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2012-13 Undergraduate Index A-Z
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| Title | Offering | Standing | Credits | Credits | When | F | W | S | Su | Description | Preparatory | Faculty | Days | Multiple Standings | Start Quarters | Open Quarters |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
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Walter Grodzik, Ariel Goldberger and Robert Esposito
|
Program | FR–SRFreshmen - Senior | 16 | 16 | Day | S 13Spring | In this program students will study the voice, the body, and objects as sources of expression through the use of vocal and movement exercises, the recitation of poetry and other forms of literature, and performance. The class will explore creativity and imagination as expressed by the human voice, the body, and animated objects. How does the human voice respond to the emotional self, the physiology of the body, and the imagination? What are the contributing factors in how we use our voices, bodies, and objects to express ourselves in our daily lives and during performance? How can voices, bodies, and animated objects become more expressive and responsive to our inner selves? How do they contribute to the creation of artistic images and performances?This program will consist of multiple voice, object, and movement workshops. We will begin with exercises that increase focus, and enhance vocal color and strength. Movement workshops will focus on developing physical awareness and creativity. Animated Object labs will introduce students to experiments with body, voice, and objects in performance. We will learn the fundamentals of expressing sensory, emotional, cognitive, and behavioral experience by attending to space, time, body, breath, voice, artistic discipline and effort. In all these workshops, students will present group and individually created original compositions based on poetic and non-traditional texts. Integration and critique seminars will offer opportunities for exchange of ideas.Regular attendance, timeliness, and enthusiastic participation in workshops will be fundamental and extremely important in this program. This program is suitable for students at all levels with a sincere interest in developing greater vocal range, physical variety and strength, as well as a more flexible, and emotionally rich, range of expression. These interdisciplinary public presentation skills are useful in fields such as law, management, performing arts, and teaching. | Walter Grodzik Ariel Goldberger Robert Esposito | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | |||||
|
Robert Esposito
|
Program | FR–SRFreshmen - Senior | 16 | 16 | Day | F 12 Fall | This focused, one-quarter, movement-based program, involves progressive study in modern dance composition, theory, and technique. Prior dance experience at the beginner/intermediate level is advised.Activities will include regular classes in Laban-based Nikolais/Louis dance technique, theory, improvisation, composition, and seminar. Students will engage in vigorous physical activity based in basic anatomy and dance kinesiology, using a Pilates-based floor barre. Mind-body (somatic) work will be based on Feldenkrais’ “Awareness Through Movement” and theories of Gestalt psychology. Regular work in dance improvisation and composition will emphasize the personal and group dynamics of power-freedom-belonging-fun. Students will learn basic craft principles of composition: the formal design of space, time, shape and motion, drawing content from their own life experience and past interdisciplinary study to create original dance theatre work. Compositions will be performed weekly in performance forums that include faculty and student-centered critique and analysis.Theory, texts, and seminar will review the history, development, and methodology of dance and movement as somatic therapy, draw distinctions between art and psychology; and explore the creative process in therapy and the therapeutic efficacy of dance and other art forms. Seminar will draw on texts in psychology, art history, linguistics, poetics, and neurophysiology to develop skills in critical analysis and discourse, as well as situating texts, art and performance in their historical and sociocultural contexts. Writing will balance creative and analytical forms and research styles. The program culminates with a Week 10 showing of selected student work. | dance and theatre. | Robert Esposito | Mon Tue Wed Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall | |||
|
Andrew Buchman
Signature Required:
Winter
|
Contract | SO–SRSophomore - Senior | 16 | 16 | Day | W 13Winter | Please send me a preliminary proposal via email and I'll help you shape it. I often recommend projects that combine some research (on an artist or style) with some creative work (a thematic portfolio or series of songs), with some technical practice (on an instrument or in a medium or style). Internships and travel/study projects are also welcome. I'm especially interested in students who work in more than one artistic discipline intensively; for instance, music and visual art. Drafting academic statements and investigating careers--vital parts of designing your own education--can also be credit-bearing activities. | Andrew Buchman | Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
