2012-13 Undergraduate Index A-Z

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Title	Offering	Standing	Credits	Credits	When	F	W	S	Su	Description	Preparatory	Faculty	Days	Multiple Standings	Start Quarters	Open Quarters
Adolescent Literature Terry Ford education literature	Course	FR–SRFreshmen - Senior	4	04	Day				Su 13Summer Full	Adolescent literature differs from children's literature to meet the developmental needs of middle and high school ages. Participants will learn about adolescent literature in an historical perspective, young adult development in reading, and genres with representative authors and selection criteria. Participants will read and critique a variety of genres, developing a knowledge base of a variety of current authors, themes, and classroom uses. Course credits contribute to minimum coursework expectations for teaching endorsements in middle level humanities and secondary English/Language Arts.		Terry Ford	Mon	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Advanced Writer's Workshop Nancy Parkes literature writing	Program	SO–SRSophomore - Senior	12	12	Evening and Weekend			S 13Spring		This 12-credit workshop is designed for 15 students who already have a foundation in writing fiction and/or creative non-fiction. Through our writing, reading, and review of film as a medium, we will examine and practice the craft of creating rich characters, vibrant scenes, and crisp dialogue. During spring quarter, students will produce one memoir-based piece, a short story or novel chapter, and a "student choice" writing block. We will concentrate on the craft of revision with each section of writing. This is an evening/weekend based program that will meet every Wednesday evening and five full Saturdays, with shorter Monday evening meetings for critique groups and workshops where students share drafts and assist one another with writing. Students should also expect to spend additional time critiquing peer work outside the classroom.		Nancy Parkes	Mon Wed Sat	Sophomore SO Junior JR Senior SR	Spring	Spring
African American Literature Artee Young African American studies cultural studies literature	Course	SO–SRSophomore - Senior	16	16	Day		W 13Winter			The goal of the program is to introduce students to a significant canon of American Literature that expands students' understanding of the literary contributions of Americans of African descent. Students will also gain knowledge of various genres contextualized in an historical continuum. The program is grounded in an inquiry based approach and places the development of the literary canon in its evolving historical context. In the face of laws prohibiting African Americans from reading or writing, what was the motivation of early writers of African descent to create stories based on their experiences in the Americas as well as their imaginations? What impact did evolving historical, social and economic circumstances have on the development of African American Literature? What is the current place and direction of the African American literary canon? This program surveys the literary, historical, cultural, aesthetic, religious, social, philosophical and economic dimensions of literature by Americans of African descent. Through a thematic and chronological study of genres, canonical and lesser-known authors, this program explores the dimensions of the Vernacular Tradition and Slave Narratives from the 1760’s to the literary authors of the present. From Sejour to Phillis Wheatley to Toni Morrison to Grandmaster Flash, a bounty of writers, poets, preachers, essayists, and rappers will be included in our journey through a veritable gold mine of African American Literature.In our review of the Vernacular Tradition, themes of freedom, transformation and transcendence will be central to our readings and discussions. As our focus turns to the Reconstruction Period, we will focus on themes presented and influenced by lynching, segregation, migration, and the women’s suffrage movement. Themes in the Harlem Renaissance Period reflect the thoughts of the “New Negro” as well as those writers of African descent who were associated with the Negritude Movement, writers of African descent from around the world. Between the years 1940 and 1960, writers expanded conventional literary boundaries and are best described as moving into a period of Realism, Naturalism and Modernism. This period intersects with the Great Migration when approximately five and half million African Americans migrated from the south to the north, and it is during this time that themes of migration, desegregation and social change abound in the literature. The Period from 1960-1970 has been referred to as The Black Arts Movement, and the literature produced reflects the social movements occurring in this country as well as abroad. The Viet Nam War and various other social upheavals including the civil rights movement, Malcolm X and the Nation of Islam, Black Power and the New Left dominated thematic content in all genres that will be studied in this program. Literature since 1970 has taken a reflective view of past contributions of African American writers and has expanded on the concept of blackness, moving away from a single blackness to ask the question, as McKay and Gates articulate: “What in fact does blackness mean?”In addition to the text, students will also read and include in their discussions material gathered from various online sources as well as handouts that will be distributed in class.The program will include a variety of learning modes: lectures, discussion groups, films and videos, research teams, and production teams. Students will select a theme or author and produce an annotated bibliography to include an introduction of approximately 3 to 5 pages. Moreover, students will be placed in groups to develop and present a reader’s theatre production of an author’s works or a reader’s theatre presentation to include the literature of several authors. This can be a live presentation or a video, or a series of visual arts representations of the student’s work. Book:		Artee Young	Mon Wed Wed	Sophomore SO Junior JR Senior SR	Winter	Winter
Afrofuturism Andrew Buchman, Chico Herbison and Joye Hardiman African American studies cultural studies literature music writing	Program	SO–SRSophomore - Senior	16	16	Day			S 13Spring		Afrofuturism is an emergent literary and cultural aesthetic embraced by artists who have imagined alternative futures, while often grappling with aspects of race, gender and ethnicity. Rone Shavers and Charles Joseph offered a critical working definition of the genre, first named by Mark Dery around 1995, as follows: "Afro-Futurism...combines elements of science fiction, historical fiction, fantasy and magic realism with non-Occidental (non-Western) cosmologies in order to critique not only the present-day dilemmas of people of color, but also to revise, interrogate, and re-examine the historical events of the past." Artists often listed in an emerging Afrofuturist pantheon include authors Samuel R. Delany and Octavia Butler; visual artists Jean-Michel Basquiat and Renée Cox; and musicians Parliament-Funkadelic (including George Clinton and Bootsy Collins), Sun Ra, DJ Spooky (Paul D. Miller), and Janelle Monáe.After laying the groundwork for explorations of the work of these and other artists, we will ask students to help us address these and other avenues for explorations of Afrofuturism, including race and digital culture; the role of technology in cultural formations; notions of Utopia, Dystopia, and the "post-historical" in Afrofuturistic literature; non-Occidental (non-Western) cosmologies and their uses in Afrofuturistic texts; trauma theory and its role in Afrofuturistic literary and cultural production; Afrofuturism's relationship to digital and/or urban music (i.e., drum and bass, garage, hip-hop, house, jungle, neo-soul, funk, dub, techno, trip hop, etc.); Black identity in Western literature, in light of Afrofuturism's general interrogation of identity and identity politics; Afrofuturism and its relation to previous race-based art movements and aesthetics (e.g., the Harlem Renaissance, Black Arts Movement, the New Black Aesthetic, etc.); Black Music as a source of Afrofuturistic discourse and/or liberation; the black superhero as Afrofuturistic rebel, and the black comic book as a "paraliterary" source of contemporary folklore; Afrofuturism from the perspective of film studies and/or video culture; and/or the social and cultural implications of a theory of Afrofuturism.Because the artworks we will be dealing with will be both exciting, provocative and fine, we think that students will find this hard intellectual work deeply rewarding, sometimes in unexpected ways. We expect to learn from students, and to share an intellectual adventure in an emerging, engrossing artistic terrain. While research writing and criticism will be emphasized, students will also be encouraged to pursue optional creative writing and music projects, for possible presentation to the entire program.	the humanities or the arts, especially creative writing and music.	Andrew Buchman Chico Herbison Joye Hardiman		Sophomore SO Junior JR Senior SR	Spring	Spring
Amazing Grace: U.S. Religious Thought and Practices, 1780-1850 and 2013 Marla Elliott and Joli Sandoz community studies history literature music religious studies	Program	FR–SRFreshmen - Senior	12	12	Evening and Weekend			S 13Spring		Music, history, and thinking about God and the human condition will center this 12-credit, one-quarter program exploring interweavings of experience and thought. Our focus will be the Second Great Awakening in the U.S. (1780-1850), a religious revival movement that helped energize the shift as the U.S. turned from political, economic, and intellectual dependence on Europe to becoming a country in its own right. We’ll also consider how religious trends begun before 1850 continue to shape our lives in the 21st century.Program lenses will include the founding of shape note singing (a uniquely American form of Christian sacred music), spiritual experiences as reported in art and autobiographical writings, camp meetings, and Christian theology presented through sermons and church rituals. Possible additional topics include relevant fiction from the time, and the founding and continuation of one or more of the churches begun or settled in the U.S. after 1770 (African Methodist Episcopal Church, Shakers, Seventh Day Adventist Church, the Church of Jesus Christ of Latter-day Saints, and others).Participants will attend a shape note All-Day Singing as well as a workshop and concert of traditional music from the republic of Georgia and will work together to organize and host the Fourth Annual Olympia All-Day Singing. Three additional visits to places of worship will be required. Reading, writing, singing and collaborative work will be important sites of instruction and attention as we draw from history, music, psychology, literature, and theology to inform our explorations. Credit may be awarded in music, history, literature, and religious studies.		Marla Elliott Joli Sandoz	Mon Wed Fri	Freshmen FR Sophomore SO Junior JR Senior SR	Spring	Spring
America Abroad Stacey Davis, Samuel Schrager and Eric Stein American studies anthropology community studies cultural studies history international studies literature study abroad writing	Program	SO–SRSophomore - Senior	16	16	Day	F 12 Fall	W 13Winter	S 13Spring		. -Ralph Ellison To educated Europeans around 1800 the new republic called The United States of America was founded on an incredible idea drawn from 18th century Enlightenment discourse: that human beings could govern themselves. The fraught implications of this democratic ideal have played out ever since. They loom large in the promise of a new start that drew 35,000,000 immigrants between the 1840s and the close of unrestricted immigration in the 1920s, and millions more who have continued to come; in the institutions that supported 19th century slavery, 20th century Jim Crow segregation, and subsequent Civil Rights movements; in the aspirations, past and present, of women and other lower-status groups. The meanings of American democracy, contested at home, have also been much scrutinized abroad. While American power has often been feared or resisted, other peoples often invoke or adapt democratic ideals to serve their own needs.This program will explore these complex relationships between the world-in-America and America-in-the-world. How, we will ask, are our identities as Americans shaped by ethnic, religious, gendered, class and place-based experiences--for example, by the cultural hybridizations and the real (and imagined) ties to home cultures endemic in American society? How do diverse Americans wrestle with democratic values in their ordinary lives? We will also consider some of the contemporary manifestations of American presence and power in various locations abroad. Using an anthropological lens, we will reflect on people's often ambivalent readings of tourists and soldiers, American aid organizations and NGOs, Hollywood mediascapes, and American commodities. How, we will ask, ought we to understand American representations of foreign "others" in travel writing, cinema, or museum display, and how have Americans themselves been represented as "others" in relationship to the larger world?Our program will provide strong contexts for students to study and work closely with faculty in the fields of history, anthropology, folklore, literature and creative non-fiction. In the fall and the first half of winter we will focus on in-depth readings of texts and training in the crafts of ethnography, writing and academic research in preparation for major independent research and senior theses. Students will undertake these projects on a topic of their choice, from mid-winter to mid-spring, either in the U.S. or abroad, in ongoing dialogue with peers and faculty. In the last half of spring the program will reconvene to review students' written work in light of the leading issues of our inquiry. There will be three main kinds of research projects. can be conducted locally, or elsewhere, on topics involving cultures, identities, community or place; they will have an emphasis on creative non-fiction writing, and optional opportunity for internships. can explore a historical, art historical, literary, or sociological topic, using primary or secondary resources. will combine service learning with research on an aspect of American culture or on values and practices in another society. Service opportunities include include health, education, youth, agriculture, community development, women's empowerment and human rights. Thailand will be a featured destination, with faculty providing language training and in-country instruction and support. While students can choose any location with faculty approval, there will be additional opportunities for students in Guatemala and Western Europe.		Stacey Davis Samuel Schrager Eric Stein		Sophomore SO Junior JR Senior SR	Fall	Fall Winter
Ancient Words and Works: On Being Human Ulrike Krotscheck and Nancy Bishop art history classics history literature	Program	FR–SRFreshmen - Senior	16	16	Day	F 12 Fall	W 13Winter			The origins of humanism and the humanities are deeply rooted in the history and culture of the ancient Mediterranean. Contemporary society, for better and for worse, draws significantly from many aspects of this common history. This program introduces students to the foundations of humanistic investigation through the study of ancient Greece, Rome, and Etruria. Our main goal will be to study art, architecture, literature, and other known aspects of the ancient world with the goal of understanding what it meant to be human in that place and time. Although the peoples of the ancient world lived in dramatically different circumstances than we do, the social, political, and philosophical questions they faced—as well as the answers they developed—resonate with the challenges of contemporary life. Our work will help us to understand and appreciate why this is so.We will study the texts and monuments of Greco-Roman antiquity, seeking to understand the works of its foremost thinkers and artists, from the Bronze Age to the height of the Roman Empire. Our inquiry will help us establish a strong foundation in the literary and artistic artifacts that have long shaped our own cultural legacy, and broaden our historical perspective on this vibrant, ever-changing, often violent part of the world. Through the disciplines of archaeology, art history, literary analysis, and history, we will survey ancient Greece and Italy in a comprehensive manner. We will encounter the accomplishments of Homer, Sophocles, Thucydides, Virgil, Tacitus, Praxiteles, the architects of the Parthenon and the Pantheon, and others, not merely as relics to be appreciated but as vital, continually compelling invitations to think and feel our way into new points of view on both the modern and the ancient world. We will also investigate the less visible aspects of ancient life: religion, myth, death ritual, recreation, and the role of women and slaves. Our aim is to gain a more comprehensive picture of this part of our history.Students will interpret textual and visual material in discussion and writing. As interpretive composition is crucial to our approach, we will provide many opportunities for writing and revising, with frequent faculty and peer review. Writing and writing workshops will be an integral part of the learning experience and students should expect to spend a large amount of time improving their writing.This program is intended for the lower-division/new student who is looking not only for a solid foundation in art history, classical literature, and the history of the ancient Mediterranean, but also to those seeking an intensive reading- and writing based experience that will prepare them for upper-level work in the humanities and social sciences.		Ulrike Krotscheck Nancy Bishop		Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall Winter
The Art and Practice of Poetry Rebecca Chamberlain literature writing	Course	FR–SRFreshmen - Senior	4	04	Evening		W 13Winter			How are poems brought to life? How are they crafted? How do poets invoke the senses, emotions, and imagination? How do poems transform individuals, as well as culture and society? This course will explore both traditional and modern poets and poetic forms. We will tap into word play—images, sounds, patterns, and rhythms—as we write and study poems. Our explorations will include narrative, lyric, and contemporary poetic forms; and we will draw on examples from a variety of cultures, historical time-periods, and traditions.Activities will be designed for both beginning and advanced students, and will encourage both collaborative and self-motivated learning. We will develop a basic understanding of both theory and practice as we survey the historic, cultural, and artistic context of the poetic tradition. Participants will be involved in a number of workshops and improvisational activities to develop and revise poems and writings, will meet local poets, and will cultivate an understanding of different poets, genres, and traditions.		Rebecca Chamberlain		Freshmen FR Sophomore SO Junior JR Senior SR	Winter	Winter
Art/Work/Site Julia Zay, Miranda Mellis and Shaw Osha (Flores) art history literature visual arts writing	Program	FR–SRFreshmen - Senior	16	16	Day			S 13Spring		The private, individual artist’s studio emerges out of an historically constructed ideal of art as an expression of the artist’s inner life. In the last fifty years, with the advent of institutional critique; relational aesthetics; dematerialization; installation art; earthworks; conceptualism; and performance art, there has been an increasing turn outward, away from the interiority of the artist and the studio and towards outdoor, social, public, and collaborative aesthetic engagements. This program will investigate the artist’s specific sites, including work spaces and exhibition spaces, and interrogate art’s relationship to site. By what powers and strategies do site specific artworks illuminate, localize, and focalize the politics of time and the poetics of space? The boundaries of studio walls shift and dissolve as artists move their practice into everyday life, turning commons into public studios, making visible the artist's process, and turning ordinary places into conspicuous locations that confront us with the tensions and mutabilities of public properties and local materialities, histories, temporalities, edifices, and processes.In our research-based art practice, we will work inside and outside traditional exhibition sites, as we repurpose place and engage in study, critique, historical research, commemoration, and ritualization. We’ll explore how location shapes our projects and experiment with breaking conventions; for instance, if convention demands that form follow content, what are the results of letting content follow form? If the material attributes of our projects normally dictate the kinds of spaces we work in, what kinds of works might result if we let the spaces we find and activate with our attention determine our materials and inform our forms? We will engage the above and other questions through readings in art history and theory to analyze a variety of artworks, both individual and collaborative, in terms of their relation to site. The program is structured to include critical and creative writing; critique; seminar; and lecture. Students should be prepared to read, write and make art in equal proportions. There will be a field trip May 17-19 to Portland to attend , an international conference on art and social practice whose theme this year is on publics, contexts, and institutions in relation to contemporary socially engaged art, education, and institutional practice.		Julia Zay Miranda Mellis Shaw Osha (Flores)		Freshmen FR Sophomore SO Junior JR Senior SR	Spring	Spring
As Poetry Recycles Neurons: Flocks of Words, Tracks of Letters Sarah Williams and Donald Foran consciousness studies cultural studies environmental studies gender and women's studies literature somatic studies writing	Program	FR–SRFreshmen - Senior	16	16	Day	F 12 Fall	W 13Winter	S 13Spring		"Poetry is good for neural development." You can buy a T-shirt that says so. This program will engage you experientially in understanding how and why the recycling of neurons informs poetry's transformative power. We'll explore how reading can be understood from an evolutionary perspective as an exaptation in which the ability to interpret animal tracks and bird flight was co-opted for the ciphering of lines and circles as letters and words. This exploration will include the scientific writing of Stanislas Dehaene as well as the poetry of Susan Howe, who in "Pythagorian Silence" writes: "age of earth and us all chattering/a sentence or character/ suddenly/steps out to seek for truth fails/falls into a stream of ink Sequence/trails off/ ... flocks of words flying together tense/as an order/cast off to crows." We'll recite, analyze, discuss, perform, and write poems about the mind's reflexivity.Our goal is a mindful recycling of neurons, one in which the neuroscience of poetry reveals a continuity with the neurology of our ancestors. Thus, we'll reflect on our experiences of flocks of words and tracks of letters as binding mechanisms for neural integration and ecological adaptation. Indeed, Frederick Turner refers to poetry as a "neural lyre." Urban spoken-word poets and indigenous healers produce what Eliot describes as "music heard so deeply it is not heard at all/ And you are the music while the music lasts." We're equally interested in how poetry can have the opposite effect on consciousness. We'll engage in contemplative practices to learn more about experiences of neural disintegration, such as the thumps and jolts of modern life. As Seamus Heaney put it, poetry is "a thump to the TV set to restore the picture" and "a jolt to the fibrillating heart." Throughout the year we'll be exploring the emergence of a new meta-field of scholarship in which poetry and neuroscience interact, remaking and renewing the meaning and impact of the poetic as words become flesh ... and vice-versa. Emily Dickinson's poetic rendering of this polarity provides one model of the neuro-phenomenological: "I felt a cleaving in my mind/As if my brain had split/I tried to match it, seam by seam/But could not make it fit. The thought behind, I strove to join/Unto the thought before/But Sequence ravelled out of sound/Like balls upon a floor." We'll experiment with this process of "sequence ravelling out of sound" as a transformation of a new archaic.Fall quarter's immersion in the scholarship of this meta-field will include group research projects: ethnographic studies of poetic jolts. When, where and from whom or from what do we hear poetry? Can we sense it in our own reading and writing? Our fall quarter nature retreat to the Hoh Rain Forest and the beaches of the Olympic Peninsula will introduce practices we'll use throughout the year for experiencing the reciprocity between specific forms of poetry and states of consciousness. During winter quarter we’ll experience and articulate specific forms of consciousness and language in relation to a particular passion. One of us might want to explore Gerard Manley Hopkins’ love of bluebells and windhovers in relationship to his poetry, or create a poetic world around a passion for sport or to experience how fantasy sports are a poetic world. One of us might immerse herself in the biodynamic rhythms of chocolate sustainably farmed, or listen for the resonance between silence and sound in YoYo Ma’s performance of Bach’s Cello Suite #1 in G. The methodology of our field study will aspire to that of 18 C poet and civil engineer, Novalis for whom "knowledge and creation were united in a wondrous mutual tie.” Writing in response to our field studies will take the form of reciprocal creations such as in Melissa Kwasny’s . Spring quarter work will combine theory and practice. Students will engage in peer group community-based service projects that use poetry to "jolt fibrillating hearts.” Writing projects will accompany this work in order to illuminate the relationship between the growth of dendrites and the flourishing of both neurons and community. There will be a weekly film and poetry series that inspires "poetic jolts" and demonstrates their meaning for communal life. Throughout the year students will keep a creative journal, a field notebook, participate in poetry writing and recitation, and compile an anthology of program work.		Sarah Williams Donald Foran	Mon Tue Tue Tue Wed Wed Thu Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall Winter
Astronomy and Cosmology: Stars and Stories Rebecca Chamberlain astronomy education field studies literature philosophy philosophy of science	Program	FR–SRFreshmen - Senior	8	08	Day and Evening				Su 13Summer Session II	The program combines interdisciplinary study of science and humanities with fieldwork. We will explore a variety of cosmological concepts from mythology, literature, philosophy, and history, to an introduction to astronomy, archeo-astronomy, and theories about the origins of the universe. We will employ scientific methods of observation, investigation, hands-on activities, and strategies that foster inquiry based learning and engage the imagination. This class is focused on field work, and activities are designed for amateur astronomers and those interested in inquiry-based science education, as well as those interested in exploring literary, philosophical, cultural, and historical cosmological traditions.Students will participate in a variety of activities from telling star-stories under the night sky to working in a computer lab to create educational planetarium programs. Through readings, lectures, films, workshops, and discussions, participants will deepen their understanding of the principles of astronomy and refine their understanding of the role that cosmology plays in our lives through the stories we tell, the observations we make, and the questions we ask. Students will develop skills an appreciation for the ways we uncover our place in the universe through scientific theories and cultural stories, imagination and intellect, qualitative and quantitative processes, and "hands on" observation.We will visit Pine Mountain Observatory, and participate in field studies at the Oregon Star Party, which include workshops with mentors, scientists, storytellers, and astronomers. We will develop a variety of techniques to enhance our observation skills including use of star-maps and navigation guides to identify objects in the night sky, how to operate 8” and 10” Dobsonian telescopes to find deep space objects, and how to use binoculars and other tools. We will be camping and doing field work in the high desert for a week.		Rebecca Chamberlain	Wed	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Beat Poets on Serendipity Farm Kate Crowe literature writing	Course	FR–SRFreshmen - Senior	6	06	Day, Evening and Weekend				Su 13Summer Session II	We will camp on Serendipity Farm which is nestled at the foot of Mt. Walker and read our poetry around a campfire. This poetry class is open to beginning, intermediate, and seasoned poets. Students will research and present on a Beat writer of their choice as well as write poetry inspired by various voices of the Beats. They will work collaboratively and independently to present their respective Beat writer in an engaging manner to the group. Students can expect to accelerate their poetry writing as well as gain a greater understanding of why the Beat poets influenced history and literary culture.		Kate Crowe		Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Body, Voice, Objects and Imagination Walter Grodzik, Ariel Goldberger and Robert Esposito communications dance literature somatic studies theater	Program	FR–SRFreshmen - Senior	16	16	Day			S 13Spring		In this program students will study the voice, the body, and objects as sources of expression through the use of vocal and movement exercises, the recitation of poetry and other forms of literature, and performance. The class will explore creativity and imagination as expressed by the human voice, the body, and animated objects. How does the human voice respond to the emotional self, the physiology of the body, and the imagination? What are the contributing factors in how we use our voices, bodies, and objects to express ourselves in our daily lives and during performance? How can voices, bodies, and animated objects become more expressive and responsive to our inner selves? How do they contribute to the creation of artistic images and performances?This program will consist of multiple voice, object, and movement workshops. We will begin with exercises that increase focus, and enhance vocal color and strength. Movement workshops will focus on developing physical awareness and creativity. Animated Object labs will introduce students to experiments with body, voice, and objects in performance. We will learn the fundamentals of expressing sensory, emotional, cognitive, and behavioral experience by attending to space, time, body, breath, voice, artistic discipline and effort. In all these workshops, students will present group and individually created original compositions based on poetic and non-traditional texts. Integration and critique seminars will offer opportunities for exchange of ideas.Regular attendance, timeliness, and enthusiastic participation in workshops will be fundamental and extremely important in this program. This program is suitable for students at all levels with a sincere interest in developing greater vocal range, physical variety and strength, as well as a more flexible, and emotionally rich, range of expression. These interdisciplinary public presentation skills are useful in fields such as law, management, performing arts, and teaching.		Walter Grodzik Ariel Goldberger Robert Esposito		Freshmen FR Sophomore SO Junior JR Senior SR	Spring	Spring
