India Performing Arts Bibliography

 

Arnold, Alison E.
1992 "Aspects of Production and Consumption in the Popular Hindi Film Song
Industry," in Asian Music 24/1:122-136.
Ault, Thomas
1991 "Tonight Amar Singh Rathore: Marwari Khyal in Transition," in Asian
Theatre Journal 8/2:142-167.
Balasubramanyan, V.K., S. Naranan, and Saroja Balasubramanyan
1994 "Karnatic Music Viewed from an Information Theory
Perspective," in Journal of the Indian Musicological Society 25:14-26.
Banerjee, Utpal K.
1994 Indian Performing Arts. 2nd rev. ed. New Delhi:
Vikas Publishing House.
Bhagyalekshmy, S.
1991 Music and Bharatanatyam. Delhi: Sundeep Prakashan.
Bhaskaran, K.
1994 "Can Computers Play a Role in Karnatic Music?" in Journal of the Indian
Musicological Society 25:31-39.
Bhate-Jathar, Rohini
1990 "The Concept of Creative Compositions (Bandish) with
Reference to Kathak," in Journal of the Indian Musicological Society 21/1-2:41-43.
Bhave, S.S. et al
1994 "Computers and Hindustani Music: A Perspective," in
Journal of the Indian Musicological Society 25:1-13.
Bhayani, H.C. and Hasu Yagnik
1991 "Krsna in the Gujarati Folk-song Tradition," in
Devotion Divine, ed. by D.L. Eck and F. Mallison.
Booth, Gregory D.
1991 "Disco Laggi: Modern Repertoire and Traditional Performance Practice in
North Indian Popular Music," in Asian Music 23/1:61-83.
1993 "Traditional Practice and Mass Mediated Music in India,"
in International Review of the Aesthetics and Sociology of
Music 24/2:159-174.
Chakraborty, Mriganka Sekhar
1992 Indian Musicology: Melodic Structure. Calcutta: Firm KLM.
Chaudhuri, Debu, ed.
1993 Indian Music and Ustad Mushtaq Ali Khan. New Delhi: Har-Anand
Publications.
Chaudhuri, Shubha
1992 "Aspects of Documentation and Mass Media: A Viewpoint from India," in World Music, Musics of the World, ed. by Max Peter Baumann.
Clem, Alford
1989 The Sitar Book: A Practical Guide to Playing the Sitar.
London: Asian Educational Resources Centre.
Courtney, David
1994 Fundamentals of Tabla. Houston: Sur Sangeet Services.
Dasasarma, Amala
1993 Musicians of India: Past and Present Gharanas of Hindustani Music and Genealogies. Calcutta: Naya Prokash.
Daugherty, Diane, and Marlene Pitkow
1991 "Who Wears the Skirts in Kathakali," in The Drama Review 35/2:138-156.
Durga, S.A.K.
1990 "Characteristics of the Bandish, 'The Tillana' of Karnatak
Music," in Journal of the Indian Musicological Society 21/1-2:67-71.
Haldankar, S.S.
1990 "Bandish in Khyal: Basic Concept and its Application," in Journal of the Indian Musicological Society 21/1-2:41-43.
Hanna, Judith Lynne
1991 "Advantages of Bharat Natyam," in Dance Theatre Journal
9/1:14-15.
1993 "Classical Indian Dance and Women's Status." In Dance, Gender and Culture, ed. by Helen Thomas, pp.119-135. London: Macmillan.
Hansen, Kathryn
1992 Grounds for Play: The Nautanki Theatre of North India.
Berkeley: University of California Press.
Hauser, Beatrix
1994 "Scroll Painters (patuya) and Storytelling in Bengal: Patterns of Payment and Performance," in Jahrbuch für musikalische Volks- und Völkerkunde 15:75-123.
Iyer, Alessandra
1993 "A Fresh Look at Nrtta," in Dance Research 11/2:3-15.
Jackson, William
1992 "Features of the Kriti: A Song Form Developed by
Tyagaraja," in Asian Music 24/1:19-66.
Jakhalekar, P.P.
1989 "Ahobala Pandita's Contribution to Indian Music," in
Journal of the Indian Musicological Society 20/1-2:47-51.
Kaufmann, Walter
1993 The Ragas of North India. Reprint edition. Sittingbourne: Asia Publishing.
Kippen, James
1989 "Changes in the Social Status of Tabla Players," in
Journal of the Indian Musicological Society 20/1-2:37-46.
1992 "Tabla Drumming and the Human-Computer Interaction," in The World of Music 34/3:72-98.
Kliger, George, ed.
1993 Bharata Natyam in Cultural Perspective. New Delhi:
Manohar Publishers, American Institute of Indian Studies.
Manuel, Peter
1993 Cassette Culture: Popular Music and Technology in North
India. Chicago: University of Chicago Press.
Marcus, Scott
1992 "Recycling Indian Film-Songs: Popular Music as a Source
of Melodies for North Indian Folk Musicians," in Asian Music 24/1:101-110.
1994 "Parody-Generated Texts: The Process of Composition in
Biraha, a North Indian Folk Music Genre," in Asian Music 26/1:95-147.
McNeil, Adrian
1993 "Why Hindustani Musicians are Good Cooks: Analogies Between Music and Food in North India," in Asian Music 25/1-2:69-80.
Miner, Allyn
1992 Sitar and Sarod in the 18th and 19th Centuries. Intercultural Music Studies, 5. Wilhelmshaven: Florian Noetzel.
Mistry, Aban E.
