Tag Archives: Uncategorized

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)

Sketches

Sketch of 'Marsden Hartley' Alfred Stieglitz 1915 Sketch of 'Georgia 'O Keefe: A Portrait' Alfred Stieglitz 1919 Sketch of 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Van Gogh's Bedroom' Vincent Van Gogh 1888 'Les Arènes d’Arles' Vincent Van Gogh 1888

These were drawn while reading John Updike’s ‘Still Looking: Essays on American Art’

Van Gogh frequently made pencil and charcoal sketches of his paintings included in letters to his friends and family, often immaculately detailed with written descriptions of the colors he saw; like his description of the crowd of a Bullfight in Arles: “the crowd was magnificent, those great color multitudes piled up one above the other on two or three galleries, with the effect of sun and shade and the shadow cast by the enormous ring.” (Van Gogh, Dec 1888)