2014-15 Undergraduate Index A-Z
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Consciousness Studies [clear]
Title | Offering | Standing | Credits | Credits | When | F | W | S | Su | Description | Preparatory | Faculty | Days | Multiple Standings | Start Quarters | Open Quarters |
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Marja Eloheimo
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Program | FR–SRFreshmen–Senior | 12 | 12 | Weekend | F 14 Fall | W 15Winter | S 15Spring | Working as a project team, this program has a mission. Students will continue to tend and refine habitat and theme areas in the Longhouse Ethnobotanical Garden, including the Sister Garden (patterned after a medicinal garden we created on the Skokomish Indian Reservation) as well as create valuable educational resources that contribute to the Evergreen community, local K-12 schools, local First Nations, and a growing global collective of ethnobotanical gardens that promote environmental and cultural diversity and sustainability. During , we will become acquainted with the garden and its plants, habitats, history, and existing educational materials. We will begin to engage in seasonal garden care and development, learning concepts and skills related to botany, ecology, Indigenous studies, and sustainable medicine. We will also establish goals related to further developing educational materials and activities, including a Web presence. Students will have the opportunity to select and begin specific independent and group projects that include learning knowledge and skills pertinent to their completion. During , we will focus on the garden's "story" through continued project work at a more independent level. Students will work intensively on skill development, research, and project planning and implementation. We will also be active during the winter transplant season and will prepare procurement and planting plans for the spring season. During , we will add plants to and care for the garden, wrapping up all of the work we have begun. We will establish opportunities to share the garden and our newly created educational materials, effectively enabling the garden to "branch out." This program requires commitment to a meaningful real-world project and strongly encourages yearlong participation. It also cultivates community within the program by nurturing each member's contributions and growth, and acknowledges the broader contexts of sustainability and global transformation. | Marja Eloheimo | Sat Sun | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | ||
Ab Van Etten
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Program | FR–SRFreshmen–Senior | 8 | 08 | Evening | S 15Spring | What types of problems can be solved by computers? How do humans and computers differ in the types of problems they can solve? What is the future of computing, and will computers evolve an intelligence that includes what we would define as human thought? Can computers learn or create on their own? This program will explore the basics of computer science, how computers work, and their possibilities and limits. The program will include basic programming in Javascript, Web development, introductory computer electronics, and other computer science topics. We will contrast this with human cognition. We will then look at how computers will likely affect the way we live, work, and relate in the future. In seminar we will explore the issues surrounding machine vs human consciousness and strong artificial intelligence. | Ab Van Etten | Mon Wed | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Donald Middendorf and Terry Setter
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Program | FR ONLYFreshmen Only | 16 | 16 | Day | F 14 Fall | W 15Winter | S 15Spring | What is the relationship between our understanding of consciousness and our self-understanding? This yearlong, interdisciplinary program will provide an opportunity for students who are interested in doing intensive work on the nature of consciousness to cultivate self-awareness through challenging readings, written and expressive responses to program materials and self-reflection. We will examine our beliefs about the nature of reality from a variety of disciplinary viewpoints, including physics, music, psychology and philosophy. Prospective students should have a strong interest in the experiential study of relationships between reality and consciousness as well as college-level skills in reading, writing and pursuing research topics. Sincere effort and self-motivation will be essential for succeeding in this yearlong community learning process.We will take an approach that welcomes and explores the complexity of many different views of consciousness as proposed by researchers, philosophers and spiritual leaders. We will read texts that cover many contemporary models of consciousness and we will examine topics from the basics of Jungian psychology through alternative areas of research, such as lucid dreaming and paranormal phenomena. Students will keep a structured journal of activities and practices that explores their developing understanding of the nature of consciousness. The fall quarter will include an overnight, off-campus retreat. During the winter and spring quarters we will integrate contemplative disciplines into our study as well as an in-depth study of dreams. This will include keeping a journal of experiences during contemplative practices and a dream journal. In spring, students will have the opportunity to pursue their interests in individually selected areas of activity for up to four credits.This is an experiential and rigorous full-time program in which students will be expected to participate in all program activities and to document at least 40 hours of work per week being invested in program related activities. | Donald Middendorf Terry Setter | Tue Wed Thu | Freshmen FR | Fall | Fall Winter Spring | ||
Michelle Aguilar-Wells
