Week 3, Tuesday. Gran Torino

Gran Torino really “zooms” into all sorts of uncomfortable situations. (Har har, a lot like that pun!)

Our first stop on the road of analysis takes us to a problem that can be seen in many entertaining mediums: complex characters with simple titles (think: good guy and his best friend, bad guy). When characters with a range of emotion and endless moral options are represented to the viewer as good OR bad it’s easy forget that good can also be bad and bad can also be good. Therefore, we are watching the film and thinking “or” instead of “and”. This gets tricky when we decide that one character is most definitely bad and then naturally assume that the other characters must be good; as long as our role of “evil villain” has been filled it is easier to forgive and forget other characters.

For instance, using the illness of a not-so-nice character as a way to gain sympathy allows us to be more compassionate and forgiving. So even if a character say… constantly stereotypes, discriminates, and even points a gun at other humans just for being on his lawn the viewer may find it easier to sympathize with him if he is coughing up blood and his son is also seen as a trivial bad guy, too. Similarly, if that character shows a progression of compassion we too find ourselves growing in our fondness of him. But does that change who he was or what he’s done? At the end of the movie, Walt (Clint Eastwood) finally foes to Confession and his confession is quite telling– how much have his views (the viewer sees him “grow out of” or learn from) changed if he feels no need to repent them? So, this complex character looses his complexity in our assigning him the role of “bad guy turned good”. His is our Martyr (literally falls to the ground in a pose like Jesus on the cross, let’s be real), our White Savior, our changed man who makes it all better for this Hmong community. Is this where I’m supposed to swoon…?

Our second stop is one not too far from our last and involves the same dangerous bumpiness. This film definitely illustrates racism  but the obviousness of it overrides the more subtle racism and sexism. When Walt meets Youa (Choua Kue) he intentionally calls her Yum Yum. By the ages of those around her, I believe it safe to assume she’s around 15-17.  Walt is well past half-century age. So with his “ha-ha look, I’m nicer” attitude it’s easy to overlook his intentional botching of her name because it’s “funny” and “innocent”. But. Not really. In calling her Yum Yum he is exhibiting his feeling of entitlement in sexualizing her. And, as an elder white male he gets away with it. Even others who hear him call her Yum Yum accept it and laugh.

Our third and last stop: more sneaky racism (when juxtaposed with the more in-your-face racism), what does the movie leave out? What stereotypes does it accidentally perpetuate? Notice how the two other groups represented (three Black males and a group of Latino males) were represented as “Gangbangers” or “thugs”. When we see other white people in the movie represented we see them as vapid and vulgar (Walt’s family, his barber) however when you compare  this kind of representation there is a major difference. Being vapid and vulgar is innocent and forgivable; their personality is more of a statement on “American culture” (in and terms of the barber “the way to be a man”), whereas with both the Black and Latino representations are stereotypes that are not innocent. By internalizing the gang/thug/criminal stereotype both of these marginalized groups are put into danger in true reality.

This film was predictably entertaining but I’m not looking to be entertained by it gain.

Battle Games

An alternative future of a society brings a reaping of under-aged children together to fight to the death! All these kids put together in an arena, supplied with weapons, and must abide by the rules in order to survive.

Can you guess what novel I’m talking about? A little confused? A little torn

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Well, in class we talked about a topic, “Parrying Katy.” She talks about how Geisha’s just love with all their heart and how she loves the culture. Then I started to think that she may not be racist, maybe she’s just ignorant and doesn’t really know much about the history of Japan and how they’ve come to be in America. I then began to ponder on how she even got the idea to dress like a Geisha and how common it is that celebrities often “copy” or have similar outfits and costumes that relate back to Asia. All of a sudden, I remember being told about Battle Royale and how The Hunger Games is very similar to it and how it seemed to be the “copied” American version (what a friend had told me).

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Jennifer Lawrence as Katniss Everdeen in The Hunger Games

Both novels have a futuristic time frame with both states are led by authoritarianism. In Hunger Games 1 boy and 1 girl is reaped from each of the 12 districts, they are called “tributes.” All tributes get training, get put into an arena and are expected to fight each other until there is only one victor. In Battle Royale these students are gassed on a bus and taken to “The Program” which is a military experiment and is an island where they all must fight to the death and again, until only victor remains. In both novels the reason for doing this is to terrorize the people of the states and to prevent an uprising against the government. Also, before entering the area all 24 tributes get a tracket inserted into their forearms, where as the students in Battle Royale have trackers in their collars. In both novels the main characters have witnessed death and lost friends over the course of the battle. Lastly, instead of there only being victor, both novels end up having 2 survivors that are close to each other. For instance, Katiss and Peeta end up winning the games and Noriko and Shuya end up escaping the program. If not identical, very similar right?

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Chiaki Kuriyama plays Takako Chigusa in Battle Royale

Though there are a few things that separate these two. Though the storyline may be different, the way the movies were produced at least, separate the two as far as popularity goes. I know that books and movies are different, but both of these novels have been turned into movies. So, in Battle Royale it is way more gruesome than the Hunger Games. In Battle Royale the grouping of the students is a public secret, everybody knows it’s happening, but nobody wants to admit that it really is. In Collins novels, the Hunger Games is advertised and televised throughout Panem. Many also argue that Battle Royale is more about violence, gore, and chaos whereas the Hunger Games is about survival and movement towards a rebellion.

I did further research to see when both authors Susan Collins (Hunger Games) and Koushun Takami (Battle Royale) had published their books. Battle Royale was first published in 1999 and was later on translated into English in 2003. There was then an expanded version with a word from Takami as well that was published in 2009. The Hunger Games was first published as a hardcover in 2008. It has since then been a hit and has been sold in 38 territories world wide.

So I guess what I am wondering is if the Hunger Games really is a “knock-off” or at least inspired by Battle Royale? Or is it just a very bizarre coincidence? I have yet to find anything that has proof that Collins had completely ripped of Takami or that there was any political conflict over it. I could agree that both movies/novels are very similar, but I also think that they are both very different in certain ways. Nonetheless, both movies/novels are very interesting and entertaining to watch.

I did my research from here and here (I just searched for each book there and compared.)

Orientals

The Coolie and the Making of the White Working Class

COOLIE: cheap Chinese labor. In 1970 and 1850 has been called the “period of proletarianization” Prices were set by craftsmen which gave way to wages set by employers.  Artisans and independent small producers still represented a large portion of the economy.pg. 55  women, children, and immigrant labor. immigrant labor was being introduced into factories as well as new machinery. This new machinery obviously reduced the need for skilled work, but opened up sho doors to immigrant workers with minimum training and apprenticeship.

Though immigration employment in factorys was big, the spread was uneven among jobs. native born anglo-saxon men maintained their privilegded position in such industries as iron molding, furniture making, and ropemaking. Immigrant women &children worked in textiles and clothing factories and replaced native born women. Irish and French canadian catholics entered the shoe making factories. HOWEVER, machinery threatened the need for these skilled workers. (55) Different kinds of work for different wages & payments. Chinese  v. Irish. anti-chinese groups prominent in those groups, chinese saw irish and short-tempered and undisciplined. The 200 whites that worked with the 600 chinese attacked their neighborhood killing 15 and wounding more. This act barred many Chinese from entering the country. Chinese later tried to mend things with white workers, but whites resisted.

White men worried that chinese will be married to white women. (72 &74) Many women who did marry Chinese men were Irish. These interracial marriages disrupted the Irish men community…(76) Half-breeds (82).

The Third Sex

(85)third sex is  oriental sexuality constructed as ambiguous, inscrutable, and hermaphroditic. male or female Oriental (the third sex). pg 86 [family is more depicted]. Sexual/questionable ones are where? Different ways they see thier sexuality presented. Chinese prostitutes are bound to corrupt the minds of young white men. 94- women & families=racial questions if interracial.