British Literature, 1000 - Present Trevor Speller cultural studies literature writing	Program	FR–SRFreshmen - Senior	8	08	Day				Su 13Summer Session II	This program will offer a broad survey of British literature from the years 1000 to the present. We will read poetry, novels, nonfiction, and drama from all major time periods. Major authors may include Geoffrey Chaucer, William Shakespeare, Aphra Behn, Jane Austen, Oscar Wilde, T.S. Eliot, and Kazuo Ishiguro. As we read, we will pay attention to how these books and authors make sense of changing linguistic, religious, and political issues.Students will be expected to write papers, complete quizzes and assignments, and engage in collaborative work. We will also see plays and films.In the past, this course has been useful for students who need specific requirements to enter teaching programs. Students with these concerns are encouraged to contact the instructor.		Trevor Speller	Tue Wed Thu Fri	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Chinese Stories: Modern Fiction and Film Rose Jang literature media studies	Program	SO–SRSophomore - Senior	16	16	Day			S 13Spring		This program will take a journey through modern Chinese history by way of reading and viewing Chinese stories in fiction and film. The fiction of modern China found its first and most resounding voice in Lu Xun's short story, "The Diary of a Madman," in 1918, five years after the first independent screenplay was filmed in Shanghai, China. Since then, Chinese stories in the hands of many ingenious artists have enlivened life and documented modernization. Writers such as Ding Ling, Lao She, Mo Yan, Han Shaogong and Wang Anyi traced the joy, pain, suffering, dignity as well as everyday experiences of modern Chinese people, whose lives spanned some of the most turbulent and atrocious chapters of human history. Film directors Yuan Muzhi, Fei Mu, Zhang Yimou, Tian Zhuangzhuang, Jia Zhangke and Li Yu, leading the way for continuously emerging new-wave film makers, retold Chinese stories through the unique lenses and distinct aesthetics of each film generation.We will alternate between selective works of fiction and film, analyzing each work and genre independently as well as comparing them in aesthetic and thematic terms. Faculty will provide related historical and cultural information through lecture and additional readings. Students are required to analyze literary forms and film aesthetics and to explore their contents through reading, writing and seminar discussions. In addition to weekly papers in response to individual works, they will compose a final essay relating the artistic works of modern China to their historical and cultural contexts.		Rose Jang		Sophomore SO Junior JR Senior SR	Spring	Spring
The Classical World Stephen Beck and Thomas Rainey classics history literature philosophy	Program	SO–SRSophomore - Senior	8	08	Evening and Weekend			S 13Spring		This inter-disciplinary, coordinated studies program will explore, in considerable detail, the classical world of ancient Greece and Rome. It will focus on the history, literature, philosophy, and culture of these two vitally connected and overlapping classical civilizations. We will also consider how ancient Greece and Rome created the foundations of Western civilization. Our readings will be drawn from such writers as Homer, Sophocles, Euripides, Plato, Aristotle, Virgil, Suetonious, Plutarch, Seneca, and Aurelius.		Stephen Beck Thomas Rainey	Mon Wed	Sophomore SO Junior JR Senior SR	Spring	Spring
CounterACTION: Exploring Racial and Cultural Inequalities in Education Grace Huerta cultural studies education literature	Program	FR ONLYFreshmen Only	16	16	Day			S 13Spring		As K-12 classrooms continue to reflect the country's increasingly diverse population, what daily actions can we do to collectively challenge racism in our communities, schools and colleges? Can we generate an antiracist theoretical framework that rejects inaccurate notions of human difference, values diverse forms of knowledge, and questions institutional inequalities? In this program, we will pursue answers to these questions by examining, through an understanding of history, antiracist theory and educational research, how we can improve our efforts to support a more equitable school system.We will begin by analyzing a working definition of racism that frames intentional, as well as unintentional, normalized acts of inequality over time. We will challenge depictions in the literature and the media that promote the essentialization of diverse groups. Through an analysis of case study research, we will also explore the lived experiences of diverse learners whose identities are often impacted by assumptions and disparities found in communities and school settings. In order to deconstruct such assumptions, students will engage in reflective writing, research and media analysis over the course of the program.In addition, we will investigate specific everyday actions local activists and educators generate to confront inequalities. By using qualitative research methods, such as field experience, participant observation, interviews and document analysis, we will collect and report our findings that document how specific antiracist strategies can be created to both affirm and help students achieve academically within their respective institutional structures.Lastly, we will demonstrate our understanding of everyday antiracist practices by conducting multimedia presentations that merge theory, field work and practice. Possible themes that may emerge through our own antiracist study may include examining students' funds of knowledge and designing teaching and learning strategies to support intra-group interactions.	multicultural education, cultural studies, language and literature.	Grace Huerta	Mon Tue Thu	Freshmen FR	Spring	Spring
Dramatic Fiction: Settings, Scenes and Subtext Eddy Brown cultural studies literature writing	Program	FR–SRFreshmen - Senior	16	16	Day		W 13Winter			In what situations, milieux, and other kinds of settings do characters find or put themselves? How and why did they get there? How do they then behave? What habits, values, self-identity paradigms, world views, conscious and unconscious needs, goals and fears drive them and affect or determine their actions and decisions? The answers to these key questions help authors to create compelling, rounded characters in realistic settings, dramatized through vivid, engaging scenes with meaningful subtexts, in stories that are surprising yet convincing. With that in mind, this class will explore these and other narrative design elements in service of students constructing their own short fiction prose narratives.Students will also be given the guidance and tools for analyzing existing literary texts. Along with reading, discussing and writing about selected published materials, students will consider and practice spontaneous and experimental modes of story development, as well as apply some established cinematic and classical dramatic paradigms for story structure and development.Typical program activities will include writing exercises, story drafting, self-editing, small- and large-group peer activities including writing critiques, and weekly seminars on assigned readings. The major project will be a short story that has undergone revision through several drafts.In general, students will explore and practice story crafting, writing as a process, fiction genres, and literary analysis, and are expected to be active, consistently engaged members of a learning community.Interested students should enter the program with sound, college-level writing skills, and ideally, having successfully completed a college-level creative writing class.		Eddy Brown		Freshmen FR Sophomore SO Junior JR Senior SR	Winter	Winter
Forbidden Knowledge Susan Preciso and Mark Harrison American studies classics cultural studies history literature moving image	Program	SO–SRSophomore - Senior	8	08	Evening and Weekend			S 13Spring		Across time and cultures, humankind has struggled with moral taboos that obstruct the pursuit of knowledge deemed inappropriate or dangerous. While institutions have often dictated what is acceptable for us to know, the arts, literature, and mythology have been the chief mechanisms through which we have been able to explain or justify this fundamental human conflict. For example, in the creation story of Genesis and Milton’s we encounter one of western culture’s most enduring mythic structures. Faust and Frankenstein speak to a more modern dilemma about acquisition and use of knowledge. In this program we will explore this complex subject through visual art, music, poetry, and literature. Roger Shattuck’s will provide one analysis of the stories, but we’ll read other critical approaches as well. Students will be expected to read critically and well, take excellent reading notes, and write occasional critical essays on assigned topics. They will participate in seminar, lecture, workshop, and a field trip. Credits may be awarded in world literature and cultural studies.		Susan Preciso Mark Harrison	Wed Sat	Sophomore SO Junior JR Senior SR	Spring	Spring
Freedom Dreams: The Cultural Revolutions of the 1960s Greg Mullins and Trevor Griffey African American studies American studies history literature	Program	FR–SRFreshmen - Senior	16	16	Day	F 12 Fall	W 13Winter			Where is home, and what would it be like to be free?According to cultural critic Robin DG Kelley, these burning questions about love and belonging, and not mere experiences of oppression, lay at the heart of the radical imagination. “Once we strip radical social movements down to their bare essence and understand the collective desires of people in motion,” he says, “freedom and love lay at the very heart of the matter.”Taking Kelley’s insight as our starting point, this program will use the study of history and literature to explore the intersections between three revolutionary social movements of the 1960s: the black freedom movement, the women’s liberation movement, and the sexual liberation movement.Our focus in fall will be themes of home and exile, freedom and slavery, and the role of love in imagining the kind of world we want to live in. We will revisit the history of the black freedom movement to imagine what civil rights movement history might look like if told as the struggle for a new world instead of the struggle for political rights. We will visit Washington DC on a field trip during the first week of November to study the politics of remembering the civil rights movement, including the iconic March on Washington for Jobs and Freedom where Dr. Martin Luther King, Jr. delivered his “I Have a Dream” speech in August, 1963.Our inquiry into the black freedom movement will serve as a model for how we then move on to explore the literature and histories of the women’s liberation and gay and lesbian sexual liberation movements during winter quarter. Instead of studying them as mere demands for political rights, we will study ways in which their demands for liberation opened up a space for revolutionary politics, and how activists’ radical imagination for what liberation would mean inspired the cultural revolutions of the 1960s.	history, literature, and fields related to social and cultural analysis such as education, human services, government, policy, etc.	Greg Mullins Trevor Griffey		Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall Winter
Gothic Constructions: Architecture and Literature Trevor Speller and Anthony Tindill aesthetics architecture cultural studies history literature writing	Program	SO–SRSophomore - Senior	16	16	Day	F 12 Fall	W 13Winter			In 1748, Horace Walpole purchased an estate in London. Over the next thirty years he converted that estate into a Gothic castle and planned "ruins." In 1765, Walpole wrote a novel widely regarded as the first true work of Gothic fiction. In an age of reason, Walpole's focus on the supernatural, feudal ruins and high passion pulled a medieval past into the order of the day, transforming it to meet the desires of a modern public both in print and in stone. From its beginnings, Gothic fiction shared a common link and a common bond with architecture. For generations before Walpole, the architecture of the Gothic period was the equivalent of history books and literature. Architectural historian Jonathan Glancey writes, "The Architecture of the great medieval Gothic cathedrals is one of the glories of European civilization. Here was an attempt to lift everyday life up to the heavens--to touch the face of God--using the highest stone vaults, the highest towers, the most glorious steeples permitted by contemporary technology...it led to some of the most inspiring and daring buildings of all time." Though not written in actual words, Gothic architecture is written in structural form and religious allegory.We will ask ourselves:We will investigate examples of Gothic literature and architecture in Europe and the Americas from the twelfth century to the present, as well as the history, theory and interrelationship of these artistic modes. Students will be asked to attend lectures and seminars, write papers, take examinations, and develop work in studio that may include drawing, model-building and writing. In addition, students will visit examples of Gothic architecture in concert with their readings. Architectural texts may include: by Roland Recht, by John Fichen, and by Nicola Coldstream. Fictional texts may include texts from the medieval period to the present, including , and stories by Edgar Allen Poe, H.P. Lovecraft, Angela Carter and Joyce Carol Oates.	literary studies and architecture.	Trevor Speller Anthony Tindill		Sophomore SO Junior JR Senior SR	Fall	Fall Winter
The Graphic Novel Steve Blakeslee literature visual arts	Course	FR–SRFreshmen - Senior	4	04	Evening			S 13Spring		Over the past 30 years, the graphic novel has won numerous readers with its bold topics, innovative forms, and vivid artwork. We will explore the origins, development, and unique workings of sequential narratives, from the socially conscious woodcut novels of the 1930s (e.g., Lynd Ward’s ) to the mid-century adventures of Hergé’s to the bizarre but compelling world of Jim Woodring’s . Our overall goal is to develop an informed and critical perspective on the comics medium.		Steve Blakeslee	Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Spring	Spring
