasper, john n., liam, will, james b., jill, galen, taylor,

seminar: integration and synthesis, plus eval writing workshop v2.0

12:00 to 1:00

     

1:00 to 4:00

NO SCHOOL

MEMORIAL DAY

 

finished work crits

josh w, ann, andrew, john l., james o., denise, scott & rose, claire

NOTES for week nine:

 

 

Week 10, June

Monday 1

Tuesday 2

Wednesday 3

10:00 to 12:00

reading seminar:

choose one of three themes (BODIES, DIGITAL, or POMOisms) read the PDFs associated with them (available from the resources section of this web site)

source presentations

john l., ann, nate, will, denise, taylor

source presentations

scott, sondra, josh w., rose, jill, galen

12:00 to 1:00

 

 

 

1:00 to 4:00

source presentations

evie, josh c., sharon, james b., stella, steven

 

source presentations

james o., john n., liam, claire, jasper, andrew

 

NOTES for week ten:

 

 

Eval Week, June

Monday 8

Tuesday 9

Wednesday 10

10:00 to 12:00

10:00 nate

10:30

11:00 jasper

11:30 galen

10:00 ann

10:30 evie

11:00 drew

11:30 claire

 

10:00 sharon

10:30 scott

11:00 jill

11:30 john n.

 

12:00 to 1:00

   

 

1:00 josh w.

1:30 rose

2:00 sondra

2:30 james

1:00 to 4:00

1:00 scott

1:30 will

2:00 steven

2:30 denise

1:00 stella

1:30 josh c.

2:00 liam

2:30 john l.

NOTES for eval week: