Tuesday 01/28

Slaying the Dragon, Joy Luck Club and reading from Lee.

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Slaying the Dragon is a name in itself. In a lot of films based around the Asian culture there is some form of reference to the idea of the Dragon like it represents Asian culture and something that has to be slated so it isn’t representing the stereotype formed by films. In the reading from Lee on page 119. “The cracks of old, laboring hands are the cracks that tell stories. Yet they can also be understood as the cracks through which we can recognize alternative social practices, alternative modes of pleasure and community that emerged out of the material conditions of the manongs.” Where a crack can tell a story where it be a crack in a door, a crack in the ‘laboring hands’ a crack in a cell phone or a crack anywhere theres normally always a story behind that crack evolving and well where does the crack begin that evolved the idea of Dragons relating to the Asian culture, in my opinion more specifically Chinese but whose to say someone else wouldn’t list something different. Within the movie Slaying the Dragon it shows the ideal image that directors wanted from roles for Asian/Woman characters. A lot of time it was the woman that fell in love with a white man, normally a G.I and the struggles of having a child together that would face the informality of being half/half. Or the sexual image as a exotic looking female who is rumored to cater to their men and care for them so much. From my opinion not many individual, strong woman roles have been see as female in movies in the past, but today Asian-American woman are seen everywhere. When I think of the evening news, I think of one of the casters who is Asian, but as I think on that more in dept I look at other Big name media roles who are also Asian and they all sort of portray the same image physically with the short curled out hair, bright lipstick (usually red) and very accentuated check bones with make up. As they overcome taking big roles today, there is still a stereotype that bosses, directors etc. look for when picking someone for a part that is Asian-American. I can only hope that this will change in time and we will gradually overcome the stereotype, crisis and image we see in all different ways.

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Thursday 01/30

 

Crisis: A time of intense difficulty, trouble, or danger. A time when a difficult or important decision must be made. “a crisis point of history”. The turning point of a disease when an important change takes place, indicating either recovery or death. http://www.google.com/#q=define+crisis