Human Rights and the Tragedies of History Nancy Koppelman and Joseph Tougas history international studies literature philosophy writing Signature Required: Winter	Program	JR–SRJunior - Senior	16	16	Day	F 12 Fall	W 13Winter			History is unkind. This program will consider the possibilities for human rights in light of the tragedies of history.The phrase "human rights" suggests high moral principles and political ideals. It champions the dignity of all persons who have ever lived based solely on their humanity. It calls forth an image of a world better than the one we are in now--a world in which ideals have become realities and people can hold high moral principles with complete integrity. But humanity existed long before human rights.Historians show that in any particular historical moment, people can think and act only with the conceptual tools they have. Structural realities can cause people to harm one another because they do not have the ability or desire to challenge or resist them. As a result, violence, racism, anti-Semitism and sexism are central to our history. For most people who have ever lived, there was no hope for their human rights. What are we to make of these tragic features of history?What if Hegel is right, and "history is the slaughter-bench of happiness"? Are suffering and injustice the costs of making progress toward a better world? When and how does moral idealism help or hinder aims of "social justice"? If we can find out, how might that knowledge shape efforts to make a better world in our own time?Before human rights, suffering was thought to be caused by mysterious forces - divine or human. For example, when John Adams defended British soldiers who fired into an angry mob during the Boston Massacre of 1770, he noted that there are "state-quakes in the moral and political world" akin to earthquakes in the physical world. Our program will examine a range of "state-quakes," and particularly those that shaped the lot of Native peoples, the Puritans, American slaves and their owners, and generations of women, immigrants, and people devoted to the life of the mind. We will learn about the philosophical history of human rights from its precursors in the ancient world through the Enlightenment. We will consider the rise of the nation-state in the 19th and 20th centuries, tensions between political liberalism and pluralism, and the emergence of 21st century internationalism which seems to eclipse mutual obligations tethering citizens to states. Writing will focus on employing the skills of close analysis and developing sound arguments informed by our texts. Students will write lengthy term papers that could serve as writing samples in graduate school applications.Students who have completed substantial studies in the humanities and social sciences and who are prepared for advanced level work are warmly invited to join this program.		Nancy Koppelman Joseph Tougas		Junior JR Senior SR	Fall	Fall Winter
Illustrations of Character: Literary and Philosophical Studies Nancy Koppelman, Trevor Speller and Charles Pailthorp American studies classics history literature philosophy writing	Program	FR–SRFreshmen - Senior	16	16	Day			S 13Spring		What is character but the determination of incident? What is incident but the illustration of character? - How do we determine what to do when faced with hard choices? Is our own happiness uppermost in our minds, or is something else--loyalty to a friend, say, or religious principles? How can we live with integrity in the face of temptation or tragedy? These ethical questions demand that we think carefully about character. Character comprises not only our distinctive qualities, but also our disposition to act in certain ways, for good or ill. Indeed, our word "ethical" derives from the Greek word for character, , which, like our word, can refer to a literary figure (a character) or to an individual's qualities and dispositions. In this program, we study works of philosophy, history, drama and fiction that illuminate our understanding of character. We explore how character affects, and is affected by, desire, deliberation, action and suffering. We read literary and historical accounts that illustrate the character of people or a people. These accounts may portray profound moral dilemmas or day-to-day trials woven into the fabric of human experience. Texts in ethical philosophy will broaden our notions of character, particularly in relation to external goods, habit, happiness, friendship and duties. They provide powerful interpretive tools and a refined vocabulary for grappling with questions raised by our other texts. Authors will include Plato, Aristotle, Sophocles, Immanuel Kant, Soren Kierkegaard, Nathaniel Hawthorne and Edith Wharton, among others.This program suits students who are prepared not only to think critically, but to investigate their own beliefs and submit them to rigorous scrutiny: that is, to practice ethical thinking as well as study it. Writing will be central to that practice, and students will write long and short essays submitted to peer and faculty review.		Nancy Koppelman Trevor Speller Charles Pailthorp	Mon Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Spring	Spring
Individual Studies: Feminism, Middle East, Literature Therese Saliba cultural studies gender and women's studies literature Signature Required: Winter	Contract	SO–SRSophomore - Senior	16	16	Day		W 13Winter			Individual study offers students the opportunity to develop self-direction, to learn how to manage a personal project, and to pursue original interdisciplinary projects of their own specific interest. Students interested in the fields of international feminism and gender studies, Middle East Studies, or literature, particularly multicultural and postcolonial literature, are encouraged to propose an independent research project via the ILC online form. In addition, I am available to work with students doing travel abroad in the Middle East, working with women's organization in the Global South, or engaged in internships with community-based organizations in the Puget Sound area.		Therese Saliba		Sophomore SO Junior JR Senior SR	Winter	Winter
Individual Study: Book Arts, Letterpress Steven Hendricks literature visual arts writing Signature Required: Winter	Contract	JR–SRJunior - Senior	16	16	Day		W 13Winter			Individual study offers students the opportunity to develop self-direction, to learn how to manage a personal project, to focus on unique combinations of subjects, and to pursue original interdisciplinary projects without the constraints of an external structure. Students proposing well-conceived projects in bookbinding, artists' books, and letterpress printing are invited to contact the faculty.Students with a lively sense of self-direction, discipline and intellectual curiosity are strongly encouraged to apply.		Steven Hendricks		Junior JR Senior SR	Winter	Winter
Individual Study: Performing Arts and Humanities Ratna Roy African American studies cultural studies dance international studies literature theater writing Signature Required: Spring	Contract	SO–SRSophomore - Senior	16	16	Day			S 13Spring		I am interested in working with students who wish to do independent work in the Performing Arts and the Humanities. I am broadly interested in the intersections between the social and the creative worlds, as my own creative work has explicitly dealt with this intersection. As well, since my Ph.D. is in African-American Literature, I am deeply interested in minority arts, be they defined by race, gender or sexual orientation, and whether they be in writing, or in the visual or performing arts.As an artist, I have concentrated in the world of choreography, in particular, in Orissi dance from India. A strong influence on my work has been the ancient mythologies of the Indian sub-continent, and the contemporary realities of neo-colonialism and its consequences. Students interested in working with me should submit an on-line Independent Study form, available at: Click on "Online Contract Process", create a contract, then submit it to me for my review.		Ratna Roy		Sophomore SO Junior JR Senior SR	Spring	Spring
Individual Study: Performing Arts and Humanities Ratna Roy African American studies cultural studies dance international studies literature theater writing Signature Required: Winter	Contract	SO–SRSophomore - Senior	16	16	Day		W 13Winter			I am interested in working with students who wish to do independent work in the Performing Arts and the Humanities. I am broadly interested in the intersections between the social and the creative worlds, as my own creative work has explicitly dealt with this intersection. As well, since my Ph.D. is in African-American Literature, I am deeply interested in minority arts, be they defined by race, gender or sexual orientation, and whether they be in writing, or in the visual or performing arts.As an artist, I have concentrated in the world of choreography, in particular, in Orissi dance from India. A strong influence on my work has been the ancient mythologies of the Indian sub-continent, and the contemporary realities of neo-colonialism and its consequences. Students interested in working with me should submit an on-line Independent Study form, available at: . Click on "Online Contract Process", create a contract, then submit it to me for my review.		Ratna Roy		Sophomore SO Junior JR Senior SR	Winter	Winter
Individual Study: Performing Arts and Humanities Ratna Roy African American studies cultural studies dance international studies literature theater writing Signature Required: Fall	Contract	SO–SRSophomore - Senior	16	16	Day	F 12 Fall				I am interested in working with students who wish to do independent work in the Performing Arts and the Humanities. I am broadly interested in the intersections between the social and the creative worlds, as my own creative work has explicitly dealt with this intersection. As well, since my Ph.D. is in African-American Literature, I am deeply interested in minority arts, be they defined by race, gender or sexual orientation, and whether they be in writing, or in the visual or performing arts.As an artist, I have concentrated in the world of choreography, in particular, in Orissi dance from India. A strong influence on my work has been the ancient mythologies of the Indian sub-continent, and the contemporary realities of neo-colonialism and its consequences. Students interested in working with me should submit an on-line Independent Study form, available at: Click on "Online Contract Process", create a contract, then submit it to me for my review.		Ratna Roy		Sophomore SO Junior JR Senior SR	Fall	Fall
Individual Study: Poetics and Literary Studies Leonard Schwartz literature philosophy writing Signature Required: Fall	Contract	SO–SRSophomore - Senior	16	16	Day	F 12 Fall				contract proposals in the area of poetics for the winter quarter. This could include literary studies of modernist figures or examinations of avant-garde movements. It could also involve projects in literary theory, continental philosophy, or theories of language.		Leonard Schwartz		Sophomore SO Junior JR Senior SR	Fall	Fall
Individual Study: Queer Studies, Performance Walter Grodzik American studies aesthetics anthropology architecture communications community studies consciousness studies cultural studies dance education field studies gender and women's studies literature media arts media studies moving image music queer studies somatic studies study abroad theater visual arts writing Signature Required: Fall	Contract	SO–SRSophomore - Senior	16	16	Day	F 12 Fall				Individual study offers individual and groups of students the opportunity to develop self-direction, to learn how to manage a personal project, to focus on unique combinations of subjects, and to pursue original interdisciplinary projects without the constraints of an external structure. Individual and groups of students interested in a self-directed project, research or internships in Queer Studies or the Performing and Visual Arts should contact the faculty by email at		Walter Grodzik		Sophomore SO Junior JR Senior SR	Fall	Fall
Inexpressibility and its Discontents Marianne Bailey and Leonard Schwartz literature philosophy theater writing	Program	SO–SRSophomore - Senior	16	16	Day	F 12 Fall	W 13Winter			In this program we will study the function of myth, the concept of art as ritual and the critique of language and representation in vanguard poetry, theater and opera. We are interested in the work of the artist as creator of new, unexpected artistic languages which attempt to communicate that which is inexpressible, that which lies behind and beyond ordinary words. We will consider how it is that a poet's words can say more than they mean, or that a symbol, as philosopher Paul Ricoeur writes, points toward a meaning otherwise inaccessible. The poets, dramatists, philosophers and theorists whom we will study never relent in their fascination with reconceiving their means of expression, and act with the reckless abandon of the free spirit described by Nietzsche in his essay "On Truth and Lie in an Extramoral Sense". Two of the major figures under study in our work will be the composer Richard Wagner and the poet and theoretician of the theater, Antonin Artaud, both of whom dreamed of a work of art that would contain word, image, music, flesh and movement in a single medium; both realized ritualized spectacles, in opera and in theater, capable of the transformation of their participants. We will read extensively from Artaud's work, considering his poetry, his essays comprising Theater and its Double, as well as his records of personal quests to places which he considered privileged, in which the Marvelous or the divine was written on the face of the land. We will view and listen to both Strauss's and Wagner's . Wagner's "Total Art" or "Gesamtkunst" realized the 19th Century artists' dream of a perfect language, in which music, words, gestures and scenic symbols spoke as one single language. The philosophizing of Friedrich Nietzsche, embedded in the creative power of myth, will also be crucial for us in terms of conceptualizing the life-giving presence of myth in creative expression and the nature of language itself, as both problematic and world generating. Nietzsche's Birth of Tragedy also takes us back to the Greeks, their masterpieces of theater as communal ritual, their metaphor of the artist as "entheos" imbued with the god, and their art as arising from the whispering of a muse, or an Orpheus. During fall quarter, our reading will include as well the Dark Romantic and Symbolist poets of the later 19th Century, their reconception of art, and their aesthetic and philosophical groundwork for 20th Century Modernism. In addition to our work on Artaud, Wagner and Nietzsche during both quarters, readings will be drawn from Baudelaire, Rimbaud, Mallarmé and Rilke in the European poetic tradition. During winter quarter, we will study Aimé Césaire, as well as Aioné and Kamau Brathwaite, contemporary Caribbean poets. We will read Robert Duncan, Barbara Guest, Alice Notley, Fanny Howe, Nathaniel Mackey and others from the contemporary American poetic tradition growing out of the Black Mountain School. We will study composers Strauss and Berg in the Modern Western operatic tradition, and daring theatrical creators such as Peter Weiss and Peter Brooks. Other theoreticians to be considered during both fall and winter might include Rene Girard's , Blanchot’s , Bataille’s , Sigmund Freud's , and Robert Duncan's All students will read, write and analyze poetic, philosophical and critical texts, will discuss key theorists in aesthetics, and will choose between weekly workshop/seminars on either creative writing or on the key philosophical writings of Friedrich Nietzsche. Over the two quarters of this program, students will develop and complete a major personal project. This substantial body of work students will develop over the first weeks of the quarter, and carry through over two quarters; this offers serious creative writers and dramatists, and students of theory, philosophy and literary interpretation the opportunity to undertake a collection of poetry, a play or performance/spectacle, an interpretive work on Nietzschean philosophy, or a research-based project on your choice of themes and artists in our curriculum.This upper-division program demands a serious commitment of time and effort; the works which we will study are demanding, and the reading and writing will be significant.	the humanities.	Marianne Bailey Leonard Schwartz	Mon Wed	Sophomore SO Junior JR Senior SR	Fall	Fall Winter
