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Title | Offering | Standing | Credits | Credits | When | F | W | S | Su | Description | Preparatory | Faculty | Days | Multiple Standings | Start Quarters | Open Quarters |
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Amjad Faur
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Program | FR–SRFreshmen–Senior | 8 | 08 | Day | Su 16 Session II Summer | This program is designed to introduce students to the historical trajectory of Western art through its turbulent succession of movements and practices. We will explore the early development of representational images and how ancient civilizations came to lay the groundwork for almost 2,000 years of European art. The program will look closely at the broader implications of how developments in visual representation and stylistic forms were almost always tied to social, political, religious, and sexual / gendered battles happening on the ground. The program will examine the sociopolitical implications of form and content in bodily and spatial representation in painting, sculpture, and photography. From Giotto's reintroduction of Greek Classicism and Humanism into 14th century religious painting to Neoclassicism's usurping of Rococo as a visual analogy of The Reign of Terror, and the total reorganization of artistic thought and practice brought about by Dadaism and photography, students will consistently seek to identify and contextualize the underlying factors of Western art's formal transformations. We will explore the disintegration of mimetic representation in the 19th and 20th centuries and the rise of abstraction, Modernism and Postmodernism. Students will be expected to write close, critical analysis of artists and movements covered in the program. Students will write a final paper investigating the critical responses to a post-19th century artist and explore the ramifications of that artist and the public/critical responses to their work. | Amjad Faur | Mon Tue Tue Wed Thu Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
Robert Smurr
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Program | JR–SRJunior–Senior | 16 | 16 | Day | F 15 Fall | This program will examine the history, development, and business policies of the adventure travel and ecotourism industries. The United States introduced this new sphere of tourism to the international community in 1969, when three American climbers created the world’s first adventure travel company, Mountain Travel which took eager clients to the Himalayas. This company, and the thousands that soon followed worldwide, tapped into many tourists’ desire for more adventurous trips. Trekking, rafting, and climbing—most often in foreign countries—all became hallmarks of this new type of tourism. Exploring distinct cultures and diverse peoples in more natural settings, especially those far removed from cities, created an explosion of opportunities in the tourism business worldwide. In addition to learning the history and economic power of these industries, we will also examine specific business models in the program. All students, for example, will create at least two plans: the first will be a dream adventure travel destination; the second will be a dream ecotourism destination. Since each student will be the “owner” of a new adventure travel or ecotourism business for a period of this program, dream trips will need to make economic sense. You will need to understand your client base, their income, their desires, and your company’s special skills. Several guest speakers with long histories in adventure travel and ecotourism will give us added insight, as will numerous field trips. | Robert Smurr | Tue Wed Fri | Junior JR Senior SR | Fall | Fall | ||||
Tom Womeldorff and Midori Takagi
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | F 15 Fall | The ascension of Barack Obama, the first Black President, prompted many conservative and liberal commentators to proclaim the United States to be a “post-racial” society; racial equality will be the new norm. Yet since the 2008 election, African Americans are still incarcerated at a higher rate than whites, they continue to be victims of police shootings at a disproportionate rate, the wealth and income disparities between Blacks and whites remains, and negative constructions of the realities of Blacks still persists. Today, 150 years after emancipation, 50 years after the civil rights movement, and after the election of Obama, there continues to be a significant racial divide in the United States. Why do deep racial divisions persist? Why do they persist even though skin color differences correlate to geography and the sun’s ultraviolet light, and there is no biological basis for the constructed categories of “Black,” “White,” “Asian,” “Latino” and “Native American”? How, then, is race constructed? And why were the categories of race developed with some groups having greater privileges and rights than others? | Tom Womeldorff Midori Takagi | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall | |||||
Susan Preciso and Ann Storey
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Program | FR–SRFreshmen–Senior | 8 | 08 | Evening | F 15 Fall | The mid-nineteenth century, often called the “American Renaissance,” was a time when writers and artists made a conscious effort to create a uniquely “American” vision—one that differed from European models. They embraced the challenge of depicting what they viewed as a new utopia--an unspoiled and vast continent. Painters and writers saw themselves as "seers," pushing their work into visionary realms. They drew on American experience and places, like Whitman’s Manhattan and Brooklyn, Thoreau’s Walden Pond and Thomas Cole’s Hudson River Valley. Melville’s stories of whaling and life at sea and the Luminist painters’ visions of sky, light and ocean all helped to shape an “American” identity. We will explore the relationships between the writing and the art and learn how the Transcendentalists in writing and oratory mirrored the Luminists in painting, expressed through a veneration of nature. We will include the experience of women, such as Abby Williams Hill, a notable landscape artist who braved bears, frostbite and a stampeding mule train to paint in the Cascades (while not neglecting her six children and being active in the early childhood education movement). We will ask why this period is still compelling and how this “American” identity continues to resonate in our culture.As part of our study, we will learn formal analysis of text and image and we will also incorporate creative writing—another way to link words with images. Moving from theory to practice, we will create assemblages, such as the Cornell Box, that allow us to express through art what we have learned about American literature and art history. As the Tacoma Art Museum has recently opened its new wing, housing one of the largest collections of art of the American West, we will visit the museum, bringing our practice of formal analysis as a generative lens through which we understand both iconic and new American “ways of seeing.” Credits will be awarded in Art History and American Literature | Susan Preciso Ann Storey | Mon Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
Ulrike Krotscheck
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Program | FR–SRFreshmen–Senior | 8 | 08 | Day | Su 16 Session II Summer | In this program, which will be the second season of Evergreen's archaeological field school, students will learn the methods of archaeological field practice, including survey, mapping, excavation, and the recording and conservation of artifacts. The site under investigation is the homestead of George Bush and his wife Isabella. They were the first non-native settlers in this state, eventually establishing the community of New Market, which later became Tumwater. As the first pioneers to settle in Washington Territory, the Bushes were important for the subsequent history of our state. They paved the way for other settlers of all ethnic backgrounds, whose increasing presence helped the United States claim this disputed territory over Great Britain in 1846. Bush's children and grandchildren continued to occupy the land he was granted, and the last residence was not torn down until the 1960's. The goal of the second season of this field school is to complete surface survey and archaeological excavation begun in 2015, and to work on public outreach with the project.This program follows an alternate schedule: The program will start in the week of the second session, on August 1st, and will continue summer evaluation week; Sep 2nd. The first two weeks (August 1st- Aug 15th) will be conducted online, with an introduction of archaeological methods and the historical context of the site. Readings and discussions for the first two weeks will all happen on the online program platform. Good access to internet is therefore required for all students.Presence on campus will be required beginning on August 16th on, when we begin field- and lab-work with an intensive schedule (see below). Since in the second half of the session students will be working outside in the field, they should be prepared for physical exertion and inclement weather. Students will learn proper excavation and field recording methods, interact with the public, and process the finds. Students will also participate in individual or group research projects about an aspect of this site. In the final week of the program, which falls during summer evaluation week (August 29-Sep 2), students will learn to classify, record, clean, and conserve any artifacts found, and will have the opportunity to contribute to the writing and publication of the final excavation report. | Ulrike Krotscheck | Mon Tue Wed Thu Fri | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
EJ Zita
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Program | SO–SRSophomore–Senior | 16 | 16 | Evening | S 16Spring | Our goal in this program is to learn beginning to intermediate astronomy through lectures, discussions, interactive workshops, and observation using the naked eye, binoculars, and telescopes. We will learn about the evolution and structure of our universe and its celestial bodies. Students will build and take home astronomical tools such as spectrometers and position finders. Students will also research a topic of interest via observations and reading and share their research with classmates.In our seminars, we will discuss the idea of cosmologies: how people across cultures and throughout history have understood, modeled, and ordered the universe they perceived. We will study creation stories and worldviews, from those of ancient peoples to modern astrophysicists. Students will meet in small teams for pre-seminar discussion and write essays and responses to the readings.Students taking this program must be willing to work in teams and use computers for online assignments. They are invited to help organize an observation field trip to regions with clear skies. | EJ Zita | Sophomore SO Junior JR Senior SR | Spring | Spring | |||||
Anthony Zaragoza
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Program | FR–SRFreshmen–Senior | 4, 8, 16 | 04 08 16 | Day | Su 16 Session I Summer | We'll explore history through the lens of seemingly contrasting art forms: hiphop and haiku. Beginning with Lipsitz’s idea that artistic expression reflects, responds to and shapes historical realities, we'll look back to Hiphop's beginnings in Africa, connections to the Caribbean, birth in NYC, and growth into a global phenomenon. Meanwhile, Haiku, a thousand years old with roots in China, leaves its initial role as mood-setter for a longer Japanese work, appears solo as a linguistic snapshot, and flowers into Japanese popular art with worldwide influence. We'll examine these histories, read and write poems, listen to music, watch films, and compare/contrast these global art forms. Students who take the course for more than four credits will have the option of doing independent projects and readings related to deepening the learning and work of the course. 12 and 16 credit students will complete the additional work over the full summer session. If you are absolutely unable to meet at the listed hours, but are still interested in the class, email me at zaragozt@evergreen.edu, and we can find a solution. | Anthony Zaragoza | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
Geoffrey Cunningham
