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2012-13 Undergraduate Index A-Z
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| Title | Offering | Standing | Credits | Credits | When | F | W | S | Su | Description | Preparatory | Faculty | Days | Multiple Standings | Start Quarters | Open Quarters |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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Julia Zay, Shaw Osha (Flores) and Kathleen Eamon
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Program | FR–SOFreshmen - Sophomore | 16 | 16 | Day | F 12 Fall | W 13Winter | - In this program, we want to think about art, and we want to think about work, but we want to think about them in a historically-specific sense. We will be talking about art and work as practices and discourses specific to “modernity,” and we will talk about modernity as marked by the emergence of art and work as distinct from the rest of social life. And we will ask what it means to live, work, and make art right now. Two broad disciplines, visual studies and philosophy, will orient us, and we will also look to the spirit of the (1919-1933) and its struggle to define a modernist art school curriculum as a way of making these questions concrete. We will work our own intellectual and theoretical capacities right alongside our skills and techniques in visual and time-based art. We will come to understand what it takes to have both intellectual and artistic , as well as how to produce our own intellectual and artistic . In terms of coverage, the program will offer foundational work in visual and cultural studies, art and media practice, as well as 18 -20 century European philosophy. We will study history in order to understand our own moment better. We will begin our study with important texts that respond to the gradual rise of industry as the dominant mode of production, and we will continue our examination into the eras that follow. We will trace the emergence of two tendencies that stand in some tension with one another: the idea of “work” undergoes some disenchantment with the rise of large-scale industry, but it also takes on a romantic aspect with the possibility of greater egalitarianism. “Art,” and its work, is also simultaneously both debased and exalted, thought of as both epitome and critic of commodity culture, a space apart from and the ironic fulfillment of the market economy. Following our study of the we will look to the rise of conceptualism in art in the 1960s and 70s and contemporary forms and institutions of art that are grappling with the question of art as labor and artists as workers under current economic pressures. All of these case studies will support our study of how the meaning and value of art has become invested in the everyday and uses labor as an organizing principle of the aesthetic. We will pursue our themes by thinking, looking, and making. In fall we will set our foundation by studying major philosophical and artistic movements and texts, basic skills in visual and time-based art, but also by developing our skills in reading, discussing, and writing about challenging texts in philosophy, cultural theory, and art history. In winter quarter, we will build on our foundation. One of our central aims will be to reconcile our own utopian aspirations, inspired by the struggles of the , by developing “schools” of our own. Each of our schools will be responsible for designing a curriculum around a specific discipline and for making collaborative “work” across those disciplines. We will study a range of theorists, artists, objects and practices. Authors include: G. W. F. Hegel, Karl Marx, Sigmund Freud, Michel Foucault, Pierre Bourdieu, Michel de Certeau, Judith Butler, Linda Nochlin, Julia Bryan-Wilson, and Miwon Kwon. Artists include: Joseph Albers, Walter Gropius and others affiliated with the Fluxus-affiliated artists, Robert Morris, Yvonne Rainer, Mika Rottenberg, Chantal Akerman, Charles Burnett, the Maysles Brothers, Fritz Lang and John Sayles. We will also read from a variety of sources in art and media history and theory, and social theory. Program work will include research, writing (both formal academic writing as well as writing experiments), and the making of visual and media art. | humanities, visual studies, gender studies, cultural studies, education and communications. | Julia Zay Shaw Osha (Flores) Kathleen Eamon | Freshmen FR Sophomore SO | Fall | Fall Winter | |||
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Sarah Williams and Donald Foran
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | S 13Spring | "Poetry is good for neural development." You can buy a T-shirt that says so. This program will engage you experientially in understanding how and why the recycling of neurons informs poetry's transformative power. We'll explore how reading can be understood from an evolutionary perspective as an exaptation in which the ability to interpret animal tracks and bird flight was co-opted for the ciphering of lines and circles as letters and words. This exploration will include the scientific writing of Stanislas Dehaene as well as the poetry of Susan Howe, who in "Pythagorian Silence" writes: "age of earth and us all chattering/a sentence or character/ suddenly/steps out to seek for truth fails/falls into a stream of ink Sequence/trails off/ ... flocks of words flying together tense/as an order/cast off to crows." We'll recite, analyze, discuss, perform, and write poems about the mind's reflexivity.Our goal is a mindful recycling of neurons, one in which the neuroscience of poetry reveals a continuity with the neurology of our ancestors. Thus, we'll reflect on our experiences of flocks of words and tracks of letters as binding mechanisms for neural integration and ecological adaptation. Indeed, Frederick Turner refers to poetry as a "neural lyre." Urban spoken-word poets and indigenous healers produce what Eliot describes as "music heard so deeply it is not heard at all/ And you are the music while the music lasts." We're equally interested in how poetry can have the opposite effect on consciousness. We'll engage in contemplative practices to learn more about experiences of neural disintegration, such as the thumps and jolts of modern life. As Seamus Heaney put it, poetry is "a thump to the TV set to restore the picture" and "a jolt to the fibrillating heart." Throughout the year we'll be exploring the emergence of a new meta-field of scholarship in which poetry and neuroscience interact, remaking and renewing the meaning and impact of the poetic as words become flesh ... and vice-versa. Emily Dickinson's poetic rendering of this polarity provides one model of the neuro-phenomenological: "I felt a cleaving in my mind/As if my brain had split/I tried to match it, seam by seam/But could not make it fit. The thought behind, I strove to join/Unto the thought before/But Sequence ravelled out of sound/Like balls upon a floor." We'll experiment with this process of "sequence ravelling out of sound" as a transformation of a new archaic.Fall quarter's