Landscapes of Change: Writing & Mapping the Future Anne de Marcken (Forbes) and Peter Impara environmental studies geography literature natural history sustainability studies writing	Program	FR–SRFreshmen - Senior	16	16	Day	F 12 Fall	W 13Winter			How do our landscapes shape us and how do we shape them? How can the endeavors of science and art inform our understanding of the changing planet—what can they tell us about its past, and how can they shape its future? Both stories and maps are ways of finding patterns and organizing information: they locate us in time and space and in relation to one another. In this program, using geography and creative writing as methods of inquiry, students will encounter the environment today, discover its past, and imagine its future. Using historical and present-day climate change as a framework, we will investigate the ways cultural and personal identity emerge from the natural landscape and the ways that people, in turn, shape the environment. We will the story of our physical environment in cultural, literary and geographic records and in the land itself. We will our own stories of place using maps and creative writing. Experiential learning is an important aspect of this program; in addition to other day trips, we will go on an extended field trip to Washington's Long Beach Peninsula, a 28-mile spit separating the Pacific Ocean from the Willapa Bay. There we will experience firsthand the interconnectedness of climate, landscape and culture. We will use the tools of geography, creative writing, and digital media to envision and even affect the future of this landscape and how we inhabit it, and will consider and experiment with the ways information and imagination influence our sense of connection to and responsibility for the physical world.In addition to generating research and creative writing in response to the program's themes, students will collaborate to create interactive tools for public engagement and will play an active role in producing Evergreen's 2013 TEDx conference on Climate Change Innovations.Students will develop science skills through interpretation of maps and spatial data, by making their own maps, and through site and landscape analysis. They will cultivate creative writing skills through independent practice and workshop-based critique with an emphasis on creative non-fiction and hybrid literary forms such as image-based essays and interactive texts. Scientific, literary and artistic perspectives, practices, and theories will inform lectures, readings and seminars. Students will use critical and technical skills as they learn to research, analyze and interpret environments through readings and seminars, in writing and computer workshops, and by using the landscape itself as a classroom.	ecology, environmental studies, geography, literature, natural history and writing.	Anne de Marcken (Forbes) Peter Impara	Tue Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall Winter
Native Americans Defining Their Own Reality in Art and Literature Gail Tremblay Native American studies art history literature	Course	FR–SRFreshmen - Senior	4	04	Day				Su 13Summer Session I	This course will explore the way that Native Americans writers and artists represent indigenous culture in literature and the arts. Students will study poetry, fiction, film, and visual art made by Native Americans from a variety of cultures and will reflect on the way people with knowledge of growing up "Indian" in America define that experience. Students can write a paper that explores how culture is represented in the work of an indigenous artist, writer, or film-maker. Indigenous students can choose to produce creative works that represent their cultural experience and write about that experience in their final paper.		Gail Tremblay	Tue Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Picturing Domestic Space: Sociocultural Perspectives Stephanie Kozick, Amjad Faur and Susan Aurand anthropology architecture art history cultural studies history literature psychology sociology visual arts	Program	FR–SOFreshmen - Sophomore	16	16	Day	F 12 Fall	W 13Winter	S 13Spring		How do the places where we live form the essence of our conception of space? Do human actions shape rooms, or do rooms shape human actions?Domestic space is another way of saying “the rooms in a house;” those rooms, where we spend so much of our daily lives, offer occasions for thinking about a number of intriguing questions. One philosopher (Gaston Bachelard) argues that our perceptions of houses and other shelters shape our thoughts, memories, and dreams. Others have proposed that, “Domestic space is one of the most difficult terms to define.” What an invitation to inquiry!And what are the psychological implications of domestic space? Some sociologists have stated that “The history of the house is the history of the dialectic that emerges between these two impulses: shelter and identity.” What are the relationships between one's "shelter" and one's "identity"?The kitchen is a particularly fascinating room for sociocultural considerations; food preparation is common to homes in all cultures. We will consider the ethnographic work of Roderick Lawrence on kitchens, conduct ethnographic work of our own, and read delicious memoirs inspired by kitchens.Overall, this program’s curriculum will include perspectives of history, fiction and non-fiction literature, social science studies, and cinematic representations of rooms in homes, which in turn will inspire “picturing” domestic space through photography, story writing, and fine art expression. A variety of readings will provide “food” for discussions and other learning activities that concern the design, meaning, organization, and use of all the rooms in a home.In fall quarter students can expect to study the overall concept of space as it applies to domestic dwellings, and to engage photography as a form of visual anthropology. Readings, such as, Bill Bryson’s "At Home" provides a “comfy” examination of spaces as Bryson sets out “to wander from room to room and consider how each has featured in the evolution of private life.” In the same way, students will wander through rooms with a camera to act on the dynamics of space and objects. Bryson’s wanderings will join books, such as, "At Home: An Anthropology of Domestic Space," Bachelard’s "The Poetics of Space," and Busch’s "Geography of Home."Winter quarter examines a specific room in the house: the kitchen. Its purpose, history, design, tools, and tastes support interdisciplinary study. As both a solitary and social space, the kitchen offers a wide platform of sociocultural concerns. Readings, drawing workshops, a film series, photography, and project work consider the variety of meanings associated with the kitchen. Writing workshops will facilitate students’ own meaning making in memoir writing or “meditations” on the kitchen. The kitchen is inevitably connected to food with all its physical, aesthetic, and social aspects; the Organic Farm Sustainable Agriculture Lab (SAL) affords a kitchen workspace for program food tastings and other discoveries. Photography work will involve shooting, developing, and peer critiquing color photography concerned with kitchen culture. Instruction on lighting and creating color prints in the darkroom presented by Hugh Lentz.During spring quarter, the study of domestic space continues with students identifying and pursuing individual research plans or projects. Students might prepare a formal research project that deals with ethnography, theater, writing, health and sustainability, poetry,or other literary approaches. Students might also choose to engage the practices of design, drawing, painting, collage, and various forms of media to create visual representation works concerning domestic space. Each room of the structures we call “house” has special meaning, entertains special activities, and implies that there is human intent or deliberateness, a human tendency that Ellen Dissanayake ("What is Art For") connects to the very nature of what we refer to as “art.” Spring quarter will also include modes of sharing the development of individual projects through individual WordPress sites and weekly progress meetings that take up concepts of domesticity.		Stephanie Kozick Amjad Faur Susan Aurand		Freshmen FR Sophomore SO	Fall	Fall Winter Spring
Plato's Republic Daniel Ralph classics literature philosophy	Course	SO–SRSophomore - Senior	4	04	Evening		W 13Winter			This course will primarily consist of a cover-to-cover reading of Plato’s Republic. The primary course activities will be seminar discussion, workshops and a series of writing assignments. Previous exposure to Plato’s works is helpful but not mandatory. Students who enroll should be prepared to engage in a focused learning experience fueled by a challenging set of readings.		Daniel Ralph	Tue	Sophomore SO Junior JR Senior SR	Winter	Winter
Postmodernity and Postmodernism: Barth, Baudrillard, DeLillo, Murakami, Pynchon and World Cinema Harumi Moruzzi cultural studies literature moving image philosophy sociology	Program	SO–SRSophomore - Senior	16	16	Day	F 12 Fall				For the West and Japan, the 19th century was a heady century that embraced the utopian notion of perfectibility of human society through science and technology. However, by the beginning of the 20th century this giddy sense of unremitting human progress and spread of democracy began to be gradually challenged by various iconoclastic ideas, such as Freudian psychoanalytic theory, Einstein's theory of relativity and Heisenberg's uncertainty principle. A sense of confusion, anarchy and dread expressed itself in various art works in the first decade or so of the 20th century in strikingly similar ways to that of our own time, which suffered perhaps a more radical and real disillusionment regarding humanity and its future through its experience of Nazi holocaust and the atomic bomb explosions in Hiroshima and Nagasaki. Our contemporary experience, at the beginning of the 21st century, is still generally and vaguely called the postmodern time or postmodernity. But, what is postmodernity? What is postmodernism? In this program we will explore the complexities of the concepts of postmodernity and postmodernism through lectures, book seminars, films and film seminars.At the beginning of the quarter, students will be introduced to the rudiments of film analytical terms in order to develop a more critical attitude toward the film-viewing experience. Early in the quarter, students will also be introduced to major literary theories in order to familiarize themselves with varied approaches to the interpretation of literature. Then, students will examine postmodernity and postmodernism as manifested in the literary works of John Barth, Don DeLillo, Haruki Murakami and Thomas Pynchon as well as in the films directed by Godard, Lynch, and other contemporary filmmakers, while exploring the significance and implications of such literary and cinematic works through the various theoretical works of Baudrillard, Foucault, Jameson, Lyotard and other influential thinkers.		Harumi Moruzzi		Sophomore SO Junior JR Senior SR	Fall	Fall
The Reservation Based Community Determined Program - Foundations for Sustainable Tribal Nations -- Muckleshoot Myra Downing Native American studies cultural studies government law and government policy leadership studies literature political science sustainability studies theater Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 12 Fall	W 13Winter	S 13Spring		This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study.	public administration, political science, social sciences, human services, law, and tribal administration and government.	Myra Downing		Junior JR Senior SR	Fall	Fall Winter Spring
The Reservation Based Community Determined Program - Foundations for Sustainable Tribal Nations -- Nisqually Cynthia Marchand-Cecil Native American studies cultural studies government law and government policy leadership studies literature political science sustainability studies theater Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 12 Fall	W 13Winter	S 13Spring		This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study.	public administration, political science, social sciences, human services, law, and tribal administration and government.	Cynthia Marchand-Cecil		Junior JR Senior SR	Fall	Fall Winter Spring
The Reservation Based Community Determined Program - Foundations for Sustainable Tribal Nations -- Peninsula Michelle Aguilar-Wells and Chad Uran Native American studies cultural studies government law and government policy leadership studies literature political science sustainability studies theater Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 12 Fall	W 13Winter	S 13Spring		This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is .In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study.	public administration, political science, social sciences, human services, law, and tribal administration and government.	Michelle Aguilar-Wells Chad Uran		Junior JR Senior SR	Fall	Fall Winter Spring
The Reservation Based Community Determined Program - Foundations for Sustainable Tribal Nations -- Port Gamble Colleen Almojuela Native American studies cultural studies government law and government policy leadership studies literature political science sustainability studies theater Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 12 Fall	W 13Winter	S 13Spring		This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is .In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study.	public administration, political science, social sciences, human services, law, and tribal administration and government.	Colleen Almojuela		Junior JR Senior SR	Fall	Fall Winter Spring
The Reservation Based Community Determined Program - Foundations for Sustainable Tribal Nations -- Quinault Dorothy Flaherty Native American studies cultural studies government law and government policy leadership studies literature political science sustainability studies theater Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 12 Fall	W 13Winter	S 13Spring		This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study.	public administration, political science, social sciences, human services, law, and tribal administration and government.	Dorothy Flaherty		Junior JR Senior SR	Fall	Fall Winter Spring
The Reservation Based Community Determined Program - Foundations for Sustainable Tribal Nations -- Tulalip Renee Swan-Waite Native American studies cultural studies government law and government policy leadership studies literature political science sustainability studies theater Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	12	12	Evening and Weekend	F 12 Fall	W 13Winter	S 13Spring		This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study.	public administration, political science, social sciences, human services, law, and tribal administration and government.	Renee Swan-Waite		Junior JR Senior SR	Fall	Fall Winter Spring