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Ratna Roy
Signature Required:
Spring
|
Contract | SO–SRSophomore - Senior | 16 | 16 | Day | S 13Spring | I am interested in working with students who wish to do independent work in the Performing Arts and the Humanities. I am broadly interested in the intersections between the social and the creative worlds, as my own creative work has explicitly dealt with this intersection. As well, since my Ph.D. is in African-American Literature, I am deeply interested in minority arts, be they defined by race, gender or sexual orientation, and whether they be in writing, or in the visual or performing arts.As an artist, I have concentrated in the world of choreography, in particular, in Orissi dance from India. A strong influence on my work has been the ancient mythologies of the Indian sub-continent, and the contemporary realities of neo-colonialism and its consequences. Students interested in working with me should submit an on-line Independent Study form, available at: Click on "Online Contract Process", create a contract, then submit it to me for my review. | Ratna Roy | Sophomore SO Junior JR Senior SR | Spring | Spring | |||||
|
Ratna Roy
Signature Required:
Winter
|
Contract | SO–SRSophomore - Senior | 16 | 16 | Day | W 13Winter | I am interested in working with students who wish to do independent work in the Performing Arts and the Humanities. I am broadly interested in the intersections between the social and the creative worlds, as my own creative work has explicitly dealt with this intersection. As well, since my Ph.D. is in African-American Literature, I am deeply interested in minority arts, be they defined by race, gender or sexual orientation, and whether they be in writing, or in the visual or performing arts.As an artist, I have concentrated in the world of choreography, in particular, in Orissi dance from India. A strong influence on my work has been the ancient mythologies of the Indian sub-continent, and the contemporary realities of neo-colonialism and its consequences. Students interested in working with me should submit an on-line Independent Study form, available at: . Click on "Online Contract Process", create a contract, then submit it to me for my review. | Ratna Roy | Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
|
Ratna Roy
Signature Required:
Fall
|
Contract | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | I am interested in working with students who wish to do independent work in the Performing Arts and the Humanities. I am broadly interested in the intersections between the social and the creative worlds, as my own creative work has explicitly dealt with this intersection. As well, since my Ph.D. is in African-American Literature, I am deeply interested in minority arts, be they defined by race, gender or sexual orientation, and whether they be in writing, or in the visual or performing arts.As an artist, I have concentrated in the world of choreography, in particular, in Orissi dance from India. A strong influence on my work has been the ancient mythologies of the Indian sub-continent, and the contemporary realities of neo-colonialism and its consequences. Students interested in working with me should submit an on-line Independent Study form, available at: Click on "Online Contract Process", create a contract, then submit it to me for my review. | Ratna Roy | Sophomore SO Junior JR Senior SR | Fall | Fall | |||||
|
Walter Grodzik
Signature Required:
Fall
|
Contract | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | Individual study offers individual and groups of students the opportunity to develop self-direction, to learn how to manage a personal project, to focus on unique combinations of subjects, and to pursue original interdisciplinary projects without the constraints of an external structure. Individual and groups of students interested in a self-directed project, research or internships in Queer Studies or the Performing and Visual Arts should contact the faculty by email at | Walter Grodzik | Sophomore SO Junior JR Senior SR | Fall | Fall | |||||
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Marianne Bailey and Leonard Schwartz
|