immersion in the scholarship of this meta-field will include group research projects: ethnographic studies of poetic jolts. When, where and from whom or from what do we hear poetry? Can we sense it in our own reading and writing? Our fall quarter nature retreat to the Hoh Rain Forest and the beaches of the Olympic Peninsula will introduce practices we'll use throughout the year for experiencing the reciprocity between specific forms of poetry and states of consciousness. During winter quarter we’ll experience and articulate specific forms of consciousness and language in relation to a particular passion. One of us might want to explore Gerard Manley Hopkins’ love of bluebells and windhovers in relationship to his poetry, or create a poetic world around a passion for sport or to experience how fantasy sports are a poetic world. One of us might immerse herself in the biodynamic rhythms of chocolate sustainably farmed, or listen for the resonance between silence and sound in YoYo Ma’s performance of Bach’s Cello Suite #1 in G. The methodology of our field study will aspire to that of 18 C poet and civil engineer, Novalis for whom "knowledge and creation were united in a wondrous mutual tie.” Writing in response to our field studies will take the form of reciprocal creations such as in Melissa Kwasny’s . Spring quarter work will combine theory and practice. Students will engage in peer group community-based service projects that use poetry to "jolt fibrillating hearts.” Writing projects will accompany this work in order to illuminate the relationship between the growth of dendrites and the flourishing of both neurons and community. There will be a weekly film and poetry series that inspires "poetic jolts" and demonstrates their meaning for communal life. Throughout the year students will keep a creative journal, a field notebook, participate in poetry writing and recitation, and compile an anthology of program work. | Sarah Williams Donald Foran | Mon Tue Tue Tue Wed Wed Thu Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter | ||
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Barbara Laners
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Program | FR–SRFreshmen - Senior | 8 | 08 | Day | Su 13Summer Full | This class will examine the role of women of color in the development of America's social, economic, legal and political history. It will focus on issues ranging from suffrage to the civil rights movement and beyond; all aspects of the gender/racial gap in those spheres will be explored. | Barbara Laners | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
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Julianne Unsel
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Program | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | S 13Spring | How do the personal identities and everyday lives of a people come together to shape the social and political worlds of a nation like the United States? How do national social and political worlds, in turn, shape individual identities and lives? Where do these worlds and identities come from? What forces contribute to them? How do we shape, and how are we shaped by, the worlds we find ourselves in today?We will explore these and related questions with an emphasis on three elements fundamental to shaping daily life in the American present and past – sex, race and family structure. Our program will adopt the centermost goal of all historical study – to understand the lives and events that have come before us so that we may better live our own lives within the social and political worlds we are responsible to today.We will inquire how popular and scientific notions of sexual and racial difference and desire have shaped social life and politics in the U.S., from settlement to the present. We will examine how these compound notions have shaped American history, how history has shaped them, and how both have bounded collective and individual articulations of sexual and racial identity, difference and desire.In fall quarter, we will study the diverse array of family structures, sexual practices, and economic relationships that developed in the U.S. from settlement to the end of slavery. In winter, we will examine the great changes in these institutions from the closing of the western frontier through the end of the world wars. In spring, we will place our own lives in proximate context with a close examination of the true revolutions in social life and scientific understanding of the past fifty years.In all three quarters, we will read in several disciplines, including U.S. social and political history, history of western medicine, history of sexuality, feminist and LBGTQ theory, and the psychology of desire. Weekly classes will include reading and discussion seminars, history lectures, student panel presentations, library study periods, and occasional documentary and new classic Hollywood feature film screenings.All program assignments will help us grow in both the art and craft of clear communication and well-supported argumentation. They will include critical reading, college writing, research in peer-reviewed literature, black and white film photography, and public outreach and speaking. Fall/winter photography components will use classic 35mm cameras to explore portraiture as a medium for self-identification and expression. Spring internship opportunities will bring our program themes to social outreach agencies and groups in our local community.This program will offer appropriate support to all students ready to do advanced work. All activities will support student peer-to-peer teaching, personal responsibility for learning and achievement, contemplative study habits, and intensive skills development. Transfer students are welcome. | the arts, social sciences, education, psychology, and health professions. | Julianne Unsel | Sophomore SO Junior JR Senior SR | Fall | Fall Winter | ||
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Frances V. Rains
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Program | FR–SOFreshmen - Sophomore | 16 | 16 | Day | F 12 Fall | Native American women have been erased from history. It is not that they did not exist; it is that they were , omitted from history lessons. At the same time, stereotypes such as "squaw" and "princess" have plagued Native women since 1492. Ironically, the history of Native women has reflected a different reality with a long tradition of standing strong for justice. Native women have stood to protect: the lands and the natural world, their cultures, languages, the health of their families, and Tribal Sovereignty. But few learn about these Native women, who consistently defied the stereotypes, to work for the betterment of their peoples and nations. Drawing upon the experiences and writings of such women, we will explore the ways in which leadership is articulated in many Native American communities. We will critique how feminist theory has both served and ignored Native women. Through case studies, autobiography, literature and films, we will analyze how Native women have argued for sovereignty and developed agendas that privilege community over individuality. We will explore the activism of 20th century Native women leaders, particularly in the areas of the environment, the family system and the law. This program will implement decolonizing methodologies to give voice to some of these women, while deconstructing the stereotypes, in order to honor and provide a different way of knowing about these courageous Native American women, past and present. As well, as a lower division program, campus services will be introduced and emphasized across the quarter. Students will develop skills as writers, researchers and potential advocates by studying scholarly and imaginative works and conducting research. Through extensive reading and writing, dialogue, art, films and possible guest speakers, we will investigate important aspects of the life and times of some of these Native American women across the centuries. | Frances V. Rains | Mon Wed Thu | Freshmen FR Sophomore SO | Fall | Fall | ||||
