Category Archives: paper

The Beautiful Country

Binh and Tam on the small fishing boat escaping from Saigon.

Binh and Tam on the small fishing boat escaping from Saigon.

 

 

 

 

 

 

 

For starters, this movie was much better than 47 Ronin. The story of Binh was a gripping one, showing the life of a bui doi after the Vietnam War. Bui doi literally mean less than dirt and was a derogatory term used towards mixed race children with a Vietnamese mother and an American father. Binh was left behind by his mother to live in a small farming village in Vietnam while she lived in Saigon. His father left when he was young and neither Binh nor his mother heard from him ever again. This movie follows Binh’s journey to America with his young brother Tam after he got involved with a death in Saigon.

Post in progress

“The Beautiful Country”

Over all I found the movie to be beautiful. While I don’t know a lot on the migration of South Eastern Asian countries to the United States I felt that there was a lot of accuracy in the conditions that Binh faced on his travel over. That being said about my ignorance on this topic at the end of the film when Binh learns why his farther left Vietnam I couldn’t help but wonder if that scenario was common in that G.I.’s would be taken to America when injured and not allowed to return.

It was sad to see how Binh was treated in his home country due to his being a child from an American G.I. and even the lack of information that was given to him on his rights to travel to America. I was a little upset that while it mentions that Ling is a prostitute Binh just accepts it without questioning despite his obvious concern for her.

I found the end a nice touch since I felt bad for Binh that he had to flee his country, lose his little brother, finds out he could have had free passage, and leaves Ling who does not love him romantically and after all that he finds his father, Steve who actually regrets his forceful absent from Vietnam.

My favorite art in the film is when Binh and Steve are out in the field and Steve says that Vietnam is a beautiful country and Binh says that America is a beautiful country. I think it shows the truth behind the saying “the grass is always greener on the other side” and that is shows that people can find beauty in places that others don’t.

Beautiful Country Opinions

This film tells the story of a mixed race Vietnamese/White son who upon reaching adulthood seeks to find his real parents. The movie overall was quite enjoyable. The main character’s name was Binh and he dealt with innumerable obstacles trying to find his true family. He has a Vietnamese mother and an American GI father who left Vietnam when Binh was a baby for unknown reasons.

Binh has visible scars scattered throughout his body, no doubt attained throughout his hard life of being a mixed race war baby. When in Vietnam his kinsmen don’t associate with him and don’t categorize him as Vietnamese but instead as a Bui Doi. Then in America he suffers the same fate of lack of a true acceptance from his origin points.

Binh’s story shows the struggle that any “foreigner” must deal with when trying to make it to America as a minority. From a horrible long boat ride from Vietnam to America, to the raw hatred one must deal with when being of mixed heritage.

While I have read countless examples of the pain and suffering caused by being a foreigner in your own country it was a completely different experience to see it all visibly.

In the end after all his pain and hardships, Binh did finally find some happiness when he finds out about the status of his father and gets to meet him. The movie ended openly but gave a strong feeling of reassurance that Binh is living a much better life and a better place.

Hello 47 Ronin

Hello KeanuOh hi, Keanu Reeves. What are you doing in my movie?

I think that this movie is a great way to underscore one of my beliefs: some parts of culture don’t translate well to other cultures.

Now, the original legend of the 47 Rōnin is pretty cool in my book. My dad explained it to me as more of a psychological thriller than anything else. It might be telling about our culture, but I’m hard pressed to think of any American equivalent legend – the closest I can come is the Battle of the Alamo.

So how do you make it palatable to an American audience? Apparently you add Keanu Reeves and a love story. And this is where it all goes wrong.

Suddenly, the story changes to something about an outcast willing to do anything for his love. It feels like someone just stapled the two plot lines together, as if they thought the sum would be greater than the parts. It’s so obvious that you can’t suspend your disbelief to get lost in the story, like someone just yelling plot at you or something.

I’m willing to give people lots of credit when their heart is in the right place. Sure, some of the costuming is wrong. Sure, there were some Asian-y elements to the story as opposed to specifically Japanese parts.

But when you delete so much (my on-screen count never got higher than about 20 ronin, for example), I have to say that it sucks. And apparently I’m not alone in thinking that.

Week 3, Monday. Chapters 10 -13.

