The Debut..

The Debut After seeing The Debut I now understand why there was a circle of this generational resentment. Ben’s grandfather was hard on Ben’s father because he didn’t think his passion was suitable for a career. It’s the same thing with Ben and his dad. Ben has an extraordinary drawing talent and wants to make it on his own going to college for art, not going to college to become a doctor. Ben and his father constantly butt heads because of the fact of the matter is, is that Ben’s father only wants the best for him. However he comes across hard headed, stubborn, and ashamed. He always thinks that Ben is out gallivanting and up to no good, when in fact he is working really hard.  I understand this sense of urgency and doing everything possible to become successful. Like Ben, I am the first in my family to graduate high school and go to college. But it’s also another thing to do what you want and what your passion is, not the dreams of somebody else.

Another hard topic in the film is Ben’s resentment towards his family and his cultural traditions. It’s sad to think that somebody would be so ashamed of that, however understandable because most people don’t get to have that experience of cultural traditions, and sometimes it may come across as judgmental when somebody doesn’t understand that.  Ben becomes so wrapped up in wanting to be white and tries to hide the fact that he is a person of color.

 

Click here to view the embedded video.

The Debut thoughts

The Debut was a very interesting movie as an indie film from a very different point of view from the aspect of Filipino culture and all that it entails. While the movie was very well done there was a lot of the usual racial types that we come to recognize in movies and Asian subcultures in particular. The anguished teenager not sure if he wants to tell the family about not wanting to be a doctor,the father figure thinking that art is waste of time and effort, the usual family dynamic of the dutiful daughter set against the rebellious son. And lest we forgot the wanna-be teenage gangster with a gun and a attitude.

Despite all this there was some very redeeming qualities with our leading man and his friends,which were white in case you didn’t notice and most likely you did, that his friends were more curious than he gave them credit for about being curious and interested in his culture. Especially at his sister’s party for her debut it showed that people from very different backgrounds can understand each other if they want to.

Moreover this was a typical teenage angst movie set against the backdrop of racial divides it is compelling in it’s story telling that people can change,can learn from each other and can in the end accept each others differences despite it all.

Class Notes Week 3

The Japanese airline ad that we watched in class brought up a few concerns. The concept of reversed racism. The ad was obviously characterizing the white face. Practically, how can it still be racism if its reversed? If something is reversed it means the opposite. If you believe reversed racism is an actual thing, this seems to imply that there is something that is naturally apart of the term racism that suggests that the perpetrators have to be white.

Moreover, Katy Perry dressed like a Geisha in her performance, she is slammed because it was thought of as a racist act. Additionally, the article claims that she is mixing Japanese and Chinese cultures together with the designing of the Japanese Kimono and/or Chinese Cheongsam itself. However, could this also be looked at as just an act in appreciation of one of the cultures or both? What was her purpose with the design and the performance? I see both sides, however I would like to see what her response was to these critics to be able to make a fair statement. It all depends on how you view it. The fact that the design appears to be a mix of both the Japanese and Chinese cultures could be insulting to both cultures as well.

http://kotaku.com/katy-perrys-geisha-act-being-called-racist-1470995646

To finish, Richard Sherman (“monkey” and “thug”-coded language) racial slurs towards blacks related to the film King Kong because the film depicts an interracial relationship between a huge gorilla and white woman. The stereotype related Richard Sherman as a thug just because he is a young black outspoken male. The key point was that there are issues that cannot be separated from history. This made me think of the internalized oppression that many face today because of not being able to escape a historical past that is so deep that will always continue to be an ongoing issue.

Lee, Orientals: Asian  Americans in Popular Culture (1999)

  • Culture: “The integrated pattern of human behavior that includes thought, speech, action, and artifacts and depends upon man’s capacity for learning and transmitting knowledge to succeeding generations; the customary beliefs, social forms, and material traits of a racial, religions, or social group.” (Webster)
  • Popular culture (John Storey, Cultural Theory and Popular Culture- 2006)
  1. “culture which is widely favoured or well liked by many people” (4)
  2. “culture which is left over after we have decided what is high culture” (5)
  3. “mass culture” (6)
  4. “culture which originates from ‘the people’” (7)
  5. “culture rooted in exchange and negotiation between [dominant and subordinate groups]” (8)
  6. “[in a postmodern terrain], culture which no longer recognizes distinctions” (9)
  • Eurocentrism: concepts of this include- yellowface is a derogatory term used for Asians that is replicated from blackface of African Americans as an attempt to justify the institution of slavery

 

Changing my Obsession

After talking to Chico about my time spent living with some Hawaiian friends I made while attending Western Oregon University during my junior year of college I felt drawn towards the idea of both rekindling the knowledge I learned of Hawaiian culture and also furthering my knowledge of their culture. Chico made me realize that it is important to not let those memories and the knowledge I gained during that period in my life to slip away. I also thought it was prevalent because the deep roots of Asian culture which exist throughout the Hawaiian Islands which I feel will link very well with our program pertaining to Asian American Pop culture. Some of the aspects of Hawaiian culture I will make an effort to discuss will be the food commonly seen on the islands, music which I was introduced to while living with my friends in particular Reggae and Roots Reggae, and I will also try to dive into some of the historical aspects which shaped the culture on the islands today.