When it comes to the Asian-Amerian culture weather it be within a movie, book or stereotype the common image portray into our heads is not true and unfair to the individuals whom want to overcome that specifically. On thursday we watched  2 films, Slanted Screen which pulls a part and goes in depth on male asian actors and the model of the type of individual that is usually looked for to play these roles. Secondly, we watch Saving face…which i thoroughly enjoyed. Saving face is a movie based around Wil a Chinese girl who is trying to overcome the stereotype of the expectation as a child of a Chinese family and sort of going out of the box of the ordinary traditions. As the movie goes on you learn that Wil is lesbian and is slowly forming feelings for one of the other main characters known as Vivian. Vivian is someone from her past which she learns about during the movie and they are able to begin a relationship and form a romance that I believe most who watched the movie would feel they want to succeed and workout. For Vivian her mother already knows of her preference of woman and from what I got is accepting of the situation. Whereas on the other side Wil is keeping it a secret from who mother who has become pregnant out of wedlock. Throughout the movie you see what I would call crisis. As Wil and Vivians relationship progresses, the big question of Wil opening up to her mom and coming out of the closet is a huge factor in their relationship. With the way she acts your can see her scared of showing her emotions in public, showing affection in public and well telling her mother. Her mother knowns deep down that she’s lesbian,  but it becomes one of those topics that nobody really wants to bring up as they have completely opposite views. As the movie continues Wil is faced with letting her mother know the situation, trying to keep Vivian in her life while  trying to deal with being scared of opening up to the world and dealing with her mothers pregnancy. In the end Vivian’s mother and Wil’s mother see the love between their daughters and make it a point to bring the two girls together for the sake of their happiness as Wil does the same for her mother is helping marry the love of her life instead of a marriage based around money and just someone that will support her the rest of there life. This movie really shows how is can be scary to overcome something like this, especially with a cultural background that doesn’t see change, and with something like this very easily. It tradition to marry a man but overcoming this crisis is just the true moral of the story. In my own opinion I believe this is one of the stereotypes that younger generation Asian-American children face growing up. I’ve seen it myself, with friends, movies, and just a common factor. So many Asian families are based around following tradition, marrying a man whom your set up with, not really accepting of tattoos and piercings, the want of ‘top dollar’ jobs such as a doctor, or lawyer and really just getting to be ‘bragged’ about by your family members. As the older generation sees it as customs changing the younger generation sees it as crisis and something they all want to gain the strength to open up to their families about. In a majority of the films we’ve watched this quarter the films have something based around the idea that shows a younger actor who is scared of falling in love with the wrong person in the case of the family not approving, or obtaining the wrong job, not satisfying a mother, father, family or following tradition. You can see this in the movie Slanted Screen which is about the image that directors and viewers usually look for when an Asian actor is broadcasted with a leading role, or really any role at all. Theres a couple different ways in which this is gone about and some of those are seen as a crisis from a couple different views. As an Asian-American I believe its a little easier for me to point out these stereotypes, but than again I could be wrong. The reason I feel this way is because I can personally relate and have gone through similar situations. Sessue Hayakawa was one of the first top actors that began a kind of image that is looked for in films. A lot of these roles are a actor of Asian heritage who falls for someone of another race which is not accepted by his or her family, someone who wants to pursue a job or image that isn’t accepted by family and traditions or playing the bad guy who takes over and is considered evil and you form a hate for that person in the movie. All these stereotypes that I see can also relate back to the idea of crisis which I have pointed in the movie Saving Face as well. In Slanted Screen it interviews multiple male roles who a lot of us have seen in big name movies, shows etc. and their take on the typical ideal Asian requested role. The real question is how much have we truly been able to overcome this, have we overcome this and will anything change in the future. I think that no matter what there will truly always be a subconscious stereotype in a majority of roles of Asians, but don’t take my word for it as I obviously cannot read the future. The true struggle an crisis for these individuals that just want individuality, acceptance as a true American and the freedom of acceptance and respect of their individuals families is key that you can see in both films I have described. As I continue on with my connections on Thursdays reading and films I would like to start connecting the chapter that I personally loved and decided to speak about in class Thursday. In Lees chapter which talks about the Miss America pageant, Nisei week and happenings upon these two things, I really see the topics of crisis and stereotype within. When I think of Miss America pageants I think of the diversity you see in all the girls up on that stage, the people it brings together and the individuality you see from each and every girl picked by their home state. On the other side I still see the common thought of blonde hair, clue eyes, big hair, skinny and tall. What has allowed us to overcome that standard and become open to girls who have asian heritage, spanish heritage etc. being voted in as Miss America each and every year. One monumental past that has played a role into getting where we are today is Nisei week. Nisei week was sort of a sub topic to Miss America which allowed woman of Asian American decent participate in a pageant for that category only allowing to win the title of Nisei queen. With this is wasn’t necessarily always negative as the Nihonmachi part of town used this to attract business allowing a vote to the woman representing their store who usually stood outside greeting customers. With the purchase of merchandise you were allowed a vote toward the girl. This allowed to bring in more business, the participant of the Nisei woman in the pageants, a feeling of significance in communities with a vote that all of America could see and a representation of the culture. With the positives there was of course the negatives, because who was to say that beautiful had to be blue eyes, blonde hair and ‘American’. What the hell is American and who are we to define that when since that time period this country has become a mixing pot of cultures ultimately allowing the us to somewhat overcome the crisis of a typical Miss American winner and now allowing woman of all heritages to participate. As we have somehow overcome this from a great standpoint, up close I personally feel that we haven’t completely as its still pointed out by some when winner is not the full white representation of ‘American’. But, do we truly know if we will ever overcome this or will we always have to put up with the people who feel this way. Which i’m sure we will. In lees book it allows you to see the stereotypes, thoughts, positions and opinions of people who are becoming great roles in media today who aren’t ‘American’ but are doing ‘American’ things such a Tiger Woods. Crisis is something that can be seen all over the place, in the news, on the streets and within households but as i’ve pointed out in the films and reading crisis is in our past present and future and as we slowly overcome these ‘crisis’ we also open up doors to new topics being brought to the table. You can see crisis within the chapters which discuss who’s paradise? “The faces represented the various ethnic groups found in Hawai’i and were play by “local” actors, not imported ethnics perfuming “Hawaiian face”. The names were “authentic” rather than invented pseudo Polynesian or Asian.” I think this is one topic that i’ll never truly get over, I personally really hate when thing are referred to as “Hawaiian face’ ‘yellow face’ etc. where is it fair and where does it describe the person, where sadly I automatically catch on to what is talking about or representing, but I’ve never heard anyone being referred to a white face, when I know the stereotypes are out theres, its so much more apparent with other ethnic groups as they are considered “un American”.

