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Week 3, Tuesday. Gran Torino

Gran Torino really “zooms” into all sorts of uncomfortable situations. (Har har, a lot like that pun!)

Our first stop on the road of analysis takes us to a problem that can be seen in many entertaining mediums: complex characters with simple titles (think: good guy and his best friend, bad guy). When characters with a range of emotion and endless moral options are represented to the viewer as good OR bad it’s easy forget that good can also be bad and bad can also be good. Therefore, we are watching the film and thinking “or” instead of “and”. This gets tricky when we decide that one character is most definitely bad and then naturally assume that the other characters must be good; as long as our role of “evil villain” has been filled it is easier to forgive and forget other characters.

For instance, using the illness of a not-so-nice character as a way to gain sympathy allows us to be more compassionate and forgiving. So even if a character say… constantly stereotypes, discriminates, and even points a gun at other humans just for being on his lawn the viewer may find it easier to sympathize with him if he is coughing up blood and his son is also seen as a trivial bad guy, too. Similarly, if that character shows a progression of compassion we too find ourselves growing in our fondness of him. But does that change who he was or what he’s done? At the end of the movie, Walt (Clint Eastwood) finally foes to Confession and his confession is quite telling– how much have his views (the viewer sees him “grow out of” or learn from) changed if he feels no need to repent them? So, this complex character looses his complexity in our assigning him the role of “bad guy turned good”. His is our Martyr (literally falls to the ground in a pose like Jesus on the cross, let’s be real), our White Savior, our changed man who makes it all better for this Hmong community. Is this where I’m supposed to swoon…?

Our second stop is one not too far from our last and involves the same dangerous bumpiness. This film definitely illustrates racism  but the obviousness of it overrides the more subtle racism and sexism. When Walt meets Youa (Choua Kue) he intentionally calls her Yum Yum. By the ages of those around her, I believe it safe to assume she’s around 15-17.  Walt is well past half-century age. So with his “ha-ha look, I’m nicer” attitude it’s easy to overlook his intentional botching of her name because it’s “funny” and “innocent”. But. Not really. In calling her Yum Yum he is exhibiting his feeling of entitlement in sexualizing her. And, as an elder white male he gets away with it. Even others who hear him call her Yum Yum accept it and laugh.

Our third and last stop: more sneaky racism (when juxtaposed with the more in-your-face racism), what does the movie leave out? What stereotypes does it accidentally perpetuate? Notice how the two other groups represented (three Black males and a group of Latino males) were represented as “Gangbangers” or “thugs”. When we see other white people in the movie represented we see them as vapid and vulgar (Walt’s family, his barber) however when you compare  this kind of representation there is a major difference. Being vapid and vulgar is innocent and forgivable; their personality is more of a statement on “American culture” (in and terms of the barber “the way to be a man”), whereas with both the Black and Latino representations are stereotypes that are not innocent. By internalizing the gang/thug/criminal stereotype both of these marginalized groups are put into danger in true reality.

This film was predictably entertaining but I’m not looking to be entertained by it gain.

-Film review “The Debut”

 

The Debut

Through this movie, I was impressed about two things. There are “conflicts” and “communities.”

-“Conflict”

Every time when I watch movies like this in class, I could find how many stereotypes there are about Asians. In this movie, there were also a lot of kinds of words used for stereotypes. Usually, they were used between people who had different backgrounds. For example, in the movie, the American girls at the party said “I have never eaten cats/dogs” to Ben. However, one thing I found in this movie was that stereotypes are also internalized. Ben’s father wanted Ben to be a doctor, and he talked about it in front of his relatives. I think that because his father cared about appearances, he protected the stereotype which is that Asian people were smart. Stereotypes exist not only between people having different backgrounds but also between the different generations. Ben was under his father’s pressure made by stereotype which is Asian people were smart, so he couldn’t seem to say his mind to his father. And more, he also couldn’t find who he is under the pressure. That reminded me of Thao in Gran Torino. Both of them were in conflict of “who they are” in America.

-“Community”

Since I came to America, I found that communities is very important to people with different backgrounds. America is a melting pot, so there are a lot of different kinds of communities. It took time for me getting used to this culture which people already have their own communities. This is because I had never cared about it when I was in Japan. In Japan, most of people there are Japanese, so I didn’t think about how important it was. I’m sure that it is comfortable for everyone to be in their community, even they have many friends having different backgrounds. In this movie, Ben and his friends went to the American party although his sister’s birthday party was happening at the same time. I think this is because he felt uncomfortable at the birthday party. He didn’t want to accept his home culture at that time, so he didn’t want to stay there. However, finally he went back to his sister’s party, because he was more uncomfortable at the American party. I don’t think everyone should have friends only who share the same community because having many friends from different backgrounds is good to exchange their cultures, but it is true that there were communities which we feel comfortable or uncomfortable in, and sometimes it made by races. I’m really enjoying my life here because I have friends and a lot of amazing experiences, but at the same time, I feel lonely. I think this is because I can’t find my community yet. America is a melting pot, but it does not always mixing well.

Impressions on The Debut

TDFirst off, I immediately recognized the main actor as Dante Basco just from his voice. I knew him better as the voice for Zuko and now General Iron on the Nickelodeon show series Avatar: The Last Airbender and Avatar: The Legend of Korra respectively.

Anyways, watching The Debut reminded me of my life as a young teenager. The debut (in this case it’s pronounced de’bu, no “t” sound at the end) for Ruben’s sister reminded me of the debut my brother went to. Only my brother was invited to it, even though it’s traditional to invite friends’ whole families over. I knew the girl, Katrina, as an acquaintance at best. Still the same as depicted, just with more modern music and stuff. I don’t know about the traditional dance with the dresses and fans though. All I recall is that friends of the birthday girl have to say something about her and perform by themselves or with a group of friends for her. I personally never been to one, but now that I have a young sister, my mother says it’s inevitable.

Anyhow, most of the things that happened at the debut remind me of the countless Filipino parties I attended while growing up. There was always an abundance of food, people designated to host and direct the parties, and many Filipino people who kept showing up, even after halfway through party. I must confess that my family always tells me Filipinos are late to the party, but they always stay late too, so it balances out if you think about it. Then again, my family sometimes showed up early, but still decided to stay way late.

The way they depicted Filipino Americans in this movie seems accurate, to me at least. Dante reminds me of my younger brother in terms of behavior, always the one who just stands out from the rest of us. I won’t elaborate on it any further, but my mother likes to make fun of him, calling him out on it. I like how they addressed FOBs, or Fresh Off the Boat people. I learned about that term about two years ago and wasn’t aware of it until then. We always discussed how they had different accents and mannerisms, like the “porty pife” gun part, than us, but that’s because they have not lived in America.

When I saw the “cha cha” dance part, I couldn’t help but smile a bit. My mother continues to this day to teach me that dance every time I’m doing nothing at home. I guess it’s a dance I’m supposed to know and it looks simple, but there’s more moves than that, such as a twirl that you do for the partner. The part when everyone was doing the same dance on the dancefloor reminds me of the party my mother hosted for her co-workers. Very reminiscent of what I saw.

Oh, this popped up in my mind when I saw that part.

Oh, this popped up in my mind when I saw that part.

Finally the way Ben and his father argued over the future Ben would have throws me back to when I was starting off college. Initially I went with their suggestion to become a nurse. My parents always told me that job makes plenty of money. What they probably didn’t know at the time though was that there was much competition to get in to the program and plenty of per-requisite classes to take. I only made it as far as Anatomy and Physiology I and failed that, so I had to to tell them that nursing wasn’t for me. Even before that, I knew I really didn’t want to be a nurse. Just the sight of needles makes me uneasy and I’m no health nut.

In regards to the movie only, I liked it. The cast looked convincingly Filipino to me, so there’s that bit.  The exploration of a young Filipino American who chooses his own path is well done. At first his aspirations don’t agree with his father, causing tension and conflict that strains the relationship between father and son. Ruben is also accused of being a coconut, brown on the outside but white on the inside, since he only hangs out with his two best friends, who are white. Ruben’s friends actually show interest in Ben’s culture, but Ben doesn’t know what they see in it. During the debut, Ruben sees his father perform and realizes that his father made his own choices and sacrificed everything for Ruben and the family, which disappoints his dad, or Ruben’s grandfather. Knowing this, they kind of have an understanding at then end.

The Debut Film Discussion

The film “The Debut” was a film that followed a young high school senior by the name Ruben (Ben) Mercado, and his struggles finding his identity. As a Filipino American you see Ruben go from rejecting his culture and in a sense being ashamed of his heritage, to seeing him realize he should take pride in the cultural traditions which he was observing during his sister Debutante birthday party.

However there was this connection I noticed within the film and the readings we were assigned from Ronald Takaki’s book, “Strangers From a Different Shore.” In Takaki’s book he explains how many Asian American students were often pushed towards college degrees in fields such as engineering, the medical field, and architecture. These careers were found to be prosperous and not a, “waste of time.” However many of these young men and women would possibly be more interested in earning degrees in the Arts or Social Sciences, but due to there parents ideals of seeing these career choices as unsatisfactory in terms of economic prosperity in the future, they are pressured away from other career fields that they may be passionate about. So what does this have to do with the film, “The Debut,” and the main character Ruben?

In the movie Ruben is being pressured by his father to take a scholarship to UCLA in order to pursue a career as a Doctor. However Ruben without telling his father decided to enroll in an art school, which his father believed was a pointless hobby. Later on Ruben found that his father also had a history as a musician and had to give up his music dreams due to Rubens birth. Furthermore his father was also seen as somewhat of a disappointment to his own father (Ruben’s Grandfather) because he had, “wasted his time” with music as a young man and now is a Postman, serving mail to others. His fathers job as a worker in a job providing a service can also be related to Takaki because a lot of first generation immigrants had to accept employment in jobs that were service related, such as in the restaurant industry or as janitors. This idea of the older generations in Asian American society, pushing their children towards careers as professionals, and away from careers that the child may be passionate about is perfectly depicted in this film.

However I feel for both sides, both the child and the parent. It would be hard to go through college and later moving into a career that you may have zero passion or interest towards in order to please your elders. There would always be this sense of what if? What if I had followed my dreams and became a musician, or a painter, or cartoonist? However I also understand the parent’s point of view. As first generation immigrants, in an American society with a long history of racial tension and unequal job opportunities. Where they had to work jobs that were, labor intensive, and service related, for the hopes of providing a better opportunity for the next generation. I can see why they would push their children towards an education and career where they had better chances of improving their economic standing, and position in society. Either way it is sad that these children are placed in this position especially because America is always described as a place where anyone can become anything. A place where one can follow their dreams, and pursue their interests, whatever they may be.

In the film at the very end, Ruben finally comes out and tells his father that he had already enrolled in Art school and had taken out all of his savings in order to pay the first years tuition. After showing his father his portfolio of  his artwork with which he had sent to art school and his acceptance was based upon, as well as showing him a picture he had created of his father, his grandfather, and of himself, we start to see acceptance of Ruben’s decision creep into the face of Ruben’s father.

Overall this film can be connected to may issues related to what we have learned in our A-Pop program and in Asian American studies in general. Such as the loss of language seen in the later generation of immigrants, such as the frustration depicted by Ruben’s grandfather in his not taking the time to learn Tagalog which is spoken in the Philippines. The racist stereotypes being depicted by a white girl at a high school party where she indicated Ruben and other Filipino’s, “ate dogs.” Throughout the film these connections of the struggles faced by immigrants and their children in, as Takaki would describe, “As being from a different shore,” are very apparent and eye opening.

Movie Thoughts: Gran Torino

Why Gran Torino? Why use that car for the title, to craft the movie around?

We know it wouldn’t be Prius, Accord, a mini van.

So Why Gran Torino?

Screen Shot 2014-01-23 at 12.19.17 PM

Clint Eastwood’s character was a Korean War veteran, living in Detroit among a large Homng American community. He worked at the ford company for many years after the war. Then in 2008 here is Eastwood, presuemably retired, the film follows Eastwood as an old crumudgun. He mentions he installed the cars transmission right on the assembly line in 1972.

The car could be symbolical of Eastwood’s character– it’s a classic/old-school American built car that is considered antiquated in contrast to vehicles in 2008. In this movie, the car is in mint condition. Eastwood is in great shape, but has an ailment causing him to cough up blood.