 

Orientals

The “Heathen Chinee” on God’s Free Soil

California as it was and is: False claims in the song. Chinee miners in the mining districts of Cali had NTHING to do with the decline in gold prices. The song created a nostalgiz pastoral vision of CA for nineteenth-century American audiences.Popular musc offered a powerful medium for an ideology of nostalgia. Many of the songs were not ethnological and pirated.(17) Goes over mining, steamer days and how great it was (18-19). Between 1848 and 1851 some 22000 chinese had arrived and doubled within the next two years. The arrival of the Chinese ruined the nostalgic tone for California. TRADES: fur trade, hide trade, CA merchants developed a near-monopoly on the HI and Philippine trade, built a respectable trade with Japan and shared the China trade with NY. Chinese immigration was part of the global working class migration that fuled SF’s explosive population growth in 1850s and 1860s. CA also attracted immigrants from the hinterlands of Europe, Latin America, and Asia. (ENTIRE WORLD-WIDE WORKING CLASS MIGRATING TO ECON CORE)(22-23). in 1850′s erratic economy (24) Many Chinese settlers in CA undermined the definition of Oriental difference which relied on distance…construction of racial different as present at threatenin. FEW V THE MANY(28) PAGE 31 [p 2 china not jus for trade, but for workers...museum in china vs. ordinary chinese stuff in US]. Chinese is to blame for the past and having it go away. (32) MINSTREL show became an entertainment for the new urban working class. minstrel was seen as the construc to Chinese polluting the racial other in the popular imagination. (siamese twins) (32). the show contained and displayed a line up of raceial and ethnic characters. Minstresley can be understood as the ritual response to boundary crisis. Zipcoon represented freedom w/o self control needed for republican virtue. the ideological representation of chinese immigrant as racial other relied on trope insurmountable cultural difference.  CULTURAL DEGREGATION. made fun of pidgen, hair, food, syntax, vocabulary, symbols. pg 43- yellowskins get out! free persons of color v 5 broad positions. (47) LASTLY, there is like a revenge from the whites by cutting pay, labor, and resources

Orientals

Introduction

“Yellowface” makes the Asian body as unmistakably Oriental. Only Orientals are yellow, not Asians. Asia is a place, a big place, so there are many colors and hues. Orientals have overbites, slanted eyes, and mustard yellow skin color=socially defined as markers of racist differences. What does yellowface signify?  Race is a mode of placing cultural meaning o the body. Yellowface marks the Oriental as indelibly alien.(2)

  • POLLUTION: objects or persons perceived to be out of place. They create a sense of disorder symbolicaly and anomaly in the structure of society. A source of pollution: Aliens/foreigners.
    Foreign v Alien Foreign objects are not always alien, only those whose presence disrupts the nattative structure of the community. FOREIGN: refers to that which outside or distant, while ALIEN describes things that are immediate and present yet have a foreign nature. Only when the freign is present does it become alien. Alien v foreign is like immigrant vs. tourist. So if an outsider comes without an intention to leave it becomes an alien. Only when aliens exit or are “naturalized” (cleansed of their foreignness and remade) can they shed their status as polltants. Alienness is both a formal and political/legal status and an informal, but no less powerful cultural status
  • Takao Ozawa was the denied the right to “naturalize” because he had Japanese “blood.” US v Thind, an Indian immigrant who was already an American by naturalization was stripped of his citizenship because his blood is not white blood.(3)

    POPULAR CULTURE AND RACE

  • The Supreme Courts “understanding” is a legal fiction. It gives popular conventio, the common sense of “real” Americans, the power to define race. Popular convention has the power.(5)
  • popculture is a process, a set of cultural practices that define Amrican nationality-who “real” americans are in any historical moment. nationality v citizenship CITIZENSHIP:carries the implicit assumption of promise if equality, at least in political and legal terms, while NATIONALITY contains and manages the contradictions of hierarchies and equalities of social formation. (6) Race can be “invisible” or camouflaged or rendered invisible, but once produced as a category of social difference it is present everywhere in the social formation and deeply imbedded in popular culture. RACE WILL ALWAYS BE THERE & SEEN. RACE IS POPULAR CULTURE.
  • SIX FACES OF ORIENTAL