Class Notes 1/28-31

1/28/14

  • Et al. : And all the others (et alia)
  • This Friday: Preface and introduction, (read at least 3) Chapters, 6, 10, 11, 14
  • Next Tuesday: (read 3 of 5) 4, 9, 13, 16, 17
  • Next Thursday: (read all three) 1, 2, 15

 

1/30/14

  • Crisis- Prompt
  • Prepare talking points for seminar (questions, comments, musings)
  • Make an appointment for next Friday

Slanted Screen

  • Epicanthic fold
  • “We can’t even play ourselves anymore”
  • Slanted (Screwed, distorted)
  • The truth can blind a person, so a filter (at times) is necessary
  • Tell the truth but tell it slant
  • In order to do what you love, sometime you have to play into stereotypes and racial humiliation…

1/31/14

 

  • Types of crisis- Mid life, pop culture, boundary
  •  Use the prompt, then relate it to each of the media (texts and movies)
  • Boundary- divisions, boarders, lines (trains, pickets, time, sexuality, opportunity, family, generational, identity, tradition, industry, inter racial, actor’s line)

 

  • Chapter 6

 

  • Crack- hand, foundation, a line of sorts
  • Many types of queer
  • Heteronormity
  • Queer vs Queering (an identity vs an action, queer revisionism)
  • Time a/effected paradigm shift
  • Queer Theory- Any disruption of sex, gender, desire, and any combination of the sort.
  • Chapter 10
    • What impact do you think the Nisei generation had on the stereotype for a Nisei week winner?
      • What generations had an impact on the stereotype?
      • In your personal opinion, what is the definition of a Japanese American woman?
        • Should pageants base contestants on ancestry or culture?
        • How did they judge the candidates for who wins Nisei week?
      • Why could the pageants never completely assimilate with American style?
      • How did feminism help or not help the Japanese Americans?
  • Chapter 11
    • Racial Identity- Portmanteau cablinasian
    • The case that decides what race you are (separate but not equal)
    • Immigration case

 

 

 

 

  • Black lifestyle
  • Beauty Pageants vs Cosplay World Summit

Week 4, Tuesday. Film representations & Lee.

**Note: For my other thoughts on the end of Lee’s Orientals, go here!**

One of the reoccurring themes throughout the end readings in Lee’s Orientals, the 1988 documentary Slaying the Dragon, and 1993 film Joy Luck Club was the theme of opportunity. There are the opportunities perceived to be had in America, influencing immigration, as well as the opportunities that existed and were created by the Asian immigrant and Asian American community. But even the triumphant success of creating new opportunities in a past time can now be looked at with a more critical lens. Because the opportunities now have grown and because the relationship between Asian Americans and representation has changed (albeit, arguably not enough) we look at the past through eyes that have only known the future.For example, when there were no other starring roles for Asian American women it would be an achievement to play a role that, in hindsight, was problematic and stereotypes Asian women. We saw this through Nany Kwan’s characters Suzie Wong in The World of Suzie Wong and Linda Low in Flower Drum Song. Both of these characters were discussed and analyzed as negative representation these roles created in Orientals as well as Slaying the Dragon. However, in Slaying the Dragon Nancy Kwan speaks out about how there were no other starring roles for her as an Asian American actress; her defense comes from the success of any representation. With this in mind, it is important to consider how activism changes for the time and  when creating a relationship between theory and history to balance our modern, critical lens and our understand-of-the-past lens.