Bob

Furthermore in this first post on my new obsession, I would like to discuss a Reggae song titled “One Drop” by Bob Marley. I was introduced to Reggae and Bob Marley by my friends from Hawaii as they were avid listeners of this genre of music, and I immediately fell in love with it. While listening to this particular song the other day in the car, reminiscing all the good times I had with my braddahs, I realized I didn’t quite understand a line Marley sings which says, “fighting against ism’s and schism’s.” Therefore that day after class I asked Chico what the line is referring to and he informed me that schisms were barriers or a split between two groups. Thinking about this I realized how this links with the discrimination seen in the United States and towards Asian Americans. How Mr. Marley, though his words may not directly refer to the Asian American community, he was making a stand through music, that we need to break down these barriers between people, and to fight against things such as racism so that everyone has equal opportunities and are treated fairly and without discrimination.

It is amazing how much you can get out of a song if you just listen. Below I am posting a link to a you tube video of Bob Marley’s song ”One Drop” so you can all listen and make your own connections.

http://www.youtube.com/watch?v=OaAQ9y90Gtk

Hello Pinoys

debutThe Debut was a very great film. It’s just how I want to see Asians portrayed in the media, to be honest – like everyone else.

OK, sure there’s several things that are unique to Asians and Filipinos – FOBs, overbearing fathers, titas that are larger than life, getting called a dog eater, and so on. However, you scratch out those parts, and you have a pretty classic teenager movie, a movie that anyone could relate to regardless of color.

 

Stereotypes as Memes

“Meme:  an idea, behavior, style, or usage that spreads from person to person within a culture

I know very little about meme theory, but I am familiar with internet memes. Wikipedia says that: “A meme acts as a unit for carrying cultural ideas, symbols, or practices that can be transmitted from one mind to another through writing, speech, gestures, rituals, or other imitable phenomena”. As I was reading Orientals this week, I began to think about the idea of stereotypes as pervasive cultural memes. They are embedded in the history and structure of American society and culture, giving them the power to survive and mutate for long periods of time. At times we see the resurgence of centuries old stereotypes, and like memes they are able to reproduce and change as they are disseminated.

Hello Gran Torino

torinoClint Eastwood, every now and again you remind me of how much of a badass you are.

The standard way to read this I’m sure would be to criticize the ‘white savior’ complex that abounds in the storyline. Only Mr. Kowalski can save the day. How convenient that the Lor family doesn’t have a father around. Blah blah blah blah blah.

What if there was another way to look at it? What if we saw the larger metaphor for the immigrant experience? Think about it. Mr. Kowalski is clearly other Americans, Thao is the immigrant, Spyder is the troubles that immigrants face in their journey to the country and their acculturation, and the Gran Torino is the promise of the American Dream. Sure, the racism is there in America. Nobody’s doubting that. Yet, begrudgingly if nothing else, America gradually brings new people in the fold. And in the final scene, we see the reward passing over the people who constantly criticize it and take it for granted and instead awarded to the people who cherish it the most, who have had to fight tooth and nail to get it.

It’s certainly not the movie I thought it was going to be, and I’m very glad for that.

Alienation/Alien-Nation

There is a lot to digest with this week’s reading: the racialization of labor, industrialization, Irish vs. Chinese immigrants, miscegenation, desire, minstrel shows, and so much more. Avoiding my temptation to summarize the reading, I’d instead like to focus on pieces that were particularly interesting to me. I was intrigued by what Lee had to say about pastoral narratives of California, and aliens.

“God’s Free Soil did not have space for the Chinese, whose presence disrupted the mission into the wilderness…his very body polluted the Eden that California represented” (Lee 50) Lee uses the lyrics of popular music to explore the historical, social, and cultural circumstances for the immigration of Chinese to California in the 1800s.  Many white people fled to California to escape encroaching industrialization, hoping to establish a state built on the artisan labor of free whites. For white people California represented a pastoral paradise where a man could make his own fortune, invoking Edenic narratives of untouched open spaces. The construction of nature and wilderness is inherently white supremacist, often involving the erasure or displacement of people of color. Nature is anything “untouched” by (white) man.

Connecting this back to my Rock research is the parallel idea put forth by Wendy Hui Kyong Chun that techno-Orientalism in science fiction resurrects the great frontier in virtual form. “Open spaces” are embodied by the internet and cyberspace. Western characters are typically savvy survivors, and resistance fighters, they are able to open closed spaces. Techno-Orientalism allows the West to rely on nostalgia to recover frontier imagery of cyberspace and cement the West as a challenger to Eastern economic growth, just as the old pop songs presented in Orientals recall a nostalgic image of pre-industrial California.

Lee repeatedly describes the portrayal of the Oriental as an “alien body”, or “racialized alien”.  Asians are seen as aliens interloping in Western society. Always set apart, and never completely assimilable into whiteness. The alien is a powerful and convenient metaphor for the experiences of Asian/Americans, both for their alienation in the United States and the alien-nation of their homelands.

Eleanor and Park

So one of my obsessions is reading. I want to be a author some day so I obviously read a lot in my spare time. Just like my taste in movies, I’m a sucker for a good romantic comedy book. Which is also why I love John Green and I was trying to find ways to connect him to Asian American pop culture.

The other night I went to Barnes and Nobles and I brought the book, Fangirl which is written by Rainbow Rowell. I’ve read another book by her called Eleanor and Park and I basically only read it because John Green was giving such good reviews on it so I obviously had to. ANYWAYS. I realized that Eleanor and Park had a central character that is Asian American mix raced! Park is half white half Korean!!

I love making connections :)

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