Intersections
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 Selected Bibliography

Abbott, Lawrence, ed. I Stand in the Center of the Good: Interviews with Contemporary Native American Artists. Lincoln: University of Nebraska Press, 1994.

 

Alison, Jane, ed. Native Nations: Journeys in American Photography. London: Barbican Art Gallery, 1999.

 

American Sources of Modern Art. Exhibition catalogue. New York: The Museum of Modern Art, 1933.

 

Arens, W.  The Man-Eating Myth: Anthropology and Anthropophagy. Ox­ford: Oxford Univer­sity Press, 1979.

 

Archuleta, Margaret and Rennard Strickland, eds. Shared Visions: Native American Painters and Sculptors in the Twentieth Century. New York: The New Press,1991.

 

Asch, Timothy. “The Story We Now Want to Hear Is Not Ours to Tell: Relinquishing Control over Representation: Toward Sharing Visual Communication Skills with the Yanomami.” Visual Anthropology Review 7:2 (Fall 1991): 102-6.

 

Asad, Talal. “Two European Images of Non-European Rule.” In Anthropology and the Colonial Encounter. Ed. Talal Asad. London: Ithaca Press, 1975.

 

Babcock, Barbara. “Pueblo Cultural Bodies.” Journal of American Folklore 107 (1994): 40-54.

 

Bates, Sara. Indian Humor. San Francisco: American Indian Contemporary Arts, 1995.

 

Berkhofer, Robert F., Jr. The White Man’s Indian: Images of the American Indian from Columbus to the Present. New York: Vintage, 1978.

 

Berlo, Janet, ed. The Early Years of Native American Art History: Essays on the Politics of Scholarship and Collecting. Seattle, University of Washington Press, 1992.

 

Berlo, Janet C. and Ruth B. Phillips. Native North American Art. Oxford: Oxford University Press, 1998.

 

Boas, Franz. Primitive Art. New York: Dover, 1955.

 

Boone, Elizabeth Hill. ed. Collecting the Pre-Columbian Past: A Symposium at Dumbarton Oaks 6th and 7th October 1990. Washing­ton, D.C.: Dumbarton Oaks Research Library and Collec­tion, 1993.

 

          . Falsifications and Misreconstructions of Pre-Columbian Art. Washington, D.C.: Dumbarton Oaks Re­search Library and Collection, 1982.

 

Boone, Elizabeth Hill, and Walter D. Mignolo, eds. Writing Without Words: Alternative Literacies in Mesoamerica and the Andes. Durham: Duke University Press, 1994.

 

Braun, Barbara. Pre-Columbian Art and the Post-Columbian World: Ancient American Sources of Modern Art. New York: Harry N. Abrams, 1993.

 

Brotherstone, Gordon. Image of the New World: The American Continent Portrayed in Native Texts. London: Thames and Hudson, 1979.

 

Bucher, Bernadette. Icon and Conquest: A Structural Analysis of the Illustrations of de Bry’s Great Voyages. Trans. Basia Miller Gulati. Chicago: University of Chicago Press, 1981.

 

Cahill, Holger. American Sources of Modern Art. New York: Museum of Modern Art, 1933.

 

Castile, George Pierre. “The Commodification of Indian Identity.” American Anthropologist 98:4 (December, 1996): 743-749.

 

Chow, Rey. “Where Have All the Natives Gone?” In Displacements: Cultural Identities in Question. Ed. Angelika Bammer. Bloomington: Indiana University Press, 1994.

 

Chiapelli, F., ed. First Images of America: The Impact of the New World on the Old. 2 vols. Berkeley: University of California Press, 1976.

 

Churchill, Ward. Fantasies of the Master Race: Literature, Cinema, and the Colonization of American Indians. Ed. M. Annette Jaimes. Monroe, Maine: Common Courage Press, 1992.

 

          . Marxism and Native Americans. Boston: South End Press, 1982

 

Clifford, James. The Predicament of Culture: Twentieth-century Ethnography, Literature and Art. Cambridge: Harvard University Press, 1988.

 

Clifford, James, and George Marcus, eds. Writing Culture. Berkeley: University of California Press, 1986.

 

Cole, Douglas. Captured Heritage: The Scramble for Northwest Coast Artifacts. Seattle: University of Washington Press, 1985.

 

Deloria, Philip. Playing Indian. New Haven: Yale University Press, 1999.

 

Deloria, Vine, Jr. Behind the Trail of Broken Treaties: An Indian Declaration of Independence. Austin: University of Texas, 1985.