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Program | SO–SRSophomore–Senior | 16 | 16 | Day | F 14 Fall | -Laura Bickford, Oscar nominated producer of "Traffic" Film can revolve around complex issues found in society and offer different perspectives on human and societal behavior. Students in the all level class will view and analyze a minimum of 20 films from the big screen, small screen, and documentary categories. The class will be divided into four topical areas: race relations, corporate influence and impacts, LGBT community issues, and a miscellaneous category. Examples of films that may be included are: Crash, Milk, American History X, Wall Street, Grand Torino, 4 Months, 3 Weeks, 2 Days, Traffic, Two Spirits, and How to Survive a Plague. Students will review critiques of the films, participate in seminars, use organizing techniques to identify concepts, and review competing and historical perspectives. In addition, students will analyze each film’s individual perspectives, techniques, and impacts. Students will produce reflections and/or film analysis, a final term paper that is a comparative analysis within one of the categories, deep reflective questions for each film, and research work associated with each film category. They will learn to apply critical modes of questioning to issues in their own communities. They will understand the meaning of social consciousness and the value of significant dialogue. Students should be prepared to enter into difficult discussions with civility and respect. Students can expect to examine their own beliefs in light of differing perspectives. Students can expect to receive credit in film analysis, critical thought, and social consciousness or justice. : students in this program must be prepared to view films that offer controversial subject matter and perspectives and may be rated R. | Michelle Aguilar-Wells | Mon Tue Wed | Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
Walter Grodzik and Cynthia Kennedy
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | F 14 Fall | W 15Winter | S 15Spring | How does imagination respond to the emotional self, the physiology of the body and the psychology of the mind? How can we become more expressive and responsive to our inner selves? This program will explore the interior spaces where performances begin and the exterior spaces where performances are realized. Through the understanding and embodiment of somatic concepts such as awareness, intention, centering, authenticity and the interplay of mind and body, students will have the opportunity to explore the creative imagination as it expresses itself from their own life processes, rather than from externally imposed images, standards and expectations.Students will begin with movement and theatre exercises that center and focus the mind and body in order to open themselves to creative possibilities and performance. Students will also study movement and theatre as a means of physical and psychological focus and flexibility that enable them to more fully utilize their bodies and emotional selves in creating theatrical performance. Students will be invited to explore and enjoy the movement already going on inside their bodies to learn to perceive, interpret and trust the natural intelligence of intrinsic bodily sensations. The class will use experiential techniques derived from several traditions of somatic philosophy. In seminar, students will read a broad variety of texts about creativity, movement, theatre and dramatic literature.The program will include weekly seminars, workshops in movement and theatre, and film screenings of various movement/theatre and theatre productions. We welcome students of all abilities who bring their excitement, commitment and creativity to the performing arts. | Walter Grodzik Cynthia Kennedy | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | |||
Bill Arney
Signature Required:
Winter
|
Contract | FR–SRFreshmen–Senior | 16 | 16 | Day | W 15Winter | Individual Study offers opportunities for students to pursue their own courses of study and research through individual learning contracts or internships. Bill Arney sponsors individual learning contracts in the humanities and social sciences. All students ready to do good work are welcome to make a proposal to Bill Arney. | Bill Arney | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | Winter | |||||
Sarah Williams and Arlen Speights
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day and Evening | F 14 Fall | What do wampum, bitcoin, quantum computing, 3D printing, community, and forgetting have in common? What does the education of women have to do with reproduction and population growth? How do these "things" differ in connecting the ethereal with the physical? Non-verbal experiences evolve into expressible thoughts and ideas, which can be crafted and manufactured into material existence, all of which may carry value. What are the stakes of each step of reification, given their carbon footprint in an ecozoic anthropocene? What are alternative, sustainable processes for learning, computation, and currency?This program investigates this connection between meaning, making, and matter using scholarly as well as contemplative inquiry, experimental writing, moving images, and 3D printing. We’ll experiment with the role of optimism both in connecting mind and body and in debugging mental habits. Students will use 3D printing to bring an idea, developed through their writing, reading, and film experience into physical being. We'll analyze the relationships between an object’s material and non-material natures and values. Students will begin this program with a meditation retreat to become more familiar with bodily, felt experiences as the materiality of, and for, thought processes.The program is designed to be self-bootstrapping and evolving using innovative pedagogy, through which all students actively participating in activity planning and community building. Possible texts include by James Marcus-Bach, by Lambros Malafouris, by Nassim Taleb, by Neal Stephenson, by Martin Seligman, by Mark Frauenfelder, by David Loy, and by Ruth Ozeki. The program will continue as a studio component of the program “The Nature of Ornament” in the winter and spring quarters. | Sarah Williams Arlen Speights | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall | |||||