I. Chapters 10-13 were relevant to other readings I’ve done and I enjoyed making those connections throughout the book and to other texts. Like previous readings there are examples as to how immigrants were forced to abandon culture (page 463). In order to be accepted they must assimilate and in order to assimilate they must pass as with everything they can, which means going above and beyond with language, dress, etc. finally leading to loss of original culture. Of course there were new points and experiences within these chapters and I found that they wove in and out with other experiences.

II. Pages 361-365: The Korean veterans of World War II, who were denied service at a restaurant and whose stories are similar to other veterans of color, such as the African Americans or Japanese who served; when  these veterans they came home they realized that not only was citizenship not enough to be accepted, but risking their life to honor that citizenship was not enough either. It seems that many of the Asian American experiences post-World War II have become forgotten stories when generally thinking of segregation. In recognizing oppressed groups it is important not to delegitimize the experiences and struggles of one over the other, as this could lead to erasing the experiences and struggles of other groups. Instead, it’s important to look at the history behind both and where both of these experiences are coming from and in recognizing the similarities and differences we begin to individualize the different communities. For example, both Korean and Japanese veterans were targeted through racial violence and segregation during and after World War II because they were both Asian and therefore profiled as the “enemy”. However, with the evacuation of Japanese immigrants and Japanese Americans land and jobs on the west coast opened up (Takaki, page 365). By digging deeper into these forgotten stories, we then are able to trace the road that leads to the present. 

III. I found important connections (page 378) to internalized “Girl-hate” [sexism] and how there is so much internalized and social competition that it overwhelms consideration and morality and blinds people into thinking in terms of 1. “on my side” and 2. “not on my side so I hate them”. This can also be seen with cultural appropriation. For example- the craze for moccasins in the recent years but the historical brutality that was done to Native Nation people in order to “assimilate” them. It lends itself to control of an oppressed group those with privilege and power make the rules for the oppressed (what is normal). Similarly, selfishness and entitlement are so ingrained in American culture but “being selfish” is seen as a very negative attitude which then leads to excuses as to why certain selfishness is okay (“I’m appreciating the culture, not appropriating it”).

IV. Page 393 inspired the analysis on “names to numbers”: a way in which taking away the individuality of a name from a person and then shifting them into number not only affects them psychologically but it also allows the person who is using the number to detach and allows for insensitivity. (Even if not all those using the number mean for that to happen.) There are multiple examples of this happening, where society and media has and does erase oppressed identities. Some of those examples include the incarceration during WWII (Japanese family names), Hawai’ian plantations, prison systems, and sex-culture (how many people you’ve slept with which determines your worth), and fat-shaming (how much you weigh/what size you wear determining your worth).

V. “Racism is like a wall. You cannot break through” (page 463).
The importance of solidarity and how wrecking solidarity (page 416) hurts everyone except for those with the unshakable power. Likewise, going at the wall alone brings overwhelming fear and stress (page 415), which does not support a healthy attitude towards oneself. And without that healthy attitude and the feeling of being powerless it is much easier to believe what others are saying about you and how you are being treated. On page 409 there is a connection with this and how it is necessary to reach back when one advances to pull others up too.

VI. One of the biggest connections I’ve found within this reading as well as with other texts I’ve explored is relationship that education had with race and poverty. On page 424 there is an example of the importance placed on education. For immigrant people who have had to start over in America and who are treated as unintelligent people despite their credentials it does not take much to understand why they would put so much importance on higher education. Likewise, page 427 really connected with 458 leading me to think about conditions inside labor/factory jobs  (being terrible and exhausting) which, in turn, effects life after work/ home life.  Therefore,”free time” is not easily spent learning English or going to night classes, because their free time isn’t really free. Instead, those with exhausting factory jobs may find themselves doing necessary self care or continuing onto another job or going home to care for other family members.

With this cycle it puts all of the pressure on the individual to rise to standards they did not create. If they do not rise, they are an example. If they do rise, they are met with a new set of obstacles. Examples of this can be seen on page 430, where a young Vietnamese immigrant was basically pushed out of school based on unfair expectations (being put into a class that was much more advanced in the subject than he was) and then joined a gang of boys as a way to belong. 