Program | SO–SRSophomore - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | In this program we will study the function of myth, the concept of art as ritual and the critique of language and representation in vanguard poetry, theater and opera. We are interested in the work of the artist as creator of new, unexpected artistic languages which attempt to communicate that which is inexpressible, that which lies behind and beyond ordinary words. We will consider how it is that a poet's words can say more than they mean, or that a symbol, as philosopher Paul Ricoeur writes, points toward a meaning otherwise inaccessible. The poets, dramatists, philosophers and theorists whom we will study never relent in their fascination with reconceiving their means of expression, and act with the reckless abandon of the free spirit described by Nietzsche in his essay "On Truth and Lie in an Extramoral Sense". Two of the major figures under study in our work will be the composer Richard Wagner and the poet and theoretician of the theater, Antonin Artaud, both of whom dreamed of a work of art that would contain word, image, music, flesh and movement in a single medium; both realized ritualized spectacles, in opera and in theater, capable of the transformation of their participants. We will read extensively from Artaud's work, considering his poetry, his essays comprising Theater and its Double, as well as his records of personal quests to places which he considered privileged, in which the Marvelous or the divine was written on the face of the land. We will view and listen to both Strauss's and Wagner's . Wagner's "Total Art" or "Gesamtkunst" realized the 19th Century artists' dream of a perfect language, in which music, words, gestures and scenic symbols spoke as one single language. The philosophizing of Friedrich Nietzsche, embedded in the creative power of myth, will also be crucial for us in terms of conceptualizing the life-giving presence of myth in creative expression and the nature of language itself, as both problematic and world generating. Nietzsche's Birth of Tragedy also takes us back to the Greeks, their masterpieces of theater as communal ritual, their metaphor of the artist as "entheos" imbued with the god, and their art as arising from the whispering of a muse, or an Orpheus. During fall quarter, our reading will include as well the Dark Romantic and Symbolist poets of the later 19th Century, their reconception of art, and their aesthetic and philosophical groundwork for 20th Century Modernism. In addition to our work on Artaud, Wagner and Nietzsche during both quarters, readings will be drawn from Baudelaire, Rimbaud, Mallarmé and Rilke in the European poetic tradition. During winter quarter, we will study Aimé Césaire, as well as Aioné and Kamau Brathwaite, contemporary Caribbean poets. We will read Robert Duncan, Barbara Guest, Alice Notley, Fanny Howe, Nathaniel Mackey and others from the contemporary American poetic tradition growing out of the Black Mountain School. We will study composers Strauss and Berg in the Modern Western operatic tradition, and daring theatrical creators such as Peter Weiss and Peter Brooks. Other theoreticians to be considered during both fall and winter might include Rene Girard's , Blanchot’s , Bataille’s , Sigmund Freud's , and Robert Duncan's All students will read, write and analyze poetic, philosophical and critical texts, will discuss key theorists in aesthetics, and will choose between weekly workshop/seminars on either creative writing or on the key philosophical writings of Friedrich Nietzsche. Over the two quarters of this program, students will develop and complete a major personal project. This substantial body of work students will develop over the first weeks of the quarter, and carry through over two quarters; this offers serious creative writers and dramatists, and students of theory, philosophy and literary interpretation the opportunity to undertake a collection of poetry, a play or performance/spectacle, an interpretive work on Nietzschean philosophy, or a research-based project on your choice of themes and artists in our curriculum.This upper-division program demands a serious commitment of time and effort; the works which we will study are demanding, and the reading and writing will be significant. | the humanities. | Marianne Bailey Leonard Schwartz | Mon Wed | Sophomore SO Junior JR Senior SR | Fall | Fall Winter | ||
|
Rose Jang and Marla Elliott
Signature Required:
Winter
|
Program | FR–SRFreshmen - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | Vocal performance and instrumental music have existed as primary vehicles of human emotion and communication since the dawn of history and across cultural boundaries. Whether it was the choral ode recited to the accompaniment of the lyre in the classical Greek age during 5th century BCE, or the ritualistic hymns sung to the solemn tune of Zheng around the same antiquity in China, music has since accompanied literary ingenuity and punctuated everyday life via melody and rhythm in different parts of the world. Musical theatre brings under its artistic umbrella the individual forms and aesthetics of music, dance, acting, poetry, dramatic literature and architectural environment. Many parallels can be drawn between the musical theatres of the East and West. For example, Chinese opera evolved from classical roots, through the politically frenzied revolutionary opera of the Cultural