 

Deloria, Vine, Jr., and Clifford M. Lytle. The Nations Within: The Past and Future of American Indian Sovereignty. New York: Pantheon Books, 1984.

 

Deloria, Vine, Jr., and David E. Wilkins. Tribes, Treaties, and Constitutional Tribulations. Austin: University of Texas Press, 1999.

 

Discovered Lands Invented Pasts: Transforming Visions of the American West. Exhibition Catalogue. New Haven: Yale University Press, 1992.

 

Doggett, Rachel, ed. New World of Wonders: European Images of the Americas 1492-1700. Washington, D.C.: Folger Shakespeare Library, 1992.

 

Dominguez, Virginia “The Marketing of Heritage.” American Ethnologist 13:3, 1986.

 

Dudley, E. & Movak, M. eds. The Wild Man Within: An Image in Western Thought from the Renaissance to Romanticism. London: University of Pittsburgh Press, 1972.

 

Duncan, Carol. Civilizing Rituals: Art Museums as Public Spaces. New York: Routledge, 1995.

 

Durham, Jimmie. A Certain Lack of Coherence: Writings on Art and Cultural Politics. London: Kala Press, 1993.

 

Dussel, Enrique. The Invention of the Americas: Eclipse of “the Other” and the Myth of Modernity. Trans. Michael D. Barber. New York: Continuum, 1995.

 

Errington. Shelly. The Death of Authentic Primitive Art and Other Tales of Progress. Berkeley: University of California Press, 1998.

 

Fabian, Johannes. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press, 1983.

 

Faery, Rebecca Blevins. Cartographies of Desire: Captivity, Race, and Sex in Shaping of an American Nation. Norman: University of Oklahoma Press, 1999.

 

Faris, James C. Navajo and Photography: A Critical History of the Representation of an American People. Albuquerque: University of New Mexico Press, 1996.

 

Feddersen, Joe and Elizabeth Woody. “The Story as Primary Source: Educating the Gaze,” in Native American Art in the Twentieth Century. Ed. Rushing, W. Jackson. New York and London: Routledge, 1999.

 

Feest, C.F. Indians and Europe: An Interdisciplinary Collection of Essays. Aachen: Heredot/Rader, 1987.

 

Foreman, Carolyn Thomas. Indians Abroad: 1493-1938. Norman: University of Oklahoma Press, 1943.

 

Friedman, J. Block. The Monstrous Races in Medieval Art and Thought. Cambridge: Harvard University Press, 1981.

 

Gates, Henry Louis, Jr., ed. “Race,” Writing, and Difference. Chicago: University of Chicago Press, 1986.

 

Gilly, Adolfo. Discusión sobre la historia: Adolfo Gilly, Subcoman­dante Marcos, Carlo Ginzburg. Mexico: Taurus, 1995.

 

Goldwater, Robert. Primitivism in Modern Art. Cambridge and London: Belknap Press, 1986.

 

Greenberg, Reesa, Bruce W. Ferguson, and Sandy Nairne, eds. Thinking About Exhibitions. New York: Routledge, 1996.

 

Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Chicago: Chicago University Press, 1991.

 

Greenblatt, Stephen, ed. New World Encounters. Berkeley: University of California Press, 1993.

 

Hall, Stuart. “Cultural Studies and the Politics of International­iza­tion.” Interview by Kuan-Hsing Chen. Stuart Hall: Critical Dialogues in Cultural Studies Ed. David Morley and Kuan-Hsing Chen. New York: Routledge, 1996.

 

Harlan, Theresa. “As in Her Vision: Native American Women Photographers.” In Reframings: New American Feminist Photographies. Ed. Diane Neumaier. Philadelphia: Temple University Pres, 1994.

 

          . Watchful Eyes: Native American Women Artists. Pheonix: The Heard Musuem, 1994.

 

Heap of Birds, Edgar. Sharp Rocks. Buffalo: CEPA, 1986.

 

Hill, Tom and Richard W. Hill, Sr., eds. Creation's Journey: Native American Identity and Belief. Washington and London: Smithsonian Institution Press, 1994.

 

Hiller, Susan, ed. The Myth of Primitivism: Perspectives on Art. New York: Routledge, 1991.

 

Honour, Hugh. The New Golden Land: European Images of America from the Discoveries to the Present Time. New York: Pantheon, 1975.

 

          . The European Vision of America. Cleveland: The Cleveland Museum of Art, 1975.

 

hooks, bell. Black Looks: Race and Representation. Boston: South End Press, 1992.

