Thesis: Portfolios should be submitted later than the 1 p.m. deadline originally stated
Evidence:
I the printmaking studio will be closed on Monday, Memorial Day
II the last studio assignment given was a printmaking assignment (not a drawing or collage assignment) and requires the use of the printmaking facilities specifically.
III the faculty won’t be able to evaluate the portfolios Wednesday afternoon anyway due to studio clean up and exhibition installation.
Conclusion: Portfolios should be submitted later than the 1 p.m. deadline originally stated
The original submission deadline has been changed from Weds. at 1 p.m. to Thursday at 7 a.m.
]]>Tuesday,
10 a.m. (note the early time!) Critique in dedicated studio of the following works:
(1) second iterative self portrait (4 sequential media),
(2) multiple-plate intaglio prints due at final class meeting
(3) independent suite of four works
Please note, this will be a committed, thoughtful critique taking most of the day. As a demonstration of your upper-division capacity for critical thinking about visual work and the concepts they imply, students will be expected to take the lead on these discussions. Remember our pedagogy centers on your thinking and learning, on your informed opinions, and weaning folks from the desire for feedback from authority figures. [smiley emoticon]
Wednesday
9 a.m. Continue critiques and/or begin installing the final program exhibit
1 p.m.: Submit final portfolios in your studio space for review by your evaluating faculty, including:
Final self-evaluation (doesn’t need to be on ‘the form’).
Notebook if substantive
“If your house was burning…” digital compositing assignment
“50/50” self portrait
Original iterative self portrait in its entirety (6 sequential media)
Second iterative self portrait (4 sequential media)
Submit printmaking assignments not submitted at deadline. These may include any of the following:
-
- Traditional hard ground/aquatint etching
- Photo-intaglio sample assignment (one exposure test impression + one print at selected exposure, label exposures to lumens clearly)
- Photo-intaglio formal composite print (one impression only)
- 5 Chine colles
PS – it’s helpful if you label your portfolios contents to assure that you get full credit for your work. In some cases, it may be difficult for us to discern which work was submitted in response to which assignment.
Thursday
12 – 4 p.m. TESC Arts Walk
12:00 – 1:30 p.m. (note the new time) Mandatory Printmaking Studio Clean-up
2 p.m. Final program gathering in the dedicated studio!
IMPORTANT: All of your work and belongings – including artwork and items you no longer want – must be removed by you from the Art Annex studio by Fri., June 11. Thank you!
]]>Week 8 Submissions
Hand-in collages for critique, Weds. 8 a.m. in printmaking studio lounge Thurs. 9 a.m. in dedicated studio.
Hand-in synthesis essays to evaluating faculty, Thurs., 9 a.m.
Submit Drawing portfolio in your studio by Thurs., 1 p.m. for review by your evaluating faculty. Include the following:
- Figure studies week 2
- Peer head studies week 5
- [10 self portraits were evaluated week 6, do not resubmit in drawing portfolio]
- Collaborative self-portraits week 7
Submit drawings in your drawing tablet; in order, be sure your name is on the tablet. Thank you!
Week 9 Submissions
Critique: 50/50 digital image, Tues., week 9, 11 a.m. in dedicated studio (Arts Annex).
Week 10 Submissions
Tuesday Critique: Submit (1) second iterative self portrait (4 sequential media), and (2) multiple-plate intaglio prints due at final class meeting and (3) independent suite of works
Wednesday, 1 p.m.: Submit your final portfolio in your studio space for review by your evaluating faculty
- Final self-evaluation (doesn’t need to be on ‘the form’).
- Notebook if substantive
- “If your house was burning…” digital compositing assignment
- “50/50” self portrait
- Original iterative self portrait in its entirety (6 sequential media)
- Second iterative self portrait (4 sequential media)
- Submit printmaking assignments not submitted at deadline. These may include any of the following:
- Traditional hard ground/aquatint etching
- Photo-intaglio sample assignment (one exposure test impression + one print at selected exposure, label exposures to lumens clearly)
- Photo-intaglio formal composite print (one impression only)
- 5 Chine colles
- Multiple-plate sample prints (two plates/ 4 impressions
Thurs. Week 10, 2 -4 p.m. Mandatory Printmaking Studio Clean-up
IMPORTANT: All of your work and belongings – including artwork and items you no longer want – must be removed by you from the Art Annex studio by Fri., June 11. Thank you!
]]>- 5th week check-ins with students on Monday
- Tuesdays Lecture will be in Seminar II D1107
- Photo-intaglio prints are due if you were able to complete yours; Chine Colle demonstration in printmaking on Wednesday.
Lecture: 11 a.m. – 1 p.m. in Sem II B1105
syllabus review
Seminar: 2 – 4 p.m. in either Sem II E3109 OR Sem. II C2109 (to be determined on Tuesday).
Please read Self-Portraits As Presentations of Self by W. Ray Crozier and Paul Greenhalgh and Narrating the Self by Elinor Ochs and Lisa Capps.
The readings are best accessible through JSTOR database via the TESC library page on the college website OR by accessing JSTOR from campus directly.
Welcome to The Generative Self, a Spring 2010 full-time, intensive visual arts program. This is your source for the program meeting schedule, syllabus, readings and announcements.
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