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | S 16Spring | “The past is never dead. It’s not even past.”As the “sole owner and proprietor” of the fictional Yoknapatapwha County, William Faulkner created an innovative literary landscape to explore the history of the American South. This program will use the interests and themes of Faulkner’s saga to study the literature generated by Southern history. Beginning with Yoknapatawpha, our program will broaden to include the works of Southern novelists Ernest J. Gaines, Robert Penn Warren, Alice Walker, Ralph Ellison, Kate Chopin, and Pat Conroy. Throughout we will study the history of race, slavery, the Civil War, and segregation along with the themes of violence, class, and gender.Students in this program will read novels as well as select literary criticisms and biographies. We will pay particular attention to the structure, aesthetic quality, and purpose of each writer’s work. Students will write responses to each reading and will produce an expository essay on a chosen aspect of the program’s theme. Classes will include seminars, lectures, film screenings, workshops on criticism, and recitations in which students will present their own writing. Throughout we will focus on the literature generated by the history of the American South. : This program includes a substantial amount of reading, which students will need to complete on time. Students will write a two-page response paper to each reading, which must be completed and presented in seminar. Students will also be required to write one fifteen-page expository essay on Southern history and its literary legacy. | Geoffrey Cunningham | Tue Wed Fri | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Hirsh Diamant and Tomoko Hirai Ulmer
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Program | FR–SRFreshmen–Senior | 8 | 08 | Weekend | S 16Spring | This program will introduce the history, culture and philosophy of China and Japan. We will use the theme of Silk Roads in our examination of China as the heart of Asian civilization and Japan as a constant presence at the eastern end of the routes. We will examine Asian philosophies including Daoism, Confucianism, Buddhism and Shintoism. We will learn the ideographic languages and their embedded worldview and sensitivities as expressed in poetry and literature; and we will envision contemporary and future Silk Roads with new trends, aspirations, and beliefs. Our inquiry into Chinese and Japanese history will focus on periods in which foreign influences were most influential, for example the time when Buddhism, along with tea, traveled on Silk Roads. Another transformation occurred in the 20 century, with devastating conflicts of WWII. Most of today’s complex political issues between China and Japan stem from this war. For centuries China has played, and is continuing to play, a central role in Asia. Japan embraced Chinese culture while modifying it to fit Japan’s political and cultural climate and needs. Japanese language, architecture, literature and art are steeped in Chinese influences. Japan is also a repository of both tangible and intangible Chinese culture that has disappeared from China itself. Treasures from the Silk Road and Tang Dynasty dance and music from the 8 century still survive in Japan. Such heritage has, in turn, helped produce a present day cultural renaissance in China. Much scholarship about China has been continually flourishing in Japan and the contemporary pan-Asian culture is developing beyond national borders. Program activities will include field trips to the Chinese and Japanese gardens in Portland, Oregon; calligraphy demonstrations and workshops; and learning about Chinese tea culture and Japanese tea ceremony. | Hirsh Diamant Tomoko Hirai Ulmer | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Lin Crowley
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Course | FR–SRFreshmen–Senior | 4 | 04 | Evening | F 15 Fall | W 16Winter | S 16Spring | This introductory Chinese course will emphasize the standard Chinese pronunciation and the building of useful vocabularies. Students with no or little prior experience will learn Chinese pinyin system and modern Mandarin Chinese through interactive practice and continuous small group activities. Learning activities may also include speaker presentations and field trips. Chinese history and culture will be included as it relates to each language lesson.Students enrolling in this course may also use this as a prerequisite for a Chinese study abroad program. If you are interested in traveling to China in the summer, please be sure to contact the faculty for more information. | Lin Crowley | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | ||
Gail Tremblay
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | This program will examine the work of Indigenous artists in North America who have helped define the Contemporary Native American Art Movement since the 1960s and will trace the movement’s evolution through 2015. Beginning with an examination of works by seminal artists like Alan Houser, Oscar Howe, Fritz Scholder, and Helen Hardin, who transformed American Indian art, students will explore the way that these artists and the Indigenous artists who came after them became an innovative force that redefined the place of American Indian/First Nations artists in the global art world. We will analyze the way these various generations of artists have created movements in the Americas that have challenged anthropological and colonial paradigms that define aesthetically exquisite objects made by Indigenous peoples as artifacts to be studied in an ethnographic context rather than as works of fine art. We will look at the way the art/craft divide in European and American settler art discourse has affected the way Indigenous art has been defined. Through detailed analyses, students will critically reflect on not only the aesthetic principles inherent in Indigenous artwork, but also on the historical and cultural contexts which inform the artists of the Contemporary Native American Art Movement. Finally, students will learn how to look at, interpret, understand, and write about the works of contemporary Indigenous artists in the United States and Canada. | Gail Tremblay | Mon Tue Thu | Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
Jeanne Hahn
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Program | JR–SRJunior–Senior | 16 | 16 | Day | W 16Winter | While crises are often seen as rough times, unexpectedly and temporarily interrupting what is taken as normal, we will study them as aspects of fundamental change and restructuring resulting in opportunities for some and reversals for others, often setting in motion a new political-economic trajectory.For many, the economic and political crisis of the past decade was their first experience with a relatively sudden and severe economic downturn in which political priorities are restructured and outcomes uncertain. Similarly, for many, Occupy was their first experience of a mass opposition movement. These were not new phenomena in the United States. We will place our current crisis in historical and theoretical context through the examination of four periods of political-economic crisis and transformation, focusing on political economy, social movements, and the media. Two are well known: our current crisis and the deep depression that bridged the close of World War I to the opening of World War II. Another largely forgotten period is the Great Depression of the late 19th century, out of which emerged a modern industrialized United States. Additionally, we will investigate the first crisis, spanning the end of the Revolutionary War through the ratification of the Constitution. Each period was characterized by economic crisis and social upheaval, ultimately resulting in a transformation of U.S. capitalism. | Jeanne Hahn | Tue Wed Fri | Junior JR Senior SR | Winter | Winter | ||||
Barbara Laners
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Program | FR–SRFreshmen–Senior | 8 | 08 | Day | Su 16 Summer | This class will examine the role of women in the development of America's social, economic, legal, and political history. More particularly, the class will focus on women from slavery, suffrage, the civil rights movement, and new issues raised by a contemporary interpretation of the 14th Amendment. All aspects of the gender equity gap will be explored, including new definitions and the impact of who is included therein. | Barbara Laners | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
Stacey Davis and Leonard Schwartz
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Program | FR ONLYFreshmen Only | 16 | 16 | Day | F 15 Fall | W 16Winter | What does it mean to read? How does reading shape one’s identity, and how does identity shape how one reads, and what one finds in those books? In this two-quarter program, we will examine the intertwined developments of poetry and history, and the implications of those histories for a theory of reading. What is the function of the poem, how is it to be heard or read, and how do its metaphors and syntax shape the very way a people or person might think and feel? What is the traditional role of the historian, and how do historians produce texts that authorize their own truth? How do historical and poetical works, and the various epistemological claims made in their name, interact in the contemporary moment? What is the role of translation in the dissemination of literary texts and shaping of the historical imagination? In the past, reading was deadly serious business. In this program, we’ll explore the relationship between illuminated manuscripts, medieval devotion, and power; how the advent of printed reading rocked Europe and sparked 100 years of war in the 16 century; links between political cartoons, scandalous pamphlets, and the terror of the French Revolution; the ways in which readers in the Romantic age fashioned a notion of themselves and their visions of a good life through their readings; and how the advent of post-structuralism in the 20 century has exploded the way we think of reading today. From Homer and Thucydides forward, there has been a competition between poetry and history over the right way to read and remember. Readings will include Thucydides' , Homer's , Sappho's , Plato's and St. Augustine's We will also consider sections of Dante's Montaigne's and Jean-Jacques Rousseau's as well as, crucially, Marcel Proust's We’ll delve into the cultural history of reading through texts such as Robert Darnton's and Dena Goodman's Contemporary writers and texts to be considered in light of the double imperatives of history and poetry include Marguerite Duras' , Alice Notley's , and Roberto Calasso's . Student activities will focus on reading, writing, and seminar participation. | Stacey Davis Leonard Schwartz | Mon Tue Wed | Freshmen FR | Fall | Fall Winter | |||
Michael Vavrus
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Program | JR–SRJunior–Senior | 16 | 16 | Day | F 15 Fall | What is it about diversity per se that creates social divisions within a society? What diversity topics in particular create passionate opinions across the political spectrum and filter down to public education? How can we explain these varying worldviews so that we come away with a deeper and fuller understanding of why these debates endure? What is it about diversity and multiculturalism that can elicit such strong emotions, so much so that diversity as a concept can have varying effects on the social and economic well-being of individuals and groups? How does public education contend with diversity and multiculturalism? These are among the questions explored in this program.This fast-paced program provides an overview of contemporary diversity issues that manifest in contentious debates in countless settings around the world. Writing is central to student learning in this program. In our collaborative learning community, students dialogue through a close reading of texts and write concise, analytic, research-based papers as well as preparing papers for text-based seminar and related activities.The primary focus of this program is on the United States, with examples of the effects of these issues for school-age children on their life opportunities and economic well-being. This overview fuses history and political economy to find patterns and connections from the past to the present, including how multiculturalism has its roots in contested diversity. This further requires an inquiry into different worldviews or ideologies and the effects on public education. Through texts, films, lectures, seminars, and contemporary news accounts, students will engage in . Critical pedagogy serves as a teaching-learning approach that can help us look beneath common-sense explanations for differences. Among the topics considered are skin-color consciousness and racial colorblindness; the impact of racial and ethnic identification; what constitutes a crime and just punishment; analysis of economic class in interaction with culture; immigrant and indigenous experiences; and patriarchy and its intersections with gender, sexuality, and religion. Through frequent writing assignments and speaking opportunities, students can expect to leave this program with a deeper understanding of the roots and implications of some of the major social issues regarding diversity and multiculturalism in the 21 century. | Michael Vavrus | Mon Mon Wed Thu Fri | Junior JR Senior SR | Fall | Fall | ||||