The 1970s Asian cars became more common; partly due to their quality compared to the US vehicles, as well as the fuel shortage of the time. The motor companies created the “Buy American” / anti-Japanese campaign that caught on. The Torino represents Eastwood.

Eastwood, like his car is a product of a by-gone age. Having served in and survived the Korean war, he adopted an anti-Asian exterior. The movies over-the-top use of profanity and racist stereotypes has been viewed by some as “…a critical examination of an iconic brand of white macho maleness that he [Eastwood] played a significant part in creating” (Wikipedia.org).

Walt’s (Eastwood) self-centered grand daughter wanted the car… and his Hmong American neighbor, Thaou attempts to steal the Torino as part of a gang initiation. The car serves to bring the two together. Walt begins to see beyond his biases seeing Thaou for the person he really is– not just an embodiment of a racist stereotype. In doing so Walt begins to develop an appreciation for the Hmong’s; so much so that he ends up giving his life to save Thaou. Walt leaves the Torino to Thaou in his will– symbolically weaving the past with the future in the present. The story would have been quite different had the car been a Prius.

Screen Shot 2014-01-23 at 12.25.02 PM

The Debut

When the movie started, it was clear that Ben seemed to be ashamed of his family and his home. His friends poke a bit of lighthearted and harmless fun, but are very accepting and even eager to enjoy the festivities and cultural events. They chow down on full plates of food and sit entranced as the dancers dance.

Sheldon’s party ended up being a major turning point for Ben. When faced with the blatant racism from the girl at the party, he has this realization that I interpreted as him finally figuring out that as white as he feels on the inside, he will never be white. He’ll always be Filipino. He goes back to his sister’s debut and rejoining the family. However, he ends up taking out all the hurt and rage out Gusto. Since Gusto is trying to tell Ben that he’s the opposite. He taunts Ben by calling him a white boy and saying that he’s not brown. I felt that Ben’s turmoil over not being white and not feeling brown, is resolved with his painting of himself, his father, and his grandfather laid over the flag.

I think that the best part of the film was when one of the characters, Ed I think, was trying to open the minds of those around him. When he slams the two crazed car enthusiasts with a quick lesson in Philippine history, he really makes and impact on those who hear him.

The parallels between Ben and his father and Ben’s father and grandfather were interesting. I think that for Ben’s father the anger and disappointment from the beginning of the movie that was targeted towards Ben was melted away by his own fight with his father. He is an artist who wanted to go his own way, but his father disapproved and ultimately the band failed. Since he would want better for his son, he tried to push him towards a better chance and away from his dream.

The Debut

Connections…….

This is the definitely the word of 2014, in my life anyways. (Thanks to Chico :])So let’s talk about connections.

This movie was a great illustration of the generational gap between the kids who were born in America, their parents, and their grandparents who didn’t move to America. Much like the experience of the Nisei, Ben was caught up in trying to find his true identity  and where he belongs in life. On one hand, he grew up in America and was very much a part of that culture. On the other hand, his family showed him the roots of his Filipino/a culture. This difference alone is enough to create tensions between the children and their parents. While the parents try to help instill their culture and beliefs in their children, the children are trying to fit in around their peers at school.

The scene where Ben left his sister’s party and went to the party that his friends invited him to brought another connection to light. A girl at the party started making racist jokes towards Ben and finally used a racial slur when he accidentally spilled her drink. This showed Ben that he would have difficulties fitting in even though he grew up in America. Ben also talked about when he was a kid and he tried to make his nose pointier to look more like a white person. These struggles were very similar to those of the Nisei growing up in a hostile America.

He also didn’t get along well with his grandpa who came to the party from the Philippines. Much like the Nisei felt like their home was in America, Ben could not relate with his grandpa. This made me think about the experience of the Nisei when they received the news about E.O. 9066. They had never been to Japan and those who did visit Japan did not feel at home there either.

All of this manifested the image of a cairn in my head. A cairn is a pile (or stack) of stones made by a human. One stone may be light, but many stones will become very heavy. And while the stones weigh down on each other, they have to be balanced or the cairn will teeter on the edge of breaking down. Thus was Ben’s situation, but he managed to keep his balance.