1990 "Divergence and Intricacies in the Compositional Techniques of the Different Baaj/Charane in Tabala Vadan," in Journal of the Indian Musicological Society 21/1-2:72-96.
Mukherjee, Bimal
1990 "The Place of 'Compositions' or 'Bandish' in Raga Music,"
in Journal of the Indian Musicological Society 21/1-2:12-22.
Mulgaokar, Arvind
1994 "Old and New Systems of Teaching Tabla," in Journal of
the Indian Musicological Society 25:40-50.
Nadkarni, Mohan
1994 Bhimsen Joshi: a Biography. 2nd edition. New Delhi: Indus.
Nag, Dipali
1990 "Reflections and Recollection on the Compositions of Ustad Fayaaz Khan," in Journal of the Indian Musicological Society 21/1-2:12-22.
Narasimhan, Sakuntala
1990 "Text and Texture in Compositions of Hindustani and Carnatic Music: A Comparative Note," in Journal of the Indian Musicological Society 21/1-2:52-54.
Narayan, G. Raj
1994 "Electronic Synthesis of Indian Musical Instruments," in Journal of the Indian Musicological Society 25:27-30.
Naringrekar, C.S.
1990 "Concept of Bandish in Different Musical Traditions," in
Journal of the Indian Musicological Society 21/1-2:33-37.
Neuman, Daniel M.
1990 The Life of Music in North India: The Organization of
an Artistic Tradition. Reprint edition. Chicago: University of Chicago Press.
Ollikkala, Robert
1994 "Is Music a 'Social Text'? A Comparative Survey of Sound, Context and Concept in Indian Ghazal Singing," in Canadian Folk Music Bulletin 28/4:14-15.
Parikh, Arvind
1990 "Bandish on Instruments," in Journal of the Indian Musicological Society 21/1-2:44-51.
Parthasarthy, T.S.
1990 "Compositional Diversities: Patterns in Karnatak Music,"
in Journal of the Indian Musicological Society 21/1-2:55-58.
Perera, E.S.
1994 The Origin and Development of Dhrupad and its Bearing on Instrumental Music. Calcutta: K.P. Bagchi.
Pettigrew, Joyce
1991 "Songs of the Sikh Resistance Movement," in Asian Music
23/2:89-96.
Pillay, Jayendran
1994 "Indian Music in the Indian School in South Africa: the
Use of Cultural Forms as a Political Tool," in Ethnomusicology 38/2:281-302.
Pradhan, Aneesh
1994 "The Emergence of Modern Concert Platform in Bombay," in Journal of the Indian Musicological Society 25:51-55.
Ramakrishna, Lalita
1991 The Varnam: A Special Form in Karnatak Music. New
Delhi: Harman Publishing House.
Ranade, Ashok Da
1990 Keywords and Concepts: Hindustani Classical Music. New Delhi: Promilla.
1992 Indology and Ethnomusicology: Contours of the
Indo-British Relationship. New Delhi: Promilla.
Ross, Thomas
1993 "Forgotten Patterns: Mirkhand and Amir Khan," in
Asian Music 24/2:89-109.
Ruckert, George
1991 Introduction to the Classical Music of North India, vol.I.
St. Louis, MO: East Bay Books.
Sathyanarayan, R.
1990 "New Creations in Karnatak Music," in Journal of the Indian Musicological Society 21/1-2:59-66.
Sengupta, Pradip Kumar
1991 Foundations of Indian Musicology: Perspectives in the
Philosophy of Art and Culture. New Delhi: Abhivav.
Sharma, Prem Lata
1990 "The Treatment of Musical Composition in the Indian
Textual Tradition," in Journal of the Indian Musicological Society 21/1-2:1-6.
Simms, Robert
1992 "Aspects of Cosmological Symbolism in Hindusthani Musical Forms," in Asian Music 24/1:67-89.
Singh, Jaideva
1989 "A Note on Samavedic Music," in Journal of the Indian
Musicological Society 20/1-2:17-18.
Sundaram, B.M.
1994 "Marathi Lavani in Tamilnadu," in Journal of the Indian Musicological Society 25:56-74.
Tarlekar, G.H.
1990 "A Note on Giti, Gana and Prabandh Compositional Styles of Ancient Music," in Journal of the Indian Musicological Society 21/1-2:7-11.
Thompson, Gordon R.
1991 "The Carans of Gujarat: Caste Identity, Music, and Cultural Change," in Ethnomusicology 35/3:381-391.
1992 "The Barots of Gujarati-Speaking Western India:
Musicianship and Caste Identity," in Asian Music 24/1:1-17.
1995 "What's in a Dhal? Evidence of Raga-like Approaches in a Gujarati Musical Tradition," in Ethnomusicology 39/3:417-432.
Widdes, Richard
1993 "The Geography of Raga in Ancient India," in The World
of Music 35/3:35-50.
1994 "Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad," in Ethnomusicology 38/1:59-79.
1995 The Ragas of Early Indian Music: Modes, Melodies and Musical Notations from the Gupta Period to c.1250. Oxford Monographs on Music. Oxford: Clarendon Press.
Wolf, Richard Kent
1991 "Style and Tradition in Karaikkudi Vina Playing," in
Asian Theatre Journal 8/2:119-141.
Zarrilli, Phillip
1994 "An Ocean of Possibilities: From Lokadharmi to Natyadharmi in a Kathakali Santanagopalam," in Comparative Drama 28/1:67-89.