Michael Vavrus
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Program | FR–SOFreshmen–Sophomore | 16 | 16 | Day | S 16Spring | What is it about diversity per se that creates social divisions within a society? What diversity topics in particular create passionate opinions across the political spectrum and filter down to public education? How can we explain these varying worldviews so that we come away with a deeper and fuller understanding of why these debates endure? What is it about diversity and multiculturalism that can elicit such strong emotions, so much so that diversity as a concept can have varying effects on the social and economic well-being of individuals and groups? How does public education contend with diversity and multiculturalism? These are among the questions explored in this program.This introductory program provides an overview of contemporary diversity issues that manifest in contentious debates in countless settings around the world. Writing is central to student learning in this program. In our collaborative learning community, students dialogue through a close reading of texts and write concise analytic papers as well as preparing papers for text-based seminar and related activities.The primary focus of this program is on the United States, with examples of the effects of these issues for school-age children on their life opportunities and economic well-being. This overview fuses history and political economy to find patterns and connections from the past to the present, including how multiculturalism has its roots in contested diversity. This further requires an inquiry into different worldviews or ideologies and the effects on public education.Through texts, films, lectures, seminars, and contemporary news accounts, students will engage in critical pedagogy. Critical pedagogy serves as a teaching-learning approach that can help us look beneath common-sense explanations for differences. Among the topics considered are skin-color consciousness and racial colorblindness; the impact of racial and ethnic identification; what constitutes a crime and just punishment; analysis of economic class in interaction with culture; immigrant and indigenous experiences; and patriarchy and its intersections with gender, sexuality, and religion. Through frequent writing assignments and speaking opportunities, students can expect to leave this program with a deeper understanding of the roots and implications of some of the major social issues regarding diversity and multiculturalism in the 21 century. | Michael Vavrus | Mon Mon Wed Thu Fri | Freshmen FR Sophomore SO | Spring | Spring | ||||
Stacey Davis
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Course | FR–SRFreshmen–Senior | 4, 6, 8 | 04 06 08 | Day | Su 16 Session I Summer | Stacey Davis | Mon Tue Wed Thu Fri | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | |||||
Stephen Beck and Thomas Rainey
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Program | SO–SRSophomore–Senior | 8 | 08 | Evening and Weekend | S 16Spring | How are we to understand the atrocities that human beings visit upon each other? Are they to be seen as upwellings of Evil in the human spirit? Or have we moved beyond the need to understand human actions by appeal to "evil"? Once God became a problem and not a given for people, the nature and the existence of evil similarly became a problem. We will read closely works by Dostoevski, Nietzsche, Arendt, Camus, and other incisive observers of the human condition from the 19th and 20th centuries. | Stephen Beck Thomas Rainey | Mon Mon Wed Wed | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Artee Young
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | S 16Spring | Feminist jurisprudence is a philosophy of law based on the political, economic, and social equality of the sexes. Students will be introduced to various schools of thought and concepts of inequality in the law spanning historical periods from the 1920s (ratification of the 19th Amendment to the Constitution) to the present. Students will investigate historical foundations of gender inequality as well as the history of legal attempts to address that inequality, including U.S. Supreme Court cases; Federal laws, including Title VII and Title IX; and feminist jurisprudence. Lectures and discussions will include topics on the development of the Constitutional standard for sex equality, legal feminism from the 1970s to the present incorporating work and family as well as home and workplace conflicts. Students and faculty will review legal precedents related to feminist jurisprudence raised by the Supreme Court’s interpretations of the law and analyzed and discussed by the legal community in law review articles and related academic research. Issues presented by the cases will include, among others: women as lawyers, women and reproduction, prostitution, surrogacy and reproductive technology, women and partner violence, pornography, sexual harassment, taxation, gender and athletics. Students will also examine current and historical documents on inequality and legal issues that continue to impact women. Intersections of gender and race will also be critically analyzed.The Socratic method and lectures will be the principal modes of instruction. Student panel presentations on assigned topics/cases will contribute to new knowledge and an enhanced understanding of feminist jurisprudence and its place in the historical development of women’s rights and responsibilities. In addition to panel presentations, students will be required to produce legal memoranda, journals and a final research project submitted in one of the following forms: a well-documented research paper/article on feminist jurisprudence, an art/graphics project reflecting historical or current women’s legal issues, or a forum on a specific feminist legal issue/topic, among others. | Artee Young | Mon Mon Mon Wed Wed Wed Thu Thu Thu | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Artee Young
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | Su 16 Summer | The defining question for this class is: What good is government?Why do we pay for “government” and what does it give us? Why does Washington State have the most regressive tax structure in the United States? Why do western states, including ours, have a citizen initiative process? How do United States Supreme Court rulings affect ideas, policies and laws about gender, marriage, gun control, education and media? What is the role of both state and Federal government in: Food production? Housing? Privacy? Water? Health? Education? What is infrastructure, and how does state-level investment in construction differ from that invested in human-delivered social/educational services? Why are roads, bridges and dams mentioned in the media only when they fail? How do gun laws like “Stand Your Ground” relate to the criminal justice system? These questions and more will be addressed in a class that provides students with theoretical and pragmatic knowledge about how government and democratic systems function in the United States and in the State of Washington. Themes include, but are not limited to, federalism, states' rights, and citizens' participatory governance and individual rights. Readings will include U. S. Supreme Court and Washington State court cases. Students will write short papers, maintain a journal on the reading assignments, participate in class discussions, and work in groups to complete a final project. The final project includes participatory research on a particular state official, which could include elected representatives and appointed state personnel, the development of structured interview questions for the research subject, a written report and an oral presentation of your research process and findings. The class will include field trips to the Temple of Justice (Washington State Supreme Court), the Washington State Archives, the Washington State Library, the Washington State Legislative building, as well as visits with state representatives, senators and local officials.Credit may be awarded in civics, government and political science. Parts of the curriculum may also contribute to coursework expectations for various teaching endorsements. | Artee Young | Mon Wed Fri | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
Thomas Rainey
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Program | SO–SRSophomore–Senior | 8 | 08 | Evening | W 16Winter | Professor Jane Taubman, an internationlly renowned authority on Russian Literature, notes: "Art for art's sake has always been suspect in Russia. Russian writers accept a burden of responsibility for their society and its moral health quite different from that customary in the West. Russian literature has always served the nation as a kind of public forum that the political culture and government censorship have otherwise made impossible." This program will explore the rich history, literature, and culture of 19th and 20th Century Russia primarily through the medium of Russian novels. We will read representative novels of Nikolai Gogol, Ivan Turgenev, Lev Tolstoy, Fedor Dostoyevski, Mikhail Bulgakov, and Boris Pasternak. The novels of these great Russian writers will be analyzed as works of art, social documents and moral statements. Special emphasis will be given to the role that Russian writers have played as social critics and as makers of Russia's social and cultural consciousness. | Thomas Rainey | Mon Wed | Sophomore SO Junior JR Senior SR | Winter | Winter | ||||
Stephanie Kozick and Tomoko Hirai Ulmer
Signature Required:
Winter
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Program | FR–SOFreshmen–Sophomore | 12, 16 | 12 16 | Day | F 15 Fall | W 16Winter | This two-quarter Japanese studies program examines various Japanese art forms and how their essence was appropriated in Western culture. The ancient culture of Japan fashioned a multitude of impressions in American minds as the United States developed close economic and political relationships with Japan. This program’s curriculum incorporates Japanese literature, cinema and arts as well as comparative analyses of representations or “appropriations” of Japanese culture produced by non-Japanese writers, filmmakers, and artists. In the fall quarter we will focus on the study of Japanese literature and aesthetics. The literary and artistic works we will examine include: and from the 11 century Heian court, 16 -century tea gardens, 18 -century woodblock prints (which inspired the French Impressionist), and contemporary writers such as Murakami Haruki, Yohsimoto Banana along with artists, Isamu Noguchi and Yayoi Kusama. The films we will examine include works by Kurosawa Akira, Ozu Yasujiro and Miyazaki Hayao. In the winter quarter we will shift our focus to comparative studies, examining cultural assumptions and representations made by Western writers and artists as they appropriated elements of Japanese culture. We will study different images of Japan represented in the writing of Donald Richie and Pico Iyer, films by Doris Dörrie and Sophia Coppolla, and Impressionist art. By doing so, we will contrast perspectives from both Japan and the West, creating a format for observation, discussion and inquiry.Students may enroll for 12 credits and take an additional 4-credit Japanese language class taught by Tomoko Ulmer through Evening and Weekend Studies. Taking a Japanese class along with this program provides valuable insights into Japanese culture because of the remarkably image-oriented nature of the language. | Stephanie Kozick Tomoko Hirai Ulmer | Mon Wed Thu | Freshmen FR Sophomore SO | Fall | Fall Winter | |||
Arleen Sandifer
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Course | FR–SRFreshmen–Senior | 4 | 04 | Evening | S 16Spring | In its first words on the subject of citizenship, Congress in 1790 restricted naturalization to ‘white persons.’ [T]his racial prerequisite to citizenship endured for over a century and a half, remaining in force until 1952. From the earliest years of this country until just a generation ago, being a "white person" was a condition for acquiring citizenship.” -- Ian Haney Lopez, , 1. Most people do not realize that the notion of the United States as a “white” majority nation is largely a construction of law, and that people of many different nationalities who were deemed “not white” for purposes of immigration became “white” over the course of U.S. social and legal history. The current legal regime that imposes severe criminal penalties for violations of immigration law provisions is a recent development in U.S. law, and constitutes a dramatic change in the legal approach to immigration and immigrants from the Western Hemisphere, especially Mexico. Within the context of the impending presidential election, we'll study the major legal and historical events that have shaped and continue to structure the debates over immigration. We’ll examine the current landscape of immigration law and policy as well as restrictionist and immigrant-rights movements. We’ll critically analyze how concepts of race are embedded in immigration law and policy and how those embedded concepts shape the laws and their operation today. We will examine current controversies about immigration, immigrant workers, labor movements, and the varied ways communities respond to the most recent immigration boom.Students will build some basic legal skills through reading and researching important cases and laws. | Arleen Sandifer | Mon | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Stacey Davis
