I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)

I am so appreciative of the feedback from week four, and for the encouragement to make more color portraits- this has been a daunting task for me in the past, something I’m intrigued by and also scared of messing up. In doing this, I feel the pressure to live up to my mind’s expectation of the final result, and do my best despite being attached to an outcome. Basically, I’m trying not to make them look like a Sea-World Caricature! In this week’s portrait, “Sarah Readin’” I drew influence from Austrian artist, Egon Schiele, for his modest use of color, and using color opposites drawn side by side, to give off a certain ’3D Glasses’ effect; Seen here in Female Nude Seated on Red Drapery, Back View (1914)