Russia and Eurasia: Empires and Enduring Legacies Patricia Krafcik and Robert Smurr history international studies language studies literature	Program	FR–SRFreshmen - Senior	16	16	Day	F 12 Fall	W 13Winter	S 13Spring		Join us on an extraordinary virtual journey as we explore the diverse peoples, cultures and histories of the region that was once demarcated by the borders of the Russian and Soviet empires. We will take a multicultural approach in our examination of Russians and numerous other indigenous peoples who from ancient times have populated the vast expanses of Eurasian and Siberian steppe and forests.In fall quarter we investigate Slavic, Scandinavian, Persian, Mongol and Turkic contributions to early Russian society and examine both the region's pre-Christian pagan animistic cultures and the rich Byzantine cultural legacy of Orthodox Christianity with its associated art and architectural forms, literature and music. Our fall journey takes us from the vibrant culture of Kievan Rus', through the development of the Muscovite state, imperial expansion and westernization during the reigns of Peter the Great and Catherine the Great, and on to the start of the 19th century with Russia's emergence as a major world power. Medieval epics and chronicles as well as diverse films and readings enhance our study of this early turbulent history. Special geography workshops in both fall and winter terms help students identify fluently the location of cities and landmarks throughout the Russian and Soviet empires, as well as understand more profoundly the relationship between the various peoples of the empire and their environment.Winter quarter concentrates on some of the world's greatest literature from Russia's 19th-century Golden Age, all read in tandem with vibrant historical accounts of the era. Works by Pushkin, Lermontov, Gogol, Turgenev, Dostoevsky, Tolstoy, Chekhov and others enable us to explore Russia's provocative social, religious and revolutionary ideologies. We examine the rise of the Russian Empire's radical intelligentsia who rebelled against autocratic tsarist policies and the institution of serfdom, and also emphasize the diverse ways in which these activities led to the world-changing revolutions of the early 20th century.Spring quarter focuses on the tumultuous events of the 20th century, from the revolutions of 1905 and 1917 through the post-Soviet period. We investigate the legacy of Lenin and the Bolsheviks, including the horrific Stalin era with its purges, Gulag prison camps, brutal industrialization policies and devastating environmental practices. We place special emphasis on how writers, artists and filmmakers interpreted, influenced and survived the Soviet regime. Included in this emphasis is a detailed examination of the enormous sacrifices that the Soviet people experienced at the hands of their own communist dictatorship, as well as under Nazi occupation during the Second World War. This term ends with a review of events resulting in the collapse of the U.S.S.R. and the emergence of the fifteen independent states that arose from its ashes.Students will write short papers in fall and winter quarters and have the opportunity to explore in depth a topic of their choice for a final research paper in spring. They will also create professionally produced posters based on their research and participate in a series of term-end exhibits of their posters as a way to share their research with their faculty and peers. Those who opt not to participate in the Beginning Russian Language portion within our program will have the option of completing additional research and writing projects within their respective seminars for full credit.	education, diplomatic and security services, film, music, art, writing, international business, and graduate studies in international affairs and in Russian and Slavic literary, historical, political and area studies.	Patricia Krafcik Robert Smurr		Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall Winter Spring
Sacred Texts Rebecca Chamberlain history literature religious studies	Course	FR–SRFreshmen - Senior	4	04	Evening		W 13Winter			This survey of the world’s sacred texts and spiritual traditions will explore their poetic and literary influence, past and present. From creation stories and wisdom traditions to prophetic revelations and teachings about transforming suffering, what impact have sacred texts had on the psyche, imagination, and social or political understanding of peoples, ancient and modern? How have sacred texts and stories evolved over time? How have they been passed on through oral and literary traditions and through words and images? What is their role in developing culture, identity, and community? How do they frame philosophical, moral, ethical, and spiritual insights? We will explore our topic through a variety of disciplinary lenses including comparative literature, religion, history, mythology, movement, and the arts, as well as through an ecumenical dialogue that affirms both religious and secular perspectives. We will combine academic inquiry and research with poetic insight, artistic production, performance, and contemplative practices such as Tai Ji, yoga, or meditation.		Rebecca Chamberlain		Freshmen FR Sophomore SO Junior JR Senior SR	Winter	Winter
Self and Culture: Studies in Japanese and American Literature and Cinema Harumi Moruzzi cultural studies literature moving image	Program	FR–SRFreshmen - Senior	16	16	Day		W 13Winter			This program is designed for students interested in cross-cultural exploration of the concept of self. Modernity in the West established the concept of a human being as a thinking subject through Descartes’ seminal discourse in . Since then, the concept of an autonomous, thinking and perceiving subject as the center of reality, as the source of truth, has been the dominant ideology in the West, particularly in the United States. With globalized communication and cultural exchanges, we have begun to question many ideas that have been taken for granted. The concept of self is one of these questioned ideas. It is often said that American and Japanese culture represent mirror images of human values. For instance, while American culture emphasizes the importance of self-reliance and self-autonomy, Japanese culture dictates group cohesion and harmony. Certainly, the reality is not as simple as these stereotypes indicate; nevertheless, this dichotomized comparative cultural frame presents an interesting context in which we can explore the concept of self. Thus, in this program we explore the concept of self through the critical examination of American and Japanese literature, cinema and popular media.At the beginning of the quarter, students will be introduced to the rudiments of film technical terms in order to develop a more analytical and critical attitude toward film-viewing experience. Early in the quarter students will also be introduced to major literary theories in order to familiarize themselves with varied approaches to the interpretation of literature. Then, students will examine representations of individual selves and cultures in American and Japanese literature through seminars and critical writings. Weekly film viewing and film seminar will accompany the study of literature in order to facilitate a deeper exploration of the topics and issues presented in the literary works.		Harumi Moruzzi		Freshmen FR Sophomore SO Junior JR Senior SR	Winter	Winter
Self and Story: Studies in Psychology, Literature, and Writing Steve Blakeslee and Mark Hurst literature psychology writing	Program	FR ONLYFreshmen Only	16	16	Day	F 12 Fall	W 13Winter			Who do you say you are, and why? How and why do people continually adjust and adapt their claims about themselves—their origins, preferences, values, and actions—to suit different audiences and occasions, at times even overhauling their identities completely? We will apply the practices and insights of psychology and the literary arts to the topic of self-narratives, both formal and informal: how they function, the many and varied forms they take, and the highly influential role they play in shaping our understanding of human experience. In the process, we will explore how self-stories can both expand and limit people’s thinking as they interpret their past, narrate their present, and plan their future.Through a variety of small- and large-group seminars, lectures, and experiential workshops, we will use psychology as a lens to examine, investigate, and theorize about our own identities and experiences. Recent innovations and activities in the field—for example, James Pennebaker’s groundbreaking work on narrative therapy—will be explored via video conferences with leading social psychologists. At the same time, we will explore the world of literature with a focus on considerations of the self. Of particular importance will be autobiographical narratives and the rich and intricate issues of memory, authority, persona, and truth that face every self-portraying writer. These accounts—ranging from Frederick Douglass’s slave narrative to Thoreau’s to Marjane Satrapi’s contemporary graphic novel, —embody a particularly critical function of self-stories: to open windows onto times, places, and social and political settings that differ sharply from our own. We will create a supportive group environment in order to write freely and fearlessly about memories, thoughts, and emotions. Students will also learn to recognize and articulate elements of traditional story form, such as settings, premises, and plot progressions involving conflict and resolution. Writing assignments will include response papers, summaries, short narratives, reflective journals, and a substantial memoir-essay. While this program focuses on particular topics, questions, and materials, it is also designed to systematically help students acquire the skills and abilities in the areas necessary to effective college-level study: reading (and rereading), writing (and rewriting), thinking, listening, speaking, and working together. We will consistently keep in sight both the “what” of our subject matter and the “how” of our approach to learning about it. The program will include many activities for students to undertake as individuals, but the larger aim is always to pursue a inquiry about the nature of selves and stories, pursuing knowledge and understanding together. In winter quarter, we will deepen our consideration of such topics as self-determination, willpower, the nature of happiness, and the notion of the double in both psychology and literature. Winter's literary texts will include works by Oscar Wilde, Virginia Woolf, Sylvia Plath, and Jean-Dominique Bauby.		Steve Blakeslee Mark Hurst		Freshmen FR	Fall	Fall Winter
The Spanish-Speaking World: Cultural Crossings Diego de Acosta, David Phillips, Amaia Martiartu and Alice Nelson cultural studies history language studies literature study abroad writing Signature Required: Winter Spring	Program	SO–SRSophomore - Senior	16	16	Day	F 12 Fall	W 13Winter	S 13Spring		Spain and Latin America share not only the Spanish language but also an intertwined history of complex cultural crossings. The cultures of both arose from dynamic and sometimes violent encounters, and continue to be shaped by uneven power relationships as well as vibrant forms of resistance. In this program, students will engage in an intensive study of the Spanish language and explore the literature remembered, imagined and recorded by Spaniards and Latin Americans in historical context. Every week will include seminars on readings in English, Spanish language classes, a lecture or workshop conducted in Spanish, and a Spanish-language film. There will be regular written seminar responses, synthesis essays and a winter quarter research project. Please note that Spanish language classes are integrated into the program, so students do not have to register for them separately. We welcome students with any level of Spanish, from true beginner to advanced. No previous study of Spanish is required to enter in fall. Fall quarter, we will explore cultural crossings in Spain and Latin America prior to the 20th century through literary and historical texts. In medieval Spain, Jews, Christians and Muslims once lived side-by-side during a period of relative religious tolerance and cultural flourishing known as the . Military campaigns and the notorious tribunals of the Spanish Inquisition eventually suppressed Jewish and Muslim communities, but their cultural legacies have persisted. In the late 15th century, Spain began a process of imperial expansion marked by violence against indigenous peoples and Africans forced into slave labor; these early clashes are strikingly documented in contemporary accounts. Subsequent colonial institutions, including imposed governmental structures, , religious missions and slavery were contested by diverse resistance movements. These dynamics culminated in Latin America's independence in the 19th century and they continue to be reexamined and reimagined within Latin American cultural production today. Winter quarter, we will turn to literature from the 20th and 21st centuries. During this time, Spain and several countries of Latin America experienced oppressive dictatorships as well as the resulting emergence of social movements that enabled democratization. The questions of language, regional identity and difference have also defined several nations' experiences, from Catalonia and the Basque region in Spain, to various indigenous communities throughout Latin America. More recently, the context of economic globalization has given rise to unprecedented levels of international migration, with flows from Latin America to Spain and the US. All of these cultural crossings have involved challenges and conflict as well as rich and vibrant exchanges expressed in literature, art and cinema.Spring quarter offers two options for study abroad, and an option for doing internships with local Latino organizations for those who stay on campus. The Santo Tomás, Nicaragua program is coordinated with the Thurston-Santo Tomás Sister County Association and its counterpart in Nicaragua, and is open to 4-8 intermediate/advanced language students; the Quito, Ecuador program is co-coordinated with CIMAS, an Ecuadorian non-profit research organization, and is open to 15 or more students of all language levels. For students staying in Olympia, the program will have two components: an on-campus core of Spanish classes and seminars focused on Latino/a communities in the US; and the opportunity for student-originated studies through internships and project work. All classes during spring quarter, whether in Olympia or abroad, will be conducted entirely in Spanish.		Diego de Acosta David Phillips Amaia Martiartu Alice Nelson		Sophomore SO Junior JR Senior SR	Fall	Fall Winter Spring
Stop Making Sense Steven Hendricks and Laura Citrin literature psychology sociology writing Signature Required: Winter	Program	JR–SRJunior - Senior	16	16	Day	F 12 Fall	W 13Winter			Through the lenses of social psychology, literature and literary theory, we will inquire into the process of constructing external and internal realities. How does our conception of self, other and society depend upon learned social routines, metaphors and narratives? How do the ritual discourses and behaviors of everyday life become part of who we are and what we are capable of doing and thinking? What myths allow us to go about our days as if they made any sense?In fall quarter, we'll equip ourselves with the psychological and theoretical models for understanding reality, culture and self as constructions. In winter quarter, we'll take a critical look at processes of conformity and assimilation, attempting to understand the mechanisms by which ways of thinking, feeling and acting become naturalized.Our study of literature will range over 20th century novels, stories and essays, predominantly from Europe and the U.S.--works that challenge familiar literary forms and that relate strongly to themes and questions within our study of psychology. Creative writing work will give students another venue for understanding inquiries in literature and psychology. Our goal is not, however, to produce realistic psychological narratives; on the contrary, we'll look at how the conventions of psychological portraiture in novels frequently fail to take actual psychological insight into account, insights that challenge us more profoundly than the goal of realism. Our study of literary theory will focus on theorists whose work deals closely with the nature of literary meaning and the process of constructing the world through language. Over the year, we'll take in a sweep of 20th century theory, emphasizing the work of Roland Barthes as a thinker capable of making rich connections between the everyday mythologies of culture, the complexity of internal life, and the richness of literature.Our study of psychology will enable us to examine how individuals construct their sense of self via observation of and interaction with others in social context. Possible social psychological themes to be explored include identity formation, social norms, social hierarchy, power, conformity, transgressions, obedience, prejudice, stigma, marginalization, groupthink, persuasion and moralization.The program material will be taught via lectures, workshops, seminars, films and substantial reading of literature, theory and research studies. Writing- and research-intensive projects, as well as the reading of dense theoretical material, will make this a demanding program, designed for upper-level students prepared for more advanced work in the humanities and/or social sciences.		Steven Hendricks Laura Citrin		Junior JR Senior SR	Fall	Fall Winter