 

Huggan, Graham. “Decolonizing the Map: Post‑Colonialism, Post­structuralism and the Cartographic Connection.”  Ariel 20 (October 1989): 115-131.

 

Huhndorf, Shari M. Going Native: Indians in the American Cultural Imagination. Ithaca: Cornell University Press, 2001.

 

Hulme, Peter. Colonial Encounters: Europe and the Native Caribbean, 1492-1797. London: Methuen, 1986.

 

Impey, Oliver, and Arthur MacGregor, eds. The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe. Oxford: Clarendon Press, 1985.

 

Jaffe, Irma B., Gianni Eugenio Viola, and Franca Rovigatti, eds. Imagining the New World: Columbian Iconography Exhibition catalogue. Rome and New York: Istituto della Enciclopedia Italiana, 1991.

 

Jaimes, M. Annette, ed. The State of Native America: Genocide, Colonization, and Resistance. Boston: South End Press, 1992.

 

Jaimes, M. Annette with Theresa Halsey. “American Indian Women: At the Center of Indigenous Resistance in Contemporary North America.” In Dangerous Liaisons: Gender, Nation, and Postcolo­nial Perspectives. Eds. Anne McClintock, Aamir Mufti and Ella Shohat. Minneapolis: University of Minnesota Press, 1997.

 

Jara, René, and Nicholas Spadaccini, eds. Amerindian Images and the Legacy of Columbus. Minneapolis: University of Minnesota Press, 1992.

 

Johnson, Julie Greer. The Book in the Americas: The Role of Books & Printing in the Development of Culture and Soci­ety in Colonial Latin America. Providence: The John Carter Brown Library, 1988.

 

Josephy, Alvin M., Jr., ed. America in 1492: The World of the Indian Peoples before the Arrival of Columbus. New York: Vintage Books, 1993 [1991].

 

Karp, Ivan, and Steven Lavine, eds. Exhibiting Cultures: The Poetics & Politics of Museum Display. Washington, D.C.: Smithsonian Institution Press, 1991.

 

Kawasaki, Ann, ed. The Changing Presentation of the American Indian: Museums and Native Cultures. Seattle: University of Washington Press, 2000.

 

King, C. Richard. Colonial Discourses, Collective Memories, and the Exhibition of Native American Cultures and Histories in the Contemporary United States. New York: Garland Publishing, 1998.

 

Klein, Cecelia F. “The Relation of Mesoamerican Art History to Archaeology in the United States.” In Pre-Columbian Art History. Ed. Alana Cordy-Collins. Palo Alto: Peek Publications, 1982.

 

Lafitau, Joseph-Francois. Moeurs des sauvages amériquains comparées aux moeurs des premiers temps. 2 vols. Paris: 1724.

 

Las Casas, Bartolomé. In Defense of the Indians. Trans. Stafford Poole. DeKalb: Northern Illinois University Press, 1992.

 

Lévi-Strauss, Claude. Tristes Tropiques. Trans. John and Doreen Weightman. New York: Atheneum, 1974.

 

          . The Savage Mind. Chicago: University of Chicago Press, 1966.

 

Lippard, Lucy R., ed. Partial Recall. New York: The New Press, 1992.

 

          . Mixed Blessings: New Art in a Multicultural America. New York: Pantheon Books, 1990.

 

McMaster, Gerald, ed. Reservation X: The Power of Place in Aboriginal Contemporary Art. Seattle: University of Washington Press, 1998.

 

McMaster, Gerald and Lee-Ann Marting, eds.. Indigena: Contemporary Native Perspectives. Hull, Quebec: Canadian Museum of Civilization, 1992.

 

Marcus, George E., and Fred R. Myers eds. The Traffic in Culture: Refiguring Art and Anthropology Berkeley: University of California Press, 1995.

 

Marcus, George E., and Michael M.J. Fisher. Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences. Illinois: University of Chicago Press, 1986.

 

Mason, Peter. Infelicities: Representations of the Exotic. Baltimore: Johns Hopkins University Press, 1998.

 

          . Deconstructing America: Representations of the Other. New York: Routledge, 1990.

 

Menchú, Rigoberta. I, Rigoberta Menchú: An Indian Woman in Guatemala. London and New York: Verso, 1984.

 

Messenger, Phyllis Mauch, ed. The Ethics of Collecting Cultural Property: Whose Culture? Whose Property? Albuquerque: University of New Mexico Press, 1989.

 

Mulvey, Laura, et al., Jimmie Durham. London: Phaidon Press, 1995.

