Tag Archives: Week 4

Joy Luck & Lee

We viewed Slaying the Dragon, a documentary about Asian American women in film. It explored prominent roles played by actresses like Nancy Kwan, Nobu McCarthy, Kim Miyori, and Anna May Wong. We also viewed The Joy Luck Club. It followed four women, and their daughters’ lives through the experiences and hardships that shaped them.

Each of the Tuesday films covered the portrayal of women in media, the Lee reading also tied into this. I thought that The Joy Luck Club was amazing. I really felt connected to some of the daughters’ due to shared experiences, and they showed such depth that made them feel so much realer. The mothers’ stories were absolutely heartbreaking as well. The cast was amazing, nearly all of my favorite Asian American actresses were in it.

In Lee’s Orientals, the chapter deals with Orientalizing women in media and the stereotypes in film. I thought that this really gave insight into why The Joy Luck Club is so great. Thought it’s about Chinese and Chinese American women, they portray such a wide array of character types that it is so far from where the industry started.

Crisis

Crisis, singular. Crises, plural.

  • 危机
  • wēijī
  • dangerous/critical point

I chose to present the Chinese for “crisis” since one of the films dealt with a Chinese family, and the documentary dealt with a “Chinaman” image.

Saving Face involved many sort of crises. Honor, romantic, personal, occupational. Ma’s crises begin with her pregnancy, being kicked out of her home, dating, and fear of motherhood. Since she was unwed and pregnant, Ma’s father kicked her out of his home. For him, having an unwed pregnant daughter caused him to lose face (a sort of social honor). Wil tries to get her on dates so that she will get married and move out, but she feels insecure about her age. She also kept repeating her fears about not being able to take care of the child well. She’s afraid she can’t manage it.

Wil faces crises over her relationship with Vivian. She is afraid to tell others about their relationship, mainly her mother and the Chinese community because she would seem like a disrespectful daughter. She also struggles to balance her job, her mother, and Vivian. When she lets Vivian go, whether because of her fear or for Vivian’s future, she fully admits she loved Vivian.

The Slanted Screen highlighted the roles that Asian American men have had in film and television. The real crisis about this is the lack of proper roles being presented.