Asian Pacific Islander News: Hawaii
Article Title: “Waikiki shop removes dead bottled baby sharks for sale after protests”
On February 6, 2014, a Waikiki gift shop called Nani Aloha Street, across from the Kuhio Beach, removed bottles of dead baby sharks it was selling after an environmental group protested.
“Accordingly, what tourists look for is no longer the experience of a chance encounter, but preprocessed sight objects organized and packaged for their convenience” (Kato, p. 150).
![baby shark](http://blogs.evergreen.edu/sankri24/files/2014/02/baby-shark-223x300.jpg)
(Photo taken from: http://www.hawaiinewsnow.com/story/24668601/waikiki-shop-removes-dead-bottled-baby-sharks-for-sale-after-protests)
“The store had posted a sign below the sharks that said in Hawaiian mythology, sharks are believed to be aumakua or spiritual guardians.
“It was thought that keeping these aumakua in their homes will keep (them) safe from harm,” the sign said.
“I was horrified and I was infuriated at the fact that they had used our cultural traditions, they had used our aumakua as a way to make more money,” Kalama said.
(See full story at: http://www.hawaiinewsnow.com/story/24668601/waikiki-shop-removes-dead-bottled-baby-sharks-for-sale-after-protests)
Kato p. 1- 112:
“The one armed swordsman reflects the life, history, and social relationships of the common people” p 16
“Mandarin cinema’s adaptation of kung fu in the 1970s seemed an opportunistic denial of the importance of Cantonese contribution to Hong Kong pictures because the kung fu genra was identified as primarily Cantonese, not because of its long-running Wong Fe-hung series but also because many of its real-life practitioners were Cantonese. Even the term “kung fu” is derived from Cantonese” p. 17
Lee attempted to bring as much realism to the film screen as possible.
“On December 7, 1941, Japan invaded the Philippines, Burma, Malaya, Indonesia, and Hong Kong simultaneously with their bombing of the American base in Hawaii known as Pearl Harbor. On “Black Christmas Day,” as it is remembered by the peoples of Hong Kong, the British colonial forces finally ceded Hong Kong to Japan. Following a period of widespread, indiscriminate killing and looting, Japan installed a totalitarian military regime in Hong Kong, where the military and civilian police (known as Kenpeitai) maintained the reign of terror.” p. 18
p. 19- Description of Japanese terror.
“Wing Chun kung fu, allegedly invented by a Shaolin nun specifically for a woman’s self-defense, bestowed Lee with a solid foundation in Chinese ancient philosophy (Confucianism, I Ching, and Taoism)” p. 19
“Thereafter, the controversy over the ignominious pages of Japan’s history was stirred up and intensified periodically by the Japanese governments attempts to revise the standard school textbooks and by remarks by high-ranking government officials aimed at whitewashing their imperialist history” p. 33
“The triangular image complex-bu, judo, and Katanta deployed in Fist of Fury thus captures the fundamental aspects of the culture of Japanese imperialism with sobering accuracy from the viewpoint o Chinese and Asian people in general” p. 38
“Fortified by this shaved image, his conscious portrayal of himself as a “common folk” hero in his films not merely affirmed the existence of the Asian masses, but also opened up an allegorical link with the mass movement toward decolonization in Asia” p. 41
“The pursuit of freedom in action-expressed through the mind and body in their totality- thus became the paramount agenda of Lee’s artistic expression” p. 49
“In other words, transcendence of the dualistic mind is a necessity for overcoming an unequal relationship” p. 56
“It marks the pinnacle of the Jeet Kune Do philosophy, in that with a creative flexible, and rhythmic approach to movement, one can overcome the opponent by leading him/her to the path of self-destruction” p. 58
“…Lee’s philosophical system, which views combative art as a means to realize selfhood. The ultimate combat, therefore, is with one’s ego or institutionalized selfhood” p. 58
“… Watch, but don’t stop and interpret, “I am free” then you’re living in a memory of something that has gone. To understand and live now, everything of yesterday must die” p. 60
“As alluded to earlier, what separated him from other figures of the countercultural scene was his realism based on the shamanic articulation of his historical and cultural existence” p. 88 – About Jimi Hendrix. Similar to Bruce Lee.
“Through their engagement in the primordial sound, both Hendrix and Coltrane were able to demonstrate the possibility of reconstructing our perception of reality by removing the boundary that separates the spirit world and material world” p. 92
“The artistic expressions of Coltrane and Hendrix could indeed be seen as the return of the spirit Palongawhoya at the dawn of global capitalism, as they too are caretakers of the new mode of consciousness sprouting on earth where Nature is under incessant attack by capitalist development” p. 92- similar to Shaolin monks
“In the scene where Han “offers” great martial artists what he calls “gifts,” Golden Harvest had no choice but to hire real prostitutes, as it was explained to the director: “If a Chinese woman was not considered a whore, she couldn’t be cast as one. It would be a terrible disgrace…In Hong Kong, if you’re going to write a prostitute, then you had to cast a prostitute for the part” p. 105
Class Notes:
Shaolin Gong Fu: The Original Five Animal Styles
Tiger- extensive footwork, acrobatic kicks, low, wide stances, and unique fist position.
Leopard- Speed and angular attack. Does not rely on strength, as does the tiger, relies on speed and outsmarting its opponent.
White Crane- Deep rooted stances, intricate hand techniques and fighting, mostly at close range, imitating a pecking bird.
Snake- Strikes the opponent from angles in which they wouldn’t be expecting.
Dragon- attacks with low yang; quick movements that originate from the feet, guided by the waist, flows through the body and exits through the fist.
(More information found from: http://en.wikipedia.org/wiki/Tiger_Kung_Fu)