VII. “To be out of sight is to be without social service” (page 478). This was such a powerful, true quote. To be misrepresented is to be placed out of sight. To be erased is to be out of sight. To be incarcerated is to be out of sight. To be reduced to anonymity and stripped of individuality is to to be out of sight. To be told that your language is not acceptable but the resources to learn the “acceptable” languages is to lose your voice and be out of sight. To be under law that restricts your rights is to be out of sight. To be beaten and murdered is to be out of sight. To have your culture appropriated, stolen, and trivialized for profit is to be out of sight.

VIII. Why this program exists: “Asian Americans blame the educational system fr not including their history in the curricula and for not teaching about U.S. society in all of its racial and cultural diversity” (page 482). If we generally do not learn about this history and our usual input of Asian Americans comes from mass media then do we not need to critically analyze the type of media we are being fed? We need to see where it comes from and who is offering us indulgences. There is an incredible explanation on the importance of cultural representations and the stereotypes in media on pages 480-481.

IX. I believe the addition to chapter 133 was very necessary. Chapters 1-12 have such detailed and rich information about Asian Americans and their immigration/refugee story and while I think it’s important to develop a the ability to make connections between then and now it was helpful to have the “relevant to now” addition. For instance, the 1992 LA Riot happened the year I was born (page 497). While so much can change in 22 years there is also so much that resides and does not fully resolve. Enrollment is still effected today and that perpetuates the race, gender, class, etc. roles that are still very much alive. So by adding chapter 13, not only do we see the change and progress over time but we see why Takaki is still writing and how more change is still necessary.

X. ”To confront the current problems of racism, Asian Americans know they must remember the past and break its silence” (page 484).

Week 2, Thursday. “Better Luck Tomorrow”

Dear Journal,

Today I found out my first kiss of the year killed my -technically- still boyfriend and my first kiss’ best friend tried to kill himself and still no one is asking how I’m doing! I mean, I’m really happy that people are paying attention to this group of guys that are so often over-looked, stereotyped, and used as punch-lines but come on! AGH. Okay okay, I guess I should calm down…

I should be happy for these guys to be represented the way that they are. They even purposely make fun of themselves to bring stereotypes to the forefront. With this technique elements in media and life that are problematic (but so common that they become overlooked and normalized) are blatantly put into the spotlight and challenge the “normalcy”. Even Ben says that it was nice to do something that wasn’t going on his college application. Which I think really illustrates how the pressures to be a “perfect over-achieving Asian” can stress someone into the “work hard, play hard” mentality. Of course, this isn’t an infallible excuse (for their drug-dealing, gun-carrying habits) but it is important to consider when critiquing the “model minority” myth. 

But just mentioning Ben makes me angry all over again!!! Even though I ended up having feelings for Ben by the time all of this heartbreaking drama happened, I still trusted him as my friend. I thought that because he understood these stereotypes and how overwhelming they can be that we would be together in solidarity, but no! I’m still misrepresented as a girl and treated solely like a prize to be won! He treated Steve with more same-level respect and he killed Steve! I just wish that the positive lens they use to project racial issues wasn’t so narrow that it left out the issues on gender. And others, for that matter! Those boys use slurs like r*tarded, p*ssy, and f*g as well as other discriminatory phrases. Sigh… I just really wish that for once both my race and my gender could be represented in a way that made others step back and think about the way I and other Asian American women are portrayed.

Better luck tomorrow, I guess.
Stephanie

PS. I don’t know who this Justin Lin guy is but thank you for letting show off our fabulous early-2000 wardrobe.

After Viewing “47 Ronin”

My preconceptions of the film holds true. After hearing what Lisa had to say on it (“47 Ronin”-Impressions) and seeing the film I have to agree with what she said. I really appreciate that most of the actors where from Japan and not recycled. The two main issues I had with the film was the usage of “half breed” and the difference in appearance between Mika and the Witch (Not goin to go to much into the problem with one having a name and the other is only a thing.)

The usage of “half breed” in the film was problematic for me because of its history of being a derogatory term for mixed raced individuals and common used to refer to the perceived unnatural and sinful nature interracial relationships.So in the film with the implications of Kai being part demon…well hopefully you can see where that’s upsetting.

With the difference in appearance it’s the usual annoyances that the “heroine”, “maiden”, or “damsel in distress” is modest and innocent in her dressing, make-up, and character compared to the “antagonist”, or in this sense “Dragon Lady” who is more provocative in those categories. This depiction of the women further perpetuates that women who are ambitious,sensual, and sexual are manipulative and not as “holy” or worthy to live as their counterpoint.