Another theme that I found was that of requiring a white person in a film as the lead so the “audience can identify with them [the white lead]“. (This was influenced by the reference to Farewell to Manzanar.This is very telling about who movies are made for– if the audience needs someone to relate to and that relatable person must be white, then who is assumed to be the audience? Who is it meant to be consumed by?

This reminded me of a current, popular series that has been released through on Netflix’s original network, Orange is the New Black. For those who are unfamiliar, here is the description of the show from Netflix:

“From the creator of “Weeds” comes a heartbreaking and hilarious new series set in a women’s prison. Piper Chapman’s wild past comes back to haunt her, resulting in her arrest and detention in a federal penitentiary. To pay her debt to society, Piper trades her comfortable New York life for an orange prison jumpsuit and finds unexpected conflict and camaraderie amidst an eccentric group of inmates.”

What this description does not reveal is that the majority of “eccentric inmates” are Women of Color. The creator, Jenji Kohan, talks a little about why she uses white Piper Chapman as the focal point of the show:

“In a lot of ways Piper was my Trojan Horse. You’re not going to go into a network and sell a show on really fascinating tales of black women, and Latina women, and old women and criminals. But if you take this white girl, this sort of fish out of water, and you follow her in, you can then expand your world and tell all of those other stories. But it’s a hard sell to just go in and try to sell those stories initially. The girl next door, the cool blonde, is a very easy access point, and it’s relatable for a lot of audiences and a lot of networks looking for a certain demographic. It’s useful.”

The importance of this quote is that it allows us to see how those who are making the popular shows feel: they can sell a stereotype or a body but without a white vehicle, they cannot sell a voice.

I thought of Joy Luck Club as a good example of allowing Women of Color to use their own voice in telling their stories and a good example of differing opportunities. It also showed us a brief example of the influence that Sayonara and Flower Drum Song had and have on both the western lens of Asian American women and the internalized feelings Asian American women have of themselves. In the beginning, during the piano receital scene, there is a brief clip where another young girl is singing “I Enjoy Being A Girl” from Flower Drum Song (a scene shown more than once in Slaying the Dragon). The Asian/ Asian American casting of the main women (while not all Chinese) allowed for us to look at a certain kind of representation, the influence of other representations, and the total possibility to have an all Asian leading cast to tell a beautiful, heartbreaking story.

Also, fun fact: Nancy Kwan is said to have “replaced” France Nuyen (Ying Ying in Joy Luck Club) in the film The Life of Suzie Wong. I fond this to be interesting because it shows us the “small world” of Asian American roles and actresses/actors.

Creativity and art

Here is one of my favorite youtubers. He is intelligent, fun, inspirational, thoughtful, etc. The list goes on. I’m not sure if this fits into anything from class but maybe you could find some connections between what he is talking about and your rock category. Art is not limited to masterpieces. Any craft can become an art.

 

 

Click here to view the embedded video.

Joy Luck Club

I loved a lot of things about this movie. The fact that they showed the story behind each member of the club was wonderful. It helped show all the unique situations that different immigrants might have been in that caused them to move to the states. It was also a great illustration of the generational gap between the parents that moved to America and their children born in America. Although these people all have different lives and stories, America was their vision of hope or freedom. Many of these parents aimed to do whatever they could to make a better life for their kids but this was not always understood by the children. Growing up with distinct but different backgrounds, the gap between the two generations was apparent in this movie.