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Savvina Chowdhury
Signature Required:
Fall Winter Spring
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Program | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | S 13Spring | This program is part of the Gateways for Incarcerated Youth program. A fundamental principle of Gateways is that every person has talents given to them at birth; it is our job to encourage each other to search out and find our passions and gifts. Our work is guided by ideas of popular education. We recognize and value the knowledge and experience of each participant. The program works to strengthen notions of self and community through cultural awareness and empowerment. In connecting and building with people from other cultures and class backgrounds, each person becomes empowered to share their knowledge, creativity, values and goals.This program offers Evergreen students the opportunity to be peer learners with incarcerated young men in a maximum-security institution. Students will address issues of diversity, equality and critical thinking, along with other issues that are chosen by the young men who are incarcerated. At the same time, the Evergreen students will deepen their understanding of the theory and practice of popular education. Students in this program will have the opportunity to reflect on how they themselves learn as well as how others learn, as they gain experience in the facilitation of discussions and workshops. Students will work on designing, implementing and assessing the workshops. In the process of collectively shaping the Gateways seminar, students will also learn how to organize productive meetings and work through conflict.Each week the Evergreen students will visit the Green Hill Juvenile Correctional Facility in Chehalis, Washington. Through the workshops we will explore various aspects of political economy in order to understand ourselves and others as an important part of analyzing contemporary society and building egalitarian relationships. In preparation for the workshop, each week the Evergreen students will meet to organize the workshop’s activities. We will also take time each week to reflect on the previous workshop to assess how it worked and draw lessons for the next one. Throughout our work we will read, share and learn about various kinds of relative advantage ("privilege"), while also exploring cultural diversity and continually working to foster a space committed to equality.In fall quarter, we will study some of the root causes of inequality to understand better the relationship between poor and working class people–especially poor and working class people of color–and the prison system. In winter and spring quarters, we will continue to deepen our understanding of political economy and popular education. Building on our experiences, reflections and studies, each quarter students will take increasing responsibility for designing, implementing, and assessing the program, workshops and seminars. This program requires that all participants be ready to fully commit themselves to our common work and show a willingness to help build a community of learners. Students should expect to spend approximately 11 hours per week in class on campus and 5 hours per week off campus (including time at, and travel to and from, the institutions). | juvenile justice, education, political economy, community work and social work. | Savvina Chowdhury | Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | ||
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Toska Olson
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | S 13Spring | Around the world, people's sex, gender and bodies have been socially constructed in ways that have had profound impacts on power and interpersonal dynamics. This program is a sociological and anthropological exploration of gender, masculinity, femininity and power. We will examine questions such as: How do expectations of masculine and feminine behavior manifest themselves worldwide in social institutions like work, families, schools and the media? How do social theorists explain the current state of gender stratification? How does gender intersect with issues of race, ethnicity, sexual orientation, and social class identity? One major component of our inquiry will be an investigation of how people move, adorn and utilize their bodies to shape and reflect gender and sexuality. We will examine topics such as prostitution, body modification, standards of beauty and reproduction.We will study cross-cultural variation in gendered experiences and opportunities within several different social institutions. Lectures, sociological fieldwork exercises, and seminar readings will provide students with common knowledge about gender theory and gendered experiences in the United States and elsewhere. Students' collaborative research presentations will provide the class with information about gender in cultures other than their own.This program involves extensive student-initiated research and puts a heavy emphasis on public speaking and advanced group work. Students will learn how to conduct cross-cultural library research on gender, and will produce a research paper that represents a culmination of their best college writing and thinking abilities. Students are invited to register for this program if they are excited about working closely in a small group and conducting a large-scale independent research project. Students should be prepared to spend at least 20 hours per week in the library conducting research for these projects.Credit may be awarded in areas such as sociology of sex, gender, and bodies; cultural studies; anthropology of sex, gender, and bodies; student-originated studies; and collaborative research and presentation. | Toska Olson | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | |||||
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Toska Olson and Susan Fiksdal
