Fashioning the Body: Versions of the Citizen, the Self, and the Subject

I have been spending some time with the truly extraordinary textile artist Anni Albers. I have two new images banks of Anni Albers' work from the catalog of a 1999 Guggenheim exhibition and a 1985 Smithsonian exhibit. These are all scans, mostly color, directly from the books so they don't have my usual scribbled commentary.

Here are the ideas I was thinking about...

1. Light -- the way light reflects off of things that are thought of as flat like fabric or paper

2. Texture -- two dimensional representations of textured surfaces (like knotted-looking fabric or woven art), this is basically about light too

3. Metallics -- again an interest in light reflection, also hidden or subtle use of metallics (like metallic thread)

4. Tests/experiments (the art of art research) -- much of Anni Albers' work was about performing studies to allow herself to experiment and gather ideas, such as laying out bits of twisted paper in patterns to explore the possibilities of woven patterns

5. Color -- most of my tearsheet work/research has been with b&w xeroxes so I'm now starting to think about color, particularly the use of bold(er) colors that don't overwhelm