2014–15 Academic Catalog

2014-15 Undergraduate Index A-Z

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Title		Offering	Standing	Credits	Credits	When	F	W	S	Su	Description	Preparatory	Faculty	Days	Multiple Standings	Start Quarters	Open Quarters
Drawing Time Robert Leverich aesthetics architecture art history visual arts		Program	SO–SRSophomore–Senior	16	16	Day	F 14 Fall				This program is for students eager to advance their drawing abilities and deepen their own sense of place in the history of art and image making. In regular drawing studios each week, we will address skills and expression through representational drawing, life drawing, spatial studies, iterative studies and non-representative abstraction, using a variety of old and new tools and media, from vine charcoal to digital collage. Students will be called on to develop a regular drawing practice outside the studio as well and to take on a substantive drawing project for a final exhibition. In lecture/workshops and seminars, we will use drawing as a connecting reference across time and cultures to study history and ideas of art and image making. We will consider how forms, methods and meanings appear, transform and reappear, from cave drawings, alphabets and portraiture to graffiti, maps and the mediations of technology. Students will be asked to do a research project exploring the relationship of drawing and art history to another discipline and to present their findings to their peers. Book possibilities include (Ingold), (Focillon), (Pasztory), (Scolari) and (Dexter). Engaged students will develop a stronger drawing practice, new ideas, a fuller sense of their work in historical and cultural contexts and skill in connecting art making and art history to other disciplines, informing and enriching all three.		Robert Leverich		Sophomore SO Junior JR Senior SR	Fall	Fall
Musical Cities Stephanie Kozick and Andrea Gullickson aesthetics architecture cultural studies field studies literature music sociology writing		Program	SO–SRSophomore–Senior	16	16	Day	F 14 Fall	W 15Winter	S 15Spring		Alfred Lord Tennyson This program is a yearlong academic inquiry into the paired realms of music and the city. The history of modern music sits squarely in the emergence of cities. Can we get an impression of the waltz without getting an impression of 18th-century Vienna? Can we consider New Orleans without considering jazz? And certainly, urban recording companies, such as Cincinnati’s King Records in the late 1940s to early 1960s, influenced what urban dwellers listened to. The connected study of these aspects of society—music and cities—creates a lively academic journey. Inquiry in this program will bring to light how cities and music interact with one another, how each changes the essence of the other, how each are expressions of culture. Music and cities are “characters” for deep consideration. The distinct topics of urban life and urban music will be explored through familiar modes of inquiry: readings, workshops, writing and listening. Furthermore, work that combines the two topics will move us to understand their interface. Fiction, such as (Seth, 2000), a tale set in Venice and Vienna that explores how music can both unite and divide, helps portray the urban, international music scene. Kurt Ambruster’s nonfiction (2011) connects the topics through a historical perspective. There are also specific collected urban sound experiments to think about: John Cage’s New York City art and score is one such experiment, and Steve Reich’s minimalist composition is another. This program will experiment with its own collection of city sounds through student fieldwork projects. In this program, expect to develop a new language to express what you are hearing and learning about in the world of music and cities. You will learn to listen critically, to become familiar with genres of music and to understand music’s cultural implications. At the same time you will be immersed in the concept of “city” by experiencing others’ visions of cities, how we navigate urban environments and how we change them. Fall and winter in-class work will be punctuated with fieldwork to explore the sounds of nearby cities. In spring, students will have the opportunity to design a field study that investigates the urban/music significance of a city of your choice and means. A formal field study proposal will be required as a tool to plan a five-week field study.		Stephanie Kozick Andrea Gullickson	Mon Tue Wed Thu	Sophomore SO Junior JR Senior SR	Fall	Fall Winter
The Nature of Ornament: Chaos, Code, Cosmos Robert Leverich, Arlen Speights and Sarah Williams architecture art history computer science consciousness studies cultural studies gender and women's studies visual arts writing		Program	FR–SRFreshmen–Senior	16	16	Day		W 15Winter	S 15Spring		Ornament struggles to serve its ancient purpose, which is to bring order and produce cosmos out of chaos. --Bloomer, Why do we like some objects plain and others ornamented? Does ornament arise out of the making of the thing or is it applied afterward? What are the personal, political, and technological dimensions of ornament within different historical and cultural contexts? Are our possessions—from clothes and cars to laptops and smartphones—a form of ornament? Is thinking always mediated by, alongside,and through objects? How is our relationship to ornament changed by our ability to automate and cheaply create through new technology? From an evolutionary perspective might the neurological be ornamental and reason mere embellishment? Are the abstract, technical artifacts of mathematics and science devoid of ornament or can physical embodiment become mere ornament? We will consider how things—plain or adorned—shape and are shaped by our mental as well as our physical landscapes. Possible sites for our investigation of the cognitive life of vibrant matter are many and diverse: beads (abacus to jewelry), classic Greek running patterns, Islamic interlaces, cursive writing and digital typography, computer-generated art, the design and representation of web pages, 3D-printed objects, pattern creation using cellular automata, Native American figure/ground relationships, Bach’s well-ordered table of musical ornaments, the poetics of Gertrude Stein Louis Sullivan’s Rudolf Steiner’s sequenced instruction in form drawing (and its relationship to projective geometry), or Henry Goodyear’s Each student will choose to do program creative work in two of three interrelated studios each quarter: one focused on materials, tools, and making in wood, metals, clay and plaster; one focused on computer programming using the Processing language and 3D printing; and a third focused on ornament as a creative, gendered, evolutionary and projective process for adding value to materials, tools, making, programming, and printing. Although individual studio work will diverge in addressing how forms and patterns of ornamentation arise from nature, abstract systems, and cultural imperatives, our primary assessment and evaluation practices will focus on small group projects requiring the cultivation and ornamentation of individual work by students