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Program | FR–SRFreshmen–Senior | 4, 6, 8 | 04 06 08 | Day | Su 16 Summer | Stacey Davis | Mon | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | |||||
Ulrike Krotscheck, Diego de Acosta and Eric Stein
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | S 16Spring | To what extent does language have the power to shape the way we think and define ourselves? How can language be used to project power or authority? What are the possibilities and limitations of the spoken word, as opposed to the written word? How do differences in language and speech encode class, race, gender, or other social hierarchies? Who, or what, controls language?This program will explore these questions and others through the lenses of linguistics, anthropology, history, folklore, and classics. We will consider how Aristotle’s classical rhetoric gets taken up in the art of contemporary trial lawyers in the United States. Drawing on the work of Michel Foucault, we will explore how medical discourses have structured sexual identities and pathologies. We will see how folk heroes have been immortalized in legends, songs, and community performances of resistance to colonial subjugation. We will build foundations in several disciplines: in linguistics, by considering dialects, standard languages, and language policy; in anthropology, through critical studies of cultural representation, ethnography, and power; and in classics, through examination of the origins of rhetorical theory and practice.Our sources will include novels, articles, scholarly texts, classical literature, and films. Students can expect to learn the ways that words create and maintain world views and ideologies, from the vast workings of totalitarian regimes to the everyday interactions with those around us.Assignments will include weekly analytical responses to program material, and one individual, empirically-based research project on a topic related to anthropology, linguistics, or classics. This program will be an intensive examination of these topics. Students should expect to spend 40 hours per week on this program. Successful students in this program will emerge having gained an introduction to linguistics, cultural anthropology, history, classics and rhetoric. | Ulrike Krotscheck Diego de Acosta Eric Stein | Sophomore SO Junior JR Senior SR | Spring | Spring | |||||
Stacey Davis
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | S 16Spring | This program explores the links between the European Enlightenment and the French Revolution. We start with a study of French society, beginning with the reign of Louis XIV, and then turn to Enlightenment critics of the monarchy and its nobles. Finally, we explore the French Revolution from its beginnings with the fall of the Bastille through the violent days of the Terror and the rise of the powerful Napoleonic Empire. Throughout, a main question will be: to what extent did the political theory, philosophy, and literature of Voltaire, Rousseau, and their more humble “Grub Street” imitators influence the course of the Revolution?To aid our inquiries, we will read literature of all stripes, from the lofty by Montesquieu to the sexual intrigue of Laclos’ to the frankly bawdy popular pamphlets satirizing the life of Marie Antoinette. We will study the political theory of Rousseau, Voltaire, and Montesquieu. We will examine the fine arts, including paintings from Watteau to David, as well as architecture and decorative style. Finally, we will cement our studies with a variety of texts on social, cultural, intellectual, and gender history—both secondary works and primary sources—that will allow us to uncover the lives and passions of common folk throughout this tumultuous time.Students will work with both primary source material and secondary scholarly essays. They will complete intensive writing assignments, lead seminars, and give oral presentations. Students will have the opportunity to earn credit in European history, political philosophy, literature, and art history. | Stacey Davis | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | |||||
Tom Womeldorff
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Program | FR–SOFreshmen–Sophomore | 16 | 16 | Day | W 16Winter | The holding of cash, stocks, bonds, and other financial assets is an act of faith: faith that the assets will hold their value into the future when they can be converted into consumption. Throughout history, the ephemeral nature of value has been forgotten during periods of low inflation and financial stability. Yet repeatedly, these periods have ended abruptly. Asset values dissolve instantaneously like a car wreck or slowly but inexorably like a chronic disease. This does not affect only “Wall Street.” It affects “Main Street” as well. In this program, we will examine the nature of money, finance, monetary policy and power in the world market system. We will focus on historical moments of financial volatility, hyper-inflation and collapsing speculative bubbles. This will aid us in understanding the 2008 economic crash and the slow recovery since then. We will consider what government’s roles should be in regulating financial sectors. As we explore these issues, we will be conscious of how the structure of our financial system differentially impacts the poor, the working class, and the holders of financial instruments (e.g., the rich and pension funds).The program will consist of three parts. Lecture and workshop will focus on introduction to macroeconomics and quantitative methods. Seminar readings will focus on mainstream, institutionalist, post-Keynesian and political economy interpretations of historical and current financial crises. Finally, each student will complete a research project related to money and finance. | Tom Womeldorff | Freshmen FR Sophomore SO | Winter | Winter | |||||
Nancy Koppelman and Trevor Speller
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | W 16Winter | Are you concerned with the dignity of everyday people, skeptical or outright hostile to state power, troubled by hierarchy, compelled to purge corrupting influences, attracted to disciplined bodily habits, worried that society is ever more unethical, committed to influence minds and hearts, and convinced that “everything happens for a reason”? If so, you may be a “New Puritan.” You are warmly invited to take this program and find out. Students in The New Puritans are considering the history and culture of social change efforts in North America from the Puritans forward. Puritanism has changed since the 17 century, but its basic “structures of feeling,” to borrow a phrase from Raymond Williams, are still with us and are the subject of our studies. Winter quarter’s work will have two main threads. The first is our collection of common texts, which provide historical, literary, and theoretical frameworks for grasping a new politics of injustice which emerged in the 19 century and has shaped social change ever since. We will read works by Susan Howe, Alexis deTocqueville, Nathaniel Hawthorne, Henry David Thoreau, W. E. B. DuBois, Joan Kelly, Frederick Jackson Turner, William James, Karl Marx, Michel Foucault, Rebecca Harding Davis, Edith Wharton, and Ta-Nehisi Coates. The second thread of The New Puritans is a major research project. The project will take the form of an analytic/critical/creative paper, which each student will develop with support from the program community. Projects will stem from topics of student interest related to reform movements, social movements, and/or social justice in the United States. Topics could include food justice, racial justice, immigrant rights, religion, trans-national activism, anti-poverty work, feminism, LGBTQ rights, climate change, environmentalism, education, and virtually any other topic of interest. Evergreen’s history, culture, and current social change efforts will be one of our sources for these projects. New students who already have works-in-progress are encouraged to join us. This program is an excellent choice for students who have studied political economy, social movements, and social justice, and who are interested in understanding the roots and character of Anglo-American social change efforts. | Nancy Koppelman Trevor Speller | Mon Wed Thu | Sophomore SO Junior JR Senior SR | Fall | Fall Winter | |||
Elizabeth Williamson and Frances V. Rains
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Program | FR ONLYFreshmen Only | 16 | 16 | Day | W 16Winter | The Civil Rights era is typically described as a set of movements inching towards justice through the hard work of individual organizers—predominantly African-American males. When an entire historical moment is narrated in this way, women of color—their actions, their contributions, and their leadership—are implicitly relegated to the shadows. Students who are taught history in this way learn not to question what is “unseen,” which in turn reinforces the patriarchal status quo. This program seeks to resist that status quo by shining light on the leadership and work of many erased women of color across the decades of the 1950s-1970s.In addition to studying the crucial roles women of color played in the era of Civil Rights, we will learn about the critiques women of color provided of both white feminism and the male-dominated Black Power movement. In other words, we will highlight the role of women-of-color activists, writers, singers, and leaders in the struggle to forge a truly intersectional analysis of American systems of oppression. Because our 10-week study will necessarily be incomplete, students will be invited to do biographical or creative projects on figures and topics not covered in our syllabus.Significant attention will be paid to helping students develop their reading and critical thinking skills, and we will also supplement our textual analysis with films and music from the period. | Elizabeth Williamson Frances V. Rains | Mon Mon Wed Thu Thu | Freshmen FR | Winter | Winter | ||||
Michael Vavrus
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Course | FR–SRFreshmen–Senior | 4 | 04 | Day | Su 16 Session I Summer | Pacific Northwest History introduces multicultural aspects of historical developments of this region. A primary learning objective is for students to be able to articulate through concrete historical examples how liberty and justice has been interpreted and applied in the Northwest. With texts that provide accessible historical accounts, students will be exposed to Native American Indian perspectives on the eventual occupation of their lands by European imperialists, the origins and outcomes of competition among Europeans for the Pacific Northwest, and challenges placed on non-European ethnic groups – such as Chinese Americans, African Americans, Mexican Americans, Japanese Americans – during the 19 and 20 centuries and into the 21 century. Attention to the experiences of women in making this history is included. The local historical development of Tacoma is used to highlight the role of capitalism in creating governing bodies and class differences among white European Americans who collectively discriminated against the aspirations of people of color. Films and other course material periodically describe and present images of violence and use language that may be considered offensive. The purpose of this material is to present significant events within their respective historical contexts. | Michael Vavrus | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
Eric Stein and Steven Flusty
Signature Required:
Winter