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | W 13Winter | What are the signals we learn and display to perform our gender? How do different cultures create and maintain gender differences? This program will explore these questions and others through the lenses of sociolinguistics and sociology. We will examine the ways that masculinities and femininities are socially constructed through language and other symbolic interactions within the context of a variety of social situations. We will investigate the privileges displayed through gendered performances and examine how people reproduce, contest, or redefine the categories that come to define their identities.A major component of our studies will involve weekly fieldwork exercises that scrutinize the social construction process occurring around us. Using a variety of concepts and methodologies from sociolinguistics and sociology, we will examine sources including informal conversations, advertisements, children's toys and books, and several forms of media. Students should be prepared to read a variety of texts including journal articles, academic texts, ethnographies and short fiction. In a final project, students will write a detailed research proposal based on the work we have done. | Toska Olson Susan Fiksdal | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
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Therese Saliba
Signature Required:
Winter
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Contract | SO–SRSophomore - Senior | 16 | 16 | Day | W 13Winter | Individual study offers students the opportunity to develop self-direction, to learn how to manage a personal project, and to pursue original interdisciplinary projects of their own specific interest. Students interested in the fields of international feminism and gender studies, Middle East Studies, or literature, particularly multicultural and postcolonial literature, are encouraged to propose an independent research project via the ILC online form. In addition, I am available to work with students doing travel abroad in the Middle East, working with women's organization in the Global South, or engaged in internships with community-based organizations in the Puget Sound area. | Therese Saliba | Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
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Cheri Lucas-Jennings
Signature Required:
Winter Spring
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Contract | SO–SRSophomore - Senior | 16 | 16 | Day and Weekend | W 13Winter | S 13Spring | Individual studies offers important opportunities for advanced students to create their own course of study and research. Prior to the beginning of the quarter, interested individuals or small groups of students must consult with the faculty sponsor to develop an outline of proposed projects to be described in an Individual Learning Contract. If students wish to gain internship experience they must secure the agreement and signature of a field supervisor prior to the initiation of the internship contract.This faculty wecomes internships and contracts in the areas of environmental health; health policy; public law; cultural studies; ethnic studies; the arts (including acrylic and oil painting, sculpture, or textiles); water policy and hydrolic systems; permaculture, economics of agriculture; toxins and brownfields; community planning, intranational relations.This opportunity is open to those who wish to continue with applied projects that seek to create social change in our community (as a result of work begun in fall 2010 and winter 2011 "Problems to Issues to Policies;" to those begining internship work at the State capitol who seek to expand their experience to public agencies and non-profit institutions; and to those interested in the study of low income populations and legal aid. | American studies, art, communications, community studies, cultural studies, environmental field studies, gender and women's health, history, law and government and public policy leadership | Cheri Lucas-Jennings | Sophomore SO Junior JR Senior SR | Winter | Winter Spring | |||
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Walter Grodzik
Signature Required:
Fall
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Contract | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | Individual study offers individual and groups of students the opportunity to develop self-direction, to learn how to manage a personal project, to focus on unique combinations of subjects, and to pursue original interdisciplinary projects without the constraints of an external structure. Individual and groups of students interested in a self-directed project, research or internships in Queer Studies or the Performing and Visual Arts should contact the faculty by email at | Walter Grodzik | Sophomore SO Junior JR Senior SR | Fall | Fall | |||||
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Laura Citrin
Signature Required:
Winter
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Contract | SO–SRSophomore - Senior | 16 | 16 | Day | W 13Winter | Individual study offers students the opportunity to develop self-direction, to learn how to manage a personal project, to focus on unique combination of subjects, and to pursue original interdisciplinary projects of their own specific interest. Students interested in social psychological research, particularly on topics related to gender, social norms, the body, emotions, moralization and conformity, or reproductive issues, are encouraged to propose an independent research project via the ILC online form. | Laura Citrin | Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
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George Freeman
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Program | FR–SRFreshmen - Senior | 4, 8 | 04 08 | Day | Su 13Summer Session II | This program will explore the central personality theories from a traditional perspective as well as a nontraditional perspective. We will examine the relationship of personality theories to abnormal behavior and develop an understanding of the DSM classification system and other diagnostic methods. We will use an on-line Moodle site to facilitate discussions of the texts and other pertinent issues. We will use segments of films to reinforce the theoretical and practical concepts we’re learning.Although the program is structured for a combined 8 credits, students wanting to complete only the abnormal psychology credits or the personality theory credits separately may register for only 4 credits. | George Freeman | Thu Fri | Freshmen FR Sophomore SO Junior JR Senior SR | Summer | Summer | ||||
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Sarah Ryan and Arleen Sandifer