Heesoon Jun
Signature Required:
Fall
|
Program | SR ONLYSenior Only | 16 | 16 | Day | F 14 Fall | W 15Winter | S 15Spring | The program is designed to meet the multicultural counseling competency requirements of the American Psychological Association (APA): counselor awareness of his or her own cultural values and biases, counselor awareness of the client’s worldview and culturally appropriate intervention strategies. Students will critically examine roles of ethnocentric bias, attribution error, asymmetric perception, social projection, implicit learning, inappropriate generalizations in research, governmental and institutional policies, and developing inter- and intra-personal communications. Each quarter, students are required to complete reflective and transformative learning activities, participate in somatic psychology through mindfulness movement, record weekly conscious raising activities, participate in videotaped counseling skill building, semiweekly intensive journal writing and weekly collaborative work. Fall quarter emphasis is awareness of students’ own values and biases through writing their own personality development according to conventional personality theories. Winter quarter emphasis is awareness of the client’s worldview through increasing critical reasoning skills, learning to integrate scientific inquiry with clinical inquiry by learning to examine primary research journal articles and their utility in counseling, in addition to learning multicultural counseling skills. Spring quarter emphasis is culturally appropriate assessment, diagnosis and treatment through learning the APA's ethics code. In both winter and spring quarters, students will be required to complete internships of 10 hours per week at social and human service organizations which provide opportunities to apply their classroom learning in a practical setting.The program will emphasize consciousness studies, psychological research interpretation, studies in internalized oppression/privilege and systemic oppression/privilege, multicultural counseling theories and practice, and social justice and equity. | Heesoon Jun | Tue Wed Fri | Senior SR | Fall | Fall | ||
Robert Leverich, Arlen Speights and Sarah Williams
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Program | FR–SRFreshmen–Senior | 16 | 16 | Day | W 15Winter | S 15Spring | Ornament struggles to serve its ancient purpose, which is to bring order and produce cosmos out of chaos. --Bloomer, Why do we like some objects plain and others ornamented? Does ornament arise out of the making of the thing or is it applied afterward? What are the personal, political, and technological dimensions of ornament within different historical and cultural contexts? Are our possessions—from clothes and cars to laptops and smartphones—a form of ornament? Is thinking always mediated by, alongside,and through objects? How is our relationship to ornament changed by our ability to automate and cheaply create through new technology? From an evolutionary perspective might the neurological be ornamental and reason mere embellishment? Are the abstract, technical artifacts of mathematics and science devoid of ornament or can physical embodiment become mere ornament? We will consider how things—plain or adorned—shape and are shaped by our mental as well as our physical landscapes. Possible sites for our investigation of the cognitive life of vibrant matter are many and diverse: beads (abacus to jewelry), classic Greek running patterns, Islamic interlaces, cursive writing and digital typography, computer-generated art, the design and representation of web pages, 3D-printed objects, pattern creation using cellular automata, Native American figure/ground relationships, Bach’s well-ordered table of musical ornaments, the poetics of Gertrude Stein Louis Sullivan’s Rudolf Steiner’s sequenced instruction in form drawing (and its relationship to projective geometry), or Henry Goodyear’s Each student will choose to do program creative work in two of three interrelated studios each quarter: one focused on materials, tools, and making in wood, metals, clay and plaster; one focused on computer programming using the Processing language and 3D printing; and a third focused on ornament as a creative, gendered, evolutionary and projective process for adding value to materials, tools, making, programming, and printing. Although individual studio work will diverge in addressing how forms and patterns of ornamentation arise from nature, abstract systems, and cultural imperatives, our primary assessment and evaluation practices will focus on small group projects requiring the cultivation and ornamentation of individual work by students from each of the studios each quarter. Winter projects will center on the idea of – permeable surfaces and membranes that frame and modulate movements and flows. Spring projects will address the idea of – multi-dimensional forms and modules that address boundaries between inside and outside. Studio work and small group projects will lead to opportunities for substantive research and creative projects, including a week-long field study winter and a two-week field study or studio intensive spring quarter. Through all-program lectures/workshops, peer presentations, seminars and field trips, as well as studio projects, students will develop abilities in drawing and design, tools and materials (both low-tech and high-tech), and experimental forms of expressive, expository, and reflective thinking, speaking and writing. Book possibilities include: (Pallasmaa), (Trilling), (Pasztory), (Adoo), (Ingold), (Rasula and McCaffery), (Malafouris and Renfrew), (Teyssot), (France), (Stephenson), Ornament: The Politics of Architecture and Subjectivity (Picon), (Berssenbrugge), and (Tufte). | Robert Leverich Arlen Speights Sarah Williams | Mon Tue Wed Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Winter | Winter Spring | |||