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | W 16Winter | For at least the past two centuries, the world has been remade by the increasingly vast movements of peoples away from homes and homelands and into the dense, heterogeneous publics of world cities. In this program, we will seek to understand the complex reasons for these movements and the racial, class, and identity struggles within the plural spaces, sites and societies they have engendered. Looking at global histories of the nineteenth and twentieth centuries, we will ask how emerging empires enabled new kinds of identities and borders, both national and ethnic, and consider the ongoing economic, linguistic, demographic, and military processes that have alienated or uprooted millions of people from their native lands. We are especially interested in how, in the face of various kinds of violence—structural, epistemic, genocidal, or everyday—people have responded actively to repair torn communities, find new collaborators in urban spaces, and restore a sense of place and belonging.Our two quarter program will consider a range of historical and contemporary contexts for our inquiry into place and displacement. We will explore various global sites—Indonesia, Vietnam, the Baltics, the Caucasus, the U.S./Mexico border, and North Africa/EU frontiers —to understand the workings of colonial and post-colonial power relations and their effects on human dwelling and movement, looking at labor migrations, exiles, human trafficking, border policing, and other forces. We will study how kinship ties and foodways foster the cohesion of immigrant communities, noting the countervailing forces—such as schooling and inter-generational strife—that have divisive effects. In our studies of the United States, we will explore the Great Migration from the American South to the urban centers of the North in the mid-twentieth century, as well as the ruins and racisms faced by urban people of color in the present. The Pacific Northwest will be central to our inquiry throughout the program, serving as a local site for our historical and ethnographic studies. We will especially consider Native American regional presence and cultural persistence; the arrival of Asian, African, and Latin American immigrants and refugees in the Pacific Northwest arising from the dislocations of the cold-war and transnational circuits of labor; and the various internal displacements of homeless youth in Seattle and Olympia.The program will be reading and writing intensive, providing intermediate to advanced studies in history, anthropology, geography, and urban studies. We will also think about how the complexities of hybrid urban communities can be approached through the work of landscape and urban design, taking into consideration the formation of urban spaces around sites like memorials and marketplaces. Students will learn a range of techniques for close empirical study of place and displacement: ethnographic fieldwork, oral history and audio recording, archival research, material culture studies, and mapping. In fall quarter, we will embark on a three night field trip to Seattle to consider how the city has been shaped by a range of migrations and by intensive, ongoing processes of gentrification. In winter quarter, students will complete a major research project and/or internship work centered in the Pacific Northwest, or in other locations in the U.S. or abroad. | Eric Stein Steven Flusty | Tue Wed Thu Fri | Sophomore SO Junior JR Senior SR | Fall | Fall Winter | |||
Peter Bohmer and Carlos Marentes
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | S 16Spring | We will examine the nature, development, and concrete workings of modern capitalism and the interrelationship of race, class, and gender, primarily in the contemporary context. We will focus on the themes oppression, exploitation, social movements, reform, and fundamental change, as well as the construction of alternatives to capitalism, nationally and globally. We will examine social changes that have occurred in the past, present trends, and alternatives for the future. We will examine different theoretical frameworks such as liberalism, Marxism, feminism, anarchism, and neoclassical economics, and their explanations of the current United States and global political economy and of key issues such as climate change, poverty and inequality, immigration and the criminal justice system.In studying the U.S. experience, we will study linkages from the past to the present, between the economic core of capitalism, political and social structures, and gender, race, and class relations. Resistance and social movements will be a central theme. We will also investigate the interrelationship between the U.S. political economy and the changing global system, historically and in the present. We will study causes and consequences of the globalization of capital and its effects in our daily lives, and the role of multilateral institutions. We will analyze the responses of societies such as Venezuela and social movements such as labor, feminist, anti-war, environmental, anti-racist, indigenous, and youth, and the global justice movement in the U.S. and internationally in opposing the global order. We will look at alternatives to neoliberal capitalism, including participatory socialism and strategies for fundamental change.Students will be introduced to economics from a neoclassical and political economy perspective. Within microeconomics, we will study topics such as the structure and failure of markets, work and wages, growing economic inequality, poverty, and the gender and racial division of labor. We will study macroeconomics, including austerity policies and critiques of it, the role of debt, and causes and solutions to unemployment and economic instability.Students will engage the material through seminars, lectures, guest speakers, films, workshops, synthesis papers based on program material and concepts, and a take-home exam. | Peter Bohmer Carlos Marentes | Tue Wed Fri | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Lawrence Mosqueda
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | This program focuses on the issue of power in American society. We will investigate the nature of economic, political, social, military, ideological, and interpersonal power. The interrelationships of these dimensions will be a primary area of study. We will explore these themes through lectures, films, seminars, a journal, and short papers.The analysis will be guided by the following questions, as well as others that may emerge from our discussions: What is meant by the term “power”? Are there different kinds of power and how are they interrelated? Who has power in American society? Who is relatively powerless? Why? How is power accumulated? What resources are involved? How is power utilized and with what impact on various sectors of the population? What characterizes the struggle for power? How does domestic power relate to international power? How is international power used? How are people affected by current power structures? What responsibilities do citizens have to alter the structure of power? What alternative structures are possible, probable, necessary, or desirable?In a time of war and economic, social, and political crisis, a good deal of the program will focus on international relations in a systematic and intellectual manner. This is a serious class for serious people. There is a good deal of reading and some weeks are more complex that others. Please be prepared to work hard and to challenge your previous thinking. | Lawrence Mosqueda | Tue Wed Thu | Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
Frances V. Rains
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | S 16Spring | The 20th century has not been the exclusive domain of Euro-American men and women in the U.S. yet it often requires to realize that women of color have also existed at the same time. Repeatedly, women of color [e.g., African American, Native American, Asian American, Latina/Chicana] have been stereotyped and have endured multiple oppressions, leaving them seemingly voiceless and invisible. Such circumstances have hidden from view how these same women were active agents in the context of their times, who worked to protect their cultures, languages and families. These women of color often resisted the passive victimization associated with them. Gaining an introduction to such women of color can broaden and enrich our understanding of what it has meant to be a woman and a citizen in 20th century North America.Drawing upon autobiographies, poetry, short stories, essays and films, we will explore the ways in which women of color defied the stereotypes and contributed to the economic, social, political and cultural life of the contemporary United States. We will critique how feminist theory has both served and ignored these women. We will analyze how 20th century U.S. women of color survived, struggled, challenged barriers, and forged their own paths to make life a little easier and better for the next generation of women and men.Students will develop skills as writers and researchers by studying scholarly and imaginative works and conducting research. Through extensive reading and writing, dialogue, films and guest speakers, we will investigate important aspects of the life and times of women of color in the 20th century. | Frances V. Rains | Mon Wed Thu | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Kristina Ackley and Alexander McCarty
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Program | FR–SOFreshmen–Sophomore | 16 | 16 | Day | S 16Spring | Our work in this program draws inspiration from Paul Gilroy's and Jace Weaver's . Gilroy and Weaver place Africans and Native people at the center of Atlantic world history. In this program, we will do similar work with Indigenous people and the Pacific world. The Pacific ocean is not only a conduit for the physical movement of people and ideas, but also serves as a highway for connections between cultures. How can we understand a sense of place that is based both on landscape and on seascape? On vessels from voyaging canoes to tall ships, cultural and intellectual life were nourished by the exchange and circulation of ideas. We will learn about the multiple histories of the Pacific world, considering in more depth the connections between the Indigenous people of the Coast Salish region, Hawai’i, Australia, and Aotearoa. In our studies of the Pacific world, we will place Indigenous people at the center of our narrative through a focus on art, literature, and history. We will examine the Red Pacific as part of a larger story of globalization and the worldwide movement of Indigenous people and their technologies, ideas, and material goods. Indigenous people sailed the sea for multiple purposes in the last five centuries: as voyagers, adventurers, slaves/captives, soldiers, artists, and public intellectuals. We will particularly work to understand the canoe as transportation, cultural artifact, and symbol of sovereignty and nation-building. Students will analyze contemporary examples of Indigenous connections such as the Tribal Canoe Journeys, the Gathering of Indigenous Artists that was held at Evergreen in 2001, and recent voyaging of the Polynesian triangle by double-hulled waka.Students will be expected to integrate extensive readings, lecture notes, films, interviews and other sources in writing assignments. Students will learn about the different ways that Native communities have employed images and objects as links to history, identity, culture, function and ceremony. Students will develop the foundations of studio art practice in Northwest Native design and relief printmaking techniques. Students will explore and research the use of relief printmaking by indigenous artists of the Pacific world and will create a conceptual body of work with an emphasis on professional editioning practices. We welcome students who do not identify as artists, but have a deep interest, and all students will work to better understand their place in relationship to the dominant arts canon. Faculty will work with students to develop different forms of literacies, including visual, cultural, and political. These skills are often prerequisites for those who wish to be involved with artistic practice or plan on teaching. | Kristina Ackley Alexander McCarty | Freshmen FR Sophomore SO | Spring | Spring | |||||
Alice Nelson, Savvina Chowdhury and Therese Saliba
Signature Required:
Winter Spring