  • The POLLUTANT: originated in mid nineteenth-century California. The Chinese constituted the alien presence in america. the chinese was both identified with the moral chaos of the gold rush and portrayed as the harbigers of industrial wage slavery.
  • the COOLIE: came about the US working class was formed in the 1870s and 1880s. chinese immigrants found themselves segregated into racially defined state of subordination as “coolie labor” the UNfree, servile, a threat to the white working mans family. (even though they came to america as FREE workers).
  • the DEVIANT: a figure of forbidden desire. the deviant represents the possibility of alternative desire in a period which middle class gender roles and sexual behavior were being codified and naturalized into a rigid heterosexual cult of domesticity. WOMEN WERE FORCED INTO PROSTITUTION. Men were then brought in to be domestic house servants.
  • the YELLOW PERIL: A threat to the nation, family, and race.
  • the MODEL MINORITY: popularly identified in the late 1960s and 1970s. a mythology substituted a narrative of national modernization and athnict assimilation through heterosexuality familialism and consumption. MODEL MINORITY: THE PERFECT WORKER.
  • since the 1970s, the model minorty image has coexiste and reinfoced a representation of the Asian American as a GOOK.
  • the GOOK: Asian american represented as the invisible enemy and the embodiement of inauthentic racial and national identities.

    with all these stereotypes NON of these have been created by the ACTUAL LIVES of asian americans.

  • -Film review “The Debut”

     

    The Debut

    Through this movie, I was impressed about two things. There are “conflicts” and “communities.”

    -“Conflict”

    Every time when I watch movies like this in class, I could find how many stereotypes there are about Asians. In this movie, there were also a lot of kinds of words used for stereotypes. Usually, they were used between people who had different backgrounds. For example, in the movie, the American girls at the party said “I have never eaten cats/dogs” to Ben. However, one thing I found in this movie was that stereotypes are also internalized. Ben’s father wanted Ben to be a doctor, and he talked about it in front of his relatives. I think that because his father cared about appearances, he protected the stereotype which is that Asian people were smart. Stereotypes exist not only between people having different backgrounds but also between the different generations. Ben was under his father’s pressure made by stereotype which is Asian people were smart, so he couldn’t seem to say his mind to his father. And more, he also couldn’t find who he is under the pressure. That reminded me of Thao in Gran Torino. Both of them were in conflict of “who they are” in America.

    -“Community”

    Since I came to America, I found that communities is very important to people with different backgrounds. America is a melting pot, so there are a lot of different kinds of communities. It took time for me getting used to this culture which people already have their own communities. This is because I had never cared about it when I was in Japan. In Japan, most of people there are Japanese, so I didn’t think about how important it was. I’m sure that it is comfortable for everyone to be in their community, even they have many friends having different backgrounds. In this movie, Ben and his friends went to the American party although his sister’s birthday party was happening at the same time. I think this is because he felt uncomfortable at the birthday party. He didn’t want to accept his home culture at that time, so he didn’t want to stay there. However, finally he went back to his sister’s party, because he was more uncomfortable at the American party. I don’t think everyone should have friends only who share the same community because having many friends from different backgrounds is good to exchange their cultures, but it is true that there were communities which we feel comfortable or uncomfortable in, and sometimes it made by races. I’m really enjoying my life here because I have friends and a lot of amazing experiences, but at the same time, I feel lonely. I think this is because I can’t find my community yet. America is a melting pot, but it does not always mixing well.

    Original v.s. U.S. version: Opening

    For this entry I am going to talk about the differences in the Japanese and American ‘Sailor Moon’ theme song.

    Obviously we will start with the Japanese version. In the Japanese version, the theme song is actually called “Moonlight Densetsu” which translates to “Moonlight Legend”. So this version I am posting right now is the English translation of the original Japanese song. The video I have provided for you is the first season opening of the show with the original Japanese lyrics:

    Click here to view the embedded video.