Jamie Colley
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Course | FR–SRFreshmen–Senior | 4 | 04 | Evening | S 15Spring | Odissi, one of the major classical dances of India, combines both complex rhythmic patterns and expressive mime. This class will be devoted to the principles of Odissi dance, the synthesis of foot, wrist, hand and face movements in a lyrical flow to express the philosophy of yoga based dance. Throughout the quarter, we will study the music, religion, and history of Indian dance and culture. | Jamie Colley | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Spring | Spring | ||||
Jamie Colley
|
Course | FR–SRFreshmen–Senior | 4 | 04 | Evening | F 14 Fall | Odissi, one of the major classical dances of India, combines both complex rhythmic patterns and expressive mime. This class will be devoted to the principles of Odissi dance, the synthesis of foot, wrist, hand and face movements in a lyrical flow to express the philosophy of yoga based dance. Throughout the quarter, we will study the music, religion, and history of Indian dance and culture. | Jamie Colley | Tue Thu | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall | ||||
Karen Gaul, Evan Blackwell and Anthony Tindill
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Program | JR–SRJunior–Senior | 16 | 16 | Day | F 14 Fall | W 15Winter | S 15Spring | Fifty years ago, Buckminster Fuller contemplated our planetary future and our limited ability to imagine alternative futures in his book, . In this program, we will consider what it means to be astronauts on our home planet and how to creatively imagine healthy and sustainable future scenarios. Guiding questions for the program will include: What shapes cultural values and how do cultures change, adapt and form new paths? How do we weave together various branches of knowledge into a healthy system and vision for the world? What do we make with the abundance of material goods that fill our daily lives? How do we design objects and spaces to create a more sustainable and fulfilling existence? To address these questions, we will consider traditions of the past and present that demonstrate cultural responses to environmental limits and possibilities. Yogic philosophy, for example, offers critical guidelines for sustainable living and we will explore the principles and practices of this tradition. We will examine the ideologies of the Arts and Crafts movement, the modernist avant-garde, social sculpture and art as social practice. These will be connected with the environmental movement and current trends such as upcycling, cradle-to-cradle design and the resurgence in handiwork and traditions of craft.Students will research and construct their own “Operating Manuals” over the course of the three quarters. This will include a critical look at alternative and utopian models for living, as well as engage with powerful sustainability and justice movements already at work in our community. This program will challenge students to engage through readings and weekly seminar discussions, field visits and research papers, as well as visual art projects and critiques.In fall quarter, we will build vocabularies and skills for thinking about sustainability and community transformation. Studio work in two- and three-dimensional design and ceramics will emphasize redesigning, repurposing and reusing the proliferation of materials available all around us. Yoga labs will help us to integrate work in the classroom and studio with yogic thought and somatic experiences. Study and comparison of cross-cultural examples of sustainability practices will guide the development of our Operating Manuals.In winter quarter, we will work to develop community projects and/or individual visual artworks. We will work with organizations such as Sustainable South Sound and The Commons to develop applied projects. Students will research and report on local and regional alternative, intentional communities. Our critical analysis of sustainability discourses will inform all of our studio work.Spring quarter will offer opportunities to further develop and implement community projects. These may take the form of public art projects, sculptures or installations that enhance public spaces such as community or school gardens or parks. They may also involve facilitating public art processes that integrate the concepts and design principles central to this program. | Karen Gaul Evan Blackwell Anthony Tindill | Junior JR Senior SR | Fall | Fall Winter Spring | |||
Mukti Khanna and Jamyang Tsultrim
|
Program | SO–SRSophomore–Senior | 4, 16 | 04 16 | Day, Evening and Weekend | F 14 Fall | W 15Winter | S 15Spring | Mindfulness is the ability to fully attend to what is at hand and be in the present moment. Mindfulness is being applied to a variety of professional fields, including health care and education, to improve effectiveness and enhance well-being. The practice of mindfulness can increase our individual and collective resiliency to respond to changing personal and global situations in adaptive and creative ways.The program will focus on mindfulness through theory, practice and its application in relation to developmental psychology and abnormal psychology. Questions to be explored include how is mindfulness being integrated into working with people at various developmental stages of life? How can mindfulness be applied to emotional health? How is mindfulness being integrated in working with physical and mental health?Fall quarter will focus on developing a foundational understanding of constructive thought and emotion from both Eastern and Western perspectives based on philosophy, psychology and neuroscience. Students will also study developmental psychology of birth through adolescence in terms of emotional, physical and mental development. Winter quarter will focus on mindfulness, destructive thought and emotions through exploring habitual patterns of thought, emotion and behaviors. Students will also study human development from adult, geriatric