Student-Originated Studies: Advanced French Language Marianne Bailey language studies literature media studies Signature Required: Fall	SOS	FR–SRFreshmen - Senior	2, 4	02 04	Day	F 12 Fall				This SOS will allow students having completed an Intermediate or second year French course to continue to build their fluency at a High Intermediate or Advanced level. The SOS participants will determine a time and place for their weekly meetings for conversation, discussion of texts and films, and peer editing of writings in French. They will meet with their professor once weekly as a group to present their week's work, and to discuss problems in French which have arisen. Each participant is also expected to develop a personal plan for fluency in consultation with their professor, considering grammatical weaknesses and other problem areas in their French skills which they contract to address through individual work over the quarter. This SOS exists as a forum in which students can build oral fluency through discussion and conversation, and an increased vocabulary as well as compositional skill, through keeping a journal in French throughout the quarter.		Marianne Bailey		Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall
Student-Originated Studies: Creative Writing (Short Story) Eddy Brown cultural studies literature writing Signature Required: Fall	SOS	SO–SRSophomore - Senior	16	16	Day	F 12 Fall				This SOS supports students doing individual projects in short story writing, to foster their skills and knowledge in creative writing in general, the short story in particular, and literature. Participants are expected to be self-motivated and have good work habits. In addition to online forums and out-of-class individual and small-group activities, we will hold weekly class sessions. These meetings are intended to provide ongoing individualized support and build a sense of community. Students must attend and participate in these sessions to be eligible for full credit. During these gatherings we will explore story crafting, the writing process, fiction genres, and published literature. Students will also carry out some in-class writing activities, report on and share work-in-progress, conduct peer critques, and receive applicable instruction and guidance. Potential variations on proposed work and activities may be considered, and if acceptable, will be worked out individually with the faculty member.There will also be weekly text-based seminars and written reader responses to both assigned and self-selected published fiction. Students will be expected to maintain and submit a process portfolio and reading journal. At the end of the quarter, we will have in-class student readings of their work.		Eddy Brown		Sophomore SO Junior JR Senior SR	Fall	Fall
Student-Originated Studies in Literary Arts Steven Hendricks literature writing	Program	JR–SRJunior - Senior	16	16	Day			S 13Spring		For this SOS program, appropriate projects in the literary arts include fiction writing in any prose genre, literary analysis, and researched essays in literary theory. Projects that combine depth in literature with work in other disciplines are welcome. Students should join the program with a project of sufficient scope to warrant a quarter of intensive work. It's preferable that students already have a manuscript underway or a clearly conceived object of study/writing goal. We will spend many hours in peer critique, read a variety of challenging works together, and develop strong writing and discursive practices as a community of writers and thinkers. While much of the program content will be generated by student projects, faculty will expect students to complete a number of assignments related and unrelated to their individual projects as a means of creating a common discourse about literature and to establish a measure of intellectual and creative rigor.		Steven Hendricks	Mon Wed Fri	Junior JR Senior SR	Spring	Spring
Student-Originated Studies: Independent Projects in Literature, Philosophy, Myth/Religion and Writing for Freshmen Marianne Bailey literature philosophy religious studies writing	SOS	FR ONLYFreshmen Only	16	16	Day			S 13Spring		In this SOS, first year students will learn how to conceive, plan, structure and successfully carry through a major independent learning project. More importantly, they will have the pleasure and fulfillment of realizing their first major college level independent body of work. Students have an exciting array of humanities and artistic areas to work in. For example, I can foresee projects as different from one another as a well edited collection of stories or free form poetry, perhaps illustrated and bound in a beautiful book, or a research project in religious symbolism and ritual in Celtic or Haitian worldviews, or in archetypal characters such as the Trickster, the Underworld mediators, or the artist/Orpheus and his quest. A student could write and compile an innovative collection of essays and images dealing with a philosopher such as Nietzsche or Foucault; or with a philosophical topic, such as the human/nature relationship, or the power and nature of artistic language. Students could also plan and research a transformational, pilgrimage journey, keep a rich travel journal, make art quality photographs and present the pilgrimage experiences at the quarter’s end to your colleagues in the class. Students could plan a multimedia spectacle or a short film based on artistic work as a small group in the style of the Surrealists.In other words, if it is a challenging academic or artistic body of work which you find deeply fascinating and which will keep you going enthusiastically for a quarter, we can shape this idea and make it possible for you to carry it through. We will do this step-by-step, in close collaboration between professor and individual student, and with the support of a small group of other program students working in similar veins of inquiry or creation, who will serve as a critique and support group. At Evergreen this mode of intellectual and creative work is a hallmark of our belief in fostering self-direction, intellectual discipline and stamina, and in pursuing academic projects about which we are passionate. It is no easy feat, however, to master the fine art of writing and proposing, let alone bringing to fruition, a top quality independent learning project. The purpose of this SOS is first, to coach you through the conception stage, then, to help you to choose your readings and activities and make your schedule, and finally, to guide and support you along the path to completion of the best work of which you are capable.During the first eight weeks of spring quarter, students will meet every week with their professor as an individual, and as a member of a small work and critique group. We will meet as a large group, as well. Students will report in writing and orally on their progress every week. In the final weeks of the quarter, all students will present their completed work to the group.Students enrolling should have a first proposal of a project which they want strongly to undertake, including, at least, the kind of work you plan to do, for example: writing poetry, studying the work of a given writer or philosopher, and/or studying a particular kind of religious or mythic symbolism. This should be carefully written, typed and ready on the first day of class. The rest we will do during the first two weeks of the program. You may enroll in this program for 12 or 16 credits.		Marianne Bailey	Mon Wed	Freshmen FR	Spring	Spring
Therapy Through the Arts (daytime) Gilda Sheppard and Carl Waluconis art history communications education literature media arts media studies psychology sociology visual arts	Program	FR–SRFreshmen - Senior	8, 16	08 16	Day				Su 13Summer Full	This program will explore the role that movement, visual art, music, and media can play in problem solving and in the resolution of internalized fear, conflicts, or blocks. Through a variety of hands-on activities, field trips, readings, films/video, and guest speakers, students will discover sources of imagery, sound, and movement as tools to awaken their creative problem solving from two perspectives—as creator and viewer. Students interested in human services, social sciences, media, humanities and education will find this course engaging. This course does not require any prerequisite art classes or training.Students may attend either day or evening sessions.		Gilda Sheppard Carl Waluconis	Mon Tue Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Therapy Through the Arts (evening) Gilda Sheppard and Carl Waluconis art history communications education literature media arts media studies psychology sociology visual arts	Program	FR–SRFreshmen - Senior	8, 16	08 16	Evening				Su 13Summer Full	This program will explore the role that movement, visual art, music, and media can play in problem solving and in the resolution of internalized fear, conflicts, or blocks. Through a variety of hands-on activities, field trips, readings, films/video, and guest speakers, students will discover sources of imagery, sound, and movement as tools to awaken their creative problem solving from two perspectives—as creator and viewer. Students interested in human services, social sciences, media, humanities and education will find this course engaging. This course does not require any prerequisite art classes or training.Students may attend either day or evening sessions.		Gilda Sheppard Carl Waluconis	Mon Tue Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Times and Works of Soseki, Mishima, and Murakami: Studies in Literature, History and Cinema Harumi Moruzzi history literature moving image	Program	FR–SRFreshmen - Senior	16	16	Day			S 13Spring		This program is designed for students who are interested in the literary works of Soseki Natsume, Yukio Mishima and Haruki Murakami as well as modern Japanese history.Nobody lives in a vacuum. Every person is a product of that person's time and place, even when he/she rebels against such a background. Most people in society conform to the current ideology of society in order to succeed and perhaps merely to get by, even when their society is moving toward spiritual bankruptcy. It is often believed that the artists and the intellectuals are the seers and prophets of the society that can shed light on the social and cultural problems, thus inspiring new directions for regeneration. Such may be a romantic view of artists and intellectuals. However, this premise often yields an advantageous framework through which we can examine the society and culture that produced these artists and intellectuals.The highly esteemed Japanese writers, Soseki Natsume, Yukio Mishima and Haruki Murakami, are examples of such artists and intellectuals. They represent turbulent and paradigm-shifting periods in Japanese history: Meiji modernization, Post World War II devastation, and the advent of a rabid consumer society.In this program, we study the literary works of these three writers in the context of their times, with respective culture and socio-economic structure, through lectures, films, seminars and individual and/or group projects/research.At the beginning of the quarter, students will be introduced to the rudiments of film analytical terms in order to develop a more analytical and critical attitude toward film-viewing experience. Students will also be introduced to major literary theories in order to familiarize themselves with varied approaches to the interpretation of literature. Then, students will examine the selected works of Soseki Natsume, Yukio Mishima and Haruki Murakami through seminars and critical writings. Weekly film viewing and film seminar will accompany the study of literature and history in order to facilitate a deeper exploration of the topics and issues presented in their literary works.		Harumi Moruzzi		Freshmen FR Sophomore SO Junior JR Senior SR	Spring	Spring
The Uncanny in Psychoanalysis and Philosophy Kathleen Eamon aesthetics literature philosophy psychology writing	Program	FR–SRFreshmen - Senior	8	08	Day				Su 13Summer Session I	Using Freud’s famous essay on as our starting point, we will investigate this category of experience which has been described as hovering between the natural and the supernatural. Although our approaches will be diverse (including philosophical and psychoanalytic texts, as well as short stories and other media), we will focus on the way "the uncanny" has been mined for insight onto life, politics, and experience in modernity. Other possible authors include Kant, Baudelaire, E.T.A. Hoffmann, Edgar Allan Poe, Otto Rank, Tzvetan Todorov. The program will be reading, writing, and conversation intensive.		Kathleen Eamon	Mon Tue Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Undergraduate Projects in Critical and Creative Practices Naima Lowe, Anne de Marcken (Forbes), Marilyn Freeman and Joli Sandoz African American studies art history communications cultural studies gender and women's studies literature media arts media studies moving image visual arts writing Signature Required: Winter Spring	Program	SO–SRSophomore - Senior	V	V	Day, Evening and Weekend		W 13Winter	S 13Spring		This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. uses creative writing and digital media production as methods of inquiry. Her process-based work results in short stories, personal essays, longer hybrid narratives, time-based forms of these things (films and videos), and sometimes web environments. Her current areas of inquiry include climate change and the interactions of place and identity, in particular as related to the idea of home. Students working with Anne will have opportunities to work on one or more literary projects in the early development phase. Activities will include concept development, research, preliminary structuring, proposal writing, grant writing, and critique of early draft creative writing. Students may also work with Anne to continue development of an internet-based project related to climate change. (writing and media arts) is an interdisciplinary artist working primarily with time-based art for the page, the screen, and installation. Presently, Marilyn is particularly focused on the video essay as an ascendant form for creative and critical experiments with text, sound, and image. Her immediate projects include two video essay productions and a book— (University of Chicago Press, 2014). These projects provide opportunities for advanced students to assist with research and to enhance media arts skills through working directly with Marilyn in preproduction, production, and post-production of the video essays. (creative nonfiction) draws from experience and field, archival and library research to write creative essays about experiences and constructions of place, and about cultural practices of embodiment. She also experiments with juxtapositions of diagrams, images and words, including hand-drawn mapping. Students working with Joli will be able to learn their choice of: critical reading approaches to published works (reading as a writer), online and print research and associated information assessment skills, identifying publishing markets for specific pieces of writing, or discussing and responding to creative nonfiction in draft form (workshopping). Joli’s projects underway include a series of essays on place and aging; an essay on physical achievement and ambition; and a visual/word piece exploring the relationship of the local to the global. (experimental media and performance art) creates films, videos, performances and written works that explore issues of race, gender, and embodiment. The majority of her work includes an archival research element that explores historical social relationships and mythic identities. She is currently working on a series of short films and performances that explore racial identity in rural settings. Students working with Naima would have opportunities to learn media production and post-production skills (including storyboarding, scripting, 16mm and HD video shooting, location scouting, audio recording, audio/video editing, etc) through working with a small crew comprised of students and professional artists. Students would also have opportunities to do archival and historical research on African-Americans living in rural settings, and on literature, film and visual art that deals with similar themes. Please go to the catalog view for specific information about each option.		Naima Lowe Anne de Marcken (Forbes) Marilyn Freeman Joli Sandoz		Sophomore SO Junior JR Senior SR	Winter	Winter Spring