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | W 16Winter | S 16Spring | For centuries, shouts of liberation have echoed through the streets, from Kolkata, India, to Caracas, Venezuela. Today, new movements are afoot, inviting us to revisit the question, "What does independence mean in the cultural, historical, political, and economic context of the global South?" Third World liberation movements that arose in the aftermath of World War II did so not only as organized resistance to colonial forms of oppression and domination, but also as attempts to reconceptualize an alternative, anti-imperial and anti-racist world view. While gaining some measure of political independence, nations such as India, Egypt, Algeria, Mexico, and Nicaragua found that they remained enmeshed in neocolonial relations of exploitation vis-à-vis the former colonial masters and the emerging U.S. empire. Their post-colonial experience with nation-building bears witness to the actuality that political liberation remains inseparable from economic independence.Through the disciplinary lenses of literature, cultural studies, political economy, and feminist theory, this program will explore how various ideas of liberation (sometimes complementary, sometimes contradictory) have emerged and changed over time, in the contexts of Latin America, the Middle East, and the Indian subcontinent. We will explore religious, national, gender, ethnic, and cultural identities that shape narratives of liberation through the discourses of colonialism, neocolonialism, religious traditions, and other mythic constructions of the past. We will examine how deep structural inequalities have produced the occupation and partitioning of land and migrations, both forced and "chosen."With emphasis on a variety of texts, we will examine the ways in which authors revisit their histories of European and U.S. colonialism and imperialism, question the ways stories have been written, and seek to tell another story, reinterpreting liberation. In fall, we will explore several historical models of liberation and critique dominant representations of Third World nations. We will focus especially on India's path to independence, the Algerian and Cuban revolutions, Egypt/Arab nationalism, and the Chilean Road to Socialism. In winter, we will move forward chronologically, framing our cases within the current context of neoliberalism. Our case studies will include Iran and Nicaragua in 1979 and afterwards, the Israeli/Palestinian conflict, post-nationalist resistance movements in Mexico, opposition to U.S.-led wars in Afghanistan and Iraq, the Bolivarian Revolution in Venezuela, the recent Arab uprisings, and issues of ecology and resource sovereignty affecting the three regions. We will look at feminist involvement in these contexts, as well as the role of U.S. foreign and economic policy in suppressing liberatory movements.In spring quarter, we will focus on migration as a legacy of colonial relations, neoliberal globalization, and heightened militarization. We will examine border cultures and the day-to-day realities of dislocation through the literature of various diasporas, and the quest for community, sovereignty, and economic security in the post 9-11 era. For part of their spring quarter credit, students will have the opportunity to engage in community-based internships around issues of immigration and human rights or project work related to program themes. | Alice Nelson Savvina Chowdhury Therese Saliba | Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | |||
Mary DuPuis and Cynthia Marchand-Cecil
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Program | JR–SRJunior–Senior | 12 | 12 | Evening and Weekend | F 15 Fall | W 16Winter | S 16Spring | This program is an upper-division program designed for students who have social, cultural, or economic ties to tribes. The curriculum is built around three themes that rotate one per year. For 2015-2016, the theme is . There are five curricular elements of the program: Core Course, Integrated Skills, Strands, Integrated Seminar, and Independent Study. The Core Course is a 9-credit unit taught at all sites at the same time with the same readings and assignments, but allows for faculty/student innovation and site specification. In the fall, the sub-theme is in which students will receive an overview of federal Indian law through a study of historical and contemporary materials and case law. It covers the basic conflicts among sovereign governments which dominate this area of law, including conflicts over jurisdiction, land rights, hunting and fishing rights, water rights, domestic relations law, and environmental protection. The winter sub-theme, will allow students the opportunity to study the politics of U.S. presidents and world leaders, as well as their rise to international leadership positions. Students will examine the role that race, class, gender, nationality, education, and other differences have in advancing or inhibiting individuals to places of privilege and power. Students will also explore ideas and concepts of mixed heritage, ethnocentricity, inheritance, royalty, and tribal affiliation, as well as the intersections between human rights, civil rights, social justice issues, and forms of resistance. They will be given an opportunity to critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures. Finally, students will compare and contrast works from Theater of the Oppressed which will add to the complexity of the student’s knowledge construction For spring quarter, the sub-theme is , in which students will use a variety of methods, materials, and approaches to explore contemporary sustainability issues in the U.S. and abroad. Students will examine the intersection of social, environmental, and economic practices on the sustainability of the planet’s biological systems, atmosphere, and resources. In particular, students will focus on energy, climate change, maintaining biodiversity and health, population growth, as well as social and environmental justice. Each Core is taught from a tribal perspective in a global community. Integrated Skills, including critical thinking and analysis, research and writing, public speaking, collaboration, personal authority, and indigenous knowledge, are taught across the curriculum, integrated into all teaching and learning at the sites and at Saturday classes. Strands, another element, are 2-credit courses taught on four Saturdays per quarter, which allow for breadth in the program and make it possible to invite professionals and experts in specific fields to offer courses that otherwise might not be available to students in the program. The Integrated Seminar, held on the same four Saturdays as the morning Strands, is called , and is a 1-credit workshop generally built around Native case studies. The program also includes student-initiated work through independent study. | Mary DuPuis Cynthia Marchand-Cecil | Junior JR Senior SR | Fall | Fall Winter Spring | |||
Cynthia Marchand-Cecil
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Program | JR–SRJunior–Senior | 12 | 12 | Evening and Weekend | F 15 Fall | W 16Winter | S 16Spring | This program is an upper-division program designed for students who have social, cultural, or economic ties to tribes. The curriculum is built around three themes that rotate one per year. For 2015-2016, the theme is . There are five curricular elements of the program: Core Course, Integrated Skills, Strands, Integrated Seminar, and Independent Study. The Core Course is a 9-credit unit taught at all sites at the same time with the same readings and assignments, but allows for faculty/student innovation and site specification. In the fall, the sub-theme is in which students will receive an overview of federal Indian law through a study of historical and contemporary materials and case law. It covers the basic conflicts among sovereign governments which dominate this area of law, including conflicts over jurisdiction, land rights, hunting and fishing rights, water rights, domestic relations law, and environmental protection. The winter sub-theme, will allow students the opportunity to study the politics of U.S. presidents and world leaders, as well as their rise to international leadership positions. Students will examine the role that race, class, gender, nationality, education, and other differences have in advancing or inhibiting individuals to places of privilege and power. Students will also explore ideas and concepts of mixed heritage, ethnocentricity, inheritance, royalty, and tribal affiliation, as well as the intersections between human rights, civil rights, social justice issues, and forms of resistance. They will be given an opportunity to critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures. Finally, students will compare and contrast works from Theater of the Oppressed which will add to the complexity of the student’s knowledge construction For spring quarter, the sub-theme is , in which students will use a variety of methods, materials, and approaches to explore contemporary sustainability issues in the U.S. and abroad. Students will examine the intersection of social, environmental, and economic practices on the sustainability of the planet’s biological systems, atmosphere, and resources. In particular, students will focus on energy, climate change, maintaining biodiversity and health, population growth, as well as social and environmental justice. Each Core is taught from a tribal perspective in a global community. Integrated Skills, including critical thinking and analysis, research and writing, public speaking, collaboration, personal authority, and indigenous knowledge, are taught across the curriculum, integrated into all teaching and learning at the sites and at Saturday classes. Strands, another element, are 2-credit courses taught on four Saturdays per quarter, which allow for breadth in the program and make it possible to invite professionals and experts in specific fields to offer courses that otherwise might not be available to students in the program. The Integrated Seminar, held on the same four Saturdays as the morning Strands, is called , and is a 1-credit workshop generally built around Native case studies. The program also includes student-initiated work through independent study. | Cynthia Marchand-Cecil | Junior JR Senior SR | Fall | Fall Winter Spring | |||
Cynthia Marchand-Cecil
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Program | JR–SRJunior–Senior | 12 | 12 | Evening and Weekend | F 15 Fall | W 16Winter | S 16Spring | This program is an upper-division program designed for students who have social, cultural, or economic ties to tribes. The curriculum is built around three themes that rotate one per year. For 2015-2016, the theme is . There are five curricular elements of the program: Core Course, Integrated Skills, Strands, Integrated Seminar, and Independent Study. The Core Course is a 9-credit unit taught at all sites at the same time with the same readings and assignments, but allows for faculty/student innovation and site specification. In the fall, the sub-theme is in which students will receive an overview of federal Indian law through a study of historical and contemporary materials and case law. It covers the basic conflicts among sovereign governments which dominate this area of law, including conflicts over jurisdiction, land rights, hunting and fishing rights, water rights, domestic relations law, and environmental protection. The winter sub-theme, will allow students the opportunity to study the politics of U.S. presidents and world leaders, as well as their rise to international leadership positions. Students will examine the role that race, class, gender, nationality, education, and other differences have in advancing or inhibiting individuals to places of privilege and power. Students will also explore ideas and concepts of mixed heritage, ethnocentricity, inheritance, royalty, and tribal affiliation, as well as the intersections between human rights, civil rights, social justice issues, and forms of resistance. They will be given an opportunity to critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures. Finally, students will compare and contrast works from Theater of the Oppressed which will add to the complexity of the student’s knowledge construction For spring quarter, the sub-theme is , in which students will use a variety of methods, materials, and approaches to explore contemporary sustainability issues in the U.S. and abroad. Students will examine the intersection of social, environmental, and economic practices on the sustainability of the planet’s biological systems, atmosphere, and resources. In particular, students will focus on energy, climate change, maintaining biodiversity and health, population growth, as well as social and environmental justice. Each Core is taught from a tribal perspective in a global community. Integrated Skills, including critical thinking and analysis, research and writing, public speaking, collaboration, personal authority, and indigenous knowledge, are taught across the curriculum, integrated into all teaching and learning at the sites and at Saturday classes. Strands, another element, are 2-credit courses taught on four Saturdays per quarter, which allow for breadth in the program and make it possible to invite professionals and experts in specific fields to offer courses that otherwise might not be available to students in the program. The Integrated Seminar, held on the same four Saturdays as the morning Strands, is called , and is a 1-credit workshop generally built around Native case studies. The program also includes student-initiated work through independent study. | Cynthia Marchand-Cecil | Junior JR Senior SR | Fall | Fall Winter Spring | |||