    I’m sorry, I’m not honest
    I can say it in my dreams
    My thoughts are about to short circuit
    I want to be with you right now

    The moonlight makes me want to cry
    I can’t even call, it’s midnight
    But I’m so innocent, what should I do
    My heart’s a kaleidoscope

    We are lead by the light of the moon
    We meet by chance again and again
    The countless shining stars above us foretell love’s whereabouts
    Born on the same Earth
    A miracle romance

    So, reading the lyrics, the song doesn’t explain a whole lot about what this show is going to be about. It’s pretty subtle and if you are a big fan of Sailor Moon, you can see in certain parts of the song that there are some hints of what the shows basic premise will be like. Overall, I think this song is really beautiful and I love that it sings about inner conflict and feeling lost, yet having the opportunity to meet with someone again and how basically we are all human beings.

    Now, let’s take a look at the American opening and lyrics.

    Click here to view the embedded video.

    Fighting evil by moonlight
    winning love by daylight
    Never running from a real fight!
    She is the one named Sailor Moon!
    She will never turn her back on a friend
    She is always there to defend
    She is the one on whom we can depend
    She is the one named Sailor….
    Sailor Venus!
    Sailor Mercury!
    Sailor Mars!
    Sailor Jupiter!
    With secret powers
    All so new to her
    She is the one named Sailor Moon

    Fighting evil by moonlight
    Winning love by daylight
    With her Sailor Scouts to help fight
    She is the one named Sailor Moon
    She is the one named Sailor Moon
    She is the one . . . Sailor Moon!

    Wait… Who is this song about? What’s her name?

    As you can see and hear, the American version of the song and the opening animations alone have changed a lot from the original version. Obviously the biggest change we hear is that the American lyrics are much, much more straight forward. They really throw in our faces that Sailor Moon is our protagonist and even introduce the supporting characters, when in the first episode, the supporting characters are not even there, we don’t even get to find out their names until later episodes. The song alone sounds a lot more like a rock and roll song with the addition of an electric guitar solo in the middle of it. (WHHHHYYYYY???)

    As far as what the eyes see,  they use the ‘Star War’s opening with the words flying backgrounds that is not included in the Japanese version (and really those words seem so unnecessary.) Then sprinkled about in the opening, they started showing actual clips from the show with a very colorful 90′s background. They show all of the characters that will be introduced in season one as well, which to me takes away the magic of the unveiling of the different cast members and yes, I understand that in the Japanese opening they show Sailor Mercury and Mars but with no real implication of who they are or what “element” they will be based off of. Sailor Moon is an incredibly repetitive show, but when they throw in episodes of introducing new characters or new major enemies, it makes up for it’s repetitiveness.

    Another thing that the American version does is it takes away is the excitement for the transformation sequence by showing it in the theme song. In the first episode, when Sailor Moon first transforms, it’s kind of a huge deal! Then after that, you really don’t wanna see the transformation sequence anymore because they’re gonna start using it in every episode. With the American version, I will now be somewhat forced to watch that transformation sequence again and again and again. The transformation sequence is what makes the “Magical Girl” genre (in my opinion). Below I have embedded a video of Sailor Moon’s first transformation sequence that she ever did and yes, that is a talking cat. The video underneath that is the American version.

    Click here to view the embedded video.

    Click here to view the embedded video.

    (I will most likely further discuss the transformation sequence at another time.)

    Lastly, my other issue is that not only do they show Sailor Moon’s most powerful weapon in this season (the Crescent Moon Rod) but they also show her DEFEATING the main antagonist of the show! This opening song is FILLED with spoilers!

    Overall, I’m sure it’s obvious which one I prefer, but remember, I am more than happy to admit that I am bias. The Japanese ‘Sailor Moon’ is what I was raised on, that’s not to say I didn’t watch the American version! I was happy to! I know that there are a lot of other girls who were raised on this show and hold the American version near and dear to their heart and that is great! I’m not trying to start some sort of war on which version is better, you have your opinions and I have mine.

     

    Impressions on The Debut

    TDFirst off, I immediately recognized the main actor as Dante Basco just from his voice. I knew him better as the voice for Zuko and now General Iron on the Nickelodeon show series Avatar: The Last Airbender and Avatar: The Legend of Korra respectively.