Revolution of 1966-76, and then to the current revival and reinterpretation of traditional repertory beginning in the nineteen-eighties. European musical theatre followed its own torturous path; the Renaissance Italians imitated ancient Greek theatre by creating European opera, which was then parodied by English Ballad Operas in early 18th century, and then later adapted into satiric cabaret musicals such as Brecht & Weill's two hundred years later. In this two-quarter program, we intend to study various forms of musical theatre in specific cultural context, from both Western and Eastern tradition, and aim to bring them alive by actively and seriously practicing voice, singing, acting, movement and music performance. In fall quarter, we will trace the evolution of musical theatre cross-culturally. Chinese, Japanese and other Asian musical theatre styles will be set in distinct contrast to the long trail of Western musical ventures from the classical Greek theatre, Renaissance theatre, and European opera to 20th and 21st century musical plays. We will try to understand the artistic merit and intention behind each work of musical theatre and comprehend the social, political or philosophical themes embodied by the unique combinations of music and stylized performance that each theatre adopts.At the same time we are studying history and culture in lecture, seminar, reading and writing, we will also learn to sing, to act, to play music instruments, and to set poetic texts, which may have been preserved without extant music scores, to creative new compositions in workshop and projects. Students will write songs based on Chinese texts in translation and stage fresh versions of classical Chinese musical drama using cultural knowledge and creative imagination. Winter quarter will be devoted mainly to rehearsals and production work for a major production. Students will learn to gear all their creative and performative efforts to one complicated, full-length musical theatre piece, possibly Jeremy Barlow's setting of , and stage it in a public performance at the end of the quarter. | theater, music composition and performance, cultural studies and other studies and careers demanding good written and oral communication skills. | Rose Jang Marla Elliott | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter | |||
|
David Wolach
|
Course | FR–SRFreshmen - Senior | 4 | 04 | Evening and Weekend | S 13Spring | What does it mean to perform the text? What happens when genres collide? This creative writing program will bring together several terms often thought to be well-defined—including "poetry," "prose," "theater," "politics," and "essay"—and, through experiments in writing, reading, and collaborating, re-narrate their meanings and implications. Along the way we’ll investigate key concepts and texts in poets theater, guerilla poetry, and other forms of performance-based text, mining them to create our own individual and collaborative writings. During the quarter, our meetings will consist of weekly seminars, lectures, and "language labs"—times for brainstorming, rehearsing, and trying out language experiments. | David Wolach | Wed Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
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Mark Harrison and John Baldridge
|
Program | FR–SRFreshmen - Senior | 8 | 08 | Evening and Weekend | F 12 Fall | W 13Winter | With the US presidential election season as backdrop, we will engage with American politics, both local and national. We will delve deeply into the use and construction of political power—how it leverages cultural trends and reflects the geography of the electorate. We will examine how tactics of performance are employed to create images that have purchase on the political stage. Rhetoric, "spin," appeals to values, the invocation of class struggle, portrayals of the Constitution, bi-partisanship, race relations, gender rights—all of these will be part of our curriculum. What roles do citizens play, particularly in relation to changing social and environmental realities, the Internet, popular culture and the media? We will develop a set of critical questions, issues, and case studies that will guide our program. We will critique the campaigns as they unfold in real time—political ads, talking points, debates and damage control. And we will analyze plays, narrative and documentary films, and other forms of art and entertainment to determine how they have historically reflected or shaped political action and thought. In fall quarter we will follow the campaigns as they develop and culminate in the election. We will analyze what the election results tell us about the state of American politics. In winter quarter we will analyze and track the Inaugural Address of the next president and the start of a new US Congress. What do "lame duck" politicians hope to accomplish? How do continuing politicians frame their plans for the future? What can we, as an informed electorate, anticipate from the next political cycle? Students who enroll in this program should expect to do independent research on the elections, participate in political rhetoric and events, conduct statistical analyses of polls and election results, and dig into the elections cycle and results. | Mark Harrison John Baldridge | Wed Sat | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter | |||