and end of life perspectives. Spring quarter will focus on how mindfulness is being applied in clinical settings to promote physical and mental health. Students will also study abnormal psychology and see how mindfulness is being integrated into the treatment of mental health, pain, addictions, hypertension and other health conditions. The four credit module will focus on mindfulness through constructive human experience (fall), destructive human experience (winter) and clinical applications of mindfulness (spring). The sixteen credit program will look at how these dimensions of mindfulness interface with developmental and abnormal psychology.Students will have an opportunity to learn in many ways using diverse modalities and multiple intelligences. We will integrate mindfulness practices into our studies, including movement, integrative health practices and expressive art workshops (no prior experience necessary). We will participate in community readings, rigorous writing assignments, theoretical tests and critical study of important texts. This program is designed as three-quarter program of study preparatory for careers and further study in psychology, philosophy of mind/emotion and the mental health field. | Mukti Khanna Jamyang Tsultrim | Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | |||
Mukti Khanna and Jamyang Tsultrim
|
Program | SO–SRSophomore–Senior | 4 | 04 | Day, Evening and Weekend | F 14 Fall | W 15Winter | S 15Spring | Mindfulness is the ability to fully attend to what is at hand and be in the present moment. Mindfulness is being applied to a variety of professional fields, including health care and education, to improve effectiveness and enhance well-being. The practice of mindfulness can increase our individual and collective resiliency to respond to changing personal and global situations in adaptive and creative ways.The program will focus on mindfulness through theory, practice and its application in relation to developmental psychology and abnormal psychology. Questions to be explored include how is mindfulness being integrated into working with people at various developmental stages of life? How can mindfulness be applied to emotional health? How is mindfulness being integrated in working with physical and mental health?Fall quarter will focus on developing a foundational understanding of constructive thought and emotion from both Eastern and Western perspectives based on philosophy, psychology and neuroscience. Students will also study developmental psychology of birth through adolescence in terms of emotional, physical and mental development. Winter quarter will focus on mindfulness, destructive thought and emotions through exploring habitual patterns of thought, emotion and behaviors. Students will also study human development from adult, geriatric and end of life perspectives. Spring quarter will focus on how mindfulness is being applied in clinical settings to promote physical and mental health. Students will also study abnormal psychology and see how mindfulness is being integrated into the treatment of mental health, pain, addictions, hypertension and other health conditions. The four credit module will focus on mindfulness through constructive human experience (fall), destructive human experience (winter) and clinical applications of mindfulness (spring). The sixteen credit program will look at how these dimensions of mindfulness interface with developmental and abnormal psychology.Students will have an opportunity to learn in many ways using diverse modalities and multiple intelligences. We will integrate mindfulness practices into our studies, including movement, integrative health practices and expressive art workshops (no prior experience necessary). We will participate in community readings, rigorous writing assignments, theoretical tests and critical study of important texts. This program is designed as three-quarter program of study preparatory for careers and further study in psychology, philosophy of mind/emotion and the mental health field. | Mukti Khanna Jamyang Tsultrim | Sophomore SO Junior JR Senior SR | Fall | Fall Winter Spring | |||
Bill Arney and Sara Huntington
|
Program | FR–SRFreshmen–Senior | 16 | 16 | Day | F 14 Fall | Hayden Carruth, “Freedom and Discipline”Silence has been banished by ear buds, the roar of politics and the economy, and the hum of hard disks doing our searching. Solitude? Think- as you're tempted to buy a retreat in a monastery or take a guided walk in a faraway canyon- of surveillance and our collective reliance on Facebook and its e-cousins. Laziness? We're anxious to be worker bees, and the last defense of a “right to be lazy” was written by Paul Lafargue in 1883. Silence, solitude, laziness: gone.This program will consider three paradoxical, counterintuitive hypotheses: Silence may open space to enjoy the virtues of vernacular speech and living in common. Solitude may allow us to know the importance of embracing others. Laziness may be more productive than work if our aim is the good life.We will follow the paths of iconoclasts, monks, mystics, utopian socialists, Charlie Chaplin and other artists, stoics and cynics and the occasional (certified) sociologist or philosopher to remember what we know about living well.In addition to the common work of the program, students will undertake an independent study of considerable significance that should be more admirable than convincing.At least four class hours each week will be devoted to writing, learning to make artful sentences. Students will read their work aloud and learn to accept and give good, open and public criticism of writing. In addition to the common work of the program, students will undertake an independent study of considerable significance that should be more admirable and beautiful than convincing. This project will account for up to half of the credit to be awarded. If your own writing practice contains even a scintilla of laziness, that’ll change. | Bill Arney Sara Huntington | Freshmen FR Sophomore SO Junior JR Senior SR | Fall | Fall |