    Anyways, watching The Debut reminded me of my life as a young teenager. The debut (in this case it’s pronounced de’bu, no “t” sound at the end) for Ruben’s sister reminded me of the debut my brother went to. Only my brother was invited to it, even though it’s traditional to invite friends’ whole families over. I knew the girl, Katrina, as an acquaintance at best. Still the same as depicted, just with more modern music and stuff. I don’t know about the traditional dance with the dresses and fans though. All I recall is that friends of the birthday girl have to say something about her and perform by themselves or with a group of friends for her. I personally never been to one, but now that I have a young sister, my mother says it’s inevitable.

    Anyhow, most of the things that happened at the debut remind me of the countless Filipino parties I attended while growing up. There was always an abundance of food, people designated to host and direct the parties, and many Filipino people who kept showing up, even after halfway through party. I must confess that my family always tells me Filipinos are late to the party, but they always stay late too, so it balances out if you think about it. Then again, my family sometimes showed up early, but still decided to stay way late.

    The way they depicted Filipino Americans in this movie seems accurate, to me at least. Dante reminds me of my younger brother in terms of behavior, always the one who just stands out from the rest of us. I won’t elaborate on it any further, but my mother likes to make fun of him, calling him out on it. I like how they addressed FOBs, or Fresh Off the Boat people. I learned about that term about two years ago and wasn’t aware of it until then. We always discussed how they had different accents and mannerisms, like the “porty pife” gun part, than us, but that’s because they have not lived in America.

    When I saw the “cha cha” dance part, I couldn’t help but smile a bit. My mother continues to this day to teach me that dance every time I’m doing nothing at home. I guess it’s a dance I’m supposed to know and it looks simple, but there’s more moves than that, such as a twirl that you do for the partner. The part when everyone was doing the same dance on the dancefloor reminds me of the party my mother hosted for her co-workers. Very reminiscent of what I saw.

    Oh, this popped up in my mind when I saw that part.

    Oh, this popped up in my mind when I saw that part.

    Finally the way Ben and his father argued over the future Ben would have throws me back to when I was starting off college. Initially I went with their suggestion to become a nurse. My parents always told me that job makes plenty of money. What they probably didn’t know at the time though was that there was much competition to get in to the program and plenty of per-requisite classes to take. I only made it as far as Anatomy and Physiology I and failed that, so I had to to tell them that nursing wasn’t for me. Even before that, I knew I really didn’t want to be a nurse. Just the sight of needles makes me uneasy and I’m no health nut.

    In regards to the movie only, I liked it. The cast looked convincingly Filipino to me, so there’s that bit.  The exploration of a young Filipino American who chooses his own path is well done. At first his aspirations don’t agree with his father, causing tension and conflict that strains the relationship between father and son. Ruben is also accused of being a coconut, brown on the outside but white on the inside, since he only hangs out with his two best friends, who are white. Ruben’s friends actually show interest in Ben’s culture, but Ben doesn’t know what they see in it. During the debut, Ruben sees his father perform and realizes that his father made his own choices and sacrificed everything for Ruben and the family, which disappoints his dad, or Ruben’s grandfather. Knowing this, they kind of have an understanding at then end.

    The Debut Film Discussion

    The film “The Debut” was a film that followed a young high school senior by the name Ruben (Ben) Mercado, and his struggles finding his identity. As a Filipino American you see Ruben go from rejecting his culture and in a sense being ashamed of his heritage, to seeing him realize he should take pride in the cultural traditions which he was observing during his sister Debutante birthday party.

    However there was this connection I noticed within the film and the readings we were assigned from Ronald Takaki’s book, “Strangers From a Different Shore.” In Takaki’s book he explains how many Asian American students were often pushed towards college degrees in fields such as engineering, the medical field, and architecture. These careers were found to be prosperous and not a, “waste of time.” However many of these young men and women would possibly be more interested in earning degrees in the Arts or Social Sciences, but due to there parents ideals of seeing these career choices as unsatisfactory in terms of economic prosperity in the future, they are pressured away from other career fields that they may be passionate about. So what does this have to do with the film, “The Debut,” and the main character Ruben?