The Debut

de·but dāˈbyo͞o/ noun: 1. a person’s first appearance or performance in a particular capacity or role.
Overall, I feel the film captured a lot of the Filipino/a cultural traditions and instances. At the beginning of the film Ben brings his foodie 020white friends over and he is embarrassed by the smell in the house, but his friends find the smell appealing. Also, when his friends come into the kitchen, the mother introduces herself and offers them a bite to eat, which I can vouch that that moment was a typical Filipino/a thing to do. The over-sized fork and spoon on the wall is something I have seen in majority of Filipino/a households. At the debut the dances, the costumes, and food all looked realistic in a sense that there were real Filipino/a actors/actresses that actually created this atmosphere. In addition to these things, I thought that it was very funny as well that there was a couple talking about how there are many “Oriental” races who are nurses now and the white husband of the aunt corrected them and said they were supposed to say “Asians.” First, I think it’s funny because I know many Filipino/a friends and family who want each other to strive in the medical field; secondly, how the Filipina wife glared at him and continued to say “Oriental” as if she was entitled to say Oriental because she was one. Anyhow, the director and cast did a very good job on portraying the Filipino/a lifestyle and struggles.
After watching the problems go on during this film, I realized that most of these conflicts essentially have the same theme: pride. I think first, I’ll just list off the conflicts and problems. First there is the conflict between Rose and Ben and his desire to be white. Second is the tension between Ben and his father and becoming a doctor. There are also a few little conflicts that do not include the main characters such as his Aunt and Gusto as well, the two cousins fight at the end, and Lolo’s argument with Ben’s father and Ben’s uncle Lenny. Those are quite a few things, but I think they all contribute to this theme of pride of being who you are.
At the beginning of Rose’s debut Ben Rose tells Ben that he wishes to be white and he just questions her, “So?” then she comes back with a line, “You’re just as brown as the rest of us.” I thought that line was very powerful in a way to remind him that he can try to be as white as he wants to, but skin color cannot change and he cannot change who he is. Then at the end of the movie Ben returns to his sisters’ debut and realizes that his culture is actually something to be proud of. In addition to that, his white friends are enjoying his Filipino party and food! It took a very mean racial slur from one of his “white” friends’ party to realize that he is will never be white and his friends’ approval of the Filipino party to take pride in his own culture. There was also a conflict between Ben and his father. Ben’s father wants him to become a doctor and Ben resisting because he wants to pursue a future in the arts which causes conflict and tension between them. Ben’s father tries to impress Lolo by telling him that Ben is the way to becoming a doctor, this creates a pride “bubble” of protection for Ben’s father. Ben’s father knows that Lolo (his father) would take great pride knowing that his grandson will be successful in the medical sphere.
Then there is the Aunt and Gusto. After Ben’s father breaks up Ben and Gusto’s fight, he finds a gun on Gusto and shows it to his mother. His mother is in complete denial, but accepts it and starts slapping Gusto. I feel that she was slapping him because she wanted to believe that he was a good son, but also because of how embarrassing it is to have a gang-banger son.  Gusto, who was also filled with pride being in his little friendship gang then loses all of his pride in front of everyone by taking the slaps by his mother and hanging his head low. Lastly, the scene where Lolo is yelling at Ben’s dad about how embarrassed he is about having his son (Ben’s dad) invite those kinds of people to a party. He then rants on about how he cannot even afford a nice Debut party for Rose, which is not prideful. Lastly, the two cousins at the end get into a little petty fight about one calling the other a “Fob” which usually stands for fresh off the boat. The first cousin basically pushes the second cousin around, like hitting him, calling him names, typically bully behavior. So what starts off the fight is the first cousin makes fun of the other by calling him a “Fob” and making of how he still has an accent, but when Gusto and Ben were fighting, they were calling Ben a coconut (brown on the outside and white on the inside). I thought it was ironic that the first cousin made fun of Ben for not being like a “real” Filipino, but then makes fun of his cousin for being “too Filipino.” Anyways, the second cousin ends up hitting the first cousin and I do not think that the second cousin gets mad at just the slurs, but because he had pride in who he was. The second cousin knew he was not a “Fob” and took pride in himself to stand up against his cousin.
These conflicts all eventually get resolved, like Ben accepts that he his Filipino and finally okay and proud with it. Ben confesses to his father that he paid his own way to his first years tuition to CalArts with all his money and his father realizes that his son does have talent in this field. Gusto gets stripped of his pride and even though Lolo chewed Ben’s father out, Ben seems to be proud of his father for giving so much up after he was born.
In addition to the theme of pride, I also found some historical connections.
There was a part in the film where Lolo was upset that Ben did not know Tagalog. I think that this is reminiscent to the Filipino

