Tag Archives: film

The Beautiful Country

I think this movie has some historical truths to it as far as the ships conditions when they were travelling and people dying because of disease or illness.  Also, the woman Binh had fallen in love with, Ling, was a prostitute and I am not at all that surprised about it. I did enjoy the movie and I somewhat enjoyed the ending. Like I had said before, I am more of a happy ending kind of girl, so I wanted to see Binh reunited with his mother and father together, but of course that did not happen. However, I cannot say that the ending was not a happy one since Binh did end up getting to meet and live with his biological father.

In the movie, I also thought some of the characters were symbols or allegories. For my first example I felt that Mai, Binh’s biological mother, was an allegory for the “reality of the dream” if you will. What I mean by that is she works for the “Big House” opposed to being on the streets or working in a run-down restaurant, so she has a “high” position or job; however, in reality she is still like a servant or slave. Many Asians wish to come to America because they see this higher form of living when America-for Asians- is not really that great. Also, Mai’s boss’s son (I cannot recall his name) to me is seen as the government. He has the power and feels he has the “right” to do what he pleases to Mai. Which in turn, is the government thinking that because these Asians are in America, they have the right to give or take whatever they want from the Asians. In addition to that, I saw Ling as an allegory for the Asians who’s American dream did work out. At the beginning of the movie Ling says that she’s “dead on the inside” and so thats why she can careless about her ways of prostitution. I feel that many Asians have felt that way if they do not want to live in their own home country. Then at the end of the movie she tells Binh, “Tam is dead. You’re alive. I’m alive.” At this point, she is somewhat a singer and she is seeing this other guy Jerry. She has a job she loves to do, she finds “love,” and she finally sees herself as the star she knew she was. Obviously Binh loves her and he tells her that she does not love him and she kisses him then leaves. That moment she walks away from him, is (to me) symbolic of Asians walking away from their past, their homeland, and conforming to the new American ways.

I do not think that any of these allegories are purely accurate, but I do think that they stand for more than just the characters they play. Overall the movie was very enjoyable and eye-opening since it’s different from reading it from a book and actually seeing it happen.

The Beautiful Country

My initial thoughts about this film are a little disjointed. Despite Chico’s claim that it will “Get better”, this was certainly a heartbreaking movie.

“He’s not one of us. I don’t know why he doesn’t go where he belongs” – Pham

“You will always be out of place wherever you go…And poor” – Ship Captain

The treatment of bui doi was totally new to me. Because of globalization, histories of colonialism, and racist beauty standards, mixed race folks with white ancestry and lighter skin are sometimes afforded privileges in countries that are predominantly POC. It makes sense that the experience of the children of GI’s would be very different, especially given the resentment towards American military intervention in Vietnam, and the prevalence of bui doi who were the children of sex workers.

Significance of title
The Beautiful Country. Does the title refer to Vietnam or the United States? Binh refers to the United States as a “beautiful country”, and his father says the same thing about Vietnam. Beauty holds deeper meaning than landscapes, it represents potential, love, escape from poverty.

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47 Ronin – Impressions

47 Ronin was a mixed bag for me. Admittedly, my expectations were low, and I ended up enjoying it more than I thought I would. I had never heard the original Japanese story, so I can’t speak to the historical accuracy of the events portrayed in the film. Kai’s inclusion was of particular note to me. This is the first time I’ve seen Keanu Reeves play a mixed race character, and I wonder if he was intended to act as a point of entry for white audiences. There were white savior elements in the portrayal of Kai, and on the other hand, there’s something to be said for kick-ass characters who occupy spaces of liminality and hybridity.