|
Myra Downing
Signature Required:
Fall Winter Spring
|
Program | JR–SRJunior - Senior | 12 | 12 | Evening and Weekend | F 12 Fall | W 13Winter | S 13Spring | This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study. | public administration, political science, social sciences, human services, law, and tribal administration and government. | Myra Downing | Junior JR Senior SR | Fall | Fall Winter Spring | ||
|
Cynthia Marchand-Cecil
Signature Required:
Fall Winter Spring
|
Program | JR–SRJunior - Senior | 12 | 12 | Evening and Weekend | F 12 Fall | W 13Winter | S 13Spring | This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study. | public administration, political science, social sciences, human services, law, and tribal administration and government. | Cynthia Marchand-Cecil | Junior JR Senior SR | Fall | Fall Winter Spring | ||
|
Michelle Aguilar-Wells and Chad Uran
Signature Required:
Fall Winter Spring
|
Program | JR–SRJunior - Senior | 12 | 12 | Evening and Weekend | F 12 Fall | W 13Winter | S 13Spring | This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is .In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study. | public administration, political science, social sciences, human services, law, and tribal administration and government. | Michelle Aguilar-Wells Chad Uran | Junior JR Senior SR | Fall | Fall Winter Spring | ||
|
Colleen Almojuela
Signature Required:
Fall Winter Spring
|
Program | JR–SRJunior - Senior | 12 | 12 | Evening and Weekend | F 12 Fall | W 13Winter | S 13Spring | This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is .In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study. | public administration, political science, social sciences, human services, law, and tribal administration and government. | Colleen Almojuela | Junior JR Senior SR | Fall | Fall Winter Spring | ||
|
Dorothy Flaherty
Signature Required:
Fall Winter Spring
|
Program | JR–SRJunior - Senior | 12 | 12 | Evening and Weekend | F 12 Fall | W 13Winter | S 13Spring | This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study. | public administration, political science, social sciences, human services, law, and tribal administration and government. | Dorothy Flaherty | Junior JR Senior SR | Fall | Fall Winter Spring | ||
|
Renee Swan-Waite
Signature Required:
Fall Winter Spring
|
Program | JR–SRJunior - Senior | 12 | 12 | Evening and Weekend | F 12 Fall | W 13Winter | S 13Spring | This program teaches course work from a Native based perspective within the context of the larger global society. Students at all reservation sites follow the same curriculum with opportunities to focus on local tribal specific issues. The overall theme provides students with a foundational knowledge base for tribal sustainability. In the broadest sense it includes: social, cultural, political, economic and environmental sustainability. At the end of the year, they will have a framework from which to explore restorative solutions and development for sustainability at the local, national and international levels. The theme for 2012-2013 is . In fall, students will review federal Indian law through study of historical and contemporary materials and case law. They will develop a foundation for understanding treaties, the trust relationship, legal precedents, sovereignty, threats to sovereignty, and Indian activism. Study of basic conflicts over jurisdiction, land rights, domestic relations, environmental protection and other areas will provide students with insight into court systems and the political will of governments.During winter, students will study the identity formation and politics of several US presidents and world leaders through the lens of race, class, gender, nationality, education and other differences that advance or inhibit an individual's pathway to a place of privilege and power. Forms of theater will be used to study human behavior and political communication. Students will critically analyze multiple perspectives of colonization and oppression through review of American democracy and other world governmental structures.Spring quarter, students will examine the intersection of social, environmental and economic practices on the sustainability of the planet's biological systems, atmosphere and resources using a variety of methods, materials and approaches to explore contemporary sustainability issues in tribal communities, the U.S. and abroad. Students will study social/cultural and environmental justice issues.Over the program year, students from all sites meet thirteen Saturdays on campus at the Longhouse. Through case study and other methods the curriculum is enhanced and supported. Students participate in workshop-type strands and an integrated seminar that increases writing skills and broadens their exposure to the arts, social sciences, political science and natural science, and other more narrowly defined areas of study. | public administration, political science, social sciences, human services, law, and tribal administration and government. | Renee Swan-Waite | Junior JR Senior SR | Fall | Fall Winter Spring | ||