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Program | FR–SRFreshmen - Senior | 8, 12, 16 | 08 12 16 | Weekend | F 12 Fall | W 13Winter | S 13Spring | Is justice a concept that is applicable to the workplace? In approaching this question, we’ll look at the history and legacy of immigration laws, labor law as set forth in the National Labor Relations Act, and civil rights/anti-discrimination law as written in Title VII of the Civil Rights Act of 1964. In addition to defining rights, these laws reflect the shape of power in society, and they can determine how workers and management interact. Their texts were written by lawmakers; but in another sense, they were written in the streets and workplaces during turbulent times. Class and racial biases exist in, and are reproduced by, the laws and their practices. In this class we’ll study the social movements and conditions that led to the passage of important bodies of labor, civil rights, and immigration law. We’ll ask how their history is important, how the struggles at their roots shaped the laws' forms, and how they affect the workplace today.Students will become acquainted with the critiques developed by scholars in Critical Race Theory and Critical Legal Studies, which help us think about power in the larger society and alternative possibilities for justice. Be prepared for fun, active, problem-solving and hard work. Students will learn to do basic legal and historical research. You will get a sense of the real work of attorneys and courts, but also the work of community activists and union stewards. Though there are no prerequisites, students should be prepared with some basic background in 20th century American history and should have the patience and persistence to read detailed histories, statutes, and legal cases. Students who are particularly interested in either labor, civil rights, or immigration issues are strongly urged to participate in the year-long program, as the connections between these histories and legal regimes are essential to understand. | law, labor organizing, history, social justice, public administration, management | Sarah Ryan Arleen Sandifer | Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | |
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Karen Gaul and Therese Saliba
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | From Yoga to Facebook, transnational cultural and economic practices and new information technologies are creating an increasingly interconnected world. A central question for this program is, how do highly mobile transnational relationships such as these affect the integrity, identity, and sustainability of local communities?We will examine how particular resources (such as oil, textiles, and food) as well as technologies, labor, and ideas, have propelled migrations, cultural transformations, and movements for sustainability and justice. Tourism, for example, generates the production and consumption of cultural heritage, eco-tourism, and yoga vacations that draw millions of people to new destinations around the world, and are major economic forces, raising urgent questions about cultural sustainability in the face of globalization. At the same time, Facebook has played an instrumental role for Arab youth in organizing revolutions, highlighting the ways people may use foreign technologies to fuel movements for political and social justice.Migrations of peoples, materials, and ideas have been around for millenia, often producing vibrant cultural practices based on adaptation and innovation. Yet colonization, empire, and capitalist globalization have also contributed to the systematic destruction of indigenous and non-Western cultures, inciting various forms of resistance. Focusing on South Asia and the Middle East, we will explore the ways communities and cultures are disproportionately affected by conditions and by-products of resource extraction, unjust labor conditions, pollutants, waste disposal and broader climate change. We will consider lessons that can be learned from their movements to create sustainable and just futures in a transnational world.Through the lenses of cultural studies, cultural anthropology and sustainability studies, we will explore the tensions between movement and rootedness, the familiar and unfamiliar, and how movements for justice are conditioned by both individual and systemic change. We will draw on yoga, both as an example of cultural exchange that has fueled debates about authenticity and appropriation, and as a practice of sustainability from the inside out. Through the writings of Gandhi, Alice Walker, and Arundhati Roy, and a range of cultural, feminist, and postcolonial theories, we will explore the connections between individual and social transformation, as we seek to build communities rooted in the concepts of sustainability and justice.In fall quarter we will develop an intentional learning community, and explore program themes through lectures, films, shared readings, field trips, and workshops. We will build skills in cultural analysis through critical reading, creative writing, ethnographic methods, visual literacy, and seminar discussions. In winter quarter, students will begin to frame projects focusing on program themes in particular cultural areas, which they will develop and research. | Karen Gaul Therese Saliba | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter | ||||
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Andrew Buchman and Ratna Roy
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | W 13Winter | In this program we will focus on the dance and music culture of central eastern India, specifically the art-rich state of Orissa. While some music or dance background would be useful, it is not necessary. This is a culture and history offering, along with some practical hands-on experience in dance and music. We will immerse ourselves in this ancient culture of dance and music. Our readings will include themes such as gender, colonial history and post-colonial theory, and the current economic ferment that is transforming many aspects of Indian society today. A research option is available for students who opt not focus on performance, in consultation with the faculty.The first iconographical evidence of Orissa's dance and music culture comes from 2nd-1st century BCE, and the culture thrived for centuries before it declined under colonial rule to be partially revived in the 1950s and 60s. This effort still continues, and we will be part of that effort. | Andrew Buchman Ratna Roy | Tue Wed Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | Winter | ||||
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Michael Vavrus and Peter Bohmer
Signature Required:
Winter