Green, Red, or Blue. Which one are you? Choose one.

Green, Red, or Blue. Which one are you? Choose one.

immigrants. It’s like even though they live in America that does not mean that their culture should be forgotten. So I feel that Ben’s grandfather is part of the immigrant population that want to preserve their culture in the U.S. Ben’s parents, I think, portray those who consider themselves as the Asian-American generation. They have adapted to living in America, abiding the laws, but still keeping their homeland traditions. Then I think Ben is generation that goes through an identity crisis. Ben knows he is Filipino, but resists that concept and acts white, as if he can easily change that. So, I feel that Ben represents the generation of immigrant’s children who do not or cannot identify themselves as one race or another. Overall, I think this film related very well back to Takaki and to the program and what we have studied so far.

Stereotypes, Masculinity, and (Mis)representation

I was immediately drawn to themes across movies. Both The Debut and Gran Torino feature main characters who are quiet, and studious young Asian American men. In the case of Gran Torino, we are presented with three archetypes of masculinity: Walt, white hypermasculinity, Spider who represents “gangster” masculinity, and Thao who is quiet, introverted, and is repeatedly seen doing domestic labor, or “women’s work” around the house. Walt attempts to indoctrinate Thao into hypermasculinity, taking him under his wing and teaching him how to “be a man”. He steps in to save Thao from his apparent emasculation by the Hmong women of his family. Thao resists gang violence by silently taking insults, while Walt actually escalates the cycle of violence by intervening with his hypermasculine code which requires retribution for insult. Thao’s stereotype of the geeky emasculated Asian man sits in sharp contrast to the Asian gangster role played by his cousin, Spider. In The Debut this gangster/cousin role is played by Augusto, who acts as a foil to Ben. Unlike Gran Torino, in The Debut there is no white savior. In the face-off with the gangster cousin, there is no Walt to save him, instead Ben’s family supports him and Augusto is publicly shamed for bringing a gun to the party.

I’m noticing that there is a consistent theme of emasculation, and navigating  masculinity across  Better Luck Tomorrow, Gran Torino, and The Debut. Perhaps this is due to these films being coming of age stories about young men. Adolescence is the time when young people begin to confront the adult masculine roles they are expected to fill, and I suspect there is another layer of complexity when race comes into play, especially given the way that Asian men are often seen as emasculated parodies of white hypermasculinity.

The Debut Film

This film was really interesting because it showed the home life of a Filipino American family and how their Filipino culture affected their son named Ben. For example, Ben feels embarrassed about his Filipino culture. When Ben comes home with his two white friends, one of the friends has to use the bathroom. Ben comes up with excuse after excuse about why they cannot come inside. Finally they do go inside and are somewhat taken aback to the household’s Filipino decorations. Ben is even further embarrassed when his family warmly asks his friends to stay and try the food. Clearly Ben cares very much about how other people view him. It’s not until Augusto tells Ben that he’s a sellout does it finally click for Ben that he’s been acting distant/rude towards his family. Another turning point for Ben is when a girl at a party taunts him with racist slurs.

I think that the idea of a young adult/teenager being embarrassed or ashamed of their background, whether it’s to do with culture, race, generational differences, or class, is quite common. Last quarter we learned of how the Nisei felt embarrassed about their Japanese heritage. And it wasn’t usually until later in life did they become proud of their parents culture. Going off of that, it’s my opinion that class can also make a person feel embarrassed or ashamed. Like if someone comes from a lower-income background but attends a prestigious school there probably is going to be some shame or embarrassment down the line. Basically this film helped exemplify the connections to be made between class, race, gender, generational differences, and culture.