 

Nemiroff, Diana, ed. Land Spirit Power: First Nations at the National Gallery of Canada. Ottowa: National Gallery of Canada, 1992.

 

Olympic Peninsula Intertribal Cultural Advisory Committee. Native Peoples of the Olympic Peninsula: Who We Are. Ed. Jacilee Wray. Norman: University of Oklahoma Press, 2002.

 

Owens, Craig. “Improper Names.” In Beyond Recognition: Representation, Power, and Culture. Ed. Scott Bryson, Barbara Kruger, Lynne Tillman, and Jane Weinstock. Berkeley: University of California Press, 1992.

 

Owens, Louis. Mixedblood Messages: Literature Film, Family, Place. Norman: University of Oklahoma Press, 1998.

 

Pagden, Anthony. The Fall of Natural Man: The American Indian and the Origins of Comparative Ethnology. Cambridge: Cambridge University Press, 1982.

         

Parry, Elwood. The Image of the Indian and the Black Man in American Art 1590-1900. New York: George Braziller, Inc., 1974.

 

Pearce, Roy Harvey. Savages of America: A Study of the Indian and the Idea of Civilization. Baltimore: Johns Hopkins University Press, 1963 [1953].

 

Phillips, Ruth B. “Why Not Tourist Art? Significant Silences in Native American Museum Representations.” In After Colonial­ism: Imperial Histories and Postcolonial Displacements. Ed. Gyan Prakash. Princeton: Princeton University Press, 1995.

 

          . What is Huron Art?: Native American Art and the New Art History. The Canadian Journal of Native Studies.Vol IX, no 2, 1989.

 

Price, Sally. “Provenances and Pedigrees: The Western Appropriation of Non-Western Art.” In Imagery and Creativity: Ethnoaesthetics and Art Worlds in the Americas. Ed. Dorothea S. Whitten and Norma E. Whitten, Jr. Arizona: University of Arizona Press, 1993.

 

Rabasa, José. Inventing America: Spanish Historiography and the Formation of Eurocentrism. Norman: University of Oklahoma Press 1993.

 

          . “Pre-Columbian Pasts and Indian Presents in Mexican History.” Dispositio/n 46 (1994): 245-270.

 

Richards, David. Masks of Difference: Cultural Representations in Literature, Anthropology and Art. Cambridge: Cambridge University Press, 1994.

 

Riley, Glenda. Women and Indians on the Frontier, 1825-1915. Albuquerque: University of New Mexico Press, 1984.

 

Roberts, Carla. “Object, Subject, Practitioner: Native Americans and Cultural Institutions.” Native American Expressive Culture. Special issue of Akwe:kon Journal 11:3,4 (1994): 22-29.

 

Rollins, Peter C. and John E. O'Connor, eds. Hollywood's Indian: The Portrayal of the Native American in Film. Lexington: University of Kentucky Press, 1999.

 

Romero, Lora. Vanishing Americans: Gender, Empire, and New Historicism. In Subjects and Citizens: Nation, Race, and Gender from Oroonoko to Anita Hill. Ed. Michael Moon and Cathy N. Davidson. Durham: Duke University, 1999.

 

Root, Deborah. Cannibal Culture: Art, Appropriation, and the Commodification of Difference. Boulder: Westview Press, 1996.

 

Rushing, W. Jackson, ed. Native American Art in the Twentieth Century. New York and London: Routledge, 1999.

 

          . “Marketing the Affinity of the Primitive and the Modern: René D’Harnoncourt and Indian Art of the United States.” In The Early Years of Native American Art History: The Politics of Scholarship and Collecting. Ed. Janet Berlo. Seattle, University of Washington Press, 1992.

 

          . “Ritual and Myth: Native American Culture and Abstract Expressionism.” In The Spiritual in Art: Abstract Painting 1890-1985. Los Angeles: Los Angeles County Museum of Art, and New York: Abbeville Press, 1986.

 

Ryan, Allan J. The Trickster Shift: Humour and Irony in Contemporary Native Art. Seattle: University of Washington Press, 1999.

 

Sawchuk, Joe, ed. Images of the Indian: Portrayals of Native Peoples. Brandon: Bearpaw Publishing, 1995.

 

Smith, Linda Tuhiwai. Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books, 1999.

 

Smith, Henry N. Virgin Land: The American West as Symbol and Mythology. Cambridge: Harvard University Press, 1976 [1950].

 

Stannard, David E. American Holocaust: The Conquest of the New World. Oxford: Oxford University Press, 1993.