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Program | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | We will examine the nature, development and concrete workings of modern capitalism and the interrelationship of race, class and gender in historical and contemporary contexts. Recurring themes will be the relationship among oppression, exploitation, social movements, reform and fundamental change, and the construction of alternatives to capitalism, nationally and globally. We will examine how social change has occurred in the past, present trends, and alternatives for the future. We will also examine different theoretical frameworks such as liberalism, Marxism, feminism, anarchism and neoclassical economics, and their explanations of the current U.S. and global political economy and key issues such as education, the media and the criminal justice system. Students will learn communication skills related to public debate and social change.In fall, the U.S. experience will be the central focus, whereas winter quarter will have a global focus. We will begin with the colonization of the U.S., and the material and ideological foundations of the U.S. political economy from the 18th century to the present. We will explore specific issues including the slave trade, racial, gender and economic inequality, the labor movement and the western push to "American Empire." We will carefully examine the linkages from the past to the present between the economic core of capitalism, political and social structures, and gender, race and class relations. Resistance will be a central theme. We will study microeconomics principles from a neoclassical and political economy perspective. Within microeconomics, we will study topics such as the structure and failure of markets, work and wages, poverty, and the gender and racial division of labor.In winter, we will examine the interrelationship between the U.S. political economy and the changing global system, and U.S. foreign policy. We will study causes and consequences of the globalization of capital and its effects in our daily lives, international migration, the role of multilateral institutions and the meaning of trade agreements and regional organizations. This program will analyze the response of societies such as Venezuela and Bolivia and social movements such as labor, feminist, anti-war, environmental, indigenous and youth in the U.S. and internationally in opposing the global order. We will look at alternatives to neoliberal capitalism including socialism, participatory economies and community-based economies and strategies for social change. We will study macroeconomics, including causes and solutions to the high rates of unemployment and to economic instability. We will introduce competing theories of international trade and finance and examine their applicability in the global South and North. In winter quarter, as part of the 16 credits, there will be an optional internship for up to four credits in organizations and groups whose activities are closely related to the themes of this program or the opportunity to write a research paper on a relevant political economy topic.Students will engage the material through seminars, lectures, films, workshops, seminar response papers, synthesis papers based on program material and concepts, and take-home economics examinations. | political science, economics, education, labor and community organizing, law and international solidarity. | Michael Vavrus Peter Bohmer | Tue Tue Wed Wed Fri Fri | Sophomore SO Junior JR Senior SR | Fall | Fall Winter | ||
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Peter Bohmer and Elizabeth Williamson
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | S 13Spring | 1968 and 2011 were world historic years. In both cases, uprisings spread within and between countries. In 1968, major resistance to the existing order produced movements for liberation in Vietnam (Tet offensive); France (May, 1968); Czechoslovakia (Soviet invasion, August, 1968); Mexico, (Tlatelolco and Olympics) and the United States--including the rebellions after Martin Luther King's assassination, the Columbia University occupation, the protests against the Democratic Party Convention in Chicago, and the major growth of the women's and Black liberation movements. There were major uprisings in many other countries. New left theory and practice were integral to those movements. 1968 was perhaps the central year of the 1960s--a decade where the status quo was challenged culturally, socially and politically; a period of experimentation where countercultures emerged and revolution was in the air.2011 was another major year of uprisings. Social movements against repressive governments and against social inequality spread from Tunisia to Egypt to Yemen, Syria, Libya, Bahrain--among many others. The nature and goals of the uprisings vary from country to county, but all are connected by an egalitarian and democratic spirit where youth play a major role. Inspired partially by the events in the Middle East, Wisconsin residents and especially public sector workers occupied the State Capital in the spring of 2011, and there were massive demonstrations against the frontal attack on public sector unions, and on education and social programs. These so-called "austerity measures" and the growing resistance to them are occurring all over the United States. There is also occupation of public spaces led by the young and independent of political parties, demanding the end of unemployment and the maintenance of social program in Greece, France, Spain and other countries in Europe.In this program we will examine the political, economic, and cultural contexts of the uprisings in both of these periods--paying attention to local, national and global connections. We will study these uprisings, and the socio-political forces that helped shape them, through cultural and political economic analysis, fiction and non-fiction literature, movies, music, and participant experiences. Particular attention will be paid to developing research skills and writing for a broader audience.In addition to developing a greater awareness of the historical impact of these uprisings, we hope to better understand the philosophy, goals, strategy and tactics of the organizers of these movements. We will conclude by comparing and contrasting 1968 to 2011 in order to develop lessons for the present and future. | teaching social studies; organizing; working for an economic or social justice organziation--locally, nationally or globally; graduate school in social sciences or cultural studies. | Peter Bohmer Elizabeth Williamson | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
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Greg Mullins and Cael Keegan
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Program | JR–SRJunior - Senior | 16 | 16 | Day | S 13Spring | Why is glitter queer? Why is drag glamorous? Why are Broadway musicals gay in both senses of that word? Why, for that matter, did a word that meant bright, showy, cheerful and carefree come to signal homosexuality?Entertainments, recreation, social gatherings and stage spectacles have a long and deep relationship to sexual and gender identities, communities, and the politics that emerge from them. In this program we will examine the history of queer gender and sexuality in relation to bars, parks, baths, burlesque halls, balls, theaters, musicals, music festivals, softball teams, films and parades. Our approach will be primarily historical, as we consider how modern genders and sexualities are playfully forged via social interaction in places of entertainment. Our focus will be the United States in the 19th and 20th centuries.Historical texts will be complemented with theoretical readings that explore the relation between pleasure and politics. We will be especially interested in style, costume, humor, bacchanalia, outrageousness, spectacle, camp, play and the carnivalesque.Students should emerge from the program with a sophisticated understanding not only of sexual and gender identity and community, but also of how sexual and gender politics have been advanced through visibility, spectacle and play. | history, gender and sexuality studies, careers in any field of education, human services, entertainment, etc. in which it would be wise to understand human diversity. | Greg Mullins Cael Keegan | Junior JR Senior SR | Spring | Spring | ||||