    In the movie Ruben is being pressured by his father to take a scholarship to UCLA in order to pursue a career as a Doctor. However Ruben without telling his father decided to enroll in an art school, which his father believed was a pointless hobby. Later on Ruben found that his father also had a history as a musician and had to give up his music dreams due to Rubens birth. Furthermore his father was also seen as somewhat of a disappointment to his own father (Ruben’s Grandfather) because he had, “wasted his time” with music as a young man and now is a Postman, serving mail to others. His fathers job as a worker in a job providing a service can also be related to Takaki because a lot of first generation immigrants had to accept employment in jobs that were service related, such as in the restaurant industry or as janitors. This idea of the older generations in Asian American society, pushing their children towards careers as professionals, and away from careers that the child may be passionate about is perfectly depicted in this film.

    However I feel for both sides, both the child and the parent. It would be hard to go through college and later moving into a career that you may have zero passion or interest towards in order to please your elders. There would always be this sense of what if? What if I had followed my dreams and became a musician, or a painter, or cartoonist? However I also understand the parent’s point of view. As first generation immigrants, in an American society with a long history of racial tension and unequal job opportunities. Where they had to work jobs that were, labor intensive, and service related, for the hopes of providing a better opportunity for the next generation. I can see why they would push their children towards an education and career where they had better chances of improving their economic standing, and position in society. Either way it is sad that these children are placed in this position especially because America is always described as a place where anyone can become anything. A place where one can follow their dreams, and pursue their interests, whatever they may be.

    In the film at the very end, Ruben finally comes out and tells his father that he had already enrolled in Art school and had taken out all of his savings in order to pay the first years tuition. After showing his father his portfolio of  his artwork with which he had sent to art school and his acceptance was based upon, as well as showing him a picture he had created of his father, his grandfather, and of himself, we start to see acceptance of Ruben’s decision creep into the face of Ruben’s father.

    Overall this film can be connected to may issues related to what we have learned in our A-Pop program and in Asian American studies in general. Such as the loss of language seen in the later generation of immigrants, such as the frustration depicted by Ruben’s grandfather in his not taking the time to learn Tagalog which is spoken in the Philippines. The racist stereotypes being depicted by a white girl at a high school party where she indicated Ruben and other Filipino’s, “ate dogs.” Throughout the film these connections of the struggles faced by immigrants and their children in, as Takaki would describe, “As being from a different shore,” are very apparent and eye opening.

    The Debut – impressions

    The Debut

    The conflict between father and son, the eternal struggle.

    The son yearns for independance and appreciation, the father rejects. It’s a story as old as time – the rebellion of youth against what we are ¨supposed¨ to do or be. The Debut tackles this subject with depth, exploring not just within the context of your average high school student on the edge on adulthood, but also within the context of culture and racial stereotyping. I think everyone faces these problems throughout their life in some form or another, the choice between doing it for yourself or doing it for those all around you. I felt that this film had a lot in common with Better Luck Tomorrow, although this film ends on a much nicer note. Both films – released in 2001 and 2002, respectfully – share the theme of youth and going against the conventions that society or family place upon themselves.

    debut1

    I also find it interesting that both films focus on an Asian American generation that seems pretty far removed from their roots. Each of the Bens faces a similar issue, but I think I related to the Ben from this film more because of the whole father/son relationship. Another thing I liked was, and I’m not sure if this sounds weird, but I like how his ¨white buddies” weren’t really portrayed as ignorant, douche bags as I thought they were gonna be when they first showed up. Instead, they seem to actively enjoy the Filipino culture and were way more open minded than I had expected. I also love how they handled the character of Augusto because he could have just been your typical rival/adversary to Ben – instead, they chose to add more depth to his character by showing us the inner turmoil he is experiencing with his mother and her new man.

    All to all, I give his film five thumbs!

    RufioRUFIO !