It did follow some of the typical stereotypes that were pointed out in the documentary. There were multiple girls in the film that had white partners, which follows the idea that Asian women are perfect for white men to marry since they are “subservient” and “quiet”. Men were often portrayed as “villains”  in the movie but I don’t feel like that is an issue with the movie. Overall, this movie was a great change of pace from the norm.

Oriental Dragon Problems

There was quite a few connections between Lee’s book and the film Slaying the Dragon. The big points being that minorities and minority women suffer a variety of media attention that stereotype them into categories of people vs people being individuals. Some of those stereotypes being the dragon-lady who was a cunning, evil, conniving, sexually empowered, and sneaky in which they are always a Japanese woman.

Another being the lack of masculinity for Asian men in traditional media. Comparing the western ideas of sexuality contrasting with things such as Chinese queues, “women’s work” and other tropes of Asian behavior that contradict the white American idea of sexuality. While both men and women in the minority both had to deal with stereotyping in movies the women were particularly impacted due to the societal views of all types of women at the time. It wasn’t until the feminist movements and the like did some forms of change start to occur and even today there persists these stereotypes, Dragon Lady in 47 Ronin anyone? Or even the model minority martial arts master Japanese pilot in Pacific Rim.

With 8 different stories, the Joyluck Club shows the audience 4 mothers were forced into their lifestyle with a powerlessness that prevented them from achieving their desires, they transcribed their experiences onto their daughters who they put hope into that they would leave a life in which they wanted. The mothers all came from China and the daughters came from America, all having similarities but will suffer the typically generational differences.

Even with the introduction of female Asian newscasters there was still a very prevalent stereotype of how one should look. The women in film are shown to be either sexy/naughty/sneaky or a variation of docile/quiet/loving housewife. These ideas of what Japanese women were was transcribed onto the real world where women would have to deal with men being legitimately surprised that a woman that has slanted eyes won’t have a personality that matches the cinema.

The Crisis of Saving Face

Breaking stereotypes with the introduction of lesbian Chinese Americans, Saving Face shows how people are always individuals regardless of which group they belong to. Beyond the unique lesbian story of Wil and Vivian. There was still plenty of other stereotypes scattered throughout the movie. One being the “funny black friend”. There was additional racist moments that occurred ranging from the dislike of black Americans by Wil’s mother with other similar off handed comments of her blind dates “He’s not white is he?” “No don’t worry he’s Chinese”

The multiple crises happening throughout the movie varied from Wil’s mother being 48 and getting pregnant without being married, the father is an a crisis being a very young man not able to show his true love for her, Wil dealing with being lesbian and having her mother understand in addition to having a successful relationship with Vivian.

Another point being how important family legacy and honor is in the Chinese ideology. Wil’s mother was a “good daughter marrying at a young age, and always put her families reputation in high regard, especially in regards to what her father wanted. Again she would be forced on a path by marrying Cho, a nice man but not one Wil’s mother loved. It isn’t until the intervention of Wil did her mother finally get to see Little Yu confess his love for her and they could become happier, it is also after this powerful moment Wil’s mother is more understanding of Wil being a lesbian.

Linking this to the reading and the movies we’ve been watching this week in regards to film and its portrayal of Asian women and men’s sexuality it was a contrasting point in which the Asian women are lesbian but nonetheless both attractive young people. In addition the two daughters Wil and Vivian are both in the stereotype of being brilliant surgeons/graceful dancers. In addition all of the potential suitors to Wil were either successful businessmen or comfortably employed, there was no group in the movie to contrast the model minority.

If there is a stereotype of doing something well such as Asians being good at math, get straight As, etc, does that discourage them from striving to do great things? The general stereotype of Asians having higher family values and wanted to strive to be the best it seems to put a pressure on the whole group in terms of achievement.