|
Walter Grodzik
Signature Required:
Fall Winter
|
SOS | SO–SRSophomore - Senior | 16 | 16 | Day, Evening and Weekend | F 12 Fall | W 13Winter | This SOS program provides an opportunity for students to work on larger, highly-collaborative projects that require a multiplicity of skills and knowledge that an individual may not possess on their own. In this two-quarter program, students will form their own learning communities in order to work collectively and collaboratively on a project of common interest. For example, students could organize as political activists and work for a political campaign or on a political issue, rehearse and perform a play or musical, or write and produce a film. Students could also create a business plan and take steps to open their own business, write and perform a comedy sketch show, create an improv performance troupe, or contribute daily work to an ongoing charity such as Habitat for Humanity. There are countless possibilities limited only by one's interests and imagination. The most important aspect in the selection of a project is the recognition that the size and scope of the work requires the commitment of more than one individual and is possible only with the creation of a learning community. Faculty will support student work through regular meetings, critiques and problem-solving discussions. The peer learning community will also provide support and direction for the various projects | Walter Grodzik | Mon Tue Wed Thu Fri Sat Sun | Sophomore SO Junior JR Senior SR | Fall | Fall Winter | |||
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Naima Lowe
Signature Required:
Winter
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Program | JR–SRJunior - Senior | 16 | 16 | Day | F 12 Fall | W 13Winter | S 13Spring | This is an opportunity for advanced students with a background in a variety of art forms to build on their skills in the history, theory and creation of visual, performance and media art with the support of a learning community. Our focus will be on the exploration of Video Art and Performance Art as forms that have histories and practices that simultaneously draw upon traditions of experimental film and avant-garde theater while staking unique allegiances to the worlds of sculpture, photography, painting, spoken word and experimental music. We will explore these practices as creative practitioners, curators, and theoreticians of Video and Performance Art. In we will study the intertwined histories of Video (including Video Installation Art) and Performance Art from the 1960s to the present. We will centrally ask: How do Performance and Video Artists uniquely explore issues of race, gender, interactivity, place and the body? We will read, screen and discuss the work of artists and art historians who will help us put Video and Performance Art into historical and theoretical context. These explorations will be accentuated by creative exercises in performance and video, as well as short papers and collaborative research assignments. We will end Fall Quarter with a retreat during which students and faculty will work together to determine further areas of skill building and research to explore during Winter and Spring Quarters. will be made up of technique workshops, guest artists and longer form projects in which students will explore their own creative practices in depth. Lectures, seminar readings and a 10-15 page research paper will deepen our engagement of the material. The content of the technique workshops will be developed during the fall retreat, and include Vocal Performance, Interactive Computing (Arduino/MaxMSP), Lighting for Film/Video, Costuming, Video Installation, etc. By the end of Winter Quarter each student will complete a proposal for a Spring Quarter project that will be exhibited for the Evergreen community. Students will also collectively curate and organize a screening and performance series that will take place during the Spring Quarter. Winter Quarter will also include a While in New York, we will also visit other museums, galleries and performance spaces such as The Studio Museum in Harlem, The Kitchen, The Coney Island Museum, and PS 122. We will visit several locations as a group, as well as having opportunities for exploring the city independently. will be primarily dedicated to independent work and work-in-progress critiques of the final project, as well as the organization of the screening and performance series. For more information: | Naima Lowe | Junior JR Senior SR | Fall | Fall Winter |