Cynthia Marchand-Cecil and Catherine Reavey
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Program | JR–SRJunior–Senior | 12 | 12 | Evening and Weekend | F 15 Fall | W 16Winter | S 16Spring | This program is an upper-division program designed for students who have social, cultural, or economic ties to tribes. The curriculum is built around three themes that rotate one per year. For 2015-2016, the theme is . There are five curricular elements of the program: Core Course, Integrated Skills, Strands, Integrated Seminar, and Independent Study. The Core Course is a 9-credit unit taught at all sites at the same time with the same readings and assignments, but allows for faculty/student innovation and site specification. In the fall, the sub-theme is in which students will receive an overview of federal Indian law through a study of historical and contemporary materials and case law. It covers the basic conflicts among sovereign governments which dominate this area of law, including conflicts over jurisdiction, land rights, hunting and fishing rights, water rights, domestic relations law, and environmental protection. The winter sub-theme, will allow students the opportunity to study the politics of U.S. presidents and world leaders, as well as their rise to international leadership positions. Students will examine the role that race, class, gender, nationality, education, and other differences have in advancing or inhibiting individuals to places of privilege and power. Students will also explore ideas and concepts of mixed heritage, ethnocentricity, inheritance, royalty, and tribal affiliation, as well as the intersections between human rights, civil rights, social justice issues, and forms of resistance. They will be given an opportunity to critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures. Finally, students will compare and contrast works from Theater of the Oppressed which will add to the complexity of the student’s knowledge construction For spring quarter, the sub-theme is , in which students will use a variety of methods, materials, and approaches to explore contemporary sustainability issues in the U.S. and abroad. Students will examine the intersection of social, environmental, and economic practices on the sustainability of the planet’s biological systems, atmosphere, and resources. In particular, students will focus on energy, climate change, maintaining biodiversity and health, population growth, as well as social and environmental justice. Each Core is taught from a tribal perspective in a global community. Integrated Skills, including critical thinking and analysis, research and writing, public speaking, collaboration, personal authority, and indigenous knowledge, are taught across the curriculum, integrated into all teaching and learning at the sites and at Saturday classes. Strands, another element, are 2-credit courses taught on four Saturdays per quarter, which allow for breadth in the program and make it possible to invite professionals and experts in specific fields to offer courses that otherwise might not be available to students in the program. The Integrated Seminar, held on the same four Saturdays as the morning Strands, is called , and is a 1-credit workshop generally built around Native case studies. The program also includes student-initiated work through independent study. | Cynthia Marchand-Cecil Catherine Reavey | Junior JR Senior SR | Fall | Fall Winter Spring | |||
Elena Smith
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Course | FR–SRFreshmen–Senior | 4 | 04 | Evening | F 15 Fall | W 16Winter | S 16Spring | This year-long course is designed to teach students to read the mysterious looking Cyrillic script, write the unique Russian cursive, construct sentences and express themselves in Russian. Students will immerse themselves in the colorful cultural and historical context provided by authentic text, film, music, and visual arts. Exploring selected works by such literary masters as A. Pushkin, L. Tolstoy, and A. Chekhov, to name a few, students will be able to understand not only the specifics of Russian grammar and vocabulary but also the complexities of Russian character and the Russian way of thinking as documented and preserved by outstanding Russian authors. | Elena Smith | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | ||
Sarah Pedersen
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | Literary and non-fiction narratives recounting sea voyages offer a separate and confined space, a heterotopia, where cultural imagination and anxieties are projected, explored and sometimes transformed. Aboard ships, authors and readers escape bourgeois society and domestic pressures, come of age, explore communal utopian dreams, connect with wild spaces, or recreate social conflict on a small stage.In this program we will read and view a wide variety of narratives about voyages at sea. Most of our sources will be literary: fiction, poetry, and theater, but we will consider the non-fiction narrative as well. We will study classic texts by those who have shipped out (short works by Melville and Conrad for example) and more contemporary works by regional authors. We will view film portrayals of the sea voyage and maritime work.In week three we will expand our sense of voyaging with four days aboard a tall ship in the Salish Sea.Students will read and write thoughtfully about what they experience and discover. We will create theatrical readings and other presentations related to the program themes. Upper-division students will be expected to complete a larger project and all students will find exceptional support and connection in their work as members of a learning community. | Sarah Pedersen | Mon Tue Tue Wed Thu Thu | Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
John Baldridge
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Program | FR–SRFreshmen–Senior | 8 | 08 | Evening | S 16Spring | From the to the to the , modern-day shipwrecks have captivated us all. But what can we learn from these disasters? Students in this program will study not only the specifics of these and other maritime tales of loss and woe, along with their pop-culture fallout in music, film, and other media, but also the lessons they offer for effective management in business, military, and other high-stakes "mission-based" projects in structured social environments. The captain on the bridge of a ship shares many commonalities with the manager of a health care team, the owner of a business, a union leader, a military officer, the head of a household, or anyone else in a leadership position. If you want to hone your leadership skills--or better understand the ways in which social organizations can succeed or fail--then this class is for you. Modern shipwrecks will constitute the metaphorical lens through which we consider these matters, and numerous case studies of maritime failure will be our main focus. In addition, we will review nautical history, geography and cartography, navigation, some basic physics, and study the evolution of maritime technology, which has allowed for both extraordinary advances and colossal blunders. We will also consider and critique the ways in which modern shipwrecks have been included in popular culture, from Gordon Lightfoot's emblematic "Wreck of the Edmund Fitzgerald" and James Cameron's , to the plight of the small boat pleasure-cruiser in Robert Redford's . But the broader theme of the program will be not only understanding how and why certain modern shipwrecks have come to pass, but what specific "breakdowns" in social coordination help to explain them, and how one might avoid similar breakdowns in a range of environments, at sea or otherwise. Ships' captains and their crews have long stood as metaphors for other structured social undertakings. This program will offer a rich theory-to-practice study plan relevant to anyone hoping to assume a leadership role in a mission-driven social environment, and wanting to better understand how mission-driven social organizations can succeed--or fail--in reaching their goals. Credits may be awarded in Maritime Studies, Organization & Management, History, and Anthropology. | John Baldridge | Mon Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Rob Cole and Patricia Krafcik
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | S 16Spring | Stalin is a pivotal figure not only in Russian and Soviet history, but also world history. Through his mandates, he had a phenomenal impact on the country’s art, literature, politics, courts, prisons, economy, and natural environment, as well as on agricultural and urban life. Guided by Stalin, the U.S.S.R. abolished private property; compelled peasants to work on state-owned collective farms; forced rapid industrialization throughout the empire; redefined education and political loyalty; sent millions of citizens to notorious Gulag "work camps"; and proudly declared war against Nature. At the same time, Stalin's U.S.S.R. also did more than any other country to crush Nazi Germany. And under his rule, the U.S.S.R. transformed a mostly illiterate culture to one which became nearly entirely literate. It also developed a nuclear arsenal second only to that of the U.S. and kept an uneasy peace with its ideological enemies after the close of World War II.In lectures and seminars, we will examine issues raised in a selection of readings from history, literature, and culture, all geared to helping us answer questions raised by our exploration. Viewing and discussing relevant films will also aid in our examination of a variety of issues. How did Stalin manage to rise to power? How did his totalitarian regime take root? How was it that so many Soviet citizens, as well as foreigners, were incarcerated without any upsurge of protest? Did the Stalin legacy live on in the Soviet Union, and has it survived the 1991 fall of that empire? Might we discern this legacy in some aspects of post-Soviet Russia at the present moment? Such questions will lead us to analyzing and understanding these issues both specifically in the case of Stalin and theoretically in instances of coercive government in general.Students will write a major research paper on a topic of choice relevant to our exploration, producing drafts during the course of the quarter, and will also present the results of their research to their peers in poster projects at the end of the term. We will spend the last week of class away from campus, exhibiting and explaining our posters, decompressing in the beauty of Nature and the kind of natural environment which seemed expendable to Stalin in his drive, no matter the cost, to industrialize the Soviet Union. | Rob Cole Patricia Krafcik | Tue Tue Wed Fri Fri | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Trevor Speller and Nancy Koppelman
Signature Required:
Fall
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SOS | JR–SRJunior–Senior | 16 | 16 | Day | F 15 Fall | Are you looking to design and write a research project in history or literature? Are you thinking of a capstone project or senior thesis? This SOS is designed for upper-division students who are ready to take on a long, investigative assignment of 25 pages or more. There will be a mix of independent work, individual attention with faculty, and class time.Before you register, you should have a rough idea of the project you want to complete. Students will be expected to participate in weekly lectures and writing labs. You will learn how to structure your research project, form a timeline, design a prospectus, learn to read academic papers, and prepare an annotated bibliography before you draft, revise, and complete your project. | Trevor Speller Nancy Koppelman | Junior JR Senior SR | Fall | Fall | |||||
Michael Vavrus
Signature Required:
Winter
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SOS | SO–SRSophomore–Senior | 16 | 16 | Day | W 16Winter | This Student-Originated Studies program is an opportunity for students to do intermediate to advanced work in topics in the social sciences and history. Students will work in small groups or independently on their own in-depth projects or areas of study and may include an internship component if the student has already researched and started the process to get approval from an outside agency with an identified supervisor. Priority is given to students who want to learn about diversity, multiculturalism, and social justice. The format of this program includes weekly meetings to discuss particular assignments and updates on student work.Students should anticipate meeting on Wednesday mornings Weeks 1-4 and 6-9 with their peers and faculty to report on their studies and to receive critical feedback and recommendations for further study. Students will need to be available for individual conferences with the faculty Weeks 5 and Evaluation Week. Students should also anticipate the requirement to upload assignments on a weekly basis that indicate academic progress toward a final project. The final project must be uploaded during Week 10. Prior to their final evaluation conference with the faculty, students must upload a self-evaluation of their learning. | Michael Vavrus | Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