Undergraduate Projects in Critical and Creative Practices with A. de Marcken Anne de Marcken (Forbes) cultural studies environmental studies literature media arts media studies moving image visual arts writing Signature Required: Winter Spring	Research	SO–SRSophomore - Senior	V	V	Day, Evening and Weekend		W 13Winter	S 13Spring		This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. uses creative writing and digital media production as methods of inquiry. Her process-based work results in short stories, personal essays, longer hybrid narratives, time-based forms of these things (films and videos), and sometimes web environments. Her current areas of inquiry include climate change and the interactions of place and identity, in particular as related to the idea of home. Students working with Anne will have opportunities to work on one or more literary projects in the early development phase. Activities will include concept development, research, preliminary structuring, proposal writing, grant writing, and critique of early draft creative writing. Students may also work with Anne to continue development of an internet-based project related to climate change.		Anne de Marcken (Forbes)		Sophomore SO Junior JR Senior SR	Winter	Winter Spring
Undergraduate Projects in Critical and Creative Practices with M. Freeman Marilyn Freeman communications literature media arts media studies moving image visual arts writing Signature Required: Winter Spring	Research	SO–SRSophomore - Senior	V	V	Day, Evening and Weekend		W 13Winter	S 13Spring		This is an opportunity for students to work with faculty from a diverse set of disciplines on creative and scholarly projects. Students will come away with invaluable skills in library and archival research practices, visual arts studio practices, laboratory practices, film/media production practices, critical research and writing, and much more. Critical and Creative Practices is comprised of a diverse group of artists, theorists, scientists, mathematicians, writers, filmmakers and other cultural workers whose interdisciplinary fields of study sit at the crossroads between critical theoretical studies and creative engagement. (writing and media arts) is an interdisciplinary artist working primarily with time-based art for the page, the screen, and installation. Presently, Marilyn is particularly focused on the video essay as an ascendant form for creative and critical experiments with text, sound, and image. Her immediate projects include two video essay productions and a book— (University of Chicago Press, 2014). These projects provide opportunities for advanced students to assist with research and to enhance media arts skills through working directly with Marilyn in preproduction, production, and post-production of the video essays.		Marilyn Freeman		Sophomore SO Junior JR Senior SR	Winter	Winter Spring
Undergraduate Research in the Humanities Trevor Speller literature philosophy political science Signature Required: Fall Winter Spring	Program	JR–SRJunior - Senior	V	V	Day	F 12 Fall	W 13Winter	S 13Spring		Students of the humanities who are nearing the end of their Evergreen education may wish to pursue a major research project, senior thesis or capstone project in their particular field of interest. Often, the goal is to contruct an original argument around a particular body of literature, set of ideas or historical events. These kinds of projects develop advanced research skills in the humanities, including the ability to read deeply and critically in a particular field, and to discover and engage with important theoretical writings in that field. Students will also gain valuable skills in reading, analyzing, synthesizing, writing and editing long pieces of complex prose. The best kinds of this work will be invaluable for graduate school applications, and will be an asset to those entering the job market directly following graduation. (British/anglophone literature) specializes in the long eighteenth century (1650-1830), including the Restoration, the Enlightenment, and Romanticism. Students who wish to study the literature and political philosophy of these periods are welcome to propose research projects, including capstone projects and senior theses. Particular interests include the rise of the novel, the conception of reason and rationality and representations of space and place. Previous projects have included studies of Romantic women writers and travel writing. Students are also welcome to work with the faculty member to develop his ongoing research projects on such authors as Daniel Defoe, John Locke, Thomas Hobbes, Bishop Berkeley, Jonathan Swift and John Milton. Please go to the catalog view for specific information about each option.		Trevor Speller		Junior JR Senior SR	Fall	Fall Winter Spring
Undergraduate Research in the Humanities with T. Speller Trevor Speller literature philosophy political science Signature Required: Fall Winter Spring	Research	JR–SRJunior - Senior	V	V	Day	F 12 Fall	W 13Winter	S 13Spring		Students of the humanities who are nearing the end of their Evergreen education may wish to pursue a major research project, senior thesis, or capstone project in their particular field of interest. Often, the goal is to contruct an original argument around a particular body of literature, set of ideas, or historical events. These kinds of projects develop advanced research skills in the humanities, including the ability to read deeply and critically in a particular field, and to discover and engage with important theoretical writings in that field. Students will also gain valuable skills in reading, analyzing, synthesizing, writing and editing long pieces of complex prose. The best kinds of this work will be invaluable for graduate school applications, and will be an asset to those entering the job market. (British/Anglophone Literature) specializes in the long eighteenth century (1650-1830), including the Restoration, the Enlightenment, and Romanticism. Students who wish to study the literature and political philosophy of these periods are welcome to propose research projects, including capstone projects and senior theses. Particular interests include the rise of the novel, the conception of reason and rationality, and representations of space and place. Previous projects have included studies of Romantic Women Writers and Travel Writing. Students are also welcome to work with the faculty member to develop his ongoing research projects on such authors as Daniel Defoe, John Locke, Thomas Hobbes, Bishop Berkeley, Jonathan Swift, and John Milton.		Trevor Speller		Junior JR Senior SR	Fall	Fall Winter Spring
Work and the Human Condition Stephen Beck and Susan Preciso history literature philosophy	Program	FR–SRFreshmen - Senior	16	16	Day and Evening	F 12 Fall	W 13Winter			In this two-quarter program, we will examine the nature and place of work in human life and culture. Studying literature, philosophy, and history in the Western tradition, we will develop an understanding of work that goes well beyond the concept of work as a way to pay the bills. We will consider important questions: Why is work important in a complete human life? What roles can it play both for an individual and for the whole social system? What meaning does, or can, work have in a person's life and in a society? What ways of working should a person strive to practice? Who does what work? To better understand and critique challenging material, we will spend time improving skills in close reading, critical reasoning, writing clearly and well, and in research methods. We will examine the ways in which approaching an idea through different disciplinary lenses allows us to deepen our understanding of it—often complicating the picture in generative ways. During fall quarter, we begin our study of ideas about the place of work in the human condition. We will begin reading Hannah Arendt’s and central ancient texts, including passages from the Bible, Hesiod, Aristotle, and the Stoics. We will continue our study by considering medieval ideas about work, as seen in art, philosophy, and literature, through passages from as well as histories of feudal life and thought. The quarter will conclude with examination of the move into the modern world, focusing on the Protestant Reformation and the rise of capitalism. We will analyze selections from John Locke and Adam Smith, and we will read , putting this work into its complicated historical and cultural context. Winter quarter’s work will begin with the 19th century and the great changes that came with the Industrial Revolution and take us into the 20th century. Our reading will include Karl Marx, Henry David Thoreau's , Elizabeth Gaskell’s , and Daniel Rodgers’ . We will examine the ways in which the new industrial economy changed where people lived, the work they did, and the ways in which some challenged the capitalist model. We will conclude the program by examining more recent ideas about the values and challenges of work and working. We will conclude our study of Arendt's , and students will learn directly from people about the work they do, by interviewing them and taking their oral histories, seeing the ways in which people answer the questions with which we began: Why is work important in a complete human life? What roles can it play both for an individual and for the whole social system? What ways of working should a person strive to practice? Who does what work? They will document work and working through writing and other media they find useful and effective.		Stephen Beck Susan Preciso	Mon Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Fall	Fall Winter
Writer's Paradise Steven Hendricks and Nancy Parkes literature visual arts writing	Program	FR–SRFreshmen - Senior	8, 16	08 16	Evening and Weekend				Su 13Summer Full	Fiction! Essays! Creative non-fiction! Academic writing! Journalism! Poetry! Dive into any of these genres in . This craft-intensive program has it all: weekly peer-critique groups; copious, ongoing feedback from faculty; seminars on fiction and creative non-fiction; workshops to sharpen skills and generate ideas; and guided, in-class, one-on-one, and online critique. Deepen your engagement with your own writing, build your close reading skills, and refine your editorial eyes and ears. Use your summer to draft a number of smaller projects; push yourself and produce a finished, publishable manuscript; get the time and support you need to make your writing project the capstone of your academic year.In addition to intensive writing and revision, you’ll get to engage in writing-related activities that celebrate the creative process and the written word: is designed for accomplished and beginning writers to engage deeply in creative processes and to build skills that they can use artistically, academically, and professionally. The program includes two weekend sessions (one per session) during which we’ll meet all day Saturday and Sunday for workshops, walks, sharing work, and discussion. Students may enroll for the full 10-week quarter or for either of the 5-week sessions.		Steven Hendricks Nancy Parkes	Mon Wed Sat Sun	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Writing Beyond the Basics Peter Bacho communications literature writing	Program	FR–SRFreshmen - Senior	4, 8	04 08	Day				Su 13Summer Full	This class will focus on enhancing writing skills needed for communicating with academic and popular audiences. During the first session, students will study the art of composition, with an emphasis on improving writing projects typically associated with the effective dissemination of community resource materials, manuals, position papers, etc. Students will study the art of effective and accurate editing. Regarding the latter, students will edit an unedited version of a journal entry that is part of a novel – written by the Instructor – and published by the University of Hawai’i Press.During the second session, students will shift their focus to creative writing. They will create a credible protagonist, do a variety of effective creative writing exercises, and hold weekly readings of their work.		Peter Bacho	Tue Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Summer	Summer
Writing Nature, Writing "Race" Chico Herbison American studies cultural studies environmental studies history literature writing	Program	FR ONLYFreshmen Only	16	16	Day	F 12 Fall	W 13Winter			"What then, is Earth to American people of color?" (Alison H. Deming and Lauret E. Savoy, ) This two quarter program explores nature writing by people of color in the United States. Deming and Savoy provide an eloquent and passionate starting point, as well as critical unifying themes and issues, for our exploration: "[if nature writing] examines human perceptions and experiences of nature, if an intimacy with and response to the larger-than-human world define who or what we are, if we as people are part of nature, then the experiences of all people on this land are necessary stories, even if some voices have been silent, silenced, or simply not recognized as nature writing."We will begin our quest by addressing the many meanings of "nature" and, by extension, "nature writing." Our journey's next phase will involve an introduction to, and brief overview of, the American nature writing tradition. Students will read selections from some of the country's best-known nature writers, including Henry David Thoreau, Ralph Waldo Emerson, John Muir, Mary Hunter Austin, Wendell Berry, Rachel Carson, Barry Lopez, Annie Dillard and Terry Tempest Williams. Fall quarter will conclude with introductory readings on the historical and cultural relationships between people of color and nature. Students will engage with program readings, not only to develop a stronger appreciation of, and respect for, nature writing, but also to strengthen their critical thinking, reading and academic writing skills. In winter quarter, our selection of texts will foreground major works of nature writing by people of color, including writings by Toni Morrison, Leslie Marmon Silko, Ruth Ozeki, Percival Everett, and by those anthologized in . Students will continue to hone their academic writing skills; however, they will have the opportunity to explore "the colors of nature" through a variety of other writing forms: fiction, poetry, music lyrics, and creative nonfiction, among others. By winter quarter's end, students will be equipped to respond, in a variety of ways, to that question posed above: "What then, is Earth to American people of color?" Only at that point can we begin to address the enduring question, "What then, is Earth to all people?" Program activities will include lectures, workshops, seminars, film screenings, guest presentations and field trips. Students should be prepared to devote at least twice as many hours outside of class, as those spent in class, to program readings, writing and other assignments.	the humanities, writing, education, and environmental studies.	Chico Herbison	Tue Thu Fri	Freshmen FR	Fall	Fall

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