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Frances V. Rains
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Program | FR–SRFreshmen - Senior | 16 | 16 | Day | S 13Spring | The 20th century has not been the exclusive domain of Euro-American men and women in the U.S. yet it often requires to realize that women of color have also existed at the same time. Repeatedly, women of color [e.g., African American, Native American, Asian American, Latina/Chicana] have been stereotyped and have endured multiple oppressions, leaving them seemingly voiceless and invisible. Such circumstances have hidden from view how these same women were active agents in the context of their times, who worked to protect their cultures, languages and families. These women of color often resisted the passive victimization associated with them. Gaining an introduction to such women of color can broaden and enrich our understanding of what it has meant to be a woman and a citizen in 20th century North America. Drawing upon autobiographies, poetry, short stories, essays and films, we will explore the ways in which women of color defied the stereotypes and contributed to the economic, social, political and cultural life of the contemporary United States. We will critique how feminist theory has both served and ignored these women. We will analyze how 20th century U.S. women of color survived, struggled, challenged barriers, and forged their own paths to make life a little easier and better for the next generation of women and men. Students will develop skills as writers and researchers by studying scholarly and imaginative works and conducting research. Through extensive reading and writing, dialogue, films and guest speakers, we will investigate important aspects of the life and times of women of color in the 20th century. | Frances V. Rains | Mon Wed Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
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Sally Cloninger
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Program | SO–SRSophomore - Senior | 16 | 16 | Day | S 13Spring | This program is designed primarily for students interested in exploring visual literacy, television production, performance and media criticism. Students will be introduced to both media deconstruction and media production skills through a series of lecture/screenings, workshops and design problems that focus primarily on collaborative multi-camera studio production. No prior media production experience is required.We will take a critical, performative and historical approach as we examine and even emulate the production style and lessons from the early history of 20th century live television. Students will be expected to perform in front of as well as behind the camera and will explore the logistics and aesthetics of multi-camera direction and design. We will investigate the aesthetics and implications of live performance and multi-camera production for new media as well.This program will also examine the politics of representation, i.e., who gets the camera, who appears on the screen, and who has the power. Therefore, students who choose to enroll should be vitally and sincerely interested in the issues and ideas concerning the representation of gender, race, ethnicity, class and sexual orientation in the media. Activities will include training in the CCAM, a multi-camera TV studio facility, instruction in basic performance and writing for television, and a survey of visual design principles. In addition to a series of studio exercises, students will complete a collaborative final project that combines media analysis, research, performance and production about broadcast content and ideology. | Sally Cloninger | Wed Thu Fri | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
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Laura Citrin
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SOS | SO–SRSophomore - Senior | 16 | 16 | Day | S 13Spring | This SOS program is designed to provide an opportunity for intermediate and advanced students working within the social sciences to conduct independent projects within psychology or related social science disciplines, within a supportive intellectual environment of other researchers. It is an ideal capstone program for students completing their studies. Research projects may be inductive or deductive in their approach, and may utilize qualitative or quantitative methodology. Research may be aimed at testing a well-established theory, replicating a study, crafting an elegant psychological experiment, designing and executing a written survey, conducting interviews, or engaging in observational, ethnographic research. Faculty will also support substantial work with secondary research (library research) exclusively, resulting in a thorough literature review (a review of all of the work conducted on your topic of interest within the field). Students will form learning communities based on shared research interests (or methodological interests or theoretical interests). Faculty will provide structured support to these learning communities across all aspects of the research process.Students entering this SOS program should do so with a particular project in mind, although faculty will work one-on-one with students to help shape the nature of their project in both practical and theoretically meaningful ways. | Laura Citrin | Mon Tue Thu | Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
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Naima Lowe, Anne de Marcken (Forbes), Marilyn Freeman and Joli Sandoz
Signature Required:
Winter Spring
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Program | SO–SRSophomore - Senior | V | V | Day, Evening and Weekend | W 13Winter | S 13Spring | This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. uses creative writing and digital media production as methods of inquiry. Her process-based work results in short stories, personal essays, longer hybrid narratives, time-based forms of these things (films and videos), and sometimes web environments. Her current areas of inquiry include climate change and the interactions of place and identity, in particular as related to the idea of home. Students working with Anne will have opportunities to work on one or more literary projects in the early development phase. Activities will include concept development, research, preliminary structuring, proposal writing, grant writing, and critique of early draft creative writing. Students may also work with Anne to continue development of an internet-based project related to climate change. (writing and media arts) is an interdisciplinary artist working primarily with time-based art for the page, the screen, and installation. Presently, Marilyn is particularly focused on the video essay as an ascendant form for creative and critical experiments with text, sound, and image. Her immediate projects include two video essay productions and a book— (University of Chicago Press, 2014). These projects provide opportunities for advanced students to assist with research and to enhance media arts skills through working directly with Marilyn in preproduction, production, and post-production of the video essays. (creative nonfiction) draws from experience and field, archival and library research to write creative essays about experiences and constructions of place, and about cultural practices of embodiment. She also experiments with juxtapositions of diagrams, images and words, including hand-drawn mapping. Students working with Joli will be able to learn their choice of: critical reading approaches to published works (reading as a writer), online and print research and associated information assessment skills, identifying publishing markets for specific pieces of writing, or discussing and responding to creative nonfiction in draft form (workshopping). Joli’s projects underway include a series of essays on place and aging; an essay on physical achievement and ambition; and a visual/word piece exploring the relationship of the local to the global. (experimental media and performance art) creates films, videos, performances and written works that explore issues of race, gender, and embodiment. The majority of her work includes an archival research element that explores historical social relationships and mythic identities. She is currently working on a series of short films and performances that explore racial identity in rural settings. Students working with Naima would have opportunities to learn media production and post-production skills (including storyboarding, scripting, 16mm and HD video shooting, location scouting, audio recording, audio/video editing, etc) through working with a small crew comprised of students and professional artists. Students would also have opportunities to do archival and historical research on African-Americans living in rural settings, and on literature, film and visual art that deals with similar themes. Please go to the catalog view for specific information about each option. | Naima Lowe Anne de Marcken (Forbes) Marilyn Freeman Joli Sandoz | Sophomore SO Junior JR Senior SR | Winter | Winter Spring | ||||
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Naima Lowe
Signature Required:
Winter Spring
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Research | SO–SRSophomore - Senior | V | V | Day, Evening and Weekend | W 13Winter | S 13Spring | This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. (experimental media and performance art) creates films, videos, performances and written works that explore issues of race, gender, and embodiment. The majority of her work includes an archival research element that explores historical social relationships and mythic identities. She is currently working on a series of short films and performances that explore racial identity in rural settings. Students working with Naima would have opportunities to learn media production and post-production skills (including storyboarding, scripting, 16mm and HD video shooting, location scouting, audio recording, audio/video editing, etc) through working with a small crew comprised of students and professional artists. Students would also have opportunities to do archival and historical research on African-Americans living in rural settings, and on literature, film and visual art that deals with similar themes. | Naima Lowe | Sophomore SO Junior JR Senior SR | Winter | Winter Spring | ||||
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Naima Lowe
Signature Required:
Winter
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Program | JR–SRJunior - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | S 13Spring | This is an opportunity for advanced students with a background in a variety of art forms to build on their skills in the history, theory and creation of visual, performance and media art with the support of a learning community. Our focus will be on the exploration of Video Art and Performance Art as forms that have histories and practices that simultaneously draw upon traditions of experimental film and avant-garde theater while staking unique allegiances to the worlds of sculpture, photography, painting, spoken word and experimental music. We will explore these practices as creative practitioners, curators, and theoreticians of Video and Performance Art. In we will study the intertwined histories of Video (including Video Installation Art) and Performance Art from the 1960s to the present. We will centrally ask: How do Performance and Video Artists uniquely explore issues of race, gender, interactivity, place and the body? We will read, screen and discuss the work of artists and art historians who will help us put Video and Performance Art into historical and theoretical context. These explorations will be accentuated by creative exercises in performance and video, as well as short papers and collaborative research assignments. We will end Fall Quarter with a retreat during which students and faculty will work together to determine further areas of skill building and research to explore during Winter and Spring Quarters. will be made up of technique workshops, guest artists and longer form projects in which students will explore their own creative practices in depth. Lectures, seminar readings and a 10-15 page research paper will deepen our engagement of the material. The content of the technique workshops will be developed during the fall retreat, and include Vocal Performance, Interactive Computing (Arduino/MaxMSP), Lighting for Film/Video, Costuming, Video Installation, etc. By the end of Winter Quarter each student will complete a proposal for a Spring Quarter project that will be exhibited for the Evergreen community. Students will also collectively curate and organize a screening and performance series that will take place during the Spring Quarter. Winter Quarter will also include a While in New York, we will also visit other museums, galleries and performance spaces such as The Studio Museum in Harlem, The Kitchen, The Coney Island Museum, and PS 122. We will visit several locations as a group, as well as having opportunities for exploring the city independently. will be primarily dedicated to independent work and work-in-progress critiques of the final project, as well as the organization of the screening and performance series. For more information: | Naima Lowe | Junior JR Senior SR | Fall | Fall Winter |