I really disliked several moments in the movie where they forced drama excessively and unrealistic within the film’s universe. One being the marriage cancel and everyone fighting/unleashing their true emotions all at once like in a soap opera, which i understand they might of done on purpose given how much Wil’s and her mother watched soap operas it was still done in a way that wasn’t convincing or enjoyable.

As a whole however the movie had a lot of redeemable qualities involving following your true intentions and being true to  yourself. All the different people dealing with their own demons and moving forward gave one a feeling of satisfaction. Beyond cheesy acting and stereotypes in the “anti-stereotype” movie I liked the movie overall.

 

Crisis Street Connections

From both the films we watched today including ¨Saving Face” and ¨The Slanted Screen: Asian Men in Film and Television” along with the readings from Robert Lee’s book ¨The Orientals” there are several connections between the three that can be made. Furthermore all of them can be considered to meet in this fictiscous street known as Crisis street we discussed in Lecture.

One connection I saw between the film ¨Saving Face” and the book ¨Orientals¨ is the connection with this idea of Asian American being the Model Minority. In the film the main character Wil is a lesbian Chinese American who has gone through life hiding her sexuality. She appitimizes this theory of the model minority by being a young surgeon with a bright future, as well as being a top student while in school. Her mother who was widowed also has played the role of the model minority as described in Lee’s book by displaying, “Obedience, self control, individualism, and loyalty to the needs of the nuclear family…” However during the film the mother becomes pregnant out of wedlock and eventually agrees to marry a man named Cho to appease her fathers wishes and to ¨save face” as he has shunned her for causeing shame to his name. While this is occurring Wl is also falling in love with a fellow Chinese American girl named Vivian. At the point of Crisis where Vivian is leaving for Paris to take a job as a ballet dancer and her mother is preparing to get married these deep inner secrets come out. For Wil she has to make the decision to keep her sexuality a secret and lose the one she loves, which is also true with her mother who has to make the decision to appease her father and marry without love, or to expose the fact that she loves another. Faced with this crisis they disrupt this concept of retaining the stutus quoand decide to express their true feelings, and reveal their true identity. This for me shows that though their are characteristics of both the mother and Wil that adhere to this idea of model minority, they are individuals and are able to move forward and show their true identities that reliquishes some of these aspects that ties them to the model minority concept described in Lee’s book. The main one which is described by Lee is the idea of not going against the Nuclear family.

Along with this model minority idea, we see in ¨The Slanted Screen” the Asian Americans in Hollywood are wanting to relinquish and earn equality in the roles they depict on the television screen. Throughout history they are forced to play these roles where they are either seen as a ¨wimpy businessman” or a “villain” which can be seen in the evil character of Fu Manchu. Furthermore throughout the history of Hollywood they have notoriously been thwarted the chance of playing the role of the romantic Hero with a person of a different race. A good example of this is in the film Romeo must die where Jet Li is the Hero and Aaliyah is an African American Juliet. After a special viewing of a scene where the two kiss at the end of the movie to an urban audience the audience found this romantic connection as unfavorable and therefore the scene was changed to include only a hug. This idea of not ruffling this almost taboo subject of an Asian Hero with a female which is of a different race can also be linked to the characters in Saving Face. Both the main characters described previously in saving face have this choice to relinquish this idea of being the perfect image of the model minority. However unlike many Hollywood movies in the past, in Saving Face we finally see Asian Americans going against what is thought to be acceptable and showing them in a light that is not just stereotypical of their race but as actual people where their feelings of love and passion do not give way to the image of how they should act in a time of crisis.

Week 4, Friday’s Obsession: Spoken Word

From the spoken word poetry community Button Poetry, here is Rachel Rostad of Macalester College, performing “To JK Rowling, from Cho Chang” on finals stage at the 2013 College Unions Poetry Slam Invitational.

Click here to view the embedded video.

Also with Button Poetry, Alex Dang performing “What Kind of Asian Are You?” performing for the Portland Poetry Slam at the 2013 National Poetry Slam.

Click here to view the embedded video.