Gary Peterson
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SOS | SO–SRSophomore–Senior | 16 | 16 | Day | F 15 Fall | This one-quarter, student-centered program allows students to study social work as a career option. The program is designed to meet the needs of students with differing interests in the social work field. Because of this, we will create the syllabus as we proceed to include a variety of student interests. Students are encouraged to invite guest speakers, bring videos, and suggest books. The faculty will work with students to ensure that their learning goals are met. Program activities will consist of lectures, guest speakers, seminars, videos, etc. As foundational information, all students will read by Paulo Friere. From there, students will create their own reading lists based on their areas of interest. A history component will introduce students to the historical and cultural experiences of groups served by the social services system, such as women, Native Americans, African Americans, the poor, youth, etc. A cultural competence component will be self-exploratory, enabling students to understand what they bring to a cultural encounter in a service-providing role. Students will use online tools and related readings to gain an understanding of the Indian Child Welfare Act and the cultural factors to consider when handling cases involving Indian children and families.Students may work in groups on projects of common interest. Students are encouraged to present what they learn to the class as well as write reflectively. Students will write at least one poem, based on George Ella Lyon's poem, "Where I'm From." A portfolio of student work will be maintained. | Gary Peterson | Sophomore SO Junior JR Senior SR | Fall | Fall | |||||
Thomas Rainey and Geoffrey Cunningham
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | W 16Winter | This program will simultaneously examine the expansion of two empires into remote regions, regions that over time became integral components of the United States and Russia. European Americans expanded into the western territories of North America not long after European Russians expanded into the eastern territories of North Asia. Washington State today is as much a part of the United States as Siberia is a part of Russia. These are recent historical events, however, for indigenous non-European peoples have lived in Siberia and North America at least twenty times longer than have the now dominant Europeans. We will therefore investigate the historical, environmental and geographical conditions that led to the territorial and political expansion by Europeans into these “new” lands. We will explore how European methods of land acquisition redefined territory by using mathematical constructs to create new and clearly defined political spaces, some of which (like Alaska) Russia sold to the United States. Because territorial expansion into what became the western United States and eastern Russia also played a significant role in nation-building and national self-perception, students will also examine differing concepts of nations and nationalism.The program will include lectures, book seminars, field trips, and film analyses. Students will have the opportunity to earn credit in the following fields: history, environmental history, geography, writing, and film analysis. | Thomas Rainey Geoffrey Cunningham | Mon Mon Wed Fri Fri | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | Winter | ||||
Kenneth Tabbutt and Ulrike Krotscheck
Signature Required:
Winter
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Program | FR ONLYFreshmen Only | 16 | 16 | Day | F 15 Fall | W 16Winter | Our understanding of the ancient past is based on physical evidence that has survived the destruction of time. Archaeologists and geologists strive to reconstruct the past with an incomplete record of artifacts and evidence from the rock record. Theories are developed, refined, or discarded as new evidence comes to light or analytical tools enable new information to be gleaned. Reinterpretation is an ongoing process and paradigm shifts are common. This program will introduce students to the fundamentals of archaeology and geology, focusing on the deductive process that these disciplines employ and the interpretation of the evidence of past events. Students will learn and apply Geographic Information Systems (GIS) and explore current theories in geology and archaeology. Geologic processes, in particular catastrophic events, have allowed the preservation of artifacts from past cultures, and past cultures have, in some cases, had a profound impact on the earth. Time will be a critical dimension in this program: hundreds, thousands, millions, and even billions of years before the present.During fall quarter, students will learn the fundamentals of physical geology. In addition, students will learn the methods and practice of archaeology, with a particular focus on the history of the Pacific Northwest region. Data collection and analysis using quantitative methods will be integrated with the theory and Excel will be used as a tool for analyzing and displaying data. Field trips will provide an opportunity to observe geologic features and artifacts. A multi-day field trip around the Olympic Peninsula will take place early in the quarter. Students will be expected to critically analyze texts and academic trajectory and discuss them in seminar.During winter quarter, the focus will turn to environmental geology, in particular geologic hazards such as earthquakes, volcanism, tsunamis, and debris flows. These geologic processes are only considered hazards when they impact human health, transportation, and property. The focus will be on those events that were catastrophic to past civilizations. In this quarter, the archaeological component will expand globally and include examples from the Mediterranean to the South Pacific. Students will learn to use GIS to display and assess geologic hazard data. | Kenneth Tabbutt Ulrike Krotscheck | Freshmen FR | Fall | Fall Winter | ||||
Steven Niva
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Program | FR ONLYFreshmen Only | 16 | 16 | Day | S 16Spring | This program will critically examine debates over the nature and causes of terrorism and violence directed against the United States from the Middle East, and the contending policy options concerning how best to respond to it. The program will focus primarily on debates in the U.S. since the attacks of 9/11 by exploring different theories of terrorism, political violence, and counterterrorism offered by various scholars and theorists. The program will examine the history of U.S. foreign policy in the Middle East, the rise of Al-Qaida and Jihadist terrorism, and the responses by the U.S. to these developments in the 21st century.To meet the learning goals of this program, students will have to obtain a thorough knowledge of current events; develop a thorough understanding of the history of U.S. foreign policy in the Middle East; learn how to assess and compare competing theories of terrorism and counterterrorism strategies; understand the diversity of political, cultural, and religious beliefs within the Middle East; engage in critical thinking; and develop informed opinions regarding all of these topics. The program will be organized around a series of texts, exercises, and assignments, including in-class presentations, role-plays, and several analytical papers. We will watch films and documentaries to supplement our learning. | politics and public policy, international politics, and Middle East studies. | Steven Niva | Freshmen FR | Spring | Spring | ||||
Daniel Ralph
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Course | FR–SRFreshmen–Senior | 4 | 04 | Evening | F 15 Fall | This course is for Veterans and Active Duty military who are entering college for the first time or who are transitioning back into college after a hiatus. The course will be focused on developing the skills, knowledge and abilities that make students successful at Evergreen. Emphasis will be placed on improving reading, critical thinking, and expository writing skills. The course will also focus on helping veterans make the transition to the non-traditional style of education at Evergreen. In support of these goals the primary reading will be the by Thucydides, and the course will feature seminar discussions, workshops, and writing assignments related to that text. | Daniel Ralph | Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
Bill Arney and David Phillips
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | W 16Winter | S 16Spring | , “The Way,” is a collection of traditional pilgrimage routes that end in Santiago de Compostela, Spain. A monk said, “The only thing all pilgrims have in common is an interior necessity— ” As we study paths to Santiago, you will learn not just the . It may teach you why you had to go, about yourself, or how you want to live. This walk is a “focal activity” that makes demands and requires discipline, helps you sense relationships even when walking alone, reassures you about unknown capabilities, and, as one writer put it, gives you a “glimpse of life-giving possibilities.” In winter, we will study, first, the political history and the art of walking, especially the connection between walking and writing. Then we will take up the historical, religious, political, and cultural background of the and its place in contemporary Spain. Pilgrims’ accounts provide many takes on why people go to Santiago, what is required—physically, mentally, and financially—for walking routes that vary from 100 kilometers to more than 1,600 kilometers, what “pilgrimage” might mean in our time, and the kinds of meanings people make of their experiences after they return. Readings will range from the mystical realm to first aid for blisters, from spirit care to foot care, and everything in between. This portion of the program will involve significant lecture time, guest presentations, seminars and writing. And we will—all together, in small groups, and alone—take some walks. A substantial independent study project will give each student a personal entrée and continuing connection to “The Way.” Projects will be designed to continue during the students’ walks in the spring. Conversational Spanish, integrated within the program, will further students' preparations. In spring, everyone will be prepared to get to his or her starting point during the first week and begin his or her Way. Students will continue their independent studies and will provide volunteer service at two pilgrims’ shelters or other service organizations along the way. Most of week seven or eight will be spent together in Santiago, reflecting thoughtfully, carefully, playfully and, most important, together on our walks. Then we will probably walk the , the old pagan route toward the setting sun, the (the "Coast of Death") and “the end of the world.” Some may decide that it is important to follow the route from north to Muxía and back to Santiago. For a comprehensive program description and supplementary material on the , visit If you are a student with a disability and would like to request accommodations, please contact the faculty or the office of Access Services (Library Bldg. Rm. 2153, PH: 360.867.6348; TTY 360.867.6834) prior to the start of the program. | Bill Arney David Phillips | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | Winter | ||||
Alexis Wolf
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Course | FR–SRFreshmen–Senior | 4 | 04 | Day and Evening | Su 16 Session II Summer | This course will look at the shifting experience of women during the 18th, 19th & early 20th centuries through the lens of American and British autobiographical, poetic, political and fictional literature. How did women's writing shape gender equality at various points in history? Can early feminist works offer blueprints for personal empowerment today? By reading and discussing the writing of Mary Wollstonecraft, Charlotte Brontë, Margaret Fuller, Virginia Woolf, and others, we will examine how women represented their own lives through creative means in an effort to make their voices heard. Whether subtle or revolutionary, these texts still speak with an urgency that is relevant to the contemporary gender issues influencing our lives. Students will engage with the course themes through a responsive journal, working towards a final creative, interdisciplinary, or scholarly project. | Alexis Wolf | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer |