Author Archives: K-Duh

“Gran Torino”

I enjoyed this film because while it does have a white savior thing (purposefully not say complex) going for it, the movie explains and explores why Walt Kowalski is playing that role. Overall Walt is concerned with the younger generations lack of respect for the older and that he recognizes Sue as his neighbor. Once he gets to know them though his saving them is because he has grown to care about them. The last time Walt does his ‘saving’ act, I’ll admit that I was upset that he saved the day at first. Now however I look at differently, Walt clearly knew that his actions were behind the house shooting and what was done to Sue. So in a way instead of saving the day he is really holding himself accountable, and if his last words aren’t anything to go by is atoning for his actions.

Before I go into the strong reasons I see this movie being a good choice of for our program, I want to talk about the two things I love the most about this film. First is the women, I didn’t see one woman in the film that was passive in both the Hmong and white (dead and alive) women. Second is Walt’s character. Even though he is a racist angry old man in the beginning and somewhat in the end, his character shows that it’s never to old to not only change your opinions but it’s also okay to acknowledge your faults and wrongs.

Now on to move relevant observations. This film obviously focuses on Hmong people, which before this film I’d never heard about before, so that was cool. When Sue is talking to Walt about it the first time she says that their not a country but a people and that they came to the U.S. because of the aftermath of the Vietnam War and the U.S. leaving them high and dry when they left Vietnam causing the Vietnamese to attack them due to the Hmong supporting the U.S.. I feel that that one remark speaks loads. The part about Hmong being a people and not a country I feel speaks to the way that race has been in part constructed/validated through countries. Then the part of the Vietnam War really points out that a lot of immigrant populations that come to the U.S. are coming for refuge from conditions and situations that the U.S. has played a part in causing.

Overall however I think this movie really shows that there is more to people than the surface. Sue is constantly is voicing that, but even the other characters show a much deeper side than what they first thought of one another.

 

“My Name Is Khan”

I’m aware that for this post we were asked to discuss the reasons of Khan having Aspergers Syndrome. In class I mentioned that it was probably to make the discrimination against Muslims and Middle Easterns/Indian appearing persons more relatable to the audience by showing how prejudice people treat those they are discrimanting against. In the opening scene with Khan in the room with TSA agents not only sets the stage for the film but was one of the more powerful scenes in the film. They way the Agents treat Khan because they suspect him of being a terrorist vs how they treat when they find his card saying that he has Aspergers is very similar and if anything becomes worse when they think that Khan doesn’t really grasp what they are saying/doing to him. That’s why when he says, “My name is Khan, and I’m not a terrorist” point blank to their questioning it disproves that he is incompetent in understanding the situation both of his being targeted as a terrorist and then being mocked. I knew I’d like the film after that one part, but in reality I love it, except for one thing.

Previously to this film I’ve watched “Forest Gump” and “What’s  Eating Gilbert Grape” (Because I have a thing for Johnny, except I’m mad at him right now for “The Lone Ranger”). In both the films and also in “My Name Is Khan”, I’ve felt very uncomfortable with the roles played by Tom Hanks, Leonardo DiCaprio, and Shah Rukh Kahn because they were acting at having born with differently able characteristics. Now I do understand that acting is a skill and an art, but by having able persons playing these roles not only further marginalizes those individuals, it says that people who do identify that way can’t be act and it says that it’s okay to make these very real and very personal identities into a costume. And how are this roles different from Yellow Face, Black Face, Red Face, or Brown Face? I appreciate that this roles do put differently able persons into the mass media scope, but why not go further and find someone who actually is differently able and is acting to play those roles? It’s the same beef I have with Jared Leto for playing and winning an Oscars for his role in “Dallas Buyers Club”, in which he played a Trans* woman, when I know for a fact that there are open Trans* actresses that could have played that role (here’s an article on some of them).

(Content Warning for racial slurs)

I’m in the firm belief that identities you are born with should not be played by people outside of them. Some might ask why then it’s okay then to have gay people play straight roles, Trans* women playing just women roles, etc. and because this post is happening after reading A Tale For The Time Being, I have two responses. First is that these iditities are oppresssed so if people don’t feel safe being open about them in a n environment where others are playing their idetities way should they not play them? But something that Ruth said really struck home with me. Maybe you remember on page 32 when Oliver is telling Ruth that it’s not far that she can use the word “Jap” and he can’t, but her response of, “Exactly. It wasn’t fair” really sums up my feelings on that.

Part 1 Chapter 1

I’ve started looking up some texts that have to do with gender and race in video games and I’m gonna start reading them and writing my preconceptions of Zelda: Ocarina of Time (Z.O.T.) in light of the texts. If people know of anything please pass it along!

First up this week is an article coming from Cracked.com, 5 Prejudices That Video Games Can’t Seem to Get Over by J.F.  Sargent.  The five categories talked about are: “Racism as a Gameplay Mechanic; Relationship Mini-Games Create Exclusively Unhealthy Relationships; Strong Female Characters (Are More Satisfying to Demean); There Are No Gay Men, Just Lesbians (And Those Chicks Can Be Converted); The Fundamentals of Game Design Make Racism Easier”. Except for the, “There Are No Gay Men, Just Lesbians (And Those Chicks Can Be Converted)” and somewhat the “Relationship Mini-Games Create Exclusively Unhealthy Relationships” part of this list, I feel that the prejudices are very relevant to Z.O.T.

“Racism as a Gameplay Mechanic”:

In this section Sargent talks about how depending on characters race/humanoid species they have certain characteristics that are solely because they come from that race. Sargent also points out that most of the races are based off of real races and use real stereotypes for portrayals. Sargent just so happened to mention the Gerudo race in Zelda as one of the examples. Sargent states that they are based off of Gypsies, and I would say have some Indian undertones as well and are referred to as a the “thieving Gerudo race.” It’s also pointed out that Ganondorf (for those of you unfamiliar to the game he is the protagonist), who is the only male of that race (I’ll get into the male part later), is a non-white character and is very power hungry. Looking further though the other races in the game from Gorons, and Zoras to Kokiri and Sheikan all of them have certain characteristics that end up affecting Link (who is the Hero).

“Relationship Mini-Games Create Exclusively Unhealthy Relationships”:

Sergent uses this space to talk about how female characters are used in romantic ways in video games for the hero’s gain, and how in some games these relationships are based off of what character you chose to play. However in Zelda it’s pretty simple, while there is only one obvious “romantic” relationship, all of Link’s interactions with females in up with him gaining something from them. Starting with his friend Saria, she gives him an ocarina, and ends up being one of the seven sages who’s power helps him bet Ganondorf. Till the last female character Link encounters, Nabooru, who sorta ends up forfeiting the Silver Gauntlets and also ends up being one of the seven Sages.

“Strong Female Characters (Are More Satisfying to Demean)”:

Gerudo Guard

Gerudo Guard

Basically the more independent and stronger a female character is, the less clothes she is wearing or the more sexed up she is. While there are a lot of female characters in Z.O.T. the most independent one is Impa who is Princess Zelda’s bodyguard and then there is the clothing for the women of the Gerudo race. While Impa’s outfit is nothing compared to the Gerudo’s, compared to other females that war dresses, she is in a skin tight short body suit that accent her boobs.

Impa

Impa

As a race the Gerudo only have a male born every hundred years and besides that they are all women which makes them pretty independent from men and because they are thieves they need to guard their treasures. They wear low cut pants and basically bras.

“The Fundamentals of Game Design Make Racism Easier”:

This basically talks about how the bad people in video games are usually people of color and that you need to kill them in the game. It’s pretty obvious from the other implications with the Ganondorf, but in case you’ve missed it he’s non-white and evil and you need to kill him in the game to win.

What’s Wrong with 2042

So keeping up with looking at Racialicious for the scissors category. While there were no post about API’s necessarily in the news there was a post on comedy: Friday morning comedy videos: Akilah Hughes and Hari Kondabolu, which shows a clip from Hari Kondabolu upcoming album Waiting for 2042. If you don’t want to watch a funny three minute video, he basically talks about the “white minority” prediction in 2042 and how stupid everyone’s freak out is about it, by not only pointing out that 49%  of white is not a minority unless the other 51% is just “you people” but also how race is made up. I personally appreciated that part because Hari gave a great example of asking white people what their culture is and the rattle off these percentages of different European countries instead of say “White culture” in reference to Black and Asian cultures.

Part 1 Chapter 1

I’ve started looking up some texts that have to do with gender and race in video games and I’m gonna start reading them and writing my preconceptions of Zelda: Ocarina of Time (Z.O.T.) in light of the texts. If people know of anything please pass it along!

First up this week is an article coming from Cracked.com, 5 Prejudices That Video Games Can’t Seem to Get Over by J.F.  Sargent.  The five categories talked about are: “Racism as a Gameplay Mechanic; Relationship Mini-Games Create Exclusively Unhealthy Relationships; Strong Female Characters (Are More Satisfying to Demean); There Are No Gay Men, Just Lesbians (And Those Chicks Can Be Converted); The Fundamentals of Game Design Make Racism Easier”. Except for the, “There Are No Gay Men, Just Lesbians (And Those Chicks Can Be Converted)” and somewhat the “Relationship Mini-Games Create Exclusively Unhealthy Relationships” part of this list, I feel that the prejudices are very relevant to Z.O.T.

“Racism as a Gameplay Mechanic”:

In this section Sargent talks about how depending on characters race/humanoid species they have certain characteristics that are solely because they come from that race. Sargent also points out that most of the races are based off of real races and use real stereotypes for portrayals. Sargent just so happened to mention the Gerudo race in Zelda as one of the examples. Sargent states that they are based off of Gypsies, and I would say have some Indian undertones as well and are referred to as a the “thieving Gerudo race.” It’s also pointed out that Ganondorf (for those of you unfamiliar to the game he is the protagonist), who is the only male of that race (I’ll get into the male part later), is a non-white character and is very power hungry. Looking further though the other races in the game from Gorons, and Zoras to Kokiri and Sheikan all of them have certain characteristics that end up affecting Link (who is the Hero).

“Relationship Mini-Games Create Exclusively Unhealthy Relationships”:

Sergent uses this space to talk about how female characters are used in romantic ways in video games for the hero’s gain, and how in some games these relationships are based off of what character you chose to play. However in Zelda it’s pretty simple, while there is only one obvious “romantic” relationship, all of Link’s interactions with females in up with him gaining something from them. Starting with his friend Saria, she gives him an ocarina, and ends up being one of the seven sages who’s power helps him bet Ganondorf. Till the last female character Link encounters, Nabooru, who sorta ends up forfeiting the Silver Gauntlets and also ends up being one of the seven Sages.

Gerudo_Guard

Gerudo Gaurd

 

“Strong Female Characters (Are More Satisfying to Demean)”:

Basically the more independent and stronger a female character is, the less clothes she is wearing or the more sexed up she is. While there are a lot of female characters in Z.O.T. the most independent one is Impa who is Princess Zelda’s bodyguard and then there is the clothing for the women of the Gerudo race. While Impa’s outfit is nothing compared to

Impa

Impa

the Gerudo’s, compared to other females that war dresses, she is in a skin tight short body suit that accent her boobs. As a race the Gerudo only have a male born every hundred years and besides that they are all women which makes them pretty independent from men and because they are thieves they need to guard their treasures. They wear low cut pants and basically bras.

 

 

 

“The Fundamentals of Game Design Make Racism Easier”:

This basically talks about how the bad people in video games are usually people of color and that you need to kill them in the game. It’s pretty obvious from the other implications with the Ganondorf, but in case you’ve missed it he’s non-white and evil and you need to kill him in the game to win.

“The Debut”

As a Rom Com (Romantic Comedy) enthusiast it was nice to not only see a film in this genre that focused on People of Color but was also produced in America. It was the first feature film I’ve watched that Filipinos and aspects from their culture were part of the main story. I enjoyed a lot of the dialogue that took place in this film mainly around race and culture. There were two distinct spots that really stood out for me.

The first, was at the debut when everyone initially first eats and they go around the room to different tables and show us the conversations that are going on. The conversation about the proper word to use when referring to Filipinos or other people from Asian and/or Pacific Islander decent. The conversation I liked was when the white man at the table in telling the rest of the table that saying “orientals” is not the correct term to use anymore because it’s too “touchy” and the proper word is “Asians”. However when one of the Filipina women reefers to herself and other Filipinos as “Asian”, the white man gets  flustered because the Philippines are not part of Asia but Malaysia so they aren’t Asian. I found it slightly amusing that it was okay for Filipinos to be labeled as “oriental”, a term that did not take into consideration anyone’s geographical location. Not only that but instead of using one word to refer a ton of different people and cultures why not use their actually nationality.

The second piece of dialogue I really enjoyed was when Rose and her friends were dancing as Ben and Rick re-entered the party. Rick, says something along the lines of the dance looking like dances his Mexican cousins did. My first thought to that comment was that while they dancing looks similar it’s really not okay to generalize cultures like that. And then I remembered my history and realized that that comment could also be a reference to Spain having colonized both the Philippines and Mexico.

Musings on Lee Part 1

I started reading Robert G. Lee’s Orientals after watching and writing about the “How I Met Your Mother” episode, which was a bit unfortunate because then I could have used parts of the reading in describing the messed up things in that episode. Anyway that’s not want I want to spend this post talking about. In the “Introduction” when talking about the United States vs. Thind case Lee says, “The important thing about race, the Supreme Court held, was not what social or physical scientist at the time may have had to say about it, but rather how “popularly” defined it.” (pp. xxii *note that my copy of the book has way different page numbers than most others…) in the context of further oppression non-white people from America.

I think that it’s statement worth talking about because of how true it was then, but more imrotantly still is. There’s a series out called “The Power of an Illusion” that really gets into the historical social contract of race and it’s effect on peoples lives up to the present. It questions why we still associate stereotypes with people, even after having disproved them or finding out the factors that lead to those stereotypes, because society still perpetuates inaccurate portrayals of different social groups. Which leads to another reason I found this quote to be essential, the power that media and pop/popular culture have on the general public. From music videos, to video games, to t.v. shows to commercials, people are influenced by what is constantly being portrayed through media and popular culture and because of that it’s dangerous to have misrepresentations of Asian/Americans in them.

Rock Beats Scissors

I was quite excited the other day in class when this blog came up. I was introduced to it about a year ago with this awesome article, To (All) the White Girls Who Didn’t Get Into The College of Their Dreams, and at the time clicked around it, bookmarked it with every intention of going back to it and to start looking at it frequently, but it got lost among all my other awesome bookmarks. So I decided that this was the perfect chance to go and explore it.

t I looked at the recent posts and found this article, Race Forward Releases New Report On Media, Civic Activism + Race.Which is really cool and talks about the misrepresentation of racism. But the reason this article was cool was the video was by Jay Smooth which reminded me that I had this video, “All These Sexist Gamer Dudes Are Some Shook Ones” , in my awesome bookmarks. Which is good because I was searching for sources on gender and races in video games for my obsession and this video is about Anita Sarkeesian’s project on females in video games, so should be interesting to look at.

Connections to the Program

As per the assignment I investigated these four topics: Challenger, Paull [sic] Shin, WWII Straglers, and the letest episode of “How I met Your Mother (HIMYM)” (Season 9, Episode 14) and related them back to the program.

At a club meeting early in the day I remembered that I had to complete this assignment. In a boring fashion I started at the beigning of the list and worked my way down. After researching “Challenger” the connection I came up with was that Ellison Shoji Onizuka was aboard that space shuttle and it’s explosion had a tone of media coverage. Onizuka was the first Asian/American in space, reaching the destination in 1985 and was one of the seven people that about a year later on the Challenger mission.

After reading the above topic and feeling a little down I moved on to read about Paull Shin. Born in South Korea in 1935 and adopted to Ray Paull, a U.S. Army officer who was in South Korea for the war, Paull Shin became the first Korean/American elected to the Washington State Legislation.