from each of the studios each quarter. Winter projects will center on the idea of – permeable surfaces and membranes that frame and modulate movements and flows. Spring projects will address the idea of – multi-dimensional forms and modules that address boundaries between inside and outside. Studio work and small group projects will lead to opportunities for substantive research and creative projects, including a week-long field study winter and a two-week field study or studio intensive spring quarter. Through all-program lectures/workshops, peer presentations, seminars and field trips, as well as studio projects, students will develop abilities in drawing and design, tools and materials (both low-tech and high-tech), and experimental forms of expressive, expository, and reflective thinking, speaking and writing. Book possibilities include: (Pallasmaa), (Trilling), (Pasztory), (Adoo), (Ingold), (Rasula and McCaffery), (Malafouris and Renfrew), (Teyssot), (France), (Stephenson), Ornament: The Politics of Architecture and Subjectivity (Picon), (Berssenbrugge), and (Tufte).		Robert Leverich Arlen Speights Sarah Williams	Mon Tue Wed Thu	Freshmen FR Sophomore SO Junior JR Senior SR	Winter	Winter Spring
Operating Manual for Spaceship Earth Karen Gaul, Evan Blackwell and Anthony Tindill anthropology architecture art history community studies consciousness studies cultural studies somatic studies sustainability studies visual arts		Program	JR–SRJunior–Senior	16	16	Day	F 14 Fall	W 15Winter	S 15Spring		Fifty years ago, Buckminster Fuller contemplated our planetary future and our limited ability to imagine alternative futures in his book, . In this program, we will consider what it means to be astronauts on our home planet and how to creatively imagine healthy and sustainable future scenarios. Guiding questions for the program will include: What shapes cultural values and how do cultures change, adapt and form new paths? How do we weave together various branches of knowledge into a healthy system and vision for the world? What do we make with the abundance of material goods that fill our daily lives? How do we design objects and spaces to create a more sustainable and fulfilling existence? To address these questions, we will consider traditions of the past and present that demonstrate cultural responses to environmental limits and possibilities. Yogic philosophy, for example, offers critical guidelines for sustainable living and we will explore the principles and practices of this tradition. We will examine the ideologies of the Arts and Crafts movement, the modernist avant-garde, social sculpture and art as social practice. These will be connected with the environmental movement and current trends such as upcycling, cradle-to-cradle design and the resurgence in handiwork and traditions of craft.Students will research and construct their own “Operating Manuals” over the course of the three quarters. This will include a critical look at alternative and utopian models for living, as well as engage with powerful sustainability and justice movements already at work in our community. This program will challenge students to engage through readings and weekly seminar discussions, field visits and research papers, as well as visual art projects and critiques.In fall quarter, we will build vocabularies and skills for thinking about sustainability and community transformation. Studio work in two- and three-dimensional design and ceramics will emphasize redesigning, repurposing and reusing the proliferation of materials available all around us. Yoga labs will help us to integrate work in the classroom and studio with yogic thought and somatic experiences. Study and comparison of cross-cultural examples of sustainability practices will guide the development of our Operating Manuals.In winter quarter, we will work to develop community projects and/or individual visual artworks. We will work with organizations such as Sustainable South Sound and The Commons to develop applied projects. Students will research and report on local and regional alternative, intentional communities. Our critical analysis of sustainability discourses will inform all of our studio work.Spring quarter will offer opportunities to further develop and implement community projects. These may take the form of public art projects, sculptures or installations that enhance public spaces such as community or school gardens or parks. They may also involve facilitating public art processes that integrate the concepts and design principles central to this program.		Karen Gaul Evan Blackwell Anthony Tindill		Junior JR Senior SR	Fall	Fall Winter Spring
Urbanity, Smart Cities, and Civic Intelligence Douglas Schuler and Howard Schwartz architecture political economy sociology sustainability studies		Program	FR–SRFreshmen–Senior	8, 12	08 12	Evening and Weekend		W 15Winter	S 15Spring		For the first time in history, the population of the world’s city dwellers exceeds that of their rural counterparts. While the trend to crowd ever more people into cities continues, the impact of cities on the rest of the world is still profoundly felt. Cities are the economic engines that help determine the state of the rest of the social and natural worlds. And cities use resources and have ecological impacts that extend beyond their boundaries. They are also the seat of much of the cultural production and technological innovation which has broad implications for everybody.Throughout the program we will employ a civic intelligence perspective into our exploration of cities. Civic intelligence is the capacity of groups, organizations, or societies to address their shared issues effectively and equitably. Complementary themes which may be integrated into the program include sustainability, climate change, varieties of social change, art, math, science, philosophy. Several city related technological efforts may be intergrated in the program, including the Seattle Community Network and the MyNeighborhood project involving Lisbon, Milan, and other European cities.We will explore the physical forms of the cities as well as the forces they exert beyond their physical boundaries. We’ll look into things like history of social innovation in cities, urbanization in 20th and 21st centuries, current roles of the cities, responsibilities of the city, knowledge production in the city, mental and other maps, cities and power, manufacturing in the city. We will also explore a number of creative perspectives including annotating the city, appropriating the city, imagining the city, animating the city, and sensing the city.Students who register for the 12 credit option will meet from 4:30 - 6:00 every Wednesday along with students in the undergraduate research offering that focuses on civic intelligence. In this setting student teams design and implement projects as part of the Civic Intelligence Research and Action Laboratory (CIRAL). Successful CIRAL work requires student initative and the ability to working independently and also as part of a collaborative team.		Douglas Schuler Howard Schwartz		Freshmen FR Sophomore SO Junior JR Senior SR	Winter	Winter Spring