 

Stedman, Raymond William. Shadows of the Indian: Stereotypes of American Culture. Norman: University of Oklahoma Press, 1982.

 

Stocking, George W., Jr., ed. Objects and Others: Essays on Museums and Material Culture. Madison: University of Wiscon­sin Press, 1985.

 

Strong, Pauline Turner. “Exclusive Labels: Indexing the National “We” in Commemorative and Oppositional Exhibitions.” Museum Anthropology 21, no. 1 (1997): 42-56.

 

          . “Animated Indians: Critique and Contradiction in Commodified Children’s Culture.” Cultural Anthropology 11:3 (1996): 405-424.

 

Strong, Pauline Turner, and Barrik van Winkle. “‘Indian Blood’: Reflections on the Reckoning and Refiguring of Native North American Identity.” Cultural Anthropology 11:4 (1996): 547-575.

 

Sturtevant, William C. “First Visual Images of Native America.” In First Images of America: The Impact of the New World on the Old. 2 vols. Ed. F. Chiapelli. Berkeley: University of California Press, 1976.

 

Taylor, William B., and Franklin Pease G.Y., eds. Violence, Resis­tance, and Survival in the Americas: Native Americans and the Legacy of Conquest. Washington: Smithsonian Institution Press, 1994.

 

Thomas. Nicholas. Possessions: Indigenous Art/Colonial Culture. London: Thames and Hudson, 1999.

 

          . “Cold Fusion.” American Anthropologist 98:1 (March 1996): 9-16.

 

          . “Kiss the Baby Goodbye: Kowhaiwhai and Aesthe­tics in Aotearoa New Zealand.” Critical Inquiry 22 (Autumn 1995): 90-121.

 

          . Colonialism’s Culture: Anthropology, Travel, Government Princeton: Princeton University Press, 1994.

 

Todorov, Tsvetan. The Conquest of America: The Question of the Other. Trans. Richard Howard. New York: Harper & Row, 1984.

 

Tompkins, Jane. “‘Indians’: Textualism, Morality, and the Problem of History.” In "Race," Writing, and Difference. Ed. Henry Louis Gates, Jr. Chicago: University of Chicago Press, 1986.

 

Torgovnick, Marianna. Gone Primitive: Savage Intellects, Modern Lives. Chicago: Chicago University Press, 1990.

 

Trinh T. Minh-ha. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press, 1989.

 

Tylor, Edward B. Primitive Culture: Researches into the Development of Mythology, Philosophy, Religion, Lan­guage, Art, and Custom. London: John Murray, 1873.

 

Urban, Greg, and Joel Sherzer. Nation-States and Indians in Latin America. Austin: University of Texas Press, 1991.

 

Valaskakis, Gail G. “Indian Country: Negotiating the Meaning of Land in Native America.” In Disciplinarity and Dissent in Cultural Studies. Ed. Cary Nelson and Dilip Parameshwar Goankar. New York: Routledge, 1996.

 

          . “Postcards of My Past: The Indian as Artefact.” In Relocating Cultural Studies: Developments in Theory and Research. Eds. Valda Blundell, John Shepherd, and Ian Taylor. New York: Routledge, 1993.

 

WalkingStick, Kay. “Indian Arts and Crafts Act: Counterpoint.” Native American Expressive Culture. Special issue of Akwe:kon Journal 11:3,4 (1994): 115-117.

 

Ward, Deborah. Our Land/Ourselves: American Indian Contemporary Artists. Exhibition Catalogue. New York: University at Albany, State University of New York, 1990.

 

Washburn, Wilcomb E. Red Man's Land/White Man's Law: A Study of the Past and Present Status of the American Indian. New York: Charles Scribner's Sons, 1971.

 

Weatherston, Rosemary. “When Sleeping Dictionaries Awaken: The Re/turn of the Native Woman Informant.” Post-Identity (Fall 1997): 113-144.

 

Whitehead, N. “Carib Cannibalism: The Historical Evidence.” Journal de la Société des Américanistes 70: 69-87.

 

Whitten, Dorothea S., and Norman E. Whitten, Jr., eds. Imagery & Creativity: Ethnoaesthetics and Art Worlds in the Americas. Tucson: The University of Arizona Press, 1993.

 

Wood, Houston. Displacing Natives: The Rhetorical Production of Hawai'i. Lanham, Maryland: Romwman and Littlefield, 1999.

 

Young, Robert. Colonial Desire: Hybridity in Theory, Culture and Race. New York: Routledge, 1995.

 

          . White Mythologies: Writing History and the West. London: Rout­ledge, 1990.