I found the World War II Stragglers to be quite interesting in two respects. According to Wikipedia’s Japanese Holdout, Japanese soldiers located throughout the Pacific kept on fighting the War till the 1980s. Wikipedia suggests the reasoning behind these stragglers was either due to the loss of communication during the end of the war so they did not get the message or because of the Japanese “strong dogmatic or militaristic principles”, which I’m assuming the writer on the post was referring to bushido , as this article points out is a code that “demands bravery and unflinching self-sacrifice. Honor comes from death, disgrace from surrender.” All of that I found interesting because it was not something I had heard of before and that time wise WWII was not over till the 1980s. Which got me thinking of our programs theme with time and how despite the reasoning behind the Japanese soldiers continuing to fight for them a war that for others was in the past and over was still a present aspect in their lives. And I was feeling pretty good about how nice these connections were seeming to come along, till I moved on to the last topic.

Before searching the news for Episode 14 of “How I Met Your Mother” I decided to watch it. Now I use to watch this show all the time and like it. I had a bit of info on the episode from a friend who pointed out from her musing online, the main racist themes of yellowface, and usual mockery of culture but also that this show doesn’t have a ton of non-white actors in it which adds to the impact this had. So I was on the watch for this as I started the episode, but there was no missing any of it.  My first notes on the episode start as Marshall goes to learn a mighty slap at a Kung Fu school. In this scene when he asks the instructor if he can learn a slap and the instructor says no because he teaches Kung Fu that is a sacred art (which they make fun of the whole episode) and not slapping, Marshall acts out his words like the instructor doesn’t know what he is talking about. To make this scene even better in the background there are Katanas along the walls. After learning that there is a special slap that he can learn from masters Marshall embarks on his journey. We have Robin and Lilli, dressed in Chinese attire and both are made fun of their age by looking younger than they are. And while their make-up is done in a “China Doll” fashion they weren’t as bad a Ted. With Ted waring a wig of long braided hair to simulate Chinese historical hair customs,  he is mistaken as a women and then turns to show the audience his face with the long eyebrows and long goatee that wise masters have in Kung Fu movies.

After being enraged over what I saw I looked up news articles for the episode and what I found frustrated me even more. All the articles that popped up on the first page were on the creators apology for their unintentional racism with the exception of Kai Ma’s Article Dear How I Met Your Mother: ‘Asian’ Is Not a Costume. All the articles had the statement from the creators that said while they were trying to have a laugh at Kung Fu movies, which they hold dear (Obviously because Katana’s are a part of Kung Fu), they did not mean to offend anyone. And while some also included some of the tweets that went out like “#YellowFace” and “#HowIMetYourRacisim” they did not go into the real issues like Ma’s article. The big reason the focus on the apology and the apology itself frustrates me is this intention vs. impact concept (if you want to know more or don’t know what I’m talking about check this out). Yes the creators just wanted to make fun of Kung Fu movies and didn’t want to hurt or upset anyone but they did and instead of trying to understand how they did offend people their apology only defends what they did.

 

Pre-Start

I’ve had a hard time deciding what I wanted to academically obsess over for the up coming weeks and have decided that I need to play Zelda: Ocarina of Time (Z.O.T). This is a game that I have easily played over 20 complete times and probably even more partial times. It is a game that I shut out the rest of the world and play from beginning to end in one go because I love it so much. Everything from the music to why I started playing it to the story line I love. And it’s because of that intense love that I chose to look at racial and gender implications in the game. To elaborate on that, since I’ve started to learn about mis-portrayals of everything from relationships and characterizing of race and gender/sex roles in popular culture I look at the wrong in things without seeing the beauty and when it’s something I already like I acknowledge it to myself but never talk about it with others, which is something I don’t think is right on my part. So because I already have a deep since of beauty for the game I’ve decided to look at some of the issues and talk about them through this public blog (which is really freaky to me).

So, how do I plan to do this? Well I thought I might start off with finding and reading some articles and what not on race and genders in video games along with some on overall impacts that video games can have on people and I will find out about popularity, sub-culture. Since I have played the game so much after each of my reading that I find useful I will vaguely make connections between the text and the game. Once I felt I have an abundance of knowledge I will partake on my final quest of playing the game and paying close attention to the dialogue and portrayals of